Marmaduke Watson
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Marmaduke Watson
Marmaduke Watson was an English stage actor of the seventeenth century. Part of the King's Company based at the Theatre Royal, Drury Lane, he was one of the actors who sided with Charles Killigrew during a dispute in the company in 1677. In 1682 when the United Company was formed he left and went to Dublin to join the Smock Alley Theatre. He later returned to London where his final known performances were with Thomas Betterton's company at the Lincoln's Inn Fields Theatre.Highfill, Burnim & Langhans pp. 300�–01. Selected roles * Bakam in ''The Island Princess'' by John Fletcher (1668) * Hamet in ''The Conquest of Granada'' by John Dryden (1670) * Hostilius in '' The Roman Empress'' by William Joyner (1670) * Eubulus in '' Marriage à la mode'' by John Dryden (1673) * Don Manuel in ''The Spanish Rogue'' by Thomas Duffett (1673) * Captain Middleton in '' Amboyna'' by John Dryden (1673) * Silvius in ''Nero'' by Nathaniel Lee (1674) * Montanto in '' Othello'' by William Shakes ...
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King's Company
The King's Company was one of two enterprises granted the rights to mount theatrical productions in London, after the London theatre closure had been lifted at the start of the English Restoration. It existed from 1660 to 1682, when it merged with the Duke's Company to form the United Company. History On 21 August 1660, King Charles II granted Thomas Killigrew and Sir William Davenant each official permission in the form of a temporary "privilege" to form acting companies. Killigrew's King's Company fell under the sponsorship of Charles himself; Davenant's Duke's Company under that of Charles's brother, then the Duke of York, later James II of England. The temporary privileges would be followed later by letters patent, issued on 25 April 1662 in Killigrew's case, cementing a hereditary monopoly on theatre for the patent-holders.Milhous, p. 4. The first permanent venue for the King's Company was Gibbon's Tennis Court; in 1663, responding to competition from the Duke's Company's ...
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Nero (play)
''The Tragedy of Nero, Emperour of Rome'' is a 1674 tragedy by the English writer Nathaniel Lee. It was originally performed at the Theatre Royal, Drury Lane by the King's Company. The first Drury Lane cast included Charles Hart (actor), Charles Hart as Nero, Michael Mohun as Britannicus, Nicholas Burt as Petronius, William Wintershall as Otho, Edward Lydall as Piso, William Cartwright (actor), William Cartwright as Seneca, Thomas Clark (actor), Thomas Clark as Drusillus, John Coysh as Plautus, Marmaduke Watson as Silvius, Martin Powell (actor), Martin Powell as Mirmilon, Philip Griffin as Caligula's Ghost, Rebecca Marshall as Poppea, Katherine Corey as Agrippina, Elizabeth Cox (actress), Elizabeth Cox as Octavia and Elizabeth Boutell as Cyara.Van Lennep p.216 References Bibliography

* Van Lennep, W. ''The London Stage, 1660-1800: Volume One, 1660-1700''. Southern Illinois University Press, 1960. 1674 plays West End plays Tragedy plays Plays by Nathaniel Lee Plays set in ...
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The Italian Husband
''The Italian Husband'' is a 1697 tragedy by the English writer Edward Ravenscroft. It was first staged by Thomas Betterton's company at the Lincoln's Inn Fields Theatre in London. The original cast included John Verbruggen as Frederico, Elizabeth Bowman as Alouisia, John Hodgson as Alfonso, John Thurmond as Rodrigo, Marmaduke Watson Marmaduke Watson was an English stage actor of the seventeenth century. Part of the King's Company based at the Theatre Royal, Drury Lane, he was one of the actors who sided with Charles Killigrew during a dispute in the company in 1677. In 1682 ... as Fidalbo and John Bowman as Haynes.Van Lennep p. 488 References Bibliography * Van Lennep, W. ''The London Stage, 1660–1800: Volume One, 1660–1700''. Southern Illinois University Press, 1960. 1697 plays West End plays Tragedy plays Plays by Edward Ravenscroft {{17thC-play-stub ...
