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Call And Response (music)
In music, call and response is a succession of two distinct phrases usually written in different parts of the music, where the second phrase is heard as a direct commentary on or in response to the first. This can take form as commentary to a statement, an answer to a question or repetition of a phrase following or slightly overlapping the initial speaker(s). It corresponds to the call and response pattern in human communication and is found as a basic element of musical form, such as verse-chorus form, in many traditions. African music In Sub-Saharan African cultures, call and response is a pervasive pattern of democratic participation—in public gatherings in the discussion of civic affairs, in religious rituals, as well as in vocal and instrumental musical expression. African-American music Enslaved Africans brought call and response music with them to the colonized American continents and it has been transmitted over the centuries in various forms of cultural express ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shave And A Haircut In C
Shave may refer to: *''to shave'' refers to the act of shaving *Shave (surname) *Shave (magazine), ''Shave'' (magazine), a periodical magazine *"Shave", a song by Enon from their 2003 album ''Hocus Pocus (Enon album), Hocus Pocus'' * Severe Hazards Analysis and Verification Experiment, a database of storm impact based on telephone surveys {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coro-pregón
Coro-pregón (or coro-guía, coro-inspiración) in Afro-Cuban music and other Afro-Latin Latin music (mainly from the Puerto Rico), most of all salsa, but also in some non-Cuban genres like merengue and bachata, refers to a call and response section between the lead singer and the ''coro'' (chorus). It is found in most Cuban genres, for example son and son montuno, rumba, cha-cha-chá, timba, and many more. Origins The practice of call and response singing probably stems from traditional African music and was brought to Cuba by slaves. It can still be found in its ancient form in Cuban religious music. Vocal improvisations are also based on market vendors' chants, called pregón. Pregón The lead singer usually improvises both melody and lyrics (although most singers have some standard lines which they use quite frequently). This is called guía or pregón. The term pregón also refers to a vocal improvisation without coro, and a genre in which such vocal improvisation is ver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belizean Creole People
Belizean Creoles, also known as Kriols, are a Creole ethnic group native to Belize. Belizean Creoles are primarily mixed-raced descendants of enslaved West and Central Africans who were brought to the British Honduras (present-day Belize along the Bay of Honduras) as well as the English and Scottish log cutters, known as the Baymen who trafficked them.(Johnson,Melissa A.) ''The Making of Race and Place in Nineteenth-Century British Honduras''. Environmental History, Vol. 8, No. 4 (Oct., 2003), pp. 598-617 Over the years they have also intermarried with from |
Afro-Barbadians
Black Barbadians or African Barbadians are Barbadians of entirely or predominantly African descent. 92.4% of Barbados' population is black and 3.1% is multiracial based on estimates in 2010. Origins Most of the enslaved Africans brought to Barbados were from the Bight of Biafra (62,000 Africans), the Gold Coast (59,000 Africans), and the Bight of Benin (45,000 Africans).This citation is brokeAfrican origins of the slaves from British and former British Antilles/ref> Other African slaves came from Central Africa (29,000 slaves), Senegambia (14,000 Africans), the Windward Coast (13,000 slaves) and from Sierra Leone (9,000 slaves). Africans from the Bight of Biafra were primarily Igbo people in the Atlantic slave trade, Igbo, Ibibio and Efik; Africans from the Gold Coast were primarily Akan; Africans from the Bight of Benin were primarily Yoruba, Ewe and Fon; and Africans from Central Africa were primarily Kongo. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Bahamians
Afro-Bahamians are an ethnicity originating in The Bahamas of predominantly or partial African descent. They are descendants of various African ethnic groups, many associated with the Bight of Biafra, Ghana, Songhai and Mali, the various Fula kingdoms, the Oyo Empire, and the Kingdom of Kongo. According to the 2010 Census, 92.7% of The Bahamas' population identifies as Black African descent. Origins Most Africans brought to The Bahamas were West African. Slaves came from West Central Africa (3,967 Africans), the Bight of Biafra (1,751 Africans), Sierra Leone (1,187 Africans), the Bight of Benin (1,044 Africans), the Windward Coast (1,030 Africans), Senegambia (806 Africans) and from the Gold Coast (484 Africans). Afro Bahamians originally came by way of Bermuda with the Eleutheran Adventurers in the 17th century, many also came directly from Africa, during the 18th and 19th centuries, the loyalists migrated to the Bahamas bringing thousands of Africans with them from Georgia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro–Trinidadians And Tobagonians
Afro-Trinidadians and Tobagonians (or just Afro-Trinbagonians) are people from Trinidad and Tobago who are of West African descent. Social interpretations of race in Trinidad and Tobago are often used to dictate who is of West African descent. Mulatto- Creole, Dougla, Blasian, Zambo, Maroon, Pardo, Quadroon, Octoroon or Hexadecaroon (Quintroon) were all racial terms used to measure the amount of West African ancestry someone possessed in Trinidad and Tobago and throughout North American, Latin American and Caribbean history. Afro-Trinidadians and Tobagonians accounted for 34.22 percent of the population of Trinidad and Tobago according to the 2011 Census. However, the classification is primarily a superficial description based on phenotypical (physical) description as opposed to genotypical (genetic) classification. An additional 22.8 percent of Trinidadians described themselves as being multiracial, of whom 7.7 percent were Dougla (mixed African and Indian ethnicity). The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Jamaicans
