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The Pink Dominos
''The Pink Dominos'' is a farce in three acts by James Albery based on the French farce '' Les Dominos roses'' by Alfred Hennequin and Alfred Delacour. It concerns a plan by two wives to test their husbands' fidelity at a masked ball and a mischievous maid who causes comic complications by wearing a gown similar to those worn by the wives. The "dominos" of the title are gowns with hoods and masks, worn at masquerades. The piece opened on March 31, 1877 and was exceptionally successful, running for a record-setting 555 performances. Charles Wyndham played one of the husbands and produced the piece at the Criterion Theatre. Augustus Harris played Henry and Fanny Josephs was one of the wives. Background and first production Following the success of their 1875 farce '' Le Procès Veauradieux'', Alfred Delacour and Alfred Hennequin, wrote '' Les Dominos roses'' for the Théâtre du Vaudeville, Paris, where it premiered in April 1876 and ran for 127 performances. That production ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Vaudeville
The Théâtre du Vaudeville was a theatre company in Paris. It opened on 12 January 1792 on rue de Chartres. Its directors, Piis and Barré, mainly put on "petites pièces mêlées de couplets sur des airs connus", including vaudevilles. After the theatre on the rue de Chartres burned down in 1838, the Vaudeville temporarily based itself on boulevard de Bonne-Nouvelle before in 1841 setting up in the Salle de la Bourse on the Place de la Bourse in the 2e arrondissement. This building was demolished in 1869. Eugène Labiche and Henri Meilhac put on several of their works there, and it also hosted Jules Verne's play ''Onze jours de siège'' (1861). Other writers whose works were put on there were Edmond Gondinet, Alexandre Bisson, Théophile Marion Dumersan, Jean-François Bayard, Narcisse Fournier and Gaston Arman de Caillavet. In 1852, ''La Dame aux camélias'' by Alexandre Dumas fils was put on here. For the first time in the era, there were over 100 consecutive perfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Opernball
''Der Opernball'' (''The Opera Ball'') is an operetta in three acts with music by Richard Heuberger, and libretto by Viktor Léon and Heinrich von Waldberg, based on the 1876 comedy ' by Alfred Delacour and Alfred Hennequin. Alexander von Zemlinsky assisted Heuberger with the orchestration. Its premiere was at the Theater an der Wien, Vienna, Austria, on 5 January 1898. The most famous number from the operetta is the waltz duet "". The operetta remains in the repertoire of German-language opera companies,Laqueur, Walter, "Fin-de-siècle: Once More with Feeling" (January 1996). ''Journal of Contemporary History'', 31 (1): pp. 5–47. such as the Vienna Volksoper. Roles * Theophil Beaubuisson, ''retiree'' ( bass) * Palmyra Beaubuisson, ''his wife'' (alto) * Henri, ''naval cadet, their nephew'' (tenor or mezzo-soprano) * Paul Aubier (tenor) * Angèle, ''wife of Paul and niece to Madame Beaubuisson'' (soprano) * Georges Duménil (tenor, buffo role) * Marguérite Duménil, ''wife of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cremorne Gardens, London
Cremorne Gardens were popular pleasure gardens by the side of the River Thames in Chelsea, London. They lay between Chelsea Harbour and the end of the King's Road and flourished between 1845 and 1877; today only a vestige survives, on the river at the southern end of Cheyne Walk. Within the Chelsea area, Cremorne is a ward of the Royal Borough of Kensington and Chelsea. The 2011 census assessed the population of the ward at 7,974. History Originally the property of the Earl of Huntingdon (c. 1750), father of Steele's Aspasia, who built a mansion here, the property passed through various hands into those of The 1st Viscount Cremorne (1725–1813), an Irish peer from County Monaghan, who greatly beautified it. The name Cremorne is the name of a barony, an old administrative unit, in County Monaghan in Ireland. It is an Anglicisation of what in modern Irish is ''Críoch Mhúrn''. This roughly translates as the 'Bounds of Mourne', from the territorial domain of an anci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nelly Bromley
Eleanor Elizabeth Emily (Nelly, sometimes Nellie) Bromley (30 September 1850 – 27 October 1939) was an English actor and singer who performed in operettas, musical burlesques and comic plays. She is best remembered today for having created the role of the Plaintiff in Gilbert & Sullivan's first success, ''Trial by Jury'', although she played in that piece for just over three months out of a successful career spanning nearly two decades. Life and early career Bromley was born on 30 September 1850 in London to an actress and singer, also Eleanor Bromley (1826–1860). The identity of her father is unknown. Her mother was born into the large family of John Charles Bromley (died 1839) and his wife Hannah ''née'' Shailer. Her mother had begun acting while still a teenager, in 1843, appearing at many of the major West End theatres, especially at the Olympic Theatre. She continued to act until she died in childbirth in 1860. In 1857, she had married Charles Henry Cook. After her moth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Era (newspaper)