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Thomas D'Urfey
Thomas d'Urfey (a.k.a. Tom Durfey; 165326 February 1723) was an English writer and wit. He wrote plays, songs, jokes, and poems. He was an important innovator and contributor in the evolution of the ballad opera. Life D'Urfey was born in Devonshire and began his professional life as a scrivener, but quickly turned to the theatre. In personality, he was considered so affable and amusing that he could make friends with nearly everyone, including such disparate characters as Charles II of England and his brother James II, and in all layers of society. D'Urfey lived in an age of self-conscious elitism and anti-egalitarianism, a reaction against the "leveling" tendencies of the previous Puritan reign during the Interregnum. D'Urfey participated in the Restoration's dominant atmosphere of social climbing: he claimed to be of French Huguenot descent, though he might not have been; and he added an apostrophe to the plain English name Durfey when he was in his 30s. He wrote 500 songs, a ...
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Trick For Trick (1678 Play)
''Trick For Trick; Or, The Debauch'd Hypocrite'' is a 1678 comedy play by the English writer Thomas D'Urfey. It was first staged at the Theatre Royal, Drury Lane by the King's Company. The original Drury Lane cast included Michael Mohun as Sir Wilding Frollick, Charles Hart as Monsieur Thomas, Philip Griffin as Valentine, Thomas Clark as Franck, Cardell Goodman as Hylas, Martin Powell as Sir Peregreen, Joseph Haines as Launce, John Coysh, Marmaduke Watson and Carey Perin as Physicians, Elizabeth Boutell as Cellida, Mary Corbett as Sabina and Mary Knep Mary Knep (died 1681), also Knepp, Nepp, Knip, or Knipp, was an English actress and one of the first generation of female performers to appear on the public stage during the Restoration era. Acting career Knep was primarily a singer and dancer ... as Mrs Dorothy.Van Lennep p.261 References Bibliography * McVeagh, John. ''Thomas Durfey and Restoration Drama: The Work of a Forgotten Writer''. Routledge, 2017. * Van Lennep ...
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The Rival Queens
''The Rival Queens, or the Death Of Alexander the Great'' is a Restoration tragedy written by Nathaniel Lee . Regarded as one of his best tragedies, the play revolves around Alexander the Great and his two wives, Roxana and Statira, whose competition for his affections ends in tragedy. The play was largely influenced by French dramatist La Calprenède's historic romance ''Cassandre''. Performance history The play was first performed at the Theatre Royal in London by the King's Company. The original cast included Charles Hart as Alexander, Michael Mohun as Clytus, Philip Griffin as Lysimachus, Thomas Clark as Hephestion, Cardell Goodman as Polyperchon, Edward Kynaston as Cassander, Martin Powell as Philip, John Wiltshire as Thessalus, Edward Lydall as Perdiccas, Marmaduke Watson as Eumenes, Carey Perin as Meleager, John Coysh as Aristander, Katherine Corey as Sysigambis, Elizabeth Boutell as Statira and Anne Marshall Anne Marshall (fl. 1661 – 1682), also Mrs. Ann ...
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John Leanerd
John Leanerd ( fl. 1679) was a British playwright, notorious as a plagiarist. Works Leanerd published: * '' The Country Innocence; or, the Chambermaid turn'd Quaker'', London, a comedy acted at the London Theatre Royal in Lent, 1677, by the younger members of the company. It was ''The Country Girl'' (1647, sometimes attributed to Anthony Brewer) under a new title. * '' The Rambling Justice; or, the Jealous Husbands, with the Humours of Sir John Twiford'', performed at the same theatre; the incidents are mostly borrowed from Thomas Middleton's ''More Dissemblers Besides Women'', 1657. To Leanerd has also been ascribed a comedy '' The Counterfeits'', London, 1679, acted at the Duke's Theatre in 1678. The plot was taken from a translated Spanish novel ''The Trepanner Trepanned''. Colley Cibber as author of ''She Would and She Would Not ''She Would and She Would Not'' is a 1702 comedy play by the English actor-writer Colley Cibber. The original Drury Lane cast included Cibber as ...
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The Country Innocence
''The Country Innocence; Or, The Chamber-maid Turn'd Quaker'' is a 1677 comedy play by the English writer John Leanerd. It was originally performed by the King's Company at the Theatre Royal, Drury Lane in London. It borrowed very heavily from the 1647 work ''The Countrie Girl'' by Thomas Brewer (writer), Thomas Brewer. The first cast included Edward Lydall as Sir Oliver Bellingham, John Coysh as Sir Robert Malory, Cardell Goodman as Captain Mullineux, John Wiltshire (stage actor), John Wiltshire as Plush, Philip Griffin as Rash, Joseph Haines as Gregory Dwindle, Martin Powell (actor), Martin Powell as Mr William, Marmaduke Watson as Old Thrashard, Carey Perin as Old Gentlewoman, Rebecca Marshall as Lady Lovely, Sarah Cooke as Gillian and Mary Knep as Barbara.Van Lennep p.255 References Bibliography

* Konigsberg, Ira. ''Samuel Richardson and the Dramatic Novel''. University Press of Kentucky, 2014. * Van Lennep, W. ''The London Stage, 1660-1800: Volume One, 1660-1700''. ...
