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Nelly Bromley
Eleanor Elizabeth Emily (Nelly, sometimes Nellie) Bromley (30 September 1850 – 27 October 1939) was an English actor and singer who performed in operettas, musical burlesques and comic plays. She is best remembered today for having created the role of the Plaintiff in Gilbert & Sullivan's first success, ''Trial by Jury'', although she played in that piece for just over three months out of a successful career spanning nearly two decades. Life and early career Bromley was born on 30 September 1850 in London to an actress and singer, also Eleanor Bromley (1826–1860). The identity of her father is unknown. Her mother was born into the large family of John Charles Bromley (died 1839) and his wife Hannah ''née'' Shailer. Her mother had begun acting while still a teenager, in 1843, appearing at many of the major West End theatres, especially at the Olympic Theatre. She continued to act until she died in childbirth in 1860. In 1857, she had married Charles Henry Cook. After her moth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nelly Bromley
Eleanor Elizabeth Emily (Nelly, sometimes Nellie) Bromley (30 September 1850 – 27 October 1939) was an English actor and singer who performed in operettas, musical burlesques and comic plays. She is best remembered today for having created the role of the Plaintiff in Gilbert & Sullivan's first success, ''Trial by Jury'', although she played in that piece for just over three months out of a successful career spanning nearly two decades. Life and early career Bromley was born on 30 September 1850 in London to an actress and singer, also Eleanor Bromley (1826–1860). The identity of her father is unknown. Her mother was born into the large family of John Charles Bromley (died 1839) and his wife Hannah ''née'' Shailer. Her mother had begun acting while still a teenager, in 1843, appearing at many of the major West End theatres, especially at the Olympic Theatre. She continued to act until she died in childbirth in 1860. In 1857, she had married Charles Henry Cook. After her moth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard D'Oyly Carte
Richard D'Oyly Carte (; 3 May 1844 – 3 April 1901) was an English talent agent, theatrical impresario, composer, and hotelier during the latter half of the Victorian era. He built two of London's theatres and a hotel empire, while also establishing an opera company that ran continuously for over a hundred years and a management agency representing some of the most important artists of the day. Carte started his career working for his father, Richard Carte, in the music publishing and musical instrument manufacturing business. As a young man he conducted and composed music, but he soon turned to promoting the entertainment careers of others through his management agency. Carte believed that a school of wholesome, well-crafted, family-friendly, English comic opera could be as popular as the risqué French works dominating the London musical stage in the 1870s. To that end he brought together the dramatist W. S. Gilbert and composer Arthur Sullivan and nurtured their collaboration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augustus Harris
Sir Augustus Henry Glossop Harris (18 March 1852 – 22 June 1896) was a British actor, impresario, and dramatist, a dominant figure in the West End theatre of the 1880s and 1890s. Born into a theatrical family, Harris briefly pursued a commercial career before becoming an actor and subsequently a stage-manager. At the age of 27 he became the lessee of the large Theatre Royal, Drury Lane, where he mounted popular melodramas and annual pantomimes on a grand and spectacular scale. The pantomimes featured leading music hall stars such as Dan Leno, Marie Lloyd, Little Tich and Vesta Tilley. The profits from these productions subsidised his opera seasons, equally lavish, starrily cast and with an innovative repertoire. He presented the first British production of ''Die Meistersinger'' and the first production anywhere outside Germany of ''Tristan und Isolde'', and revitalised the staging of established classics. Harris remained in charge at Drury Lane for the rest of his life, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Solomon
Edward Solomon (25 July 1855 – 22 January 1895) was an English composer, conductor, orchestrator and pianist. He died at age 39 by which time he had written dozens of works produced for the stage, including several for the D'Oyly Carte Opera Company, including ''The Nautch Girl'' (1891). Early in his career, he was a frequent collaborator of Henry Pottinger Stephens. He had a bigamous marriage with Lillian Russell in the 1880s. Life and career Edward ("Teddy") Solomon was born in Lambeth, London, to a Jewish family. He had ten siblings. His parents were Charles Solomon (1817–1890), a music hall pianist, conductor and composer, and his wife, Cesira "Sarah" Marinina, née Mirandoli (1834–1891). He picked up music by working with his father.Tomes, JasonEdward Solomon ''Oxford Dictionary of National Biography'', Oxford University Press, October 2007; accessed 16 July 2014. Aged 17 or 18, Solomon married 15-year-old Jane Isaacs in 1873, and the two had a daughter, Claire Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extravaganza
An extravaganza is a literary or musical work (often musical theatre) usually containing elements of burlesque, pantomime, music hall and parody in a spectacular production and characterized by freedom of style and structure. It sometimes also has elements of cabaret, circus, revue, variety, vaudeville and mime. ''Extravaganza'' may more broadly refer to an elaborate, spectacular, and expensive theatrical production. 19th-century British dramatist, James Planché, was known for his extravaganzas. Planché defined the genre as "the whimsical treatment of a poetical subject."Planché. ''The recollections and reflections of J.R. Planché (Somerset herald): a professional biography'' (1872), Vol. II, p. 43 The term is derived from the Italian word ''stravaganza'', meaning extravagance. See also *Spectacle *Victorian burlesque Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian era, Victorian Eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toole's Theatre