Afro-Jamaicans are Jamaicans of predominant Sub-Saharan African descent. They represent the largest ethnic group in the country. Most Jamaicans of mixed-race descent self-report as just Jamaican. The ethnogenesis of the Black Jamaican people stemmed from the Atlantic slave trade of the 16th century, when enslaved Africans were transported as slaves to Jamaica and other parts of the Americas. The first Africans to arrive in Jamaica came in 1513 from the Iberian Peninsula. When the English invaded Jamaica in 1655, many of them fought with their Spanish masters, who gave them their freedom, and then fled to the mountains, resisting the English colonial administration for decades, becoming known as Maroons. During the period of British rule, slaves brought into Jamaica were primarily Akan, some of whom ran away and joined with Maroons and even took over as leaders. Origin West Africans were captured and enslaved in wars with other West African states, as retribution for crimes co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Caribbean People
Afro-Caribbean people or African Caribbean are Caribbean people who trace their full or partial ancestry to Sub-Saharan Africa. The majority of the modern African-Caribbeans descend from Africans taken as slaves to colonial Caribbean via the trans-Atlantic slave trade between the 15th and 19th centuries to work primarily on various sugar plantations and in domestic households. Other names for the ethnic group include Black Caribbean, Afro or Black West Indian or Afro or Black Antillean. The term Afro-Caribbean was not coined by Caribbean people themselves but was first used by European Americans in the late 1960s. People of Afro-Caribbean descent today are largely of West African ancestry, and may additionally be of other origins, including European, South Asian and native Caribbean descent, as there has been extensive intermarriage and unions among the peoples of the Caribbean over the centuries. Although most Afro-Caribbean people today continue to live in English, Frenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Caribbean Music
Afro-Caribbean music is a broad term for music styles originating in the Caribbean from the African diaspora. These types of music usually have West African/Central African influence because of the presence and history of African people and their descendants living in the Caribbean, as a result of the trans-Atlantic slave trade. These distinctive musical art forms came about from the cultural mingling of African, Indigenous, and European inhabitants. Characteristically, Afro-Caribbean music incorporates components, instruments and influences from a variety of African cultures, as well as Indigenous and European cultures. Afro-Caribbean music has been influenced by historical and stylistic influences. Historically, afro-Caribbean music was influenced by the transatlantic slave trade and later, by the resistance and emancipation of slaves. Stylistically, afro-Caribbean music has been influenced by various African, European and Indigenous Latin American influences. African influence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Work Song
A work song is a piece of music closely connected to a form of work, either sung while conducting a task (usually to coordinate timing) or a song linked to a task which might be a connected narrative, description, or protest song. Definitions and categories Records of work songs are as old as historical records, and anthropological evidence suggests that most agrarian societies tend to have them. Most modern commentators on work songs have included both songs sung while working as well as songs about work since the two categories are seen as interconnected. Norm Cohen divided collected work songs into domestic, agricultural or pastoral, sea shanties, African-American work songs, songs and chants of direction, and street cries. Ted Gioia further divided agricultural and pastoral songs into hunting, cultivation and herding songs, and highlighted the industrial or proto-industrial songs of cloth workers (see Waulking song), factory workers, seamen, lumberjacks, cowboys and miner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African-American Women Work Songs
Origins A work song is a song that is sung while doing labor or any kind of work. Usually the song aids in keeping rhythm or used as a distraction. Work songs can include content focused around the surrounding environment, resistance, or protest. Many different groups throughout history have sung work songs. Enslaved African-American women had a unique history associated with work songs. Their work songs portrayed their specific standpoint and experiences during the slavery period in the United States. Work songs were often derived from traditional African songs. Many work songs were in the format of a call and response, which fostered dialogue. The importance of dialogue is illuminated in many African-American traditions and continues to the present day. Particular to the African call and response tradition is the overlapping of the call and response. The leader's part might overlap with the response, thus creating a unique collaborative sound. Similarly, African-American folk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