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William Chamberlayne (poet)
William Chamberlayne (1619 – 11 July 1679 or 1689) was an English poet. Nothing is known of his history except that he practised as a physician at Shaftesbury in Dorset and fought on the Royalist side at the Second Battle of Newbury. His works are: *''Pharonnida'' (1659), a verse romance in five books *''Love's Victory'' (1658), a tragi-comedy, acted under another title in 1678 at the Theatre Royal *''England's Jubilee'' (1660), a poem in honour of the Restoration A prose version of ''Pharonnida'', entitled ''Eromena, or the Noble Stranger'', appeared in 1683. In 1677 his play '' Wits Led by the Nose'', a comedy, was staged at the Theatre Royal, Drury Lane by the King's Company. Robert Southey Robert Southey ( or ; 12 August 1774 – 21 March 1843) was an English poet of the Romantic school, and Poet Laureate from 1813 until his death. Like the other Lake Poets, William Wordsworth and Samuel Taylor Coleridge, Southey began as a ra ... speaks of him as "a poet to wh ...
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Wits Led By The Nose
''Wits Led by the Nose; Or, A Poet's Revenge'' is a 1677 comedy play by the English writer William Chamberlayne. It was first staged by the King's Company at the Theatre Royal, Drury Lane in London. The original Drury Lane cast included Cardell Goodman as Antellus, Edward Lydall as Oroandes, Carey Perin as Zannazarro, Marmaduke Watson as Arratur, Martin Powell as Vanlore, Joseph Haines as Sir Symon Credulous, John Coysh as Dick Slywit and Elizabeth Boutell Elizabeth Boutell (early 1650s?—1715), was a British actress. Life She joined, soon after its formation, the company at the Theatre Royal, subsequently known as Drury Lane, and was accordingly one of the first women to appear on the English st ... as Glorianda.Van Lennep p.257 References Bibliography * Van Lennep, W. ''The London Stage, 1660-1800: Volume One, 1660-1700''. Southern Illinois University Press, 1960. 1677 plays West End plays Restoration comedy {{17thC-play-stub ...
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Sophonisba (Lee Play)
''Sophonisba, or Hannibal's Overthrow'' is a 1675 tragedy by the English writer Nathaniel Lee. It is based on the story of the Carthaginian noblewoman Sophonisba, one of numerous versions based on the story including John Marston's ''The Wonder of Women'' (1606) and James Thomson's ''Sophonisba'' (1730). It was first performed by the King's Company at Drury Lane with a cast that included Michael Mohun as Hannibal, Marmaduke Watson as Maherbal, Edward Kynaston as Scipio, William Wintershall as Lelius, Charles Hart as Massinissa, Thomas Clark as Massina. The 1681 edition lists an altered cast that performed when the company was briefly in Oxford at the time of the Oxford Parliament. It features Mohun as Hannibal, Nicholas Burt as Maherbal, Wintershall as Bomilcar, Kynaston as Scipio, Edward Lydall as Lelius, Watson as Varro, Hart as Massinisa, Martin Powell as Trebellius, Clark as Massina, Philip Griffin as Menander, Elizabeth Cox as Sophonisba, Elizabeth Boutell as Rosalin ...
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A King And No King
''A King and No King'' is a Jacobean era stage play, a tragicomedy written by Francis Beaumont and John Fletcher and first published in 1619. It has traditionally been among the most highly praised and popular works in the canon of Fletcher and his collaborators. The play's title became almost proverbial by the middle of the 17th century, and was used repeatedly in the polemical literature of the mid-century political crisis to refer to the problem and predicament of King Charles I. Date and performance Unlike some of the problematic Beaumont and Fletcher works (see, for example, ''Love's Cure,'' or ''Thierry and Theodoret''), there is little doubt about the date and authorship of ''A King and No King.'' The records of Sir Henry Herbert, the Master of the Revels during much of the 17th century, assert that the play was licensed in 1611 by Herbert's predecessor Sir George Buck. The drama was acted at Court by the King's Men on 26 December 1611, again in the following Christm ...
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