Summanus (planthopper)
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Summanus (planthopper)
Summanus ( lat, Summānus) was the god of nocturnal thunder in ancient Roman religion, as counterposed to Jupiter, the god of diurnal (daylight) thunder. His precise nature was unclear even to Ovid. Pliny thought that he was of Etruscan origin, and one of the nine gods of thunder. Varro lists Summanus among gods to whom Sabine king Titus Tatius dedicated altars ''(arae)'' in consequence of a votum. Paulus Diaconus considers him a god of lightning. The name ''Summanus'' is thought to be from ''Summus Manium'' "the greatest of the Manes", or ''sub-'', "under" + ''manus'', "hand". According to Martianus Capella, Summanus is another name for Pluto as the "highest" ''(summus)'' of the Manes. This identification is taken up by later writers such as Camões ("If in Summanus' gloomy realm / Severest punishment you now endure ...") and Milton, in a simile to describe Satan visiting Rome: "Just so Summanus, wrapped in a smoking whirlwind of blue flame, falls upon people and citi ...
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Thunder
Thunder is the sound caused by lightning. Depending upon the distance from and nature of the lightning, it can range from a long, low rumble to a sudden, loud crack. The sudden increase in temperature and hence pressure caused by the lightning produces rapid expansion of the air in the path of a lightning bolt. In turn, this expansion of air creates a sonic shock wave, often referred to as a "thunderclap" or "peal of thunder". The scientific study of thunder is known as ''brontology'' and the irrational fear (phobia) of thunder is called ''brontophobia''. Etymology The ''d'' in Modern English ''thunder'' (from earlier Old English ''þunor'') is epenthetic, and is now found as well in Modern Dutch ''donder'' (cf. Middle Dutch ''donre''; also Old Norse ''þorr'', Old Frisian ''þuner'', Old High German ''donar'', all ultimately descended from Proto-Germanic *''þunraz''). In Latin the term was ''tonare'' "to thunder". The name of the Nordic god Thor comes from the Old Norse ...
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Manes
In ancient Roman religion, the ''Manes'' (, , ) or ''Di Manes'' are chthonic deities sometimes thought to represent souls of deceased loved ones. They were associated with the ''Lares'', ''Lemures,'' '' Genii'', and ''Di Penates'' as deities ('' di'') that pertained to domestic, local, and personal cult. They belonged broadly to the category of ''di inferi'', "those who dwell below," the undifferentiated collective of divine dead. The Manes were honored during the Parentalia and Feralia in February. The theologian St. Augustine, writing about the subject a few centuries after most of the Latin pagan references to such spirits, differentiated Manes from other types of Roman spirits: Latin spells of antiquity were often addressed to the Manes. Etymology and inscriptions Manes may be derived from "an archaic adjective manus—''good''—which was the opposite of immanis (monstrous)".. Roman tombstones often included the letters ''D.M.'', which stood for ''Dis Manibus'', liter ...
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Historical Vedic Religion
The historical Vedic religion (also known as Vedicism, Vedism or ancient Hinduism and subsequently Brahmanism (also spelled as Brahminism)), constituted the religious ideas and practices among some Indo-Aryan peoples of northwest Indian Subcontinent (Punjab and the western Ganges plain) during the Vedic period (1500–500 BCE). These ideas and practices are found in the Vedic texts, and some Vedic rituals are still practiced today. It is one of the major traditions which shaped Hinduism, though present-day Hinduism is markedly different from the historical Vedic religion. The Vedic religion developed in the northwestern region of the Indian subcontinent during the early Vedic period (1500–1100 BCE), but has roots in the Eurasian Steppe Sintashta culture (2200–1800 BCE), the subsequent Central Asian Andronovo culture (2000–900 BCE), and the Indus Valley civilization (2600–1900 BCE). It was a composite of the religion of the Central Asian Indo-Aryans, itself "a syncreti ...
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Mitra
''Mitra'' ( Proto-Indo-Iranian: ''*mitrás'') is the name of an Indo-Iranian divinity from which the names and some characteristics of Rigvedic Mitrá and Avestan Mithra derive. The names (and occasionally also some characteristics) of these two older figures were subsequently also adopted for other figures: * A vrddhi-derived form of Sanskrit ''mitra'' gives Maitreya, the name of a bodhisattva in Buddhist tradition. * In Hellenistic-era Asia Minor, Avestan Mithra was conflated with various local and Greek figures leading to several different variants of Apollo-Helios-Mithras-Hermes- Stilbon. * Via Greek and some Anatolian intermediate, the Avestan theonym also gave rise to Latin ''Mithras'', the principal figure of the first century Roman Mysteries of Mithras (also known as 'Mithraism'). * In Middle Iranian, the Avestan theonym evolved (among other Middle Iranian forms) into Sogdian ''Miši'', Middle Persian and Parthian ''Mihr'', and Bactrian Miuro (/mihru/). Aside from ...
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Varuna
Varuna (; sa, वरुण, , Malay: ''Baruna'') is a Vedic deity associated initially with the sky, later also with the seas as well as Ṛta (justice) and Satya (truth). He is found in the oldest layer of Vedic literature of Hinduism, such as hymn 7.86 of the ''Rigveda''. He is also mentioned in the Tamil grammar work '' Tolkāppiyam'', as Kadalon the god of sea and rain. He is said to be the son of Kashyapa (one of the seven ancient sages). In the Hindu Puranas, Varuna is the god of oceans, his vehicle is a Makara (crocodile) and his weapon is a Pasha (noose, rope loop). He is the guardian deity of the western direction. In some texts, he is the father of the Vedic sage Vasishtha. Varuna is found in Japanese Buddhist mythology as Suiten. He is also found in Jainism. Etymology In Hindu tradition, the theonym ''Váruṇa'' (Devanagari: वरुण) is described as a derivation from the verbal root ''vṛ'' ("to surround, to cover" or "to restrain, bind") by means ...
