The White Horse Inn (1952 Film)
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The White Horse Inn (1952 Film)
''The White Horse Inn'' (german: Im weißen Rößl) is a 1952 West German musical film directed by Willi Forst and starring Johanna Matz, Johannes Heesters and Walter Müller.Hake p. 119 It is based on the operetta ''The White Horse Inn'' and is part of the operetta film genre. It was shot in studios in Munich and on location around Lake Kochel in southern Bavaria. The film's sets were designed by Kurt Herlth, Robert Herlth and Willy Schatz. Paula Wessely was originally intended to star, but because she was unavailable, the lead role was rewritten for Johanna Matz. Cast * Johanna Matz as Josepha * Johannes Heesters as Dr. Siedler * Walter Müller as Leopold * Rudolf Forster as Kaiser Franz Josef * Paul Westermeier as Giesecke * Marianne Wischmann as Ottilie Giesecke * Sepp Nigg as Prof. Hinzelmann * Ingrid Pan as Klärchen Hinzelmann * Ulrich Beiger as Sigismund * Klaus Pohl as Bettler Loidl * Walter Koch as Piccolo Gustl * Alfred Pongratz Alfred may refer to: Arts and en ...
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Willi Forst
Willi Forst, born Wilhelm Anton Frohs (7 April 1903 – 11 August 1980) was an Austrian actor, screenwriter, film director, film producer and singer. As a debonair actor he was a darling of the German-speaking film audiences, as a director, one of the most significant makers of the Viennese period musical melodramas and comedies of the 1930s known as ''Wiener Filme''. From the mid-1930s he also recorded many records, largely of sentimental Viennese songs, for the Odeon Records label owned by Carl Lindström AG. Biography His first major role was opposite Marlene Dietrich in the silent film '' Café Elektric'' in 1927. However, he was best known for his characters in light musicals, which rapidly made him a star. He developed the genre of the Viennese Film with writer Walter Reisch in the 1930s, beginning with the Franz Schubert melodrama '' Leise flehen meine Lieder'' (1933) which became an iconic role for the actor Hans Jaray and ''Maskerade'' (1934), which launched his fame as ...
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Gloria Film
Gloria Film was a West German film production and distribution company. It was established in 1949 by Ilse Kubaschewski. An earlier, unconnected company of the same name had existed during the silent era in Germany, and had been absorbed into UFA in the 1920s. During the 1930s an Austrian production company also called itself Gloria. The company was set-up by Kubaschewski, a cinema-owner, who had noted that re-releases of Nazi-era films, particularly those made by UFA were easily outgrossing foreign film imports and post-war realist rubble films. Initially her company specialised in acquiring the rights to classic German films, but gradually she began co-funding new films with production companies. In 1953 she set up Divina Film, her own production company.Bergfelder, p. 75. Her initial films re-used many of the stars of Nazi-era cinema such as Zarah Leander, Marika Rokk and Kristina Söderbaum but newer stars such as Ruth Leuwerik, Maria Schell and Sonja Ziemann also ap ...
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Rudolf Forster
Rudolf Forster (30 October 1884 – 25 October 1968) was an Austrian film actor. He appeared in more than 100 films between 1914 and 1968. His autobiography ''Das Spiel, mein Leben'' was published by Propyläen Verlag in 1967. He was born in Gröbming, Austria, and died in Bad Aussee, Austria, five days before his 84th birthday. Selected filmography * ''Lepain'' (1914, 1920, part 1-6) - Detektiv * ''Das Bild der Ahnfrau'' (1916) * ''Frauenruhm'' (1920) * ''Glanz und Elend der Kurtisanen'' (1920) - Lucien de Rubempré / Léon Montaguard * ''Der Schieberkönig'' (1920) * ''Kurfürstendamm'' (1920) - Ernst Duffer * ''Fanny Elssler'' (1920) - Gentz * ''Manolescu's Memoirs'' (1920) - Alfons, deren Verlobter * ''Princess Woronzoff'' (1920) * ''Moj'' (1920) * ''The Skull of Pharaoh's Daughter'' (1920) - Dr. Pflüger * ''Der Schädel der Pharaonentochter'' (1920) * ''Anna Karenina'' (1920) - Graf Ljevin * ''Der Mann mit den drei Frauen'' (1920) * ''10 Millionen Volt'' (1921) * ''Die rot ...
