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Thesmophoriazusae
''Thesmophoriazusae'' ( grc-gre, Θεσμοφοριάζουσαι; ''Thesmophoriazousai'', meaning ''Women Celebrating the Festival of the Thesmophoria''), or ''Women at the Thesmophoria'' (sometimes also called ''The Poet and the Women''), is one of eleven surviving plays by Aristophanes. It was first produced in , probably at the City Dionysia. The play's focuses include the subversive role of women in a male-dominated society; the vanity of contemporary poets, such as the tragic playwrights Euripides and Agathon; and the shameless, enterprising vulgarity of an ordinary Athenian, as represented in this play by the protagonist, Mnesilochus. The work is also notable for Aristophanes' free adaptation of key structural elements of Old Comedy and for the absence of the anti-populist and anti-war comments that pepper his earlier work. It was produced in the same year as ''Lysistrata'', another play with sexual themes. How ''Thesmophoriazusae'' fared in the City Dionysia drama competi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Acharnians
''The Acharnians'' or ''Acharnians'' (Ancient Greek: ''Akharneîs''; Attic: ) is the third play — and the earliest of the eleven surviving plays — by the Athenian playwright Aristophanes. It was produced in 425 BC on behalf of the young dramatist by an associate, Callistratus, and it won first place at the Lenaia festival. ''The Acharnians'' is about an Athenian citizen, Dikaiopolis, who miraculously obtains a private peace treaty with the Spartans and enjoys the benefits of peace in spite of opposition from some of his fellow Athenians. The play is notable for its absurd humour, its imaginative appeal for an end to the Peloponnesian War, and for the author's spirited response to condemnations of his previous play, ''The Babylonians'', by politicians such as Cleon, who had reviled it as a slander against the Athenian polis. In ''The Acharnians'', Aristophanes reveals his resolve not to yield to attempts at political intimidation. Along with the other surviving plays of Aristo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristophanes
Aristophanes (; grc, Ἀριστοφάνης, ; c. 446 – c. 386 BC), son of Philippus, of the deme In Ancient Greece, a deme or ( grc, δῆμος, plural: demoi, δημοι) was a suburb or a subdivision of Athens and other city-states. Demes as simple subdivisions of land in the countryside seem to have existed in the 6th century BC and ear ... Kydathenaion ( la, Cydathenaeum), was a comedy, comic playwright or comedy-writer of Classical Athens, ancient Athens and a poet of Ancient Greek comedy, Old Attic Comedy. Eleven of his forty plays survive virtually complete. These provide the most valuable examples of a genre of comic drama known as Ancient Greek comedy, Old Comedy and are used to define it, along with fragments from dozens of lost plays by Aristophanes and his contemporaries. Also known as "The Father of Comedy" and "the Prince of Ancient Comedy", Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author. His pow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euripides
Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy i ... of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thesmophoria
The Thesmophoria ( grc, Θεσμοφόρια) was an ancient Greek religious festival, held in honor of the goddess Demeter and her daughter Persephone. It was held annually, mostly around the time that seeds were sown in late autumn – though in some places it was associated with the harvest instead – and celebrated human and agricultural fertility. The festival was one of the most widely-celebrated in the Greek world. It was restricted to adult women, and the rites practised during the festival were kept secret. The most extensive sources on the festival are a comment in a scholion on Lucian, explaining the festival, and Aristophanes' play ''Thesmophoriazusae'', which parodies the festival. Festival The Thesmophoria was one of the most widespread ancient Greek festivals. The fact that it was celebrated across the Greek world suggests that it dates back to before the Greek settlement in Ionia in the eleventh century BCE. The best evidence for the Thesmophoria concern its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lysistrata
''Lysistrata'' ( or ; Attic Greek: , ''Lysistrátē'', "Army Disbander") is an ancient Greek comedy by Aristophanes, originally performed in classical Athens in 411 BC. It is a comic account of a woman's extraordinary mission to end the Peloponnesian War between Greek city states by denying all the men of the land any sex, which was the only thing they truly and deeply desired. Lysistrata persuades the women of the warring cities to withhold sexual privileges from their husbands and lovers as a means of forcing the men to negotiate peace—a strategy, however, that inflames the battle between the sexes. The play is notable for being an early exposé of sexual relations in a male-dominated society. Additionally, its dramatic structure represents a shift from the conventions of Old Comedy, a trend typical of the author's career. It was produced in the same year as the ''Thesmophoriazusae'', another play with a focus on gender-based issues, just two years after Athens' catastrophic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cleisthenes (Athenian)
Cleisthenes ( ; grc-gre, Κλεισθένης), also Clisthenes or Kleisthenes, was a prominent Athenian delegate (''theoros'') during the Peloponnesian War (431 BC). The comedian Aristophanes used him frequently as the butt of jokes and as a character in his plays, ridiculing him for his sexual tastes. He is notably mentioned in ''The Frogs'', ''The Clouds'', ''Lysistrata'', and ''Thesmophoriazusae''. References *''Acharnians'' 117,''The Clouds'', 354,''Thesmophoriazusae ''Thesmophoriazusae'' ( grc-gre, Θεσμοφοριάζουσαι; ''Thesmophoriazousai'', meaning ''Women Celebrating the Festival of the Thesmophoria''), or ''Women at the Thesmophoria'' (sometimes also called ''The Poet and the Women''), is o ...'', 574.Ancient Library {{authority control Ancient Greek statesmen 5th-century BC Athenians Greek LGBT people Athenians of the Peloponnesian War Aristophanes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andromeda (play)
