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Philip Griffin
Philip Griffin was an English stage actor of the seventeenth century and early eighteenth century. He joined the King's Company at Drury Lane during the 1670s, and was later a member of the merged United Company from 1685. He was named as a manager at Drury Lane in 1695, but then took military service and was styled as Captain Griffin. In 1699 he went to act in Dublin as part of Joseph Ashbury's company at the Smock Alley Theatre, but was back in London where he acted until retired from the stage in 1707.Highfill, Burnim & Langhans p.369-71 Selected roles * Sanchez in ''The Spanish Rogue'' by Thomas Duffett (1673) * Laula in ''The Empress of Morocco'' by Thomas Duffett (1673) * Caligula's Ghost in ''Nero'' by Nathaniel Lee (1674) * Menander in ''Sophonisba'' by Nathaniel Lee (1675) * Grimani in '' Love in the Dark'' by Francis Fane (1675) * Mecaenas in ''Gloriana'' by Nathaniel Lee (1676) * Vernish in ''The Plain Dealer'' by William Wycherley (1676) * Rash in ''The Country Innoce ...
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King's Company
The King's Company was one of two enterprises granted the rights to mount theatrical productions in London, after the London theatre closure had been lifted at the start of the English Restoration. It existed from 1660 to 1682, when it merged with the Duke's Company to form the United Company. History On 21 August 1660, King Charles II granted Thomas Killigrew and Sir William Davenant each official permission in the form of a temporary "privilege" to form acting companies. Killigrew's King's Company fell under the sponsorship of Charles himself; Davenant's Duke's Company under that of Charles's brother, then the Duke of York, later James II of England. The temporary privileges would be followed later by letters patent, issued on 25 April 1662 in Killigrew's case, cementing a hereditary monopoly on theatre for the patent-holders.Milhous, p. 4. The first permanent venue for the King's Company was Gibbon's Tennis Court; in 1663, responding to competition from the Duke's Company's ...
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The Country Innocence
''The Country Innocence; Or, The Chamber-maid Turn'd Quaker'' is a 1677 comedy play by the English writer John Leanerd. It was originally performed by the King's Company at the Theatre Royal, Drury Lane in London. It borrowed very heavily from the 1647 work ''The Countrie Girl'' by Thomas Brewer (writer), Thomas Brewer. The first cast included Edward Lydall as Sir Oliver Bellingham, John Coysh as Sir Robert Malory, Cardell Goodman as Captain Mullineux, John Wiltshire (stage actor), John Wiltshire as Plush, Philip Griffin as Rash, Joseph Haines as Gregory Dwindle, Martin Powell (actor), Martin Powell as Mr William, Marmaduke Watson as Old Thrashard, Carey Perin as Old Gentlewoman, Rebecca Marshall as Lady Lovely, Sarah Cooke as Gillian and Mary Knep as Barbara.Van Lennep p.255 References Bibliography

* Konigsberg, Ira. ''Samuel Richardson and the Dramatic Novel''. University Press of Kentucky, 2014. * Van Lennep, W. ''The London Stage, 1660-1800: Volume One, 1660-1700''. ...
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The Unhappy Favourite
''The Unhappy Favourite; Or, The Earl Of Essex'' is a 1681 tragedy by the English writer John Banks. It was originally staged by the King's Company at the Theatre Royal, Drury Lane in London. It portrays the downfall of the Earl of Essex, favourite of Elizabeth I, and his subsequent execution following Essex's Rebellion. The first Drury Lane cast included Thomas Clark as The Earl of Essex, Philip Griffin as Earl of Southampton, Michael Mohun as Burleigh, Thomas Disney as Sir Walter Raleigh, Anne Marshall as Queen Elizabeth, Sarah Cooke as Countess of Rutland and Mary Corbett as Countess of Nottingham.Van Lennep p.295-96 John Dryden wrote a special prologue for a performance attended by Charles II and his wife Catherine of Braganza. Banks dedicated the published version of 1682 to Princess Anne, niece of the king, who herself later came to the throne. The play was revived numerous times during the following century. In 1731 James Ralph wrote ''The Fall of the Earl of Essex '' ...