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Trifunctional Hypothesis
The trifunctional hypothesis of prehistoric Proto-Indo-European society postulates a tripartite ideology ("''idéologie tripartite''") reflected in the existence of three classes or castes— priests, warriors, and commoners (farmers or tradesmen)—corresponding to the three functions of the sacral, the martial and the economic, respectively. The trifunctional thesis is primarily associated with the French mythographer Georges Dumézil, who proposed it in 1929 in the book ''Flamen-Brahman'', and later in ''Mitra-Varuna''. Three-way division According to Georges Dumézil (1898–1986), Proto-Indo-European society had three main groups, corresponding to three distinct functions:Dumézil, G. (1929). ''Flamen-Brahman''.Dumézil, G. (1940). ''Mitra-Varuna'', Presses universitaires de France. * Sovereignty, which fell into two distinct and complementary sub-parts: ** one formal, juridical and priestly but worldly; ** the other powerful, unpredictable and priestly but rooted in ...
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Georges Dumézil
Georges Edmond Raoul Dumézil (4 March 189811 October 1986) was a French philologist, linguist, and religious studies scholar who specialized in comparative linguistics and mythology. He was a professor at Istanbul University, École pratique des hautes études and the Collège de France, and a member of the Académie Française. Dumézil is well known for his formulation of the trifunctional hypothesis on Proto-Indo-European mythology and society. His research has had a major influence on the fields of comparative mythology and Indo-European studies. Early life and education Georges Dumézil was born in Paris, France, on 4 March 1898, the son of Jean Anatole Jean Dumézil and Marguerite Dutier. His father was a highly educated general in the French Army. Dumézil received an elite education in Paris at the Collège de Neufchâteau, Lycée de Troyes, Lycée Louis-le-Grand and Lycée de Tarbes. He came to master Ancient Greek and Latin at an early age. Through the influence of ...
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Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ...
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Satan
Satan,, ; grc, ὁ σατανᾶς or , ; ar, شيطانالخَنَّاس , also known as Devil in Christianity, the Devil, and sometimes also called Lucifer in Christianity, is an non-physical entity, entity in the Abrahamic religions that seduces humans into sin or falsehood. In Judaism, Satan is seen as an agent subservient to God in Judaism, God, typically regarded as a metaphor for the ''yetzer hara'', or "evil inclination." In Christianity and Islam, he is usually seen as a fallen angel or jinn who has rebelled against God in Abrahamic religions, God, who nevertheless allows him temporary power over the fallen world and a host of demons. In the Quran, Shaitan, also known as Iblis, is an entity made of fire who was cast out of Heaven because he refused to bow before the newly created Adam in Islam, Adam and incites humans to sin by infecting their minds with ''waswās'' ("evil suggestions"). A figure known as ''ha-satan'' ("the satan") first appears in the Hebrew B ...
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Simile
A simile () is a figure of speech that directly ''compares'' two things. Similes differ from other metaphors by highlighting the similarities between two things using comparison words such as "like", "as", "so", or "than", while other metaphors create an implicit comparison (i.e. saying something "''is''" something else). This distinction is evident in the etymology of the words: simile derives from the Latin word ''similis'' ("similar, like"), while metaphor derives from the Greek word ''metapherein'' ("to transfer"). Like in the case of metaphors, the thing that is being compared is called the tenor, and the thing it is being compared to is called the vehicle. Author and lexicographer Frank J. Wilstach compiled a dictionary of similes in 1916, with a second edition in 1924. Uses In literature * "O My like a red, red rose." "A Red, Red Rose," by Robert Burns. * John Milton, ''Paradise Lost'', a Homeric simile:::As when a prowling Wolf, ::Whom hunger drives to seek new haun ...
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John Milton
John Milton (9 December 1608 – 8 November 1674) was an English poet and intellectual. His 1667 epic poem '' Paradise Lost'', written in blank verse and including over ten chapters, was written in a time of immense religious flux and political upheaval. It addressed the fall of man, including the temptation of Adam and Eve by the fallen angel Satan and God's expulsion of them from the Garden of Eden. ''Paradise Lost'' is widely considered one of the greatest works of literature ever written, and it elevated Milton's widely-held reputation as one of history's greatest poets. He also served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell. Writing in English, Latin, and Italian, Milton achieved global fame and recognition during his lifetime; his celebrated ''Areopagitica'' (1644), written in condemnation of pre-publication censorship, is among history's most influential and impassioned defences of freedom of spe ...
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Os Lusíadas
''Os Lusíadas'' (), usually translated as ''The Lusiads'', is a Portuguese epic poem written by Luís Vaz de Camões ( – 1580) and first published in 1572. It is widely regarded as the most important work of Portuguese-language literature and is frequently compared to Virgil's ''Aeneid'' (1st c. BC). The work celebrates the discovery of a sea route to India by the Portuguese explorer Vasco da Gama (1469–1524). The ten cantos of the poem are in ottava rima and total 1,102 stanzas. Written in Homeric fashion, the poem focuses mainly on a fantastic interpretation of the Portuguese voyages of discovery during the 15th and 16th centuries. ''Os Lusíadas'' is often regarded as Portugal's national epic, much as Virgil's ''Aeneid'' was for the Ancient Romans, or Homer's ''Iliad'' and ''Odyssey'' for the Ancient Greeks. It was written when Camões was an exile in Macau and was first printed in 1572, three years after the author returned from the Indies. Internal structure The poe ...
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