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The Country Innocence
''The Country Innocence; Or, The Chamber-maid Turn'd Quaker'' is a 1677 comedy play by the English writer John Leanerd. It was originally performed by the King's Company at the Theatre Royal, Drury Lane in London. It borrowed very heavily from the 1647 work ''The Countrie Girl'' by Thomas Brewer (writer), Thomas Brewer. The first cast included Edward Lydall as Sir Oliver Bellingham, John Coysh as Sir Robert Malory, Cardell Goodman as Captain Mullineux, John Wiltshire (stage actor), John Wiltshire as Plush, Philip Griffin as Rash, Joseph Haines as Gregory Dwindle, Martin Powell (actor), Martin Powell as Mr William, Marmaduke Watson as Old Thrashard, Carey Perin as Old Gentlewoman, Rebecca Marshall as Lady Lovely, Sarah Cooke as Gillian and Mary Knep as Barbara.Van Lennep p.255 References Bibliography * Konigsberg, Ira. ''Samuel Richardson and the Dramatic Novel''. University Press of Kentucky, 2014. * Van Lennep, W. ''The London Stage, 1660-1800: Volume One, 1660-1700''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Leanerd
John Leanerd ( fl. 1679) was a British playwright, notorious as a plagiarist. Works Leanerd published: * '' The Country Innocence; or, the Chambermaid turn'd Quaker'', London, a comedy acted at the London Theatre Royal in Lent, 1677, by the younger members of the company. It was ''The Country Girl'' (1647, sometimes attributed to Anthony Brewer) under a new title. * '' The Rambling Justice; or, the Jealous Husbands, with the Humours of Sir John Twiford'', performed at the same theatre; the incidents are mostly borrowed from Thomas Middleton's ''More Dissemblers Besides Women'', 1657. To Leanerd has also been ascribed a comedy '' The Counterfeits'', London, 1679, acted at the Duke's Theatre in 1678. The plot was taken from a translated Spanish novel ''The Trepanner Trepanned''. Colley Cibber as author of ''She Would and She Would Not ''She Would and She Would Not'' is a 1702 comedy play by the English actor-writer Colley Cibber. The original Drury Lane cast included Cibber as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Haines
Joseph Haines (died 4 April 1701), also known as Jo Haines, was a 17th-century actor, singer, dancer, guitar player, fortune teller, and author. ''The Life of the Late Famous Comedian, Jo. Hayns'', possibly written by fellow player Tobias Thomas, "must contain some grains of truth, but is so riddled with fancy that one can scarcely sort them out", according to the ''Biographical Dictionary of Actors'' (Highfill, et al. 1973–93). Nothing certain is known of Haines' early life. He joined a troupe of strolling players in Cambridge in 1667, joined a company of young performers at the Hatton Garden "nursery" in London in 1668, and there caught the eye of Thomas Killigrew and was invited to join Killigrew's patent company, the King's Company. Haines soon became well known as a song-and-dance man, comedian, and eccentric. He was persistently dogged by debt and money problems, and was several times fired from the company for "ill & scandalous language & insolent carriage" by leadi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1677 Plays
Events January–March * January 1 – Jean Racine's tragedy ''Phèdre'' is first performed, in Paris. * January 21 – The first medical publication in America (a pamphlet on smallpox) is produced in Boston. * February 15 – Four members of the English House of Lords embarrass King Charles II at the opening of the latest session of the "Cavalier Parliament" by proclaiming that the session is not legitimate because it hadn't met in more than a year. The Duke of Buckingham, backed by Lord Shaftesbury, Lord Salisbury and Baron Wharton, makes an unsuccessful motion to end the session. When the four Lords refuse to apologize, they are arrested and imprisoned in the Tower of London. * February 26 – ** The first arrests are made in the case that will develop into the "Affair of the Poisons" in France, as Magdelaine de La Grange and her accused accomplice, Father Nail, are detained on suspicion of poisoning her lover, a Messr. Faurie. While in prison i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Knep
Mary Knep (died 1681), also Knepp, Nepp, Knip, or Knipp, was an English actress and one of the first generation of female performers to appear on the public stage during the Restoration era. Acting career Knep was primarily a singer and dancer, but "developed into a first-rate actress". She began her career with the King's Company, which was under the management of Thomas Killigrew. She made her debut in the title role of Jonson's ''Epicene'' on 1 June 1664. Before this, she had been cast as Lucetta in Killigrew's 1664 planned production of his ''Thomaso'', with an all-female cast, but this had been cancelled before completion. Knep played major and minor roles in a range of productions of the 1660s and 1670s, including: * the Widow in Beaumont and Fletcher's ''The Scornful Lady'', 1666 * Guiomar in Fletcher and Massinger's '' The Custom of the Country'', 1667 * Alibech in Dryden's '' The Indian Emperour'', the 1667 revival * Asteria in Dryden's '' The Maiden Queen'', 1667 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Cooke
