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Symbolic Language (art)
In art, symbolic language refers to the use of characters or images to represent concepts. Symbolic language in art uses imagery to communicate meaning by displaying an accessible concept, the ''signifier'', to represent a signified ''concept''. Symbolic language in art may be used figuratively, to reference ideas and "convey concepts in terms of images", as when images and positioning of objects such as flowers or animals are used to signify cultural concepts. Symbolic language in art may be used more literally, as in floriography, where arrangements of flowers are decoded with the help of special dictionaries, enabling communication of secret, unspoken information as a form of cryptography. Similarly, in religious iconography, symbolic languages may be developed to communicate between believers in a hostile environment, with progressive teachings providing increasing access to hidden meanings in the images. See also *Icon * Ineffability *Petroglyph *Saint symbolism *Semi ...
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Character (symbol)
A character is a semiotic sign or symbol, or a glyph typically a letter, a numerical digit, an ideogram, a hieroglyph, a punctuation mark or another typographic mark. History The Ancient Greek word ('charaktīr') is an agent noun of the verb (''charassō'') with a meaning "to sharpen, to whet", and also "to make cake", from a PIE root ' "cut" also continued in Irish ''gearr'' and English ''gash'', which is perhaps an early loan ultimately from the same Greek root. A is thus an "engraver", originally in the sense of a craftsman, but then also used for a tool used for engraving, and for a stamp for minting coins. From the stamp, the meaning was extended to the stamp impression, Plato using the noun in the sense of "engraved mark". In Plutarch, the word could refer to a figure or letter, Lucian uses it of hieroglyphs as opposed to Greek ''grammata'' (''Herm''. 44) Metaphorically, it could refer to a distinctive mark, Herodotus (1.57) using it of a particular dialect, or (1. ...
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Petroglyph
A petroglyph is an image created by removing part of a rock surface by incising, picking, carving, or abrading, as a form of rock art. Outside North America, scholars often use terms such as "carving", "engraving", or other descriptions of the technique to refer to such images. Petroglyphs are found worldwide, and are often associated with prehistoric peoples. The word comes from the Greek prefix , from meaning "stone", and meaning "carve", and was originally coined in French as . Another form of petroglyph, normally found in literate cultures, a rock relief or rock-cut relief is a relief sculpture carved on "living rock" such as a cliff, rather than a detached piece of stone. While these relief carvings are a category of rock art, sometimes found in conjunction with rock-cut architecture, they tend to be omitted in most works on rock art, which concentrate on engravings and paintings by prehistoric or nonliterate cultures. Some of these reliefs exploit the rock' ...
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Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semioti ...
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Cornell University
Cornell University is a private statutory land-grant research university based in Ithaca, New York. It is a member of the Ivy League. Founded in 1865 by Ezra Cornell and Andrew Dickson White, Cornell was founded with the intention to teach and make contributions in all fields of knowledge—from the classics to the sciences, and from the theoretical to the applied. These ideals, unconventional for the time, are captured in Cornell's founding principle, a popular 1868 quotation from founder Ezra Cornell: "I would found an institution where any person can find instruction in any study." Cornell is ranked among the top global universities. The university is organized into seven undergraduate colleges and seven graduate divisions at its main Ithaca campus, with each college and division defining its specific admission standards and academic programs in near autonomy. The university also administers three satellite campuses, two in New York City and one in Education Ci ...
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Philadelphia Museum Of Art
The Philadelphia Museum of Art (PMoA) is an art museum originally chartered in 1876 for the Centennial Exposition in Philadelphia. The main museum building was completed in 1928 on Fairmount, a hill located at the northwest end of the Benjamin Franklin Parkway at Eakins Oval. The museum administers collections containing over 240,000 objects including major holdings of European, American and Asian origin. The various classes of artwork include sculpture, paintings, prints, drawings, photographs, armor, and decorative arts. The Philadelphia Museum of Art administers several annexes including the Rodin Museum, also located on the Benjamin Franklin Parkway, and the Ruth and Raymond G. Perelman Building, which is located across the street just north of the main building. The Perelman Building, which opened in 2007, houses more than 150,000 prints, drawings and photographs, along with 30,000 costume and textile pieces, and over 1,000 modern and contemporary design objects including ...