''Andromeda'' ( grc, Ἀνδρομέδα, ''Androméda'') is a lost tragedy written by Euripides, based on the myth of Andromeda and first produced in 412 BC, in a trilogy that also included Euripides' ''Helen''. ''Andromeda'' may have been the first depiction on stage of a young man falling in love with a woman. The play has been lost; however, a number of fragments are extant. In addition, a number of ancient sources refer to the play, including several references in plays by Aristophanes. Plot Several aspects of the plot of ''Andromeda'' can be inferred from the extant fragments and references. The play opened with Andromeda alone on stage, having been chained to a rock near the sea and near a cave by her father Cepheus, King of Aethiopia, to be eaten by a sea monster. This was to mollify the sea god Poseidon after either Cepheus or his wife Cassiopeia had offended the god. Andromeda laments her fate alone, with only her echo to respond. A chorus of virgins ('' partheno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telephus
In Greek mythology, Telephus (; grc-gre, Τήλεφος, ''Tēlephos'', "far-shining") was the son of Heracles and Auge, who was the daughter of king Aleus of Tegea. He was adopted by Teuthras, the king of Mysia, in Asia Minor, whom he succeeded as king. Telephus was wounded by Achilles when the Achaeans came to his kingdom on their way to sack Troy and bring Helen back to Sparta, and later healed by Achilles. He was the father of Eurypylus, who fought alongside the Trojans against the Greeks in the Trojan War. Telephus' story was popular in ancient Greek and Roman iconography and tragedy. Telephus' name and mythology were possibly derived from the Hittite god Telepinu. Birth to adulthood Summary Telephus' mother was Auge, the daughter of Aleus, the king of Tegea, a city in Arcadia, in the Peloponnese of mainland Greece. His father was Heracles, who had seduced or raped Auge, a priestess of Athena. When Aleus found out, he tried to dispose of mother and child, but eventuall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deus Ex Machina
''Deus ex machina'' ( , ; plural: ''dei ex machina''; English "god out of the machine") is a plot device whereby a seemingly unsolvable problem in a story is suddenly and abruptly resolved by an unexpected and unlikely occurrence. Its function is generally to resolve an otherwise irresolvable plot situation, to surprise the audience, to bring the tale to a happy ending, or act as a comedic device. Origin of the expression ''Deus ex machina'' is a Latin calque . The term was coined from the conventions of ancient Greek theater, where actors who were playing gods were brought onto stage using a machine. The machine could be either a crane (''mechane'') used to lower actors from above or a riser that brought them up through a trapdoor. Aeschylus introduced the idea, and it was used often to resolve the conflict and conclude the drama. The device is associated mostly with Greek tragedy, although it also appeared in comedies. Ancient examples Aeschylus used the device in his '' Eume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agathon
Agathon (; grc, Ἀγάθων; ) was an Athenian tragic poet whose works have been lost. He is best known for his appearance in Plato's ''Symposium,'' which describes the banquet given to celebrate his obtaining a prize for his first tragedy at the Lenaia in 416. He is also a prominent character in Aristophanes' comedy the ''Thesmophoriazusae''. Life and career Agathon was the son of Tisamenus, and the lover of Pausanias, with whom he appears in both the ''Symposium'' and Plato's ''Protagoras''. Together with Pausanias, he later moved to the court of Archelaus, king of Macedon, who was recruiting playwrights; it is here that he probably died around 401 BC. Agathon introduced certain innovations into the Greek theater: Aristotle tells us in the ''Poetics'' (1456a) that the characters and plot of his '' Anthos'' were original and not, following Athenian dramatic orthodoxy, borrowed from mythological or historical subjects. Agathon was also the first playwright to write choral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andromeda (mythology)
In Greek mythology, Andromeda (; grc, Ἀνδρομέδα, Androméda or , ''Andromédē'') is the daughter of the king of Aethiopia, Cepheus (father of Andromeda), Cepheus, and his wife, Cassiopeia (mother of Andromeda), Cassiopeia. When Cassiopeia boasts that she is more beautiful than the Nereids, Poseidon sends the sea monster Cetus (mythology), Cetus to ravage the coast of Aethiopia as divine punishment. Andromeda is chained to a rock as a sacrifice to sate the monster, but is saved from death by Perseus, who marries her and takes her to Greece to reign as his queen. As a subject, Andromeda has been popular in art since classical times; rescued by a Greek hero cult, Greek hero, Andromeda's narration is considered the forerunner to the "princess and dragon" Motif (narrative), motif. From the Renaissance, interest revived in the original story, typically as derived from Ovid's ''Metamorphoses'' (4.663ff). Etymology Her name is the Latin, Latinized form of the Greek (''Androm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Echo (mythology)
In Greek mythology, Echo (; el, Ἠχώ, ''Ēkhō'', "echo", from ἦχος (''ēchos''), "sound") was an Oread who resided on Mount Cithaeron. Zeus loved consorting with beautiful nymphs and often visited them on Earth. Eventually, Zeus's wife, Hera, became suspicious, and came from Mount Olympus in an attempt to catch Zeus with the nymphs. Echo, by trying to protect Zeus (as he had ordered her to do), endured Hera's wrath, and Hera made her only able to speak the last words spoken to her. So when Echo met Narcissus and fell in love with him, she was unable to tell him how she felt and was forced to watch him as he fell in love with himself. Classical depiction ''Metamorphoses'' In ''Metamorphoses'' (8 AD), the poet Ovid tells of Juno (Hera in Greek mythology) and the jealousy she felt over her husband Jupiter's (Zeus in Greek mythology) many affairs. Though vigilant, whenever she was about to catch him, Echo distracted her with lengthy conversations. When at last Juno reali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_07.JPG "Click for more on -> Deus Ex Machina")
