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The Roman Maid
''The Roman Maid'' is a 1724 tragedy by the British writer Robert Hurst.Nicoll p.31 It is set during the reign of the Roman Emperor Diocletian. The original cast included John Ogden as Dioclesian, Thomas Walker as Galerius Caesar, Charles Hulett as Carus, Anthony Boheme Anthony Boheme (died 1731) was a British stage actor of the eighteenth century. His year of birth is unknown. From 1720 he was a long-standing part of John Rich's company at the Lincoln's Inn Fields Theatre until his death. He was married to the ... as Paulinus and Anne Parker as Camilla. References Bibliography * Burling, William J. ''A Checklist of New Plays and Entertainments on the London Stage, 1700-1737''. Fairleigh Dickinson Univ Press, 1992. * Nicoll, Allardyce. ''A History of Early Eighteenth Century Drama: 1700-1750''. CUP Archive, 1927. 1724 plays British plays Tragedy plays West End plays {{1720s-play-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lincoln's Inn Fields Theatre
Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was demolished and replaced by a purpose-built theatre for a third period, 1714–1728. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres. Historical background The period beginning in England in 1642 and lasting until 1660 is known as the Interregnum, meaning "between kings." At this time, there was no monarch on the throne, and theatre was against the law. Spanning from 1642 to 1649, the English Civil War occurred. This war was an uprising against the current King of England, King Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diocletian
Diocletian (; la, Gaius Aurelius Valerius Diocletianus, grc, Διοκλητιανός, Diokletianós; c. 242/245 – 311/312), nicknamed ''Iovius'', was Roman emperor from 284 until his abdication in 305. He was born Gaius Valerius Diocles to a family of low status in the Roman province of Dalmatia. Diocles rose through the ranks of the military early in his career, eventually becoming a cavalry commander for the army of Emperor Carus. After the deaths of Carus and his son Numerian on a campaign in Persia, Diocles was proclaimed emperor by the troops, taking the name Diocletianus. The title was also claimed by Carus's surviving son, Carinus, but Diocletian defeated him in the Battle of the Margus. Diocletian's reign stabilized the empire and ended the Crisis of the Third Century. He appointed fellow officer Maximian as ''Augustus'', co-emperor, in 286. Diocletian reigned in the Eastern Empire, and Maximian reigned in the Western Empire. Diocletian delegated further on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Ogden (actor)
John Ogden (died 1732) was a British stage actor of the eighteenth century. He spent his entire stage career with John Rich's company at the Lincoln's Inn Fields Theatre which he joined in 1715. He was adept at playing both comedy and tragedy. During his time on the stage he had several runs in with the law and was arrested and sent to Newgate Prison for speaking "treasonable words". Presumably an opponent of the Hanoverian Succession, he was charged in January 1723 with resisting arrest, drawing his sword and threatening anybody who didn't support the Jacobite pretender James III. After serving three months he was released and returned to the theatre.Johanson p.410 Selected roles * Sir Jasper Manly in ''The Cobbler of Preston'' (1716) * Butler in '' Woman Is a Riddle'' (1716) * Lucilius in ''Scipio Africanus'' (1718) * Freeman in ''A Bold Stroke for a Wife'' (1718) * Petruchio in '' The Traitor'' (1718) * Wade in ''Sir Walter Raleigh'' (1719) * Duke of Bouillon in ''Henry IV of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Walker (actor)
Thomas Walker (1698–1744) was an English actor and dramatist. Early life He was the son of Francis Walker of Soho, London. At around the year 1714, he joined the Shepherd's company (perhaps the Shepherd who was at William Pinkethman's theatre in Greenwich in 1710). Barton Booth saw Walker in a droll, ''The Siege of Troy'', and recommended him to the management of the Drury Lane Theatre. Actor In November 1715 Walker seems to have played Tyrrel in Colley Cibber's ''Richard III''; on 12 December 1715 he was Young Fashion in a revival of ''The Relapse'' (John Vanburgh). On 23 September 1721 he appeared at Lincoln's Inn Fields as Edmund in ''King Lear'', and he remained there until 1733. On 29 January 1728 Walker took on his major original part, Captain Macheath in the ''Beggar's Opera'', and his reputation was established. On 10 February 1733, at the new Covent Garden Theatre, Walker was the first Periphas in John Gay's ''Achilles''.At this house he played Lothario, Banquo, Hec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Hulett
Charles Hulett (c.1700-1735) was a British stage actor. His name is sometimes written as Charles Hulet. Hulett was the son of John Hulett, a Yeomen of the Guard and Steward to the Earl of Northampton. Born in Bloomsbury, he acted as an apprentice to the bookseller Edmund Curll for two years before turning to acting. It is possible he may have first acted in Dublin, but his first known role was as Lennox in '' Macbeth'' at the Lincoln's Inn Fields Theatre on 26 October 1721. Possibly under the guidance of James Quin, he became an established member of the Lincoln's Inn Fields company. His long standing association ended in 1732 just as John Rich took the company to the new Covent Garden Theatre. Hulett then joined Henry Giffard at the Goodman's Fields Theatre in Whitechapel where he acted until his death, with occasional appearances at other theatres.Highfill, Burnim & Langhans p.30-31 Selected roles * Tudor in ''Edwin'' by George Jeffreys (1724) * Carus in ''The Roman Maid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Boheme
Anthony Boheme (died 1731) was a British stage actor of the eighteenth century. His year of birth is unknown. From 1720 he was a long-standing part of John Rich's company at the Lincoln's Inn Fields Theatre until his death. He was married to the actress Anna Maria Seymour.Highfill Burnim & Langhans p.185-188 Selected roles * Lord Cobham in ''Sir Walter Raleigh'' (1719) * French Bishop in ''Henry IV of France'' (1719) * Jaspar in ''The Half-Pay Officers'' (1720) * Aspar in '' The Imperial Captives'' (1720) * Nicanor in '' Antiochus'' (1721) * Haly in ''The Fair Captive'' (1721) * Lord Gracebubble in '' The Chimera'' (1721) * Courtney in ''Fatal Extravagance'' (1721) * Weighty in '' The Compromise'' (1722) * O'Brien in ''Hibernia Freed'' (1722) * Danaus in '' Love and Duty'' (1722) * Eteocles in ''The Fatal Legacy'' (1723) * Herod in ''Mariamne'' (1723) * Edwin in ''Edwin'' (1724) * Paulinus in ''The Roman Maid'' (1724) * Belisarius in ''Belisarius'' (1724) * Wiseman in ''The Bath U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Parker (actress)
Anne Parker (1696-1740) was a British stage actress of the eighteenth century. She is also known by her married names Anne Berriman and Anne Hallam. She first appeared at the Lincoln's Inn Fields Theatre in 1720 as Regan in ''King Lear'' and Melinda in ''The Recruiting Officer'' and from 1723 she was a regular part of John Rich's company there. In 1726 she married a fellow Lincoln's Inn actor Joseph Berriman. Following his death in 1730 she remarried to another actor William Hallam and was known as Mrs Hallam for the remainder of her career. From 1732 she moved with the rest of Rich's company to the newly-built Covent Garden Theatre. She became particularly known for her performances as Lady Macbeth. She died on 5 June 1740 and was buried in Mitcham.Highfill, Burnim & Langhans p.32 Selected roles * Adeliza in ''Edwin'' by George Jeffreys (1724) * Valeria in ''Belisarius'' by William Phillips (1724) * Camilla in ''The Roman Maid'' by Robert Hurst (1724) * Cleora in ''The Bath Unm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1724 Plays
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Plays
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *''Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Briton (d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy Plays
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fraction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
