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Thachu Sastra
''Vastu shastra'' ( hi, वास्तु शास्त्र, ' – literally "science of architecture") is a traditional Indian system of architecture based on ancient texts that describe principles of design, layout, measurements, ground preparation, space arrangement, and spatial geometry. The designs aim to integrate architecture with nature, the relative functions of various parts of the structure, and ancient beliefs utilising geometric patterns (yantra), symmetry, and directional alignments. Vastu Shastra are the textual part of ''Vastu Vidya'' - the broader knowledge about architecture and design theories from ancient India. Vastu Vidya is a collection of ideas and concepts, with or without the support of layout diagrams, that are not rigid. Rather, these ideas and concepts are models for the organisation of space and form within a building or collection of buildings, based on their functions in relation to each other, their usage and the overall fabric of the Va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angkor Wat
Angkor Wat (; km, អង្គរវត្ត, "City/Capital of Temples") is a temple complex in Cambodia and is the largest religious monument in the world, on a site measuring . Originally constructed as a Hinduism, Hindu temple dedicated to the god Vishnu for the Khmer Empire by King Suryavarman II, it was gradually transformed into a Buddhism, Buddhist temple towards the end of the 12th century; as such, it is also described as a "Hindu-Buddhist" temple. Angkor Wat was built at the behest of the Khmer King Suryavarman II in the early 12th century in Yaśodharapura ( km, យសោធរបុរៈ, present-day Angkor), the capital of the Khmer Empire, as his state temple and eventual mausoleum. Angkor Wat combines two basic plans of Khmer temple architecture: the Khmer architecture#Temple mountain, temple-mountain and the later Khmer architecture#Gallery, galleried temple. It is designed to represent Mount Meru, home of the Deva (Hinduism), devas in Hindu mythology: wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atharvaveda
The Atharva Veda (, ' from ' and ''veda'', meaning "knowledge") is the "knowledge storehouse of ''atharvāṇas'', the procedures for everyday life".Laurie Patton (2004), Veda and Upanishad, in ''The Hindu World'' (Editors: Sushil Mittal and Gene Thursby), Routledge, , page 38 The text is the fourth Veda, and is a late addition to the Vedic scriptures of Hinduism.Laurie Patton (1994), Authority, Anxiety, and Canon: ys in Vedic Interpretation, State University of New York Press, , page 57 The language of the Atharvaveda is different from Vedic Sanskrit, preserving pre-Vedic Indo-European archaisms. It is a collection of 730 hymns with about 6,000 mantras, divided into 20 books.Maurice BloomfieldThe Atharvaveda Harvard University Press, pages 1-2 About a sixth of the Atharvaveda texts adapts verses from the Rigveda, and except for Books 15 and 16, the text is mainly in verse deploying a diversity of Vedic meters. Two different recensions of the text – the and the – have sur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahmasthan
A brahmasthan is a principle of Vedic architecture and community planning that designates the center point of a building or geographical area. Vedic architecture is based on Vastu Shastra ''Vastu shastra'' ( hi, वास्तु शास्त्र, ' – literally "science of architecture") is a traditional Indian system of architecture based on ancient texts that describe principles of design, layout, measurements, groun .... The brahmasthan is a special central zone in a building. It is free from any obstructions in the form of a wall, pillar or beam, furniture or fixtures and is often well lit from above, by skylights for instance. See also * Maharishi Sthapatya Veda#Features External links Maharishi Vastu buildings in harmony with Natural Law Architectural elements {{architecturalelement-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandala
A mandala ( sa, मण्डल, maṇḍala, circle, ) is a geometric configuration of symbols. In various spiritual traditions, mandalas may be employed for focusing attention of practitioners and adepts, as a spiritual guidance tool, for establishing a sacred space and as an aid to meditation and trance induction. In the Eastern religions of Hinduism, Buddhism, Jainism and Shinto it is used as a map representing deities, or especially in the case of Shinto, paradises, kami or actual shrines. A mandala generally represents the spiritual journey, starting from outside to the inner core, through layers. Hinduism In Hinduism, a basic mandala, also called a ''yantra'', takes the form of a square with four gates containing a circle with a center point. Each gate is in the general shape of a T. Mandalas often have radial balance. A ''yantra'' is similar to a mandala, usually smaller and using a more limited colour palette. It may be a two- or three-dimensional geometric compos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
64 Grid Manduka Design Hindu Temple Floor Plan Vastu Purusa Mandala Ancient Architecture
64 or sixty-four or ''variation'', may refer to: * 64 (number) Dates * one of the years 64 BC, AD 64, 1864, 1964, 2064, etc. * June 4th (6/4) ** the date of the 1989 Tiananmen Square protests and massacre * April 6th (6/4) * April 6 AD (6/4) * June 4 AD (6/4) Places * Highway 64, see list of highways numbered 64 ** Interstate 64, a national route in the United States * +64, country code dialing code of New Zealand; see Telephone numbers in New Zealand * 64 Angelina (asteroid 64), a main-belt asteroid Other uses * Nintendo 64, the third home console by Nintendo, released in 1996 * Commodore 64 * 64-bit computing * "64" (song), a 2011 song by hip hop band Odd Future * '' Sixty Four'' (album), a 2004 album recorded in 1964 by Donovan * Sixty-four (ship), a type of sailing warship * A /64 Classless Inter-Domain Routing Classless Inter-Domain Routing (CIDR ) is a method for allocating IP addresses and for IP routing. The Internet Engineering Task Force introduced CIDR in 1993 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stella Kramrisch
