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The Silver Age
''The Silver Age'' is a c.1576-1581 oil on panel painting of the Silver Age by Jacopo Zucchi, a favoured artist of Ferdinando I de' Medici at the end of the latter's cardinalate in Rome, now in the Uffizi in Florence. It and '' The Golden Age'' were probably painted for Ferdinando, as they were recorded in his 'Guardaroba medicea' and then in 1635 at the Uffizi - at the latter date they were still together but misattributed to Federico Zuccari Federico Zuccaro, also known as Federico Zuccari (c. 1540/1541August 6, 1609), was an Italian Mannerist painter and architect, active both in Italy and abroad. Biography Zuccaro was born at Sant'Angelo in Vado, near Urbino (Marche). His docum .... Their correct attribution was later restored. Their dimensions and status as panel not canvas paintings may mean they were originally intended as two elaborate covers for portraits. They have previously been linked with another Uffizi work on copper, previously entitled ''The Age of Iron'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Zucchi, Età Dell'argento, 1576, Su Tavola, 01
Jacopo (also Iacopo) is a masculine Italian given name, derivant from Latin ''Iacōbus''. It is an Italian variant of Giacomo. * Jacopo Aconcio (), Italian religious reformer * Jacopo Bassano (1592), Italian painter * Iacopo Barsotti (1921–1987), Italian mathematician * Jacopo da Bologna (), Italian composer * Jacopo Comin (1518–1594), Italian painter otherwise known as Tintoretto * Jacopo Carucci (1494–1557), Italian painter otherwise known as Pontormo * Jacopo Corsi (1561–1602), Italian composer * Jacopo da Leona (died 1277), Italian poet * Jacopo Peri (1561–1633), Italian composer * Jacopo della Quercia (1438), Italian sculptor * Jacopo Riccati (1676–1754), Italian mathematician * Jacopo Sadoleto (1477–1547), Italian Catholic cardinal * Jacopo M. (1989), Italian Communicator, upholder of the European Commission Fictional characters: * Jacopo, a key character in the 2002 film version of '' The Count of Monte Cristo'' (and a minor character in the book). * Jacopo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ages Of Man
The Ages of Man are the historical stages of human existence according to Greek mythology and its subsequent Roman interpretation. Both Hesiod and Ovid offered accounts of the successive ages of humanity, which tend to progress from an original, long-gone age in which humans enjoyed a nearly divine existence to the current age of the writer, in which humans are beset by innumerable pains and evils. In the two accounts that survive from Ancient Greece and Rome, this degradation of the human condition over time is indicated symbolically with metals of successively decreasing value (but increasing hardness). Hesiod's Five Ages The Greek poet Hesiod (between 750 and 650 BC), in his poem ''Works and Days'' (lines 109–201). His list is: * Golden Age – The Golden Age is the only age that falls within the rule of Cronus. Created by the immortals who live on Olympus, these humans were said to live among the gods and freely mingled with them. Peace and harmony prevailed during t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Zucchi
Jacopo Zucchi (c. 1541- c. 1590) was a Florentine painter of the Mannerist style, active in Florence and Rome. His training began in the studio of Giorgio Vasari, and he participated in decoration of the ''Studiolo'' and the ''Salone dei Cinquecento'' in the Palazzo Vecchio. Moving to Rome in the early 1570s, he worked for Cardinal Ferdinando de' Medici in his Palazzo Firenze (1574), for whom he also probably produced the oil on panel paintings '' The Golden Age'' and ''The Silver Age'' (both c.1576-1581, both now in the Uffizi). He also helped decorate, along with his brother Francesco, the apse and dome of Santo Spirito in Sassia with a fresco of the ''Pentecost''. He painted the grand salon of the former Rucellai (now Ruspoli) palace in Rome with mythologic genealogies. Two canvases, representing the ''Ascension'' and ''Resurrection'', are housed in the church of San Lorenzo Martire in San Lorenzo Nuovo San Lorenzo Nuovo is a small town and ''comune'' in the province o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinando I De' Medici
Ferdinando I de' Medici, Grand Duke of Tuscany (30 July 1549 – 3 February 1609) was Grand Duke of Tuscany from 1587 to 1609, having succeeded his older brother Francesco I. Early life Ferdinando was the fifth son (the third surviving at the time of his birth) of Cosimo I de' Medici, Grand Duke of Tuscany, and Eleanor of Toledo, the daughter of Pedro Álvarez de Toledo, Marquis of Villafranca, the Spanish viceroy of the Kingdom of Naples. He was made a Cardinal in 1562 at the age of 14, but was never ordained into the priesthood. At Rome, he proved an able administrator. He founded the Villa Medici in Rome and acquired many works of art (including the ''Medici lions''), which he then brought back to Florence with him. Grand Duke When his brother Francesco I de' Medici, Grand Duke of Tuscany, died in 1587, Ferdinando succeeded as grand duke at the age of 38. In many ways, Ferdinando was the opposite of his brother who preceded him. Approachable and generous, he set out ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uffizi