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Thomas D'Urfey
Thomas d'Urfey (a.k.a. Tom Durfey; 165326 February 1723) was an English writer and wit. He wrote plays, songs, jokes, and poems. He was an important innovator and contributor in the evolution of the ballad opera. Life D'Urfey was born in Devonshire and began his professional life as a scrivener, but quickly turned to the theatre. In personality, he was considered so affable and amusing that he could make friends with nearly everyone, including such disparate characters as Charles II of England and his brother James II, and in all layers of society. D'Urfey lived in an age of self-conscious elitism and anti-egalitarianism, a reaction against the "leveling" tendencies of the previous Puritan reign during the Interregnum. D'Urfey participated in the Restoration's dominant atmosphere of social climbing: he claimed to be of French Huguenot descent, though he might not have been; and he added an apostrophe to the plain English name Durfey when he was in his 30s. He wrote 500 songs, a ...
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Trick For Trick (1678 Play)
''Trick For Trick; Or, The Debauch'd Hypocrite'' is a 1678 comedy play by the English writer Thomas D'Urfey. It was first staged at the Theatre Royal, Drury Lane by the King's Company. The original Drury Lane cast included Michael Mohun as Sir Wilding Frollick, Charles Hart as Monsieur Thomas, Philip Griffin as Valentine, Thomas Clark as Franck, Cardell Goodman as Hylas, Martin Powell as Sir Peregreen, Joseph Haines as Launce, John Coysh, Marmaduke Watson and Carey Perin as Physicians, Elizabeth Boutell as Cellida, Mary Corbett as Sabina and Mary Knep Mary Knep (died 1681), also Knepp, Nepp, Knip, or Knipp, was an English actress and one of the first generation of female performers to appear on the public stage during the Restoration era. Acting career Knep was primarily a singer and dancer ... as Mrs Dorothy.Van Lennep p.261 References Bibliography * McVeagh, John. ''Thomas Durfey and Restoration Drama: The Work of a Forgotten Writer''. Routledge, 2017. * Van Lennep ...
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Edward Howard (playwright)
Edward Howard (baptised 1624 – 1712) was an English dramatist and author of the Restoration era. He was the fifth son of Thomas Howard, 1st Earl of Berkshire, and one of four playwriting brothers: Sir Robert Howard, Colonel Henry Howard, and James Howard were the others. The brothers were sometimes confused in their own era, and Edward was sometimes given credit for his brother Henry's play ''The United Kingdoms''. Biography Edward Howard was christened on 2 November 1624, at St. Martin-in-the-Fields. Howard had a reputation as an exacting and difficult author. In their famous satire '' The Rehearsal'', the Duke of Buckingham and his collaborators mocked Howard for being demanding and contentious during the actors' rehearsals of his plays. Howard himself acknowledged his reputation; he wrote a Prologue to his ''Man of Newmarket'' in which the actors Robert Shatterell and Joseph Haynes criticize Howard for not allowing cuts or improvisations in his dramas. Howard complai ...
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The Man Of Newmarket
''The Man of Newmarket'' is a 1678 comedy play by the English writer Edward Howard. It was first staged at the Theatre Royal, Drury Lane by the King's Company. The original cast featured John Wiltshire as Passal, Nicholas Burt as Maldrin, Martin Powell as Nonsuch, Joseph Haines as Whiffler, Thomas Clark as Swiftspur, Cardell Goodman as Trainsted, Philip Griffin as Bowser, Carey Perin as Plodwell, Michael Mohun as Breakbond, John Coysh as Pricknote, Mary Corbett as Clevly and Katherine Corey Katherine Corey ( fl. 1660 – 1692) was an English actress of the Restoration era, one of the first generation of female performers to appear on the public stage in Britain. Corey played with the King's Company and the United Company, and had one ... as Quickthridt.Van Lennep p.268 References Bibliography * Nicoll, Allardyce. ''History of English Drama, 1660-1900: Volume 1, Restoration Drama, 1660-1700''. Cambridge University Press, 1952. * Van Lennep, W. ''The London Stage, 1660- ...
