The Night Before (song)
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The Night Before (song)
"The Night Before" is a song by the English rock band the Beatles from their 1965 film ''Help!'' and accompanying album ''Help!'' The song was written by Paul McCartney and credited to Lennon–McCartney. Background and composition Neither Paul McCartney nor John Lennon had strong memories about the creation of "The Night Before". Although the song is credited to the Lennon–McCartney songwriting partnership, both identified it as being written primarily by McCartney. McCartney recalled writing it at the apartment of his then girlfriend Jane Asher and her family, at 57 Wimpole Street in central London. "The Night Before" is mainly in the key of D major, with a brief modulation to G major in the bridge, and is in 4/4 time. The verse's vocal arrangement uses what writer Kenneth Womack identifies as a call and response structure; however, musicologist Alan W. Pollack instead describes it as "hocket-like" due to it being a "single thread vocal line shared" between the lead and bac ...
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The Beatles
The Beatles were an English Rock music, rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the Cultural impact of the Beatles, most influential band of all time and were integral to the development of counterculture of the 1960s, 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat music, beat and 1950s rock and roll, rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk music, folk and Music of India, Indian music to Psychedelic music, psychedelia and hard rock. As Recording practices of the Beatles, pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's Baby boomers, youth and sociocultural movements. Led by primary songwriter ...
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Modulation
In electronics and telecommunications, modulation is the process of varying one or more properties of a periodic waveform, called the ''carrier signal'', with a separate signal called the ''modulation signal'' that typically contains information to be transmitted. For example, the modulation signal might be an audio signal representing sound from a microphone, a video signal representing moving images from a video camera, or a digital signal representing a sequence of binary digits, a bitstream from a computer. The carrier is higher in frequency than the modulation signal. In radio communication the modulated carrier is transmitted through space as a radio wave to a radio receiver. Another purpose is to transmit multiple channels of information through a single communication medium, using frequency-division multiplexing (FDM). For example in cable television which uses FDM, many carrier signals, each modulated with a different television channel, are transported through a sing ...
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You Like Me Too Much
"You Like Me Too Much" is a song by the English rock band the Beatles. It was written by George Harrison, the group's lead guitarist, and released in August 1965 on the ''Help!'' album, except in North America, where it appeared on ''Beatles VI''. The band recorded the track on 17 February that year at EMI Studios in London. Musical characteristics The song is in the key of G major and in 4/4 time. There is an introduction using piano and electric piano, with Paul McCartney and George Martin playing two different piano parts on separate ends of the same Steinway grand piano. The Steinway appears only in the song's intro and was overdubbed separately, as were McCartney's bass and Harrison's vocal overdubs. The electric piano is a Hohner Pianet, played by John Lennon. The sound of the instrument's tremolo being switched off after the introduction can be heard. The quick transition from G chord to a flat-III (B) is unusual, especially as its F-natural note is melodically sustaine ...
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George Harrison
George Harrison (25 February 1943 – 29 November 2001) was an English musician and singer-songwriter who achieved international fame as the lead guitarist of the Beatles. Sometimes called "the quiet Beatle", Harrison embraced Indian culture and helped broaden the scope of popular music through his incorporation of Indian instrumentation and Hindu-aligned spirituality in the Beatles' work. Although the majority of the band's songs were written by John Lennon and Paul McCartney, most Beatles albums from 1965 onwards contained at least two Harrison compositions. His songs for the group include "Taxman", "Within You Without You", "While My Guitar Gently Weeps", "Here Comes the Sun" and "Something". Harrison's earliest musical influences included George Formby and Django Reinhardt; Carl Perkins, Chet Atkins and Chuck Berry were subsequent influences. By 1965, he had begun to lead the Beatles into folk rock through his interest in Bob Dylan and the Byrds, and towards Indi ...
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The Animals
The Animals (also billed as Eric Burdon and the Animals) are an English rock band, formed in Newcastle upon Tyne in the early 1960s. The band moved to London upon finding fame in 1964. The Animals were known for their gritty, bluesy sound and deep-voiced frontman Eric Burdon, as exemplified by their signature song and transatlantic number-one hit single "The House of the Rising Sun" as well as by hits such as "We Gotta Get Out of This Place", " It's My Life", "Don't Bring Me Down", "I'm Crying", "See See Rider" and "Don't Let Me Be Misunderstood." The band balanced tough, rock-edged pop singles against rhythm-and-blues-oriented album material and were part of the British Invasion of the US. The Animals underwent numerous personnel changes in the mid-1960s, and suffered from poor business management, leading the original incarnation to split up in 1966. Burdon assembled a mostly new lineup of musicians under the name Eric Burdon and the Animals; the much-changed act moved to Ca ...