The Uffizi Gallery (; it, Galleria degli Uffizi, italic=no, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance. After the ruling House of Medici died out, their art collections were given to the city of Florence under the famous ''Patto di famiglia'' negotiated by Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1765 it was officially opened to the public, formally becoming a museum in 1865. History The building of the Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici so as to accommodate the offices of the Florentine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Golden Age (painting)
''The Golden Age'' is a c. 1576-1581 oil on panel painting of the Golden Age by Jacopo Zucchi, a favoured artist of Ferdinando I de' Medici at the end of the latter's cardinalate in Rome, now in the Uffizi, in Florence. An early preparatory drawing for the work survives in the Princeton University Art Museum. It and ''The Silver Age'' were probably painted for Ferdinando, as they were recorded in his 'Guardaroba medicea' and then in 1635 at the Uffizi - at the latter date they were still together but misattributed to Federico Zuccari Federico Zuccaro, also known as Federico Zuccari (c. 1540/1541August 6, 1609), was an Italian Mannerist painter and architect, active both in Italy and abroad. Biography Zuccaro was born at Sant'Angelo in Vado, near Urbino (Marche). His docum .... Their correct attribution was later restored. The two works' dimensions and status as panel not canvas paintings may mean they were originally intended as two elaborate covers for portraits. They hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federico Zuccari
Federico Zuccaro, also known as Federico Zuccari (c. 1540/1541August 6, 1609), was an Italian Mannerist painter and architect, active both in Italy and abroad. Biography Zuccaro was born at Sant'Angelo in Vado, near Urbino (Marche). His documented career as a painter began in 1550, when he moved to Rome to work under Taddeo, his elder brother. He went on to complete decorations for Pius IV, and help complete the fresco decorations at the Villa Farnese at Caprarola. Between 1563 and 1565, he was active in Venice with the Grimani family of Santa Maria Formosa. During his Venetian period, he traveled alongside Palladio in Friuli. He was involved in the following fresco projects: * Decoration of the Casina Pio IV, Rome * Grimani Chapel, San Francesco della Vigna, Venice *Monumental staircase, Palazzo Grimani, Venice * Pucci Chapel in the church of Trinità dei Monti, Rome * San Marcello al Corso, Rome * Cathedral of Orvieto (1570) * Oratorio del Gonfalone, Rome (1573) * ''The La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casa Vasari, Arezzo
The Casa Vasari is a building at 55 via XX Settembre in Arezzo, Tuscany, Italy. It was the family home of the painter, art historian and architect Giorgio Vasari. It houses a number of frescoes and since December 2014 the Italian Ministry of Culture has run it through the Polo museale della Toscana, which was renamed the Direzione regionale Musei in December 2019. It houses the Archivio Vasariano. History Vasari acquired the house and the plot of land on which it lies in a contract dated 7 September 1541 and began decorating it the following year. In 1550 he married Niccolosa Bacci and moved into the building with her. Kept busy in Florence, Rome and on several journeys, he only lived in the house himself for short periods, perhaps intervening directly in works to complete and decorate it and acquire the initial nucleus of its furnishings (the latter now all lost). He also produced a plan for a facade completed in 1568. One of the best-preserved examples of an artist's house a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1570s Paintings
Year 157 ( CLVII) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Civica and Aquillus (or, less frequently, year 910 '' Ab urbe condita''). The denomination 157 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire *A revolt against Roman rule begins in Dacia. Births * Gaius Caesonius Macer Rufinianus, Roman politician (d. 237) * Hua Xin, Chinese official and minister (d. 232) * Liu Yao, Chinese governor and warlord (d. 198) * Xun You Xun You (157–214), courtesy name Gongda, was a statesman who lived during the late Eastern Han dynasty of China and served as an adviser to the warlord Cao Cao. Born in the influential Xun family of Yingchuan Commandery (around present- ..., Chinese official and statesman (d. 214) Deat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1580s Paintings
Year 158 ( CLVIII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Tertullus and Sacerdos (or, less frequently, year 911 '' Ab urbe condita''). The denomination 158 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * The earliest dated use of Sol Invictus, in a dedication from Rome. * A revolt against Roman rule in Dacia is crushed. China * Change of era name from ''Yongshou'' to ''Yangxi'' of the Chinese Han Dynasty. Births * Gaius Caesonius Macer Rufinianus, Roman politician (d. 237) Deaths * Wang Yi, Chinese librarian and poet (d. AD 89 AD 89 (LXXXIX) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Fulvus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Jacopo Zucchi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Depicting Greek Myths
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