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Mithridates, King Of Pontus
''Mithridates, King of Pontus'' is a 1678 tragedy by the English writer Nathaniel Lee. It was first performed at the Theatre Royal, Drury Lane in London by the King's Company. John Dryden wrote the play's epilogue. The original Drury Lane cast included Michael Mohun as Mithridates, Charles Hart as Ziphares, Cardell Goodman as Pharnaces, Philip Griffin as Archelaus, William Wintershall as Pelopidas, Martin Powell as Andravar, Thomas Clark as Aquilius, John Wiltshire as Another Roman Officer, Mary Corbett as Monima and Elizabeth Boutell as Semandra.Van Lennep p.268 The play has been revived a number of times, including a 1708 version again at Drury Lane featuring Robert Wilks, John Mills, Barton Booth and Anne Oldfield Anne Oldfield (168323 October 1730) was an English actress and one of the highest paid actresses of her time. Early life and discovery She was born in London in 1683. Her father was a soldier, James Oldfield. Her mother was either Anne or Eliz .... Referen ...
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John Dryden
'' John Dryden (; – ) was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate. He is seen as dominating the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden. Romanticist writer Sir Walter Scott called him "Glorious John". Early life Dryden was born in the village rectory of Aldwincle near Thrapston in Northamptonshire, where his maternal grandfather was the rector of All Saints. He was the eldest of fourteen children born to Erasmus Dryden and wife Mary Pickering, paternal grandson of Sir Erasmus Dryden, 1st Barone t (1553–1632), and wife Frances Wilkes, Puritan landowning gentry who supported the Puritan cause and Parliament. He was a second cousin once removed of Jonathan Swift. As a boy, Dryden lived in the nearby village of Titchmarsh, where it is likely that he received his first education. In 1644 he was sent to Westminst ...
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All For Love (play)
''All for Love; or, the World Well Lost'', is a 1677 heroic drama by John Dryden which is now his best-known and most performed play.It is dedicated to Earl of Danby. It is a tragedy written in blank verse and is an attempt on Dryden's part to reinvigorate serious drama. It is an acknowledged imitation of Shakespeare’s ''Antony and Cleopatra'', and focuses on the last hours of the lives of its hero and heroine. Background Although it ostensibly deals with the same topic as Shakespeare's Antony and Cleopatra, Dryden confines the action to Alexandria and focuses on the end of their doomed relationship. It first appeared in 1677, was revived in 1704 and performed 123 times between 1700 and 1800, becoming the preferred version of the story; Shakespeare's play did not reappear on the London stage until 1813. The original 1677 production by the King's Company starred Charles Hart as Marc Antony and Elizabeth Boutell as Cleopatra, with Michael Mohun as Ventidius and Katherine Corey ...
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King Edgar And Alfreda
''King Edgar and Alfreda'' is a 1677 tragedy by the English writer Edward Ravenscroft. It was first staged by the King's Company at the Theatre Royal, Drury Lane. It is based on the life of the early English King Edwgar and his wife Alfreda. The original cast included Michael Mohun as Edgar, Cardell Goodman as Ethelwold, Nicholas Burt as Ruthin, Thomas Clark as Aldernold, John Wiltshire as Oswold, Philip Griffin as Durzo, Frances Maria Knight as The Queen and Elizabeth Boutell Elizabeth Boutell (early 1650s?—1715), was a British actress. Life She joined, soon after its formation, the company at the Theatre Royal, subsequently known as Drury Lane, and was accordingly one of the first women to appear on the English st ... as Matilda.Van Lennep p.264 References Bibliography * Van Lennep, W. ''The London Stage, 1660-1800: Volume One, 1660-1700''. Southern Illinois University Press, 1960. 1677 plays West End plays Tragedy plays Biographical plays Plays set in the 10 ...
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Edward Ravenscroft
Edward Ravenscroft (c. 1654–1707) was an English dramatist who belonged to an ancient Flintshire family. He was entered at the Middle Temple, but devoted his attention mainly to literature. Ravenscroft was the first critic to posit that Shakespeare's play ''Titus Andronicus'' was not originally written by him. In 1686 he revived the play at the Drury Lane Theatre, which he entitled ''Titus Andronicus, or the rape of Lavinia'', he wrote in the address "to the Reader", "I have been told by some anciently conversant with the Stage, that it was not Originally his (Shakespeare's), but brought by a private Author to be Acted and he only gave some Master-touches to one or two of the Principal Parts or Characters; this I am apt to believe, because 'tis the most incorrect and indigested piece in all his Works, It seems rather a heap of Rubbish then a Structure." This position is now known as the "Ravenscroft tradition" within literary circles. He wrote a total of twelve plays, in wh ...
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