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Delaware Art Museum
The Delaware Art Museum is an art museum located on the Kentmere Parkway in Wilmington, Delaware, which holds a collection of more than 12,000 objects. The museum was founded in 1912 as the Wilmington Society of the Fine Arts in honor of the artist Howard Pyle. The collection focuses on American art and illustration from the 19th to the 21st century, and on the English Pre-Raphaelite Brotherhood movement of the mid-19th century. The museum building was expanded and renovated in 2005 and includes a Sculpture Park, the Helen Farr Sloan Library and Archives, studio art classes, a children's learning area, as well as a cafe and museum store. History The museum was founded in 1912 after Howard Pyle's death as the Wilmington Society of the Fine Arts (WSFA), with over 100 paintings, drawings, and prints purchased from Pyle's widow Anne. Pyle was the best-known American illustrator of his day; he died unexpectedly in 1911 while on a trip to Italy. Pyle left behind many students and p ...
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JSTOR
JSTOR (; short for ''Journal Storage'') is a digital library founded in 1995 in New York City. Originally containing digitized back issues of academic journals, it now encompasses books and other primary sources as well as current issues of journals in the humanities and social sciences. It provides full-text searches of almost 2,000 journals. , more than 8,000 institutions in more than 160 countries had access to JSTOR. Most access is by subscription but some of the site is public domain, and open access content is available free of charge. JSTOR's revenue was $86 million in 2015. History William G. Bowen, president of Princeton University from 1972 to 1988, founded JSTOR in 1994. JSTOR was originally conceived as a solution to one of the problems faced by libraries, especially research and university libraries, due to the increasing number of academic journals in existence. Most libraries found it prohibitively expensive in terms of cost and space to maintain a comprehe ...
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Yerkish
Yerkish is an artificial language developed for use by non-human primates. It employs a keyboard whose keys contain ''lexigrams'', symbols corresponding to objects or ideas. Lexigrams were notably used by the Georgia State University Language Research Center to communicate with bonobos and chimpanzees. Researchers and primates were able to communicate using lexigram boards made in up to three panels with a total of 384 keys. Context The Yerkish language was developed by Ernst von Glasersfeld and used by Duane Rumbaugh and Sue Savage-Rumbaugh of Georgia State University while working with primates at the Yerkes National Primate Research Center of Emory University in Atlanta, Georgia. Primates were taught to communicate by means of a lexigram board, a computerized array of keys labeled with lexigrams. Von Glasersfeld coined the term "lexigram" in 1971, created the first 120 of them, and designed the grammar that regulated their combination. This artificial language was called ...
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Symbolism (arts)
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's '' Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related Decadents of literature and of art. Etymology The term ''symbolism'' is derived from the word "symbol" which derives from ...
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Symbolic Language (other)
A symbolic language is a method of communication that uses characters or images to represent concepts. Symbolic language may refer to: * Symbolic language (art) * Symbolic language (engineering) * Symbolic language (literature) * Symbolic language (mathematics) In mathematics, a symbolic language is a language that uses characters or symbols to represent concepts, such as mathematical operations, expressions, and statements, and the entities or operands on which the operations are performed. See als ... * Symbolic language (programming) {{disambiguation ...
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Semiotics
Semiotics (also called semiotic studies) is the systematic study of sign processes ( semiosis) and meaning making. Semiosis is any activity, conduct, or process that involves signs, where a sign is defined as anything that communicates something, usually called a meaning, to the sign's interpreter. The meaning can be intentional such as a word uttered with a specific meaning, or unintentional, such as a symptom being a sign of a particular medical condition. Signs can also communicate feelings (which are usually not considered meanings) and may communicate internally (through thought itself) or through any of the senses: visual, auditory, tactile, olfactory, or gustatory (taste). Contemporary semiotics is a branch of science that studies meaning-making and various types of knowledge. The semiotic tradition explores the study of signs and symbols as a significant part of communications. Unlike linguistics, semiotics also studies non-linguistic sign systems. Semiotics includes ...
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Saint Symbolism
Symbolism of Christian saints has been used from the very beginnings of the religion. Each saint is said to have led an exemplary life and symbols have been used to tell these stories throughout the history of the Church. A number of Christian saints are traditionally represented by a symbol or iconic motif associated with their life, termed an attribute or emblem, in order to identify them. The study of these forms part of iconography in art history. They were particularly used so that the illiterate could recognize a scene, and to give each of the Saints something of a personality in art. They are often carried in the hand by the Saint. Attributes often vary with either time or geography, especially between Eastern Christianity and the West. Orthodox images more often contained inscriptions with the names of saints, so the Eastern repertoire of attributes is generally smaller than the Western. Many of the most prominent saints, like Saint Peter and Saint John the Evangelist c ...
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