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Paula Wessely
Paula Anna Maria Wessely (20 January 1907 – 11 May 2000) was an Austrian theatre and film actress. ''Die Wessely'' (literally "The Wessely"), as she was affectionately called by her admirers and fans, was Austria's foremost popular postwar actress. Biography She was born in Vienna, the daughter of butcher Carl Wessely, younger brother of the late Burgtheater actress Josephine Wessely (1860–1887). Like her adored aunt, Paula Wessely prepared for an artistic career. From 1922 she attended the Vienna State Academy of Music and Performing Arts and later the Max Reinhardt Seminar, while she made her debut as an actress in 1924 at the Volkstheater, followed by several minor roles of the boulevard repertoire, also performing at the Raimund Theater. Her career proceeded, when in 1926, she became a member of the New German Theatre ensemble in Prague, where she and her future husband Attila Hörbiger (1896–1987) performed in ''Les Nouveaux Messieurs'' by Flers and Croisset. In ...
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Willy Schatz
Willy Schatz (1903–1976) was a German art director of Baltic German origin. He designed the sets for numerous film productions in post-war West Germany including Fritz Lang's '' The Tiger of Eschnapur'' and '' The Indian Tomb'' in 1959.Langford p.83 Selected filmography * ''Two Times Lotte'' (1950) * ''Love on Ice'' (1950) * ''Das Riesenrad'' (1951) * ''The White Horse Inn'' (1952) * '' The Immortal Vagabond'' (1953) * '' The Postponed Wedding Night'' (1953) * ''Cabaret'' (1954) * ''Marianne of My Youth'' (1955) * ''The Mistress of Solderhof'' (1955) * '' Love, Summer and Music'' (1956) * ''The Doctor of Stalingrad'' (1958) * ''The Domestic Tyrant'' (1959) * '' The Tiger of Eschnapur'' (1959) * '' The Indian Tomb'' (1959) * '' The Haunted Castle'' (1960) * ''Axel Munthe, The Doctor of San Michele'' (1962) * ''A Mission for Mr. Dodd'' (1964) * ''Living It Up ''Living It Up'' is a 1954 American comedy film starring Dean Martin and Jerry Lewis which was released by Paramount Pictu ...
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Robert Herlth
Robert Herlth (2 May 1893 – 6 January 1962) was a German art director. He was one of the leading designers of German film sets during the 1920s and 1930s.Reimer & Reimer p.146 Filmography * ''Masks'' (1920) * '' Island of the Dead'' (1921) * '' The Secret of Bombay'' (1921) * ''The Devil's Chains'' (1921) * ''Destiny'' (1921) * '' Playing with Fire'' (1921) * ''Wandering Souls'' (1921) * ''Parisian Women'' (1921) * ''Miss Julie'' (1922) * ''Madame de La Pommeraye's Intrigues'' (1922) * '' Luise Millerin'' (1922) * '' The Earl of Essex'' (1922) * '' The Treasure'' (1923) * '' Comedy of the Heart'' (1924) * '' The Last Laugh'' (1924) * '' The Chronicles of the Gray House'' (1925) * ''Tartuffe'' (1926) * ''Faust'' (1926) * ''Luther'' (1928) * ''Looping the Loop'' (1928) * ''Whirl of Youth'' (1928) * '' Four Devils'' (1928) * ''Asphalt'' (1929) * ''The Wonderful Lies of Nina Petrovna'' (1929) * '' Manolescu'' (1929) * ''The Flute Concert of Sanssouci'' (1930) * ''The Temporary Widow ...
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Kurt Herlth
Kurt Herlth (1896–1966) was a German art director known for his designs of film sets. His brother Robert Herlth was also an art director active in the German film industry, and the two men worked together a number of times.Bock & Bergfelder p.194 Selected filmography * '' My Heart Calls You'' (1934) * ''My Heart Is Calling You'' (1934) * ''Victoria'' (1935) * ''The Emperor's Candlesticks'' (1936) * '' Court Theatre'' (1936) * '' Capers'' (1937) * ''Ride to Freedom'' (1937) * '' Serenade'' (1937) * '' A Mother's Love'' (1939) * ''I Am Sebastian Ott'' (1939) * ''Andreas Schlüter'' (1942) * ''Destiny'' (1942) * ''Melusine'' (1944) * ''Marriage in the Shadows'' (1947) * '' No Place for Love'' (1947) * ''The Adventures of Fridolin'' (1948) * ''Artists' Blood'' (1949) * ''Don't Dream, Annette'' (1949) * ''The Murder Trial of Doctor Jordan'' (1949) * '' The Merry Wives of Windsor'' (1950) * ''The White Horse Inn'' (1952) * '' The Sergeant's Daughter'' (1952) * ''The Empress of China'' ...