Stella Kramrisch (May 29, 1896 – August 31, 1993) was an American pioneering art historian and curator who was the leading specialist on Indian art for most of the 20th century. Her scholarship remains a benchmark to this day. She researched and taught Indian art history for more than six decades on three continents. After writing her dissertation on the essence of early-buddhist sculpture in India, she was invited to teach at Kala Bhavana in Shantiniketan (1922–24) and went on to teach at Calcutta University from 1924 to 1950. In Europe, Kramrisch worked at the Courtauld Institute, London (1937–1940). From 1950, she was professor at the University of Pennsylvania in the Department of South Asia Regional Studies, where she had been recruited by W. Norman Brown, in addition to being a prominent curator at the Philadelphia Museum of Art. Early life and education in Vienna Stella Kramrisch was born on May 29, 1896, in Nikolsburg, Austria (now Mikulov, Czech Republic). [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varāhamihira
Varāhamihira ( 505 – 587), also called Varāha or Mihira, was an ancient Indian astrologer, astronomer, and polymath who lived in Ujjain (Madhya Pradesh, India). He was born at Kapitba in a Brahmin family, in the Avanti region, roughly corresponding to modern-day Malwa (part of Madhya Pradesh, India), to Adityadasa. According to one of his own works, he was educated at Kapitthaka. The Indian tradition believes him to be one of the "Nine Jewels" (Navaratnas) of the court of ruler Yashodharman Vikramaditya of Malwa. However, this claim appears for the first time in a much later text and scholars consider this claim to be doubtful because neither Varahamihira and Vikramaditya lived in the same century nor did Varahamihira live in the same century as some of the other names in the "nine jewels" list such as the much older Kalidasa. Varāhamihira's most notable works were the ''Brihat Samhita'', an encyclopedic, Quote: " ..the new temples and inconography, the science of arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aparajitaprccha
The ''Aparajitaprccha'' (''lit.'' "the questions of Aparajit") is a 12th-century Sanskrit text of Bhuvanadeva with major sections on architecture (''Vastu Shastra'') and arts (''Kala''). Predominantly a Hindu text, it largely reflects the north and western Indian traditions. The text also includes chapters on Jain architecture and arts. The text is notable for its sections on temple architecture (''vastu''), sculpture (''shilpa''), painting ('' chitra'') and classical music and dance (''sangita'', ''nritya''). Several incomplete manuscripts of ''Aparajitaprccha'' were discovered in Gujarat in early 20th-century (particularly Baroda), and others later in central and north India. It has at least 239 ''sutras'', each ''sutra'' followed by many verses. This collection is called ''sutrasantana'', and thus extends into over 7500 verses. The first edition and translation of the text was published by Popatbhai Mankad in 1950, while Lal Mani Dubey published another critical study with trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samarangana Sutradhara
''Samarangana Sutradhara'', sometimes referred to as ''Samarāṅgaṇasūtradhāra'', is an 11th-century poetic treatise on classical Indian architecture (Vastu Shastra) written in Sanskrit language attributed to Paramara King Bhoja of Dhar. The title ''Samarāṅgaṇasūtradhāra'' is a compound word that literally means "architect of human dwellings", but can also be decomposed to an alternate meaning as "stage manager for battlefields" – possibly a play of words to recognize its royal author. Three manuscripts of ''Samarangana Sutradhara'' were discovered in early 20th century, while others were found later. They vary somewhat and all survive in an incomplete form. The most complete version is one likely copied and recompiled in the 15th century. This manuscript has 7,430 ''shlokas'' (verses) set in 83 ''adhyayas'' (chapters). A notable aspect of each ''adhyaya'' is that it starts with a verse composed in ''anustubh'' meter (''chanda'' in Hindu texts) and ends with a vers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manasara
The ''Mānasāra'', also known as ''Manasa'' or ''Manasara Shilpa Shastra'', is an ancient Sanskrit treatise on Indian architecture and design. Organized into 70 ''adhyayas'' (chapters) and 10,000 ''shlokas'' (verses), it is one of many Hindu texts on ''Shilpa Shastra'' – science of arts and crafts – that once existed in 1st-millennium CE. The ''Manasara'' is among the few on Hindu architecture whose complete manuscripts have survived into the modern age. It is a treatise that provides detailed guidelines on the building of Hindu temples, sculptures, houses, gardens, water tanks, laying out of towns and other structures. Title The word ''Manasara'' is a compound of Sanskrit ''māna'' (measurement) and ''sara'' (essence), meaning "essence of measurement" states P.K. Acharya – the scholar who discovered the complete manuscript (70 chapters) and was first to translate it into English in early 20th-century. While the text is now commonly referred as simply ''Manasara'', the San ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