''The Era'' was a British weekly paper, published from 1838 to 1939. Originally a general newspaper, it became noted for its sports coverage, and later for its theatrical content. History ''The Era'' was established in 1838 by a body of shareholders consisting of licensed victuallers and other people connected with their trade. The journal was intended to be a weekly organ of the public-house interest, just as the ''Morning Advertiser'' was then its daily organ. In the first two or three years of its existence, its political stance was broadly Liberal. Its first editor, Leitch Ritchie, proved too liberal for his board of directors, and in addition to editorial clashes, the paper was a commercial failure. Ritchie was succeeded by Frederick Ledger, who became sole proprietor as well as editor. He edited the paper for more than thirty years, gradually changing its politics from Liberalism to moderate Conservatism. Politics, however, ceased to be a major concern of ''The Era''. Its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Standing
Herbert Standing (13 November 1846 – 5 December 1923) was a British stage and screen actor and the patriarch of the Standing family of actors. He was the father of numerous children, many of whom had careers in theatre and cinema. Toward the end of his life, he appeared in many Hollywood silent films. Standing began in theatre in 1867, and turned to films in 1913. Standing's children include Sir Guy Standing, Wyndham Standing, Percy Standing, Jack Standing, Herbert Standing Jr. and Aubrey Standing. Grandchildren involved in show business were Joan Standing, Kay Hammond, Guy Standing Jr. and Jack Standing Jr.''Silent Film Necrology'' 2nd Edit. by Eugene Michael Vazzana c. 2001 Present-day character actor John Standing (son of Kay Hammond) is a great-grandson. Partial filmography *''The Geisha'' (1914) *'' False Colors'' (1914) *''Jane'' (1915) *'' Hypocrites'' (1915) *''Buckshot John'' (1915) *''The Caprices of Kitty'' (1915) *'' Sunshine Molly'' (1915) *''Captain Courte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabrielle Réjane
Gabrielle Réjane (), ''née'' Gabrielle Charlotte Réju (6 June 1856 – 14 June 1920), was a French actress of the late 19th and early 20th centuries. The daughter of a former actor, Réjane studied at the Conservatoire national supérieur d'art dramatique, Paris Conservatoire and made her stage debut in 1875. After eight seasons at the Théâtre du Vaudeville in increasingly prominent roles, she became leading lady at the Théâtre des Variétés, a position she combined with appearances in more substantial plays at other theatres. She became known chiefly for her roles in comedies, but made an impression in serious character parts from time to time. Her biggest success was as Catherine, the outspoken washerwoman who becomes a duchess in the historical comedy-drama ''Madame Sans-Gêne (play), Madame Sans-Gêne'' by Victorien Sardou, Sardou and Émile Moreau (playwright), Moreau. She created the role in 1893 and played it frequently for much of her career. Among her other celebra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Procès Veauradieux
''Le Procès Veauradieux'' (The Veauradieux Trial) is an 1875 farce written by Alfred Hennequin and Alfred Delacour. It was one of the major successes of Hennequin's career. Background and first production Alfred Hennequin had a success with his farce ''Les trois chapeaux'', produced at the Théâtre du Vaudeville, Paris in 1871, but as ''Le Figaro'' later commented, "in Paris, the difficulty is not writing amusing plays – it is getting them played". Hennequin's next success was not until June 1875. He collaborated with Alfred Delacour on a three-act farce, ''Le Procès Veauradieux'' (The Veauradieux Trial). The Vaudeville was officially closed for the customary summer break, and Paris was in the middle of a heatwave, but the members of the theatre's company decided to stage the play regardless of their management.Vitu, Auguste"Premières représentations" ''Le Figaro'', 21 June 1875, p. 3 It opened on 19 June 1875 and ran for 175 performances, at a time when a run of more than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farce
Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical humor; the use of deliberate absurdity or nonsense; satire, parody, and mockery of real-life situations, people, events, and interactions; unlikely and humorous instances of miscommunication; ludicrous, improbable, and exaggerated characters; and broadly stylized performances. Genre Despite involving absurd situations and characters, the genre generally maintains at least a slight degree of realism and narrative continuity within the context of the irrational or ludicrous situations, often distinguishing it from completely absurdist or fantastical genres. Farces are often episodic or short in duration, often being set in one specific location where all events occur. Farces have historically been performed for the stage and film. Historical context The term ''farce'' is deri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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