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The Square (2017 Film)
''The Square'' is a 2017 internationally co-produced satirical black comedy film written and directed by Ruben Östlund. The film stars Claes Bang, Elisabeth Moss, Dominic West and Terry Notary. A Swedish production with co-production support from Germany, France and Denmark, it was shot in Gothenburg, Stockholm and Berlin. The story was partly inspired by an installation Östlund and producer Kalle Boman had made. Östlund was also inspired by a notorious incident involving Oleg Kulik and cast Notary in a parody, drawing on Notary's experience imitating apes. The film was entered into the 2017 Cannes Film Festival, where it received positive reviews and won the Palme d'Or. It was subsequently selected for the 2017 Toronto International Film Festival. It went on to win six European Film Awards, including Best Film; two Guldbagge Awards, including Best Director; and other honours. It was nominated for the Academy Award for Best Foreign Language Film at the 90th Academy Awards. P ...
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Ruben Östlund
Ruben Östlund (born 13 April 1974) is a Swedish filmmaker best known for his black comedic and satirical films ''Force Majeure'' (2014), '' The Square'' (2017) and ''Triangle of Sadness'' (2022), all of which received largely positive reviews and won awards at the Cannes Film Festival, including the Palme d'Or for the latter two. Life and career Östlund was born in Styrsö, Gothenburg Municipality, Sweden. After high school, he started working in various ski resorts in the Alps during the winter seasons. While in the Alps, he began making skiing videos for his friends, which helped him obtain a job at a local production company. He went on to study at the film school in Gothenburg, graduating in 2001. He was accepted to the school based on his skiing films. Together with film producer Erik Hemmendorff, he is the co-founder of the production company Plattform Produktion, which produces his films. His first three feature-length fiction films were '' The Guitar Mongoloid'' (2004), ...
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BAC Films
BAC Films is a French film production and distribution company. Based in Paris, the company was founded in 1986 by Jean Labadie, Éric Heumann, and Stéphane Sorlat. Capital shares of the company were re-allocated in 1988 when Vivendi took 10% followed by a 20% stake in the capital of the company, which allowed BAC Films to make major and ambitious acquisitions. History BAC Films had an early success in 1990 with '' Sailor et Lula'', a Palme d'Or winner at the Cannes Film Festival. The releases of ''Barton Fink'' and '' Tous les matins du monde'' in 1991, '' Indochine'' and ''Le Zèbre'' in 1992, and '' La Leçon de piano'' in 1993 placed BAC Films at the top of the independent film distribution industry in France. In 1994, BAC Films started diversifying its activities with the creation of a movie theater subsidiary named -Les Écrans de Paris, in association with Simon Simsi. In 1997, another movie theater business was created under the name Majestic, and the group underwent a ...
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Gothenburg
Gothenburg (; abbreviated Gbg; sv, Göteborg ) is the second-largest city in Sweden, fifth-largest in the Nordic countries, and capital of the Västra Götaland County. It is situated by the Kattegat, on the west coast of Sweden, and has a population of approximately 590,000 in the city proper and about 1.1 million inhabitants in the metropolitan area. Gothenburg was founded as a heavily fortified, primarily Dutch, trading colony, by royal charter in 1621 by King Gustavus Adolphus. In addition to the generous privileges (e.g. tax relaxation) given to his Dutch allies from the ongoing Thirty Years' War, the king also attracted significant numbers of his German and Scottish allies to populate his only town on the western coast. At a key strategic location at the mouth of the Göta älv, where Scandinavia's largest drainage basin enters the sea, the Port of Gothenburg is now the largest port in the Nordic countries. Gothenburg is home to many students, as the city includes ...
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Cinema Of Denmark
Denmark has been producing films since 1897 and since the 1980s has maintained a steady stream of product due largely to funding by the state-supported Danish Film Institute. Historically, Danish films have been noted for their realism, religious and moral themes, sexual frankness and technical innovation. The Danish filmmaker Carl Theodor Dreyer (1889–1968) is considered one of the greatest directors in the history of cinema. Other Danish filmmakers of note include Benjamin Christensen, who outside his native country directed several horror classics including ''Häxan'' (1922) and '' Seven Footprints to Satan'' (1929); Erik Balling, the creator of the popular ''Olsen-banden'' films; Gabriel Axel, an Oscar-winner for ''Babette's Feast'' in 1987; and Bille August, the Oscar-, Palme d'Or- and Golden Globe-winner for ''Pelle the Conqueror'' in 1988. In the modern era, notable filmmakers in Denmark include Lars von Trier and Thomas Vinterberg, who co-created the Dogme 95 film movem ...
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Cinema Of France
French cinema consists of the film industry and its film productions, whether made within the nation of France or by French film production companies abroad. It is the oldest and largest precursor of national cinemas in Europe; with primary influence also on the creation of national cinemas in Asia. France continues to have a particularly strong film industry, due in part to protections afforded by the French government. In 2013, France was the second largest exporter of films in the world after the United States. A study in April 2014 showed that French cinema maintains a positive influence around the world, being the most appreciated by global audiences after that of America. France currently has the most successful film industry in Europe, in terms of number of films produced per annum, with a record-breaking 300 feature-length films produced in 2015. France is also one of the few countries where non-American productions have the biggest share: American films only represented ...
