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The Billy-Club Puppets (play)
''The Billy-Club Puppets'' (''Los tĂteres de cachiporra'') is a play for puppet theatre by the twentieth-century Spanish playwright Federico GarcĂa Lorca. It was written between 1922 and 1925. It is about a beautiful heroine named Rosita who falls in love with a poor boy named Cocoliche, but has to marry Don CristĂłbal, a rich old, lazy lump with a big billy club. Meanwhile, there are bar fights, some mean smugglers, and FĂgaro and Wearisome discover a deep, dark secret about Don CristĂłbal. He gave it the subtitle "Tragi-comedy of Don CristĂłbal and Miss Rosita: A Guignolesque farce in six scenes and an announcement."GarcĂa Lorca (1970, 21). Don CristĂłbal is a kind of Punch character (which itself was based on Pulcinella), who also appears in GarcĂa Lorca's other, later puppet play, ''The Puppet Play of Don CristĂłbal ''The Puppet Play of Don CristĂłbal'' (''Retablillo de Don CristĂłbal'') is a play for puppet theatre by the twentieth-century Spanish dramatist Federico Gar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puppet
A puppet is an object, often resembling a human, animal or Legendary creature, mythical figure, that is animated or manipulated by a person called a puppeteer. The puppeteer uses movements of their hands, arms, or control devices such as rods or strings to move the body, head, limbs, and in some cases the mouth and eyes of the puppet. The puppeteer often speaks in the voice of the character of the puppet, and then synchronizes the movements of the puppet's mouth with this spoken part. The actions, gestures and spoken parts acted out by the puppeteer with the puppet are typically used in storytelling. Puppetry is a very ancient form of theatre which dates back to the 5th century BC in Ancient Greece. There are many different varieties of puppets, and they are made from a wide range of materials, depending on their form and intended use. They range from very simple in construction and operation to very complex. Two simple types of puppets are the finger puppet, which is a tiny p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spain
, image_flag = Bandera de España.svg , image_coat = Escudo de España (mazonado).svg , national_motto = ''Plus ultra'' (Latin)(English: "Further Beyond") , national_anthem = (English: "Royal March") , image_map = , map_caption = , image_map2 = , capital = Madrid , coordinates = , largest_city = Madrid , languages_type = Official language , languages = Spanish language, Spanish , ethnic_groups = , ethnic_groups_year = , ethnic_groups_ref = , religion = , religion_ref = , religion_year = 2020 , demonym = , government_type = Unitary state, Unitary Parliamentary system, parliamentary constitutional monarchy , leader_title1 = Monarchy of Spain, Monarch , leader_name1 = Felipe VI , leader_title2 = Prime Minister of Spain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Playwright
A playwright or dramatist is a person who writes plays. Etymology The word "play" is from Middle English pleye, from Old English plæġ, pleġa, plæġa ("play, exercise; sport, game; drama, applause"). The word "wright" is an archaic English term for a craftsman or builder (as in a wheelwright or cartwright). The words combine to indicate a person who has "wrought" words, themes, and other elements into a dramatic form—a play. (The homophone with "write" is coincidental.) The first recorded use of the term "playwright" is from 1605, 73 years before the first written record of the term "dramatist". It appears to have been first used in a pejorative sense by Ben Jonson to suggest a mere tradesman fashioning works for the theatre. Jonson uses the word in his Epigram 49, which is thought to refer to John Marston: :''Epigram XLIX — On Playwright'' :PLAYWRIGHT me reads, and still my verses damns, :He says I want the tongue of epigrams ; :I have no salt, no bawdry he doth mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federico GarcĂa Lorca
Federico del Sagrado CorazĂłn de JesĂşs GarcĂa Lorca (5 June 1898 – 19 August 1936), known as Federico GarcĂa Lorca ( ), was a Spanish poet, playwright, and theatre director. GarcĂa Lorca achieved international recognition as an emblematic member of the Generation of '27, a group consisting mostly of poets who introduced the tenets of European movements (such as symbolism, futurism, and surrealism) into Spanish literature. He initially rose to fame with '' Romancero gitano'' (''Gypsy Ballads'', 1928), a book of poems depicting life in his native Andalusia. His poetry incorporated traditional Andalusian motifs and avant-garde styles. After a sojourn in New York City from 1929 to 1930—documented posthumously in ''Poeta en Nueva York'' (''Poet in New York'', 1942)—-he returned to Spain and wrote his best-known plays, ''Blood Wedding'' (1932), ''Yerma'' (1934), and ''The House of Bernarda Alba'' (1936). GarcĂa Lorca was gay and suffered from depression after the end ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragicomedy
Tragicomedy is a literary genre that blends aspects of both tragedy, tragic and comedy, comic forms. Most often seen in drama, dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the overall mood or a serious play with a happy ending. Tragicomedy, as its name implies, invokes the intended response of both the tragedy and the comedy in the audience, the former being a genre based on human suffering that invokes an accompanying catharsis and the latter being a genre intended to be humorous or amusing by inducing laughter. In theatre Classical precedent There is no concise formal definition of tragicomedy from the classical antiquity, classical age. It appears that the Greek philosopher Aristotle had something like the Renaissance meaning of the term (that is, a serious action with a happy ending) in mind when, in ''Poetics (Aristotle), Poetics'', he discusses tragedy with a dual ending. In this respect, a number of An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guignol
