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Theognis (tyrant)
Theognis ( grc-gre, Θέογνις) was a member of the Thirty Tyrants of Athens (Xenophon, ''Hellenica'' 2.3.2; Lysias 12.6). Lysias was able to escape from the house of Damnippus, where Theognis was guarding other aristocrats rounded up by the Thirty. It is possible (but by no means certain), that some ancient sources (scholia to Aristophanes and the ''Suda'') are correct in identifying Theognis the tyrant with the minor tragic poet of the same name, known from Aristophanes' mocking references to the frigidity of his poetry (''Acharnians'' 11 and 138, ''Thesmophoriazusae'' 170). The Suda The ''Suda'' or ''Souda'' (; grc-x-medieval, Σοῦδα, Soûda; la, Suidae Lexicon) is a large 10th-century Byzantine encyclopedia of the ancient Mediterranean world, formerly attributed to an author called Soudas (Σούδας) or Souidas ... wrote that he was also called Chion (Χιὼν). References {{authority control Thirty Tyrants Tragic poets 5th-century BC Athenians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thirty Tyrants
The Thirty Tyrants ( grc, οἱ τριάκοντα τύραννοι, ''hoi triákonta týrannoi'') were a pro-Spartan oligarchy installed in Athens after its defeat in the Peloponnesian War in 404 BC. Upon Lysander's request, the Thirty were elected as a tyrannical government, not just as a legislative committee. Although they maintained power for only a brief eight months, their reign resulted in the killing of 5% of the Athenian population, the confiscation of citizens' property and the exile of other democratic supporters. They became known as the "Thirty Tyrants" because of their cruel and oppressive tactics. The two leading members were Critias and Theramenes. The rule of the Thirty With Spartan support, the Thirty established an interim government in Athens. The Thirty were concerned with the revision if not erasure of democratic laws inscribed on the wall next to the Stoa Basileios. Consequently, the Thirty reduced the rights of Athenian citizens in order to institute an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xenophon
Xenophon of Athens (; grc, wikt:Ξενοφῶν, Ξενοφῶν ; – probably 355 or 354 BC) was a Greek military leader, philosopher, and historian, born in Athens. At the age of 30, Xenophon was elected commander of one of the biggest Ancient Greek mercenaries, Greek mercenary armies of the Achaemenid Empire, the Ten Thousand, that marched on and came close to capturing Babylon in 401 BC. As the military historian Theodore Ayrault Dodge wrote, "the centuries since have devised nothing to surpass the genius of this warrior". Xenophon established precedents for many logistical operations, and was among the first to describe strategic flanking maneuvers and feints in combat. Xenophon's ''Anabasis (Xenophon), Anabasis'' recounts his adventures with the Ten Thousand while in the service of Cyrus the Younger, Cyrus's failed campaign to claim the Persian throne from Artaxerxes II of Persia, and the return of Greek mercenaries after Cyrus's death in the Battle of Cunaxa. ''Anabasis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lysias
Lysias (; el, Λυσίας; c. 445 – c. 380 BC) was a logographer (speech writer) in Ancient Greece. He was one of the ten Attic orators included in the "Alexandrian Canon" compiled by Aristophanes of Byzantium and Aristarchus of Samothrace in the third century BC. Life According to Dionysius of Halicarnassus and the author of the life ascribed to Plutarch, Lysias was born in 459 BC, which would accord with a tradition that Lysias reached, or passed, the age of eighty. This date was evidently obtained by reckoning back from the foundation of Thurii (444 BC), since there was a tradition that Lysias had gone there at the age of fifteen. Modern critics, in general, place his birth later, c. 445 BC, and place the trip to Thurii around 430 BC. Cephalus, his father, was a native of Syracuse, and on the invitation of Pericles had settled at Athens. The opening scene of Plato's ''Republic'' is set at the house of his eldest son, Polemarchus, in Piraeus. The tone of the picture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suda
The ''Suda'' or ''Souda'' (; grc-x-medieval, Σοῦδα, Soûda; la, Suidae Lexicon) is a large 10th-century Byzantine encyclopedia of the ancient Mediterranean world, formerly attributed to an author called Soudas (Σούδας) or Souidas (Σουίδας). It is an encyclopedic lexicon, written in Greek, with 30,000 entries, many drawing from ancient sources that have since been lost, and often derived from medieval Christian compilers. Title The derivation is probably from the Byzantine Greek word ''souda'', meaning "fortress" or "stronghold", with the alternate name, ''Suidas'', stemming from an error made by Eustathius, who mistook the title for the author's name. Paul Maas once ironized by suggesting that the title may be connected to the Latin verb ''suda'', the second-person singular imperative of ''sudāre'', meaning "to sweat", but Franz Dölger traced its origins back to Byzantine military lexicon (σοῦδα, "ditch, trench", then "fortress"). Silvio Giuse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristophanes
Aristophanes (; grc, Ἀριστοφάνης, ; c. 446 – c. 386 BC), son of Philippus, of the deme In Ancient Greece, a deme or ( grc, δῆμος, plural: demoi, δημοι) was a suburb or a subdivision of Athens and other city-states. Demes as simple subdivisions of land in the countryside seem to have existed in the 6th century BC and ear ... Kydathenaion ( la, Cydathenaeum), was a comedy, comic playwright or comedy-writer of Classical Athens, ancient Athens and a poet of Ancient Greek comedy, Old Attic Comedy. Eleven of his forty plays survive virtually complete. These provide the most valuable examples of a genre of comic drama known as Ancient Greek comedy, Old Comedy and are used to define it, along with fragments from dozens of lost plays by Aristophanes and his contemporaries. Also known as "The Father of Comedy" and "the Prince of Ancient Comedy", Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author. His pow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acharnians
''The Acharnians'' or ''Acharnians'' (Ancient Greek: ''Akharneîs''; Attic: ) is the third play — and the earliest of the eleven surviving plays — by the Athenian playwright Aristophanes. It was produced in 425 BC on behalf of the young dramatist by an associate, Callistratus, and it won first place at the Lenaia festival. ''The Acharnians'' is about an Athenian citizen, Dikaiopolis, who miraculously obtains a private peace treaty with the Spartans and enjoys the benefits of peace in spite of opposition from some of his fellow Athenians. The play is notable for its absurd humour, its imaginative appeal for an end to the Peloponnesian War, and for the author's spirited response to condemnations of his previous play, ''The Babylonians'', by politicians such as Cleon, who had reviled it as a slander against the Athenian polis. In ''The Acharnians'', Aristophanes reveals his resolve not to yield to attempts at political intimidation. Along with the other surviving plays of Aristo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thesmophoriazusae
''Thesmophoriazusae'' ( grc-gre, Θεσμοφοριάζουσαι; ''Thesmophoriazousai'', meaning ''Women Celebrating the Festival of the Thesmophoria''), or ''Women at the Thesmophoria'' (sometimes also called ''The Poet and the Women''), is one of eleven surviving plays by Aristophanes. It was first produced in , probably at the City Dionysia. The play's focuses include the subversive role of women in a male-dominated society; the vanity of contemporary poets, such as the tragic playwrights Euripides and Agathon; and the shameless, enterprising vulgarity of an ordinary Athenian, as represented in this play by the protagonist, Mnesilochus. The work is also notable for Aristophanes' free adaptation of key structural elements of Old Comedy and for the absence of the anti-populist and anti-war comments that pepper his earlier work. It was produced in the same year as ''Lysistrata'', another play with sexual themes. How ''Thesmophoriazusae'' fared in the City Dionysia drama competi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragic Poets
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