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The Kinks
The Kinks were an English rock band formed in Muswell Hill, north London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. The Kinks' music drew from a wide range of influences, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational writing style, and made apparent in albums such as '' Face to Face'' (1966), '' Something Else'' (1967), ''The Village Green Preservation Society'' (1968), ...
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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Walter Everett (musicologist)
Walter Everett is a music theorist specializing in popular music who teaches at the University of Michigan. His books include ''The Beatles as Musicians: Revolver through the Anthology'' (1999, ), which has been called "the most important work to appear on the Beatles thus far",The 2007/2008 Kjell Meling Award
, ''Penn State Altoona''.
and its follow-up volume, ''The Beatles as Musicians: The Quarry Men through Rubber Soul'' (2001). He also wrote ''The Foundations of Rock: From 'Blue Suede Shoes' to 'Suite: Judy Blue Eyes (2008, ) and has contributed to titles in the Cambridge Companions to Music series. Gary Burns, editor of the journal ''Popular Music and Society'', describes Everett's ''Be ...
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Can't Buy Me Love (book)
''Can't Buy Me Love'', subtitled ''The Beatles, Britain, and America'', is a book by American author Jonathan Gould that was published in October 2007. A biography of the English rock band the Beatles, it provides a musicological assessment of their work and a study of the cultural impact they had during the 1960s. It was first published in the United States by Harmony Books and took Gould seventeen years to complete, after he had begun working on the project with editor William Shawn for the Farrar, Straus and Giroux publishing company. It was the first book by Gould, who was formerly a professional musician. ''Can't Buy Me Love'' was a commercial and critical success. Several reviewers have identified it as being among the best of the many books written about the Beatles. Background and development Jonathan Gould had studied cultural anthropology at Cornell University in Ithaca, New York but had never considered a career in writing. In between his work as a studio drummer, he ...
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Hocket
In music, hocket is the rhythmic linear technique using the alternation of notes, pitches, or chords. In medieval practice of hocket, a single melody is shared between two (or occasionally more) voices such that alternately one voice sounds while the other rests. History In European music, hocket or hoquet was used primarily in vocal and choral music of the 13th and early 14th centuries. It was a predominant characteristic of music of the Notre Dame school, during the ''ars antiqua'', in which it was found in sacred vocal music and string compositions. In the 14th century, this compositional device was most often found in secular vocal music. Although the term is in reference to this secular music of the 13th and 14th centuries in France, the technique under other names could be heard in different types of music across the world as early as the 11th century. As alternating or trading melodies between instruments had well been developed earlier in time to eventually influence the ...
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Alan W
Alan may refer to: People *Alan (surname), an English and Turkish surname *Alan (given name), an English given name **List of people with given name Alan ''Following are people commonly referred to solely by "Alan" or by a homonymous name.'' *Alan (Chinese singer) (born 1987), female Chinese singer of Tibetan ethnicity, active in both China and Japan *Alan (Mexican singer) (born 1973), Mexican singer and actor * Alan (wrestler) (born 1975), a.k.a. Gato Eveready, who wrestles in Asistencia Asesoría y Administración *Alan (footballer, born 1979) (Alan Osório da Costa Silva), Brazilian footballer *Alan (footballer, born 1998) (Alan Cardoso de Andrade), Brazilian footballer *Alan I, King of Brittany (died 907), "the Great" *Alan II, Duke of Brittany (c. 900–952) * Alan III, Duke of Brittany(997–1040) *Alan IV, Duke of Brittany (c. 1063–1119), a.k.a. Alan Fergant ("the Younger" in Breton language) *Alan of Tewkesbury, 12th century abbott *Alan of Lynn (c. 1348–1423), 15th ce ...
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Call And Response (music)
In music, call and response is a succession of two distinct phrases usually written in different parts of the music, where the second phrase is heard as a direct commentary on or in response to the first. This can take form as commentary to a statement, an answer to a question or repetition of a phrase following or slightly overlapping the initial speaker(s). It corresponds to the call and response pattern in human communication and is found as a basic element of musical form, such as verse-chorus form, in many traditions. African music In Sub-Saharan African cultures, call and response is a pervasive pattern of democratic participation—in public gatherings in the discussion of civic affairs, in religious rituals, as well as in vocal and instrumental musical expression. African-American music Enslaved Africans brought call and response music with them to the colonized American continents and it has been transmitted over the centuries in various forms of cultural express ...
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