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The Banquet Of The Rich Glutton
''The Banquet of a Rich Glutton'' is an oil on canvas painting by the Italian Baroque painter Mattia Preti, executed ''c.'' 1665. It is housed in the Pinacoteca of the Galleria Nazionale d'Arte Antica ( Palazzo Barberini), in Rome. Description The painting was likely commissioned by Antonio Caputo, a Neapolitan merchant from Preti during his stay in Naples. It was likely a companion piece to the ''Banquet of Absalom'' now hanging in the Museo di Capodimonte. The subject of this painting derives from the parable of the rich man and Lazarus found in the gospel of Luke 16: 19–31. The name ''Epulone'' has been attached in Italy to the rich man, but also generically refers to a ''feaster'' (with pejorative gluttonous suggestion). The etymology of the word comes from a banquet sometime prepared in honor of the gods. The painting depicts a rich man after completion of his meal, with empty plates, surrounded by servants, while in the background, is the beggar Lazarus. The painting ...
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Mattia Preti
Mattia Preti (24 February 1613 – 3 January 1699) was an Italian Baroque artist who worked in Italy and Malta. He was appointed a Member of the Order of Saint John. Life Born in the small town of Taverna in Calabria, Preti was called ''Il Cavalier Calabrese'' (the Calabrian Knight) after appointment as a Knight of the Order of St. John (Knights of Malta) in 1660. His early apprenticeship is said to have been with the " Caravaggist" Giovanni Battista Caracciolo, which may account for his lifelong interest in the style of Caravaggio. Probably before 1630, Preti joined his brother Gregorio (also a painter), in Rome, where he became familiar with the techniques of Caravaggio and his school as well as with the work of Guercino, Rubens, Guido Reni, and Giovanni Lanfranco. In Rome, he painted fresco cycles in the churches of Sant'Andrea della Valle and San Carlo ai Catinari. Between 1644 and 1646, he may have spent time in Venice, but remained based in Rome until 1653, returning later ...
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Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ...
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Galleria Nazionale D'Arte Antica
The Galleria Nazionale d'Arte Antica or National Gallery of Ancient Art is an art museum in Rome, Italy. It is the principal national collection of older paintings in Rome – mostly from before 1800; it does not hold any antiquities. It has two sites: the Palazzo Barberini and the Palazzo Corsini. Design The Palazzo Barberini was designed for Pope Urban VIII, a member of the Barberini family, by the sixteenth-century architect Carlo Maderno on the old location of Villa Sforza. Its central salon ceiling was decorated by Pietro da Cortona with the visual panegyric of the '' Allegory of Divine Providence and Barberini Power''. Paletti Corsini The Palazzo Corsini, formerly known as Palazzo Riario, is a fifteenth-century palace, rebuilt in the eighteenth century by the architect Ferdinando Fuga for Cardinal Neri Maria Corsini. See also * Paintings in the Galleria Nazionale d'Arte Antica References External links * * Arte Antica National museums of Italy Ancient ...
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Baroque Art
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ...
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Palazzo Barberini
The Palazzo Barberini ( en, Barberini Palace) is a 17th-century palace in Rome, facing the Piazza Barberini in Rione Trevi. Today, it houses the Galleria Nazionale d'Arte Antica, the main national collection of older paintings in Rome. History The sloping site had formerly been occupied by a garden-vineyard of the Sforza family, in which a ''palazzetto'' had been built in 1549. The sloping site passed from one cardinal to another during the sixteenth century, with no project fully getting off the ground. When Cardinal Alessandro Sforza met financial hardships, the still semi-urban site was purchased in 1625 by Maffeo Barberini, of the Barberini family, who became Pope Urban VIII. Three great architects worked to create the Palazzo, each contributing his own style and character to the building. Carlo Maderno, then at work extending the nave of St Peter's, was commissioned to enclose the Villa Sforza within a vast Renaissance block along the lines of Palazzo Farnese; however, ...
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Museo Di Capodimonte
Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the largest museums in Italy. The museum was inaugurated in 1957. History The vast collection at the museum traces its origins back to 1738. During that year King Charles VII of Naples and Sicily (later Charles III, king of Spain) decided to build a hunting lodge on the Capodimonte hill, but then decided that he would instead build a grand palace, partly because his existing residence, the Palace of Portici, was too small to accommodate his court, and partly because he needed somewhere to house the fabulous Farnese art collection which he had inherited from his mother, Elisabetta Farnese, last descendant of the sovereign ducal family of Parma. Over the yea ...
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Rich Man And Lazarus
The rich man and Lazarus (also called the parable of Dives and Lazarus or Lazarus and Dives) is a parable of Jesus from the 16th chapter of the Gospel of Luke. Speaking to his disciples and some Pharisees, Jesus tells of an unnamed rich man and a beggar named Lazarus. When both die, the rich man goes to Hell and implores Abraham to send Lazarus from his side in Heaven to warn the rich man's family from sharing his fate. Abraham replies, "If they do not listen to Moses and the Prophets, they will not be convinced even if someone rises from the dead." Along with the parables of the Ten Virgins, Prodigal Son, and Good Samaritan, the rich man and Lazarus was one of the most frequently illustrated parables in medieval art, perhaps because of its vivid account of an afterlife. Text Interpretations There are different views on the historicity and origin of the story of the Rich Man and Lazarus. The story is unique to Luke and is not thought to come from the hypothetical Q do ...
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Monte Di Pietà
A mount of piety is an institutional pawnbroker run as a charity in Europe from Renaissance times until today. Similar institutions were established in the colonies of Catholic countries; the Mexican Nacional Monte de Piedad is still in operation. The institutions called ''Monte di Pietà'' originated in 15th-century Italy, where these instutions gave poor people access to loans with reasonable interest rates. It used funds from charitable donors as capital, and made loans to the poor so they could avoid going to exploitative lenders. Borrowers offered valuables as collateral, making the mount of piety more like a pawn shop than a bank. History This fifteenth-century institution originated in Italy; Barnabas of Terni is credited as the originator of the concept. It was developed in cities as an early form of organized charity, and was intended as a reform against money lending. The public office was organized and operated by the Catholic Church and offered financial loans at a ...
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Memento Mori
''Memento mori'' (Latin for 'remember that you ave todie'Literally 'remember (that you have) to die'
, Third Edition, June 2001.
) is an artistic or symbolic acting as a reminder of the inevitability of . The concept has its roots in the philosophers of

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1665 Paintings
Events January–March * January 5 – The '' Journal des sçavans'' begins publication of the first scientific journal in France. * February 15 – Molière's comedy '' Dom Juan ou le Festin de pierre'', based on the Spanish legend of the womanizer Don Juan Tenorio and Tirso de Molina's Spanish play '' El burlador de Sevilla y convidado de piedra'', premieres in Paris at the Théâtre du Palais-Royal''. * February 21 – In India, Shivaji Bhonsale of the Maratha Empire captures the English East India Company's trading post at Sadashivgad (now located in the Indian state of Karnataka). * February – In England, Dr. Richard Lower performs the first blood transfusion between animals. According to his account to the Royal Society journal ''Philosophical Transactions'' in December, Dr. Lower "towards the end of February... selected one dog of medium size, opened its jugular vein, and drew off blood, until its strength was nearly gone. Then, to m ...
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Paintings By Mattia Preti
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Collections Of The Galleria Nazionale D'Arte Antica
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ...
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