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The Oxen And The Creaking Cart
The Oxen and the Creaking Cart is a situational fable ascribed to Aesop and is numbered 45 in the Perry Index. Originally directed against complainers, it was later linked with the proverb ‘the worst wheel always creaks most’ and aimed emblematically at babblers of all sorts. The fable The Greek fabulist Babrius collected two variant fables that told of oxen straining to pull a laden wagon with creaking wheels. In one the oxen reprove the cart for complaining when it is they who have the heaviest work to do. In the other, it is the angry waggoner who points this out. When the situation began to be related in English collections, however, there were significant changes. In Roger L'Estrange’s version (1692), titled simply “A Creaking Wheel”, it is “the worst wheel of the four” that justifies the noise it makes by pointing out that “They that are Sickly are ever the most Piping and Troublesome”. In Samuel Croxall’s collection of 1722, the worst wheel of a coach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mexican Ox-cart
Mexican may refer to: Mexico and its culture *Being related to, from, or connected to the country of Mexico, in North America ** People *** Mexicans, inhabitants of the country Mexico and their descendants *** Mexica, ancient indigenous people of the Valley of Mexico ** Being related to the State of Mexico, one of the 32 federal entities of Mexico ** Culture of Mexico *** Mexican cuisine *** historical synonym of Nahuatl, language of the Nahua people (including the Mexica) Arts and entertainment * "The Mexican" (short story), by Jack London * "The Mexican" (song), by the band Babe Ruth * Regional Mexican, a Latin music radio format Films * ''The Mexican'' (1918 film), a German silent film * ''The Mexican'' (1955 film), a Soviet film by Vladimir Kaplunovsky based on the Jack London story, starring Georgy Vitsin * ''The Mexican'', a 2001 American comedy film directed by Gore Verbinski, starring Brad Pitt and Julia Roberts Other uses * USS ''Mexican'' (ID-1655), United State ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesop’s Fables
Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller believed to have lived in ancient Greece between 620 and 564 BCE. Of diverse origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers and in popular as well as artistic media. The fables originally belonged to oral tradition and were not collected for some three centuries after Aesop's death. By that time, a variety of other stories, jokes and proverbs were being ascribed to him, although some of that material was from sources earlier than him or came from beyond the Greek cultural sphere. The process of inclusion has continued until the present, with some of the fables unrecorded before the Late Middle Ages and others arriving from outside Europe. The process is continuous and new stories are still being added to the Aesop corpus, even when they are demonstrably more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perry Index
The Perry Index is a widely used index of "Aesop's Fables" or "Aesopica", the fables credited to Aesop, the storyteller who lived in ancient Greece between 620 and 560 BC. The index was created by Ben Edwin Perry, a professor of classics at the University of Illinois Urbana-Champaign. Modern scholarship takes the view that Aesop probably did not compose all of the fables attributed to him;D. L. Ashliman, “Introduction,” in George Stade (Consulting Editorial Director), ''Aesop’s Fables.'' New York: Barnes & Noble Classics, (2005). Produced and published in conjunction with Fine Creative Media, Inc. (New York) Michael J. Fine, President and Publisher. See pp. xiii–xv and xxv–xxvi. indeed, a few are known to have first been used before Aesop lived, while the first record we have of many others is from well over a millennium after his time. Traditionally, Aesop's fables were arranged alphabetically, which is not helpful to the reader. Perry listed them by language (Greek ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Babrius
Babrius ( grc-gre, Βάβριος, ''Bábrios''; century),"Babrius" in ''Chambers's Encyclopædia''. London: George Newnes, 1961, Vol. 2, p. 21. also known as Babrias () or Gabrias (), was the author of a collection of Greek fables, many of which are known today as Aesop's Fables. Life Practically nothing is known of him. He is supposed to have been a Hellenized Roman, whose original name may have been Valerius. He lived in the East, probably in Syria, where the fables seem first to have gained popularity. The address to "a son of King Alexander" has caused much speculation, with the result that dates varying between the 3rd century BC and the 3rd century AD have been assigned to Babrius. The Alexander referred to may have been Alexander Severus (AD 222–235), who was fond of having literary men of all kinds about his court. "The son of Alexander" has further been identified with a certain Branchus mentioned in the fables, and it is suggested that Babrius may have been his tutor; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger L'Estrange
Sir Roger L'Estrange (17 December 1616 – 11 December 1704) was an English pamphleteer, author, courtier, and press censor. Throughout his life L'Estrange was frequently mired in controversy and acted as a staunch ideological defender of King Charles II's regime during the Restoration era. His works played a key role in the emergence of a distinct 'Tory' bloc during the Exclusion Crisis of 1679-81. Perhaps his best known polemical pamphlet was ''An Account of the Growth of Knavery'', which ruthlessly attacked the parliamentary opposition to Charles II and his successor James, Duke of York (later King James II), placing them as fanatics who misused contemporary popular anti-Catholic sentiment to attack the Restoration court and the existing social order in order to pursue their own political ends. Following the Exclusion Crisis and the failure of the nascent Whig faction to disinherit James, Duke of York in favour of Charles II's illegitimate son James, 1st Duke of Monmouth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Croxall