Toole's Theatre, was a 19th-century West End theatre, West End building in William IV Street, near Charing Cross, in the City of Westminster. A succession of auditoria had occupied the site since 1832, serving a variety of functions, including religious and leisure activities. The theatre at its largest, after reconstruction in 1881–82, had a capacity of between 650 and 700. As the Charing Cross Theatre (1869–1876) the house became known for bills offering a mixture of drama, Victorian burlesque, burlesque and operetta. Among the authors of its burlesques were W. S. Gilbert and H. B. Farnie. Its stars included Lydia Thompson, Lionel Brough and Willie Edouin. In 1876 Thompson and her husband, Alexander Henderson, became lessees of the theatre and renamed it the Folly Theatre. They continued the theatre's customary mix of operetta and burlesque. Their greatest successes were with English adaptations of French opéras bouffes and opéras comiques, most conspicuously ''Les cloch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Reece
Robert Reece (2 May 1838 – 8 July 1891) was a British comic playwright and librettist active in the Victorian era. He wrote many successful musical burlesques, comic operas, farces and adaptations from the French, including the English-language adaptation of the operetta ''Les cloches de Corneville'', which became the longest-running piece of musical theatre in history up to that time. He sometimes collaborated with Henry Brougham Farnie or others. Early life and career Reece was born in the island of Barbados, West Indies. His father, Robert Reece (1808–1874), was a barrister of the Inner Temple. Reece matriculated from Balliol College, Oxford in 1857 and received his B.A. in 1860 and his M.A. in 1864. He was admitted a student at the Inner Temple in 1860 but was not called to the bar. For a short time he was a medical student. Between 1861 and 1863, he was an extra clerk in the office of the ecclesiastical commissioners, and from 1864 to 1868 an extra temporary clerk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pink Dominos
''The Pink Dominos'' is a farce in three acts by James Albery based on the French farce '' Les Dominos roses'' by Alfred Hennequin and Alfred Delacour. It concerns a plan by two wives to test their husbands' fidelity at a masked ball and a mischievous maid who causes comic complications by wearing a gown similar to those worn by the wives. The "dominos" of the title are gowns with hoods and masks, worn at masquerades. The piece opened on March 31, 1877 and was exceptionally successful, running for a record-setting 555 performances. Charles Wyndham played one of the husbands and produced the piece at the Criterion Theatre. Augustus Harris played Henry and Fanny Josephs was one of the wives. Background and first production Following the success of their 1875 farce '' Le Procès Veauradieux'', Alfred Delacour and Alfred Hennequin, wrote '' Les Dominos roses'' for the Théâtre du Vaudeville, Paris, where it premiered in April 1876 and ran for 127 performances. That production ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chatto & Windus
Chatto & Windus is an imprint of Penguin Random House that was formerly an independent book publishing company founded in London in 1855 by John Camden Hotten. Following Hotten's death, the firm would reorganize under the names of his business partner Andrew Chatto and poet William Edward Windus. The company was purchased by Random House in 1987 and is now a sub-imprint of Vintage Books within the Penguin UK division. History The firm developed out of the publishing business of John Camden Hotten, founded in 1855. After his death in 1873, it was sold to Hotten's junior partner Andrew Chatto (1841–1913), who took on the poet William Edward Windus (1827-1910), son of the patron of J. M. W. Turner, Benjamin Godfrey Windus (1790-1867), as partner. Chatto & Windus published Mark Twain, W. S. Gilbert, Wilkie Collins, H. G. Wells, Wyndham Lewis, Richard Aldington, Frederick Rolfe (as Fr. Rolfe), Aldous Huxley, Samuel Beckett, the "unfinished" novel ''Weir of Hermiston'' (1896) by R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Brigands
''Les brigands'' (''The Bandits'') is an opéra bouffe, or operetta, by Jacques Offenbach to a French libretto by Henri Meilhac and Ludovic Halévy. Meilhac and Halévy's libretto lampoons both serious drama (Schiller's play ''The Robbers'') and opéra comique (''Fra Diavolo'' and ''Les diamants de la couronne'' by Auber). The plot is cheerfully amoral in its presentation of theft as a basic principle of society rather than as an aberration. As Falsacappa, the brigand chieftain, notes: "Everybody steals according to their position in society." The piece premiered in Paris in 1869 and has received periodic revivals in France and elsewhere, both in French and in translation. ''Les brigands'' has a more substantial plot than many Offenbach operettas and integrates the songs more completely into the story. The forces of law and order are represented by the bumbling carabinieri, whose exaggerated attire delighted the Parisian audience during the premiere. In addition to policemen, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Procès Veauradieux
''Le Procès Veauradieux'' (The Veauradieux Trial) is an 1875 farce written by Alfred Hennequin and Alfred Delacour. It was one of the major successes of Hennequin's career. Background and first production Alfred Hennequin had a success with his farce ''Les trois chapeaux'', produced at the Théâtre du Vaudeville, Paris in 1871, but as ''Le Figaro'' later commented, "in Paris, the difficulty is not writing amusing plays – it is getting them played". Hennequin's next success was not until June 1875. He collaborated with Alfred Delacour on a three-act farce, ''Le Procès Veauradieux'' (The Veauradieux Trial). The Vaudeville was officially closed for the customary summer break, and Paris was in the middle of a heatwave, but the members of the theatre's company decided to stage the play regardless of their management.Vitu, Auguste"Premières représentations" ''Le Figaro'', 21 June 1875, p. 3 It opened on 19 June 1875 and ran for 175 performances, at a time when a run of more than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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