Guignol () is the main character in a French puppet show which has come to bear his name. It represents the workers in the silk industry of France. Although often thought of as children's entertainment, Guignol's sharp wit and linguistic verve have always been appreciated by adults as well, as shown by the motto of a prominent Lyon troupe: "Guignol amuses children… and witty adults." History Laurent Mourguet, Guignol's creator, was born into a family of modest silk weavers on 3 March 1769. The certificate of his marriage to Jeanne Esterle in 1788 shows he was unable to read. When hard times fell on the silk trade during the French Revolution, he became a peddler and, in 1797, started to practice dentistry, which in those days was simply the pulling of teeth. The service was free; the money was made from the medicines sold afterward to ease the pain. To attract patients, he started setting up a puppet show in front of his dentist's chair. Mourguet's first shows featured Polichin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farce
Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical humor; the use of deliberate absurdity or nonsense; satire, parody, and mockery of real-life situations, people, events, and interactions; unlikely and humorous instances of miscommunication; ludicrous, improbable, and exaggerated characters; and broadly stylized performances. Genre Despite involving absurd situations and characters, the genre generally maintains at least a slight degree of realism and narrative continuity within the context of the irrational or ludicrous situations, often distinguishing it from completely absurdist or fantastical genres. Farces are often episodic or short in duration, often being set in one specific location where all events occur. Farces have historically been performed for the stage and film. Historical context The term ''farce'' is deri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punch And Judy
Punch and Judy is a traditional puppet show featuring Mr. Punch and his wife Judy. The performance consists of a sequence of short scenes, each depicting an interaction between two characters, most typically Mr. Punch and one other character who usually falls victim to Punch's slapstick. ''The Daily Telegraph'' called Punch and Judy "a staple of the British seaside scene". The various episodes of Punch comedy—often provoking shocked laughter—are dominated by the clowning of Mr. Punch. The show is performed by a single puppeteer inside the booth, known since Victorian times as a "professor" or "punchman", and assisted sometimes by a "bottler" who corrals the audience outside the booth, introduces the performance, and collects the money ("the bottle"). The bottler might also play accompanying music or sound effects on a drum or guitar, and engage in back chat with the puppets, sometimes repeating lines that may have been difficult for the audience to understand. In Victorian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulcinella
Pulcinella (; nap, Pulecenella) is a classical character that originated in of the 17th century and became a stock character in Neapolitan puppetry. Pulcinella's versatility in status and attitude has captivated audiences worldwide and kept the character popular in countless forms since his introduction to by Silvio Fiorillo in 1620. His visual appearance includes a humpback, a crooked nose, gangly legs, a potbelly, large cheeks, and a gigantic mouth. These traits were inherited from two stock characters of the Atellan Farce. He typically wears a pointed hat (conical hat). When depicted as a member of the upper class, Pulcinella is a cunning thief and schemer. When depicted as a member of the servant class, Pulcinella is a perverted bumpkin. In either case, he is a social climber, striving to rise above his station in life. He is an opportunist who always sides with the winner in any situation, and fears no consequences. His main motivations are self-interest and self-pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Puppet Play Of Don CristĂłbal
''The Puppet Play of Don CristĂłbal'' (''Retablillo de Don CristĂłbal'') is a play for puppet theatre by the twentieth-century Spanish dramatist Federico GarcĂa Lorca. It was written in 1931 and was first performed on 11 May 1935 at the Book Fair in Madrid, in a performance in which Lorca operated the puppets himself.Edwards (1980, 35). Don CristĂłbal is a kind of Punch character (which itself was based on Pulcinella), who also appears in GarcĂa Lorca's earlier puppet play, ''The Billy-Club Puppets'' (written in 1931).GarcĂa Lorca (1963, 10, 13). Known as "A Farce of Puppets" the one-act Spanish puppet play was written by Federico GarcĂa Lorca. Don CristĂłbal and the other puppets are Punch and Judy Punch and Judy is a traditional puppet show featuring Mr. Punch and his wife Judy. The performance consists of a sequence of short scenes, each depicting an interaction between two characters, most typically Mr. Punch and one other character w ... Style puppets. The play is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plays By Federico GarcĂa Lorca
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * Play (2005 film), ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan (filmmaker), David Kaplan * Play (2011 film), ''Play'' (2011 film), a Swedish film directed by Ruben Ă–stlund * Rush (2012 film), ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * The Play (film), ''The Play'' (film), a 2013 Bengali film Literature and pu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1925 Plays
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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