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Bavaria
Bavaria ( ; ), officially the Free State of Bavaria (german: Freistaat Bayern, link=no ), is a state in the south-east of Germany. With an area of , Bavaria is the largest German state by land area, comprising roughly a fifth of the total land area of Germany. With over 13 million inhabitants, it is second in population only to North Rhine-Westphalia, but due to its large size its population density is below the German average. Bavaria's main cities are Munich (its capital and largest city and also the third largest city in Germany), Nuremberg, and Augsburg. The history of Bavaria includes its earliest settlement by Iron Age Celtic tribes, followed by the conquests of the Roman Empire in the 1st century BC, when the territory was incorporated into the provinces of Raetia and Noricum. It became the Duchy of Bavaria (a stem duchy) in the 6th century AD following the collapse of the Western Roman Empire. It was later incorporated into the Holy Roman Empire, became an ind ...
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Lake Kochel
Kochelsee or Lake Kochel is a lake south of Munich on the edge of the Bavarian Alps. The western 1.7 km² or 28.3 percent of the lake lies within the borders of the town of Schlehdorf, while the rest belongs to Kochel am See. The southern edge of the lake lies up against the mountains and the northern shore is bordered by bog lands. The history of the settlement of Kochel (previously ''Quochcalun'') begins with ''Birg bei Altjoch'', a rock extrusion on the shore of the lake. The name Kochel is derived from the Latin ''cocula'' meaning head or cone. The Loisach flows into the lake at Schlehdorf and flows out at Kochel am See. A similar amount of water flows into the lake from the Isar through the Lake Walchen Power Plant. Origin The lake was created during the last glacial period of the current ice age by the Loisach-Isar glacier. The bottom of the glacier scraped out the lakebed. The basin then filled with water at the end of the glacial period. The northern end of the lake silte ...
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Location Filming
In geography, location or place are used to denote a region (point, line, or area) on Earth's surface or elsewhere. The term ''location'' generally implies a higher degree of certainty than ''place'', the latter often indicating an entity with an ambiguous boundary, relying more on human or social attributes of place identity and sense of place than on geometry. Types Locality A locality, settlement, or populated place is likely to have a well-defined name but a boundary that is not well defined varies by context. London, for instance, has a legal boundary, but this is unlikely to completely match with general usage. An area within a town, such as Covent Garden in London, also almost always has some ambiguity as to its extent. In geography, location is considered to be more precise than "place". Relative location A relative location, or situation, is described as a displacement from another site. An example is "3 miles northwest of Seattle". Absolute location An absolute locatio ...
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Munich
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the States of Germany, German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the List of cities in Germany by population, third-largest city in Germany, after Berlin and Hamburg, and thus the largest which does not constitute its own state, as well as the List of cities in the European Union by population within city limits, 11th-largest city in the European Union. The Munich Metropolitan Region, city's metropolitan region is home to 6 million people. Straddling the banks of the River Isar (a tributary of the Danube) north of the Northern Limestone Alps, Bavarian Alps, Munich is the seat of the Bavarian Regierungsbezirk, administrative region of Upper Bavaria, while being the population density, most densely populated municipality in Germany (4,500 people per km2). Munich is the second-largest city in the Bavarian dialects, Bavarian dialect area, ...
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Operetta Film
Operetta films (German: Operettenfilm) are a genre of musical films associated with, but not exclusive to, German language cinema. The genre began in the late 1920s, but its roots stretch back into the tradition of nineteenth century Viennese operettas. Although some silent films had based their plots on stage operettas, the genre was largely a result of the switch from silent to sound films. The 1929 film ''Melody of the Heart'', made by the German studio UFA, is credited as being the first "Operetta film". It had been intended as a silent film, but the dramatic arrival of sound forced its production to be switched. Its combination of music and dancing proved to be a successful formula, and it was followed by many similar films. During the 1930s the trend spread to Britain, where a number of Operetta films were made (often in co-productions with German or Austrian studios), France and the United States. Many German émigré film-makers following the Nazi rise to power in 1933 w ...
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