Sarah Cooke (died 1688) was an English stage actress of the seventeenth century. She was a member of the King's Company, based at the Theatre Royal, Drury Lane. She played a number of lead roles during the 1680s. Her aunt was the governess to the maids of honour of the Duchess of York in the 1660s. After some time working in this role alongside her aunt she was discovered by the Earl of Rochester, who promoted her theatrical career. In hear early years with the King's Company she mostly appeared on tour or with the nursery company, devoted to developing new talent. It was likely during this time she was under the management of John Coysh. In 1677 she played her first known role at Drury Lane in '' The Country Innocence'' and acted for the King's Company united 1682 when the merged United Company was formed and she was frequently employed by it until her death six years later.Highfill, Burnim & Langhans p.473-75 As with many actors of the era, the full number of her roles is unkno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebecca Marshall
Rebecca Marshall ( fl. 1663 – 1677) was a noted English actress of the Restoration era, one of the first generation of women performers on the public stage in Britain. She was the younger sister of Anne Marshall, another prominent actress of the period. The younger Marshall sister began acting with the King's Company, under the management of Thomas Killigrew, around 1663; she remained with that troupe for her full career, except for a final year with the rival Duke's Company in 1677. She acted with her sister Anne at least once, in John Dryden's ''The Maiden Queen'' in 1664; Anne played Candiope, and Rebecca played the Queen. When her older sister retired from the stage (temporarily) in 1668, Rebecca inherited several of her roles, as Aurelia in Dryden's ''An Evening's Love'' and Nourmahal in ''Aureng-zebe''; she may also have inherited the part of Evadne in Beaumont and Fletcher's ''The Maid's Tragedy''. Rebecca Marshall's other roles were: * Calpurnia in Shakespeare's ''Ju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carey Perin
Carey Perin (occasionally written as Perrin) was an English stage actor of the seventeenth century. He was a long-standing member of the King's Company based at the Theatre Royal, Drury Lane.Wilson p.23 He then joined the merged United Company in 1682. His last known role was in Thomas Southerne's ''The Maid's Last Prayer''. Selected roles * Cicco in ''The Amorous Old Woman'' by Thomas Duffett (1674) * Meleager in ''The Rival Queens'' by Nathaniel Lee (1677) * Zannazarro in '' Wits Led by the Nose'' by William Chamberlayne (1677) * Plodwell in '' The Man of Newmarket'' by Edward Howard (1678) * Physician in '' Trick for Trick'' Thomas D'Urfey (1678) * Sir Geoffrey Jolt in ''The Rambling Justice'' by John Leanerd (1678) * Old Gentlewoman in ''The Country Innocence'' by John Leanerd (1678) * Benedick in '' Sir Barnaby Whigg'' by Thomas D'Urfey (1681) * Meroin in '' The Heir of Morocco'' by Elkanah Settle (1682) * Labienus in ''Constantine the Great'' by Nathaniel Lee (1683) * Long ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marmaduke Watson
Marmaduke Watson was an English stage actor of the seventeenth century. Part of the King's Company based at the Theatre Royal, Drury Lane, he was one of the actors who sided with Charles Killigrew during a dispute in the company in 1677. In 1682 when the United Company was formed he left and went to Dublin to join the Smock Alley Theatre. He later returned to London where his final known performances were with Thomas Betterton's company at the Lincoln's Inn Fields Theatre.Highfill, Burnim & Langhans pp. 300�–01. Selected roles * Bakam in ''The Island Princess'' by John Fletcher (1668) * Hamet in ''The Conquest of Granada'' by John Dryden (1670) * Hostilius in '' The Roman Empress'' by William Joyner (1670) * Eubulus in '' Marriage à la mode'' by John Dryden (1673) * Don Manuel in ''The Spanish Rogue'' by Thomas Duffett (1673) * Captain Middleton in '' Amboyna'' by John Dryden (1673) * Silvius in ''Nero'' by Nathaniel Lee (1674) * Montanto in '' Othello'' by William Shakes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Powell (actor)
Martin Powell was an English stage actor of the seventeenth century. Powell was a member of the King's Company from 1669 onwards at the Theatre Royal, Drury Lane in London. He was one of several actors who briefly left for Scotland in 1678 after a dispute with the management, before returning to Drury Lane. In 1682 he joined the merged United Company. Billed throughout his career as Mr. Powell, some of his later appearances can be confused with those of his son George Powell. In 1675 along with John Coysh he appeared in a private production of John Dryden's '' The Indian Emperour'' staged by the Duchess of Portsmouth and an otherwise amateur cast.Walkling p.78 Selected roles * Gomel in '' The Conquest of Granada'' by John Dryden (1670) * Larasco in '' The Spanish Rogue'' by Thomas Duffet (1673) * Furfante in ''The Amorous Old Woman'' by Thomas Duffett (1674) * Mirmilon in ''Nero'' by Nathaniel Lee (1674) * Proveditor in '' Love in the Dark'' by Francis Fane (1675) * Costard i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Griffin
Philip Griffin was an English stage actor of the seventeenth century and early eighteenth century. He joined the King's Company at Drury Lane during the 1670s, and was later a member of the merged United Company from 1685. He was named as a manager at Drury Lane in 1695, but then took military service and was styled as Captain Griffin. In 1699 he went to act in Dublin as part of Joseph Ashbury's company at the Smock Alley Theatre, but was back in London where he acted until retired from the stage in 1707.Highfill, Burnim & Langhans p.369-71 Selected roles * Sanchez in ''The Spanish Rogue'' by Thomas Duffett (1673) * Laula in ''The Empress of Morocco'' by Thomas Duffett (1673) * Caligula's Ghost in ''Nero'' by Nathaniel Lee (1674) * Menander in ''Sophonisba'' by Nathaniel Lee (1675) * Grimani in '' Love in the Dark'' by Francis Fane (1675) * Mecaenas in ''Gloriana'' by Nathaniel Lee (1676) * Vernish in ''The Plain Dealer'' by William Wycherley (1676) * Rash in ''The Country Innoce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
