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The Theatre
The Theatre was an Elizabethan playhouse in Shoreditch (in Curtain Road, part of the modern London Borough of Hackney), just outside the City of London. It was the first permanent theatre ever built in England. It was built in 1576 after the Red Lion, and the first successful one. Built by actor-manager James Burbage, near the family home in Holywell Street, The Theatre is considered the first theatre built in London for the sole purpose of theatrical productions. The Theatre's history includes a number of important acting troupes including the Lord Chamberlain's Men, which employed Shakespeare as actor and playwright. After a dispute with the landlord, the theatre was dismantled and the timbers used in the construction of the Globe Theatre on Bankside. History The Mayor and Corporation of London banned plays in 1572 as a measure against the plague, not wanting to attract crowds of strangers. In 1575 they formally expelled all players from the city. This prompted the constr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabethan Theatre
English Renaissance theatre, also known as Renaissance English theatre and Elizabethan theatre, refers to the theatre of England between 1558 and 1642. This is the style of the plays of William Shakespeare, Christopher Marlowe and Ben Jonson. Background The term ''English Renaissance theatre'' encompasses the period between 1562—following a performance of ''Gorboduc'', the first English play using blank verse, at the Inner Temple during the Christmas season of 1561—and the ban on theatrical plays enacted by the English Parliament in 1642. In a strict sense "Elizabethan" only refers to the period of Queen Elizabeth's reign (1558–1603). ''English Renaissance theatre'' may be said to encompass ''Elizabethan theatre'' from 1562 to 1603, '' Jacobean theatre'' from 1603 to 1625, and '' Caroline theatre'' from 1625 to 1642. Along with the economics of the profession, the character of the drama changed towards the end of the period. Under Elizabeth, the drama was a unified e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Brayne
John Brayne (c. 1541 – June 1586) was a member of the Worshipful Company of Grocers. He built the Red Lion playhouse, and financed, with his brother-in-law, James Burbage, the building of the Theatre in Shoreditch, in which he was to have had a half interest. He also leased the George Inn in Whitechapel with a friend, Robert Miles. The latter two ventures, particularly the financing of the Theatre, bankrupted him, and he fell out with both James Burbage and Robert Miles. It was suspected that his death in 1586 was caused by blows received during an altercation with Miles. His widow, Margaret, backed financially by Miles, was involved in litigation with Burbage over Brayne's half interest in the Theatre until her own death in 1593. Family John Brayne, born in about 1541, was the eldest child of Thomas Brayne (d.1562), a London tailor. He had a sister, Ellen Brayne (c. 1542–1613), who on 23 April 1559 married James Burbage (c. 1531–1597). Early career On ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Admiral's Men
The Admiral's Men (also called the Admiral's company, more strictly, the Earl of Nottingham's Men; after 1603, Prince Henry's Men; after 1612, the Elector Palatine's Men or the Palsgrave's Men) was a playing company or troupe of actors in the Elizabethan and Stuart eras. It is generally considered the second most important acting troupe of English Renaissance theatre (after the company of Shakespeare, the Lord Chamberlain's or King's Men). Beginnings They were first known as the Lord Howard's Men, named after their patron Charles Howard, 1st Earl of Nottingham. The company played once at Court on December 1576 (the play was called ''Tooley''), again on 17 February 1577 (''The Solitary Knight''), and a third time the following Christmas season, 5 January 1578 (all dates new style). They toured widely, from Bath to Nottingham, in the years 1577–79. A powerful patron like Howard could make a great difference in a company's fortunes. Though there is little evidence that he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Dudley, 1st Earl Of Leicester
Robert Dudley, 1st Earl of Leicester, (24 June 1532 – 4 September 1588) was an English statesman and the favourite of Elizabeth I from her accession until his death. He was a suitor for the queen's hand for many years. Dudley's youth was overshadowed by the downfall of his family in 1553 after his father, John Dudley, 1st Duke of Northumberland, The 1st Duke of Northumberland, had failed to prevent the accession of Mary I. Robert Dudley was condemned to death but was released in 1554 and took part in the Battle of St. Quentin (1557), Battle of St. Quentin under Mary's husband and co-ruler, Philip II of Spain, Philip, which led to his full rehabilitation. On Elizabeth I's accession in November 1558, Dudley was appointed Master of the Horse. In October 1562, he became a Privy Council of England, privy councillor and, in 1587, was appointed Lord Steward of the Royal Household. In 1564, Dudley became Earl of Leicester and, from 1563, one of the greatest landowners in North Wales ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leicester's Men
The Earl of Leicester's Men was a playing company or troupe of actors in English Renaissance theatre, active mainly in the 1570s and 1580s in the reign of Elizabeth I. In many respects, it was the major company in Elizabethan drama of its time, and established the pattern for the companies that would follow: it was the first to be awarded a royal patent, and the first to occupy one of the new public theatres on a permanent basis. Beginnings Robert Dudley, 1st Earl of Leicester had kept players as early as 1559; they can be traced through the 1560s and into the 1570s by the records of their performances in various English cities as they toured the country. When the Elizabethan Poor Laws were amended by the Act of 1572, the status of travelling players was affected: those who did not possess sponsorship from a nobleman could be classed as vagabonds and subjected to a range of penalties. Conversely, however, those who enjoyed such sponsorship were legally more secure than they had pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of The English Penny