Samuel Croxall (c. 1690 – 1752) was an Anglican churchman, writer and translator, particularly noted for his edition of Aesop's Fables. Early career Samuel Croxall was born in Walton on Thames, where his father (also called Samuel) was vicar. He was educated at Eton and at St John's College, Cambridge, where he took his B.A. in 1711 and entered holy orders. Soon after graduating he began to emerge as a political pamphleteer, taking the Whig side on the question of the Hanoverian succession. In 1713 he published ''An original canto of Spencer: design'd as part of his Faerie Queene, but never printed'', followed next year by ''Another original canto of Spencer''. Croxall's satirical target was the Tory politician of the day, Robert Harley, Earl of Oxford, and the choice of poetical model was also politically motivated. In 1706 the Whig turncoat Matthew Prior had used the Spenserian stanza in ''An Ode, Humbly to the Queen'' on the conduct of the War of the Spanish Succession; a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Fyler Townsend
George Fyler Townsend (1814–1900) was the British translator of the standard English edition of ''Aesop's Fables''. He was the son of George Townsend and was educated at Harrow School and Trinity College, Cambridge -DCL 1876. He was Vicar of Barntingham, Yorks 1842-1857, of Leominster 1857-1862 and of St Michael's, Burleigh Street, Westminster 1862-1894.Harrow Register He was the last Clerical proctor for granting Marriage Licences in Doctors Commons and assumed the name "Townesend" in 1882. Although there are more modern collections and translations, Townsend's volume of 350 fables introduced the practice of stating a succinct ''moral'' at the conclusion of each story, and continues to be influential. Several editions were published in his lifetime, and others since. In 1860, Townsend also published a revised edition of ''The Arabian Nights'', "mostly founded on the version of Dr Jonathan Scott". In 1872, Townsend published, under the auspices of the Society for Promoti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurentius Abstemius
Laurentius Abstemius (c. 1440–1508) was an Italian writer and professor of philology, born at Macerata in Ancona. His learned name plays on his family name of Bevilaqua (Drinkwater), and he was also known by the Italian name Lorenzo Astemio. A Neo-Latin writer of considerable talents at the time of the Humanist revival of letters, his first published works appeared in the 1470s and were distinguished by minute scholarship. During that decade he moved to Urbino and became ducal librarian, although he was to move between there and other parts of Italy thereafter as a teacher. The work for which he is principally remembered now is ''Hecatomythium'' (1495), a collection of a hundred fables written in Latin and largely of his own invention. However, the inclusion together with this work of the thirty-three Aesopic fables translated from the Greek by Lorenzo Valla gave the impression that his own work was of the same kind. Several of the fables of Abstemius, it is true, relate to Ae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilles Corrozet
Gilles Corrozet (1510 - 1568, Paris) was a French writer and printer-bookseller. Life and works Corrozet’s printer’s mark was a rose enclosed in a heart, punning on his name (''Coeur rosier''), and accompanied by the Biblical motto ''In corde prudentis requiescit sapientia'' (Wisdom resteth in the heart of him that hath understanding, Proverbs 14.33). His first productions date from 1532 and one of his specialities was to make available handy small-scale classical texts and influential illustrated works. A poet himself, he was also responsible for publishing books by some of the principal authors of his era, Clément Marot, Pierre de Ronsard, Joachim du Bellay and Pierre Belon. His own poetic work accompanied the illustrations in his emblem book An emblem book is a book collecting emblems (allegorical illustrations) with accompanying explanatory text, typically morals or poems. This category of books was popular in Europe during the 16th and 17th centuries. Emblem books a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesop's Fables
Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller believed to have lived in ancient Greece between 620 and 564 BCE. Of diverse origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers and in popular as well as artistic media. The fables originally belonged to oral tradition and were not collected for some three centuries after Aesop's death. By that time, a variety of other stories, jokes and proverbs were being ascribed to him, although some of that material was from sources earlier than him or came from beyond the Greek cultural sphere. The process of inclusion has continued until the present, with some of the fables unrecorded before the Late Middle Ages and others arriving from outside Europe. The process is continuous and new stories are still being added to the Aesop corpus, even when they are demonstrably more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fables By Laurentius Abstemius
Fable is a literary genre: a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrates or leads to a particular moral lesson (a "moral"), which may at the end be added explicitly as a concise maxim or saying. A fable differs from a parable in that the latter ''excludes'' animals, plants, inanimate objects, and forces of nature as actors that assume speech or other powers of humankind. Conversely, an animal tale specifically includes talking animals as characters. Usage has not always been so clearly distinguished. In the King James Version of the New Testament, "" ("''mythos''") was rendered by the translators as "fable" in the First Epistle to Timothy, the Second Epistle to Timothy, the Epistle to Titus and the First Epistle of Peter. A person who writes fables is a fabulist. History The fable is one of the most enduring forms of folk literature, sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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