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Cinema Of Germany
The film industry in Germany can be traced back to the late 19th century. German cinema made major technical and artistic contributions to early film, broadcasting and television technology. Babelsberg Studio, Babelsberg became a household synonym for the early 20th century film industry in Europe, similar to Hollywood later. Germany witnessed major changes to its identity during the 20th and 21st century. Those changes determined the periodisation of national cinema into a succession of distinct eras and movements. History 1895–1918 German Empire The history of cinema in Germany can be traced back to the years shortly after the medium's birth. On 1 November 1895, Max Skladanowsky and his brother Emil demonstrated their self-invented movie projector, film projector, the Bioscop, at the Berlin Wintergarten theatre, Wintergarten music hall in Berlin. A 15-minute series of eight short films were shown – the first screening of films to a paying audience. This performance pre ...
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Cinema Of Sweden
Swedish cinema is known for including many acclaimed films; during the 20th century the industry was the most prominent of Scandinavia. This is largely due to the popularity and prominence of directors Victor Sjöström and especially Ingmar Bergman; and more recently Roy Andersson, Lasse Hallström, Lukas Moodysson and Ruben Östlund. Early Swedish cinema Swedish filmmaking rose to international prominence when Svenska Biografteatern moved from Kristianstad to Lidingö in 1911. During the next decade the company's two star-directors, Victor Sjöström and Mauritz Stiller, produced many silent films, some being adaptations of stories by the Nobel-prizewinning novelist Selma Lagerlöf. Sjöström's most respected films often made use of the Swedish landscape. Stiller fostered the early popularity of Greta Garbo, particularly through the '' Gösta Berlings saga'' (1924). Many of the films made at the Biografteatern had a significant impact on German directors of the silent and ...
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Black Comedy
Black comedy, also known as dark comedy, morbid humor, or gallows humor, is a style of comedy that makes light of subject matter that is generally considered taboo, particularly subjects that are normally considered serious or painful to discuss. Writers and comedians often use it as a tool for exploring vulgar issues by provoking discomfort, serious thought, and amusement for their audience. Thus, in fiction, for example, the term ''black comedy'' can also refer to a genre in which dark humor is a core component. Popular themes of the genre include death, crime, poverty, suicide, war, violence, terrorism, discrimination, disease, racism, sexism, and human sexuality. Black comedy differs from both blue comedy—which focuses more on crude topics such as nudity, sex, and Body fluids—and from straightforward obscenity. Whereas the term ''black comedy'' is a relatively broad term covering humor relating to many serious subjects, ''gallows humor'' tends to be used more specifical ...
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Satire (film And Television)
Satire is a television and film genre in the fictional or pseudo-fictional category that employs satirical techniques, be it of a political, religious, or social variety. Works using satire are often seen as controversial or taboo in nature, with topics such as race, class, system, violence, sex, war, and politics, criticizing or commenting on them, typically under the disguise of other genres including, but not limited to, comedies, dramas, parodies, fantasies and/or science fiction. Satire may or may not use humor or other, non-humorous forms as an artistic vehicle to illuminate, explore, and critique social conditions, systems of powerNillson J (2013), ''American Film Satire in the 1990s: Hollywood Subversion'', Springer, ("social, political, military, medical or academic institutions"), hypocrisy, and other instances of human behavior. Examples Film *''À Nous la Liberté'', 1931 *''The Trial'', 1962 *''Dr. Strangelove'', 1964 *''Wild in the Streets'', 1968 *''Mr. Fr ...
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The Numbers (website)
The Numbers is a film industry data website that tracks box office revenue in a systematic, algorithmic way. The company also conducts research services and forecasts incomes of film projects. History The site was launched in 1997 by Bruce Nash. On March 21, 2020, the Numbers released a statement that because of movie theater closures due to the COVID-19 pandemic, "We don’t expect much box office reporting in the short term" and did not report the usual daily box office estimates due to lack of box office data from film studios. See also * Box Office Mojo Box Office Mojo is an American website that tracks box-office revenue in a systematic, algorithmic way. The site was founded in 1998 by Brandon Gray, and was bought in 2008 by IMDb IMDb (an abbreviation of Internet Movie Database) is ... * Lumiere References External links * ''The Numbers'' Bankability Index 1997 establishments in California Companies based in Beverly Hills, California Film ...
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IMDb
IMDb (an abbreviation of Internet Movie Database) is an online database of information related to films, television series, home videos, video games, and streaming content online – including cast, production crew and personal biographies, plot summaries, trivia, ratings, and fan and critical reviews. IMDb began as a fan-operated movie database on the Usenet group "rec.arts.movies" in 1990, and moved to the Web in 1993. It is now owned and operated by IMDb.com, Inc., a subsidiary of Amazon. the database contained some million titles (including television episodes) and million person records. Additionally, the site had 83 million registered users. The site's message boards were disabled in February 2017. Features The title and talent ''pages'' of IMDb are accessible to all users, but only registered and logged-in users can submit new material and suggest edits to existing entries. Most of the site's data has been provided by these volunteers. Registered users with a prov ...
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Box Office Mojo
Box Office Mojo is an American website that tracks box-office revenue in a systematic, algorithmic way. The site was founded in 1998 by Brandon Gray, and was bought in 2008 by IMDb, which itself is owned by Amazon. History Brandon Gray began the site on August 7, 1998, making forecasts of the top-10 highest-grossing films in the United States for the following weekend. To compare his forecasts to the actual results, he started posting the weekend grosses and wrote a regular column with box-office analysis. In 1999, he started to post the Friday daily box-office grosses, sourced from Exhibitor Relations, so that they were publicly available online on Saturdays and posted the Sunday weekend estimates on Sundays. Along with the weekend grosses, he was publishing the daily grosses, release schedules, and other charts, such as all-time charts, international box-office charts, genre charts, and actor and director charts. The site gradually expanded to include weekend charts going b ...
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