The English penny (plural "pence"), originally a coin of pure silver, was introduced by King Offa of Mercia. These coins were similar in size and weight to the continental '' deniers'' of the period and to the Anglo-Saxon sceats which had preceded it. Throughout the period of the Kingdom of England, from its beginnings in the 9th century, the penny was produced in silver. Pennies of the same nominal value, of a pound sterling, were in circulation continuously until the creation of the Kingdom of Great Britain in 1707. Etymology The name "penny" comes from the Old English ''pennige'' (), sharing the same root as the German ''Pfennig''. Its abbreviation d. comes from the Roman ''denarius'' and was used until decimalisation in 1971. Idioms Due to their ubiquity pennies have accumulated a great number of idioms to their name usually recognizing them for their commonality and minuscule value. These might include: *cut (one) off without a penny *mean enough to steal a penny of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thrust Stage
In theatre, a thrust stage (also known as a platform stage or open stage) is one that extends into the audience on three sides and is connected to the backstage area by its upstage end. A thrust has the benefit of greater intimacy between performers and the audience than a proscenium, while retaining the utility of a backstage area. Entrances onto a thrust are most readily made from backstage, although some theatres provide for performers to enter through the audience using vomitory entrances. A theatre in the round, exposed on all sides to the audience, is without a backstage and relies entirely on entrances in the auditorium or from under the stage. As with an arena, the audience in a thrust stage theatre may view the stage from three or more sides. Because the audience can view the performance from a variety of perspectives, it is usual for the blocking, props and scenery to receive thorough consideration to ensure that no perspective is blocked from view. A high backed chair, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auditorium
An auditorium is a room built to enable an audience to hear and watch performances. For movie theatres, the number of auditoria (or auditoriums) is expressed as the number of screens. Auditoria can be found in entertainment venues, community halls, and theaters, and may be used for rehearsal, presentation, performing arts productions, or as a learning space. Etymology The term is taken from Latin (from ''audītōrium'', from ''audītōrius'' ("pertaining to hearing")); the concept is taken from the Greek auditorium, which had a series of semi-circular seating shelves in the theatre, divided by broad 'belts', called ''diazomata'', with eleven rows of seats between each. Auditorium structure The audience in a modern theatre are usually separated from the performers by the proscenium arch, although other types of stage are common. The price charged for seats in each part of the auditorium (known in the industry as the house) usually varies according to the quality o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polygon
In geometry, a polygon () is a plane figure that is described by a finite number of straight line segments connected to form a closed ''polygonal chain'' (or ''polygonal circuit''). The bounded plane region, the bounding circuit, or the two together, may be called a polygon. The segments of a polygonal circuit are called its '' edges'' or ''sides''. The points where two edges meet are the polygon's '' vertices'' (singular: vertex) or ''corners''. The interior of a solid polygon is sometimes called its ''body''. An ''n''-gon is a polygon with ''n'' sides; for example, a triangle is a 3-gon. A simple polygon is one which does not intersect itself. Mathematicians are often concerned only with the bounding polygonal chains of simple polygons and they often define a polygon accordingly. A polygonal boundary may be allowed to cross over itself, creating star polygons and other self-intersecting polygons. A polygon is a 2-dimensional example of the more general polytope in any number ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bear Baiting
Bear-baiting is a blood sport in which a chained bear and one or more dogs are forced to fight one another. It may also involve pitting a bear against another animal. History Europe Great Britain Bear-baiting was very popular from the 12th until the 19th century. From the sixteenth century, many bears were maintained for baiting. In its best-known form, arenas for this purpose were called bear-gardens, consisting of a circular high fenced area, the " pit", and raised seating for spectators. A post would be set in the ground towards the edge of the pit and the bear chained to it, either by the leg or neck. Several well-trained fighting or baiting dogs, usually Old English Bulldogs, would then be set on it, being replaced as they got tired or were wounded or killed. In some cases the bear was let loose, allowing it to chase after animals or people. For a long time, the main bear-garden in London was the Paris Garden, a section of the Bankside lying to the west of The Clink, at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Newington Butts Theatre
The Newington Butts Theatre was one of the earliest Elizabethan theatres, possibly predating even The Theatre of 1576 and the Curtain Theatre, which are usually regarded as the first playhouses built around London. William Ingram believes it was probably the first of the three to begin construction, and may have been the first completed. Establishment The Mayor and Corporation of London banned plays in 1572 as a measure against the plague, and in 1575 they formally expelled all players from the city. This prompted the construction of playhouses outside the jurisdiction of London, in the liberties of Halliwell (in Shoreditch) and later the Clink, and at Newington near the established entertainment district of St. George's Fields. The Newington theatre was located not on Newington Butts itself, but nearby on the east side of Walworth Road near the junction with New Kent Road. The playhouse stood less than an acre of land in Lurklane, occupying of frontage on what became Walworth R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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