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Sultan Isa Medrese
The Sultan Isa Medrese or Sultan 'Isa Madrasa (), also known as the Zinciriye Medrese or Isa Bey Medresesi, is a historic landmark and former madrasa () in Mardin, Turkey. It was commissioned by Sultan Isa (r. 1376–1407), the penultimate Artuqids, Artuqid ruler of Mardin, and its construction was completed in 1385. The building was actually a ''külliye'', or religious complex, consisting of a madrasa, a mosque, a mausoleum for the founder, and other elements arranged around two courtyards. The building previously housed the Mardin Museum. History The foundation of the complex is well-documented thanks to several surviving inscriptions on the building which record the founder, Isa the Artuqids, Artuqid, and the date, 2nd Muharram 787 Hijri year, AH (3 February 1385 AD). The complex contains what appears to be a mausoleum chamber intended for the founder, but Isa was never buried here. The building went through a major restoration sometime during the Ottoman period, when much of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artuqid
The Artuqid dynasty (alternatively Artukid, Ortoqid, or Ortokid; , pl. ; ; ) was a Turkoman dynasty originated from tribe that ruled in eastern Anatolia, Northern Syria and Northern Iraq in the eleventh through thirteenth centuries. The Artuqid dynasty took its name from its founder, Artuk Bey, who was of the Döger branch of the Oghuz Turks and ruled one of the Turkmen beyliks of the Seljuk Empire. Artuk's sons and descendants ruled the three branches in the region: Sökmen's descendants ruled the region around Hasankeyf between 1102 and 1231; Ilghazi's branch ruled from Mardin and Mayyafariqin between 1106 and 1186 (until 1409 as vassals) and Aleppo from 1117–1128; and the Harput line starting in 1112 under the Sökmen branch, and was independent between 1185 and 1233. History The dynasty was founded by Artuk, son of Eksük, a general originally under Malik-Shah I and then under the Seljuk emir of Damascus, Tutush I. Tutush appointed Artuk governor of Jerusal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muqarnas
Muqarnas ( ar, مقرنص; fa, مقرنس), also known in Iranian architecture as Ahoopāy ( fa, آهوپای) and in Iberian architecture as Mocárabe, is a form of ornamented vaulting in Islamic architecture. It is the archetypal form of Islamic architecture, integral to the vernacular of Islamic buildings that originated in the Abbasid Empire. The muqarnas structure originated from the squinch. Sometimes called "honeycomb vaulting" or "stalactite vaulting", the purpose of muqarnas is to create a smooth, decorative zone of transition in an otherwise bare, structural space. This structure gives the ability to distinguish between the main parts of a building, and serve as a transition from the walls of a room into a domed ceiling. Muqarnas is significant in Islamic architecture because its elaborate form is a symbolic representation of universal creation by God. Muqarnas architecture is featured in domes, half-dome entrances, iwans and apses. The two main types of muqarnas a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kufic
Kufic script () is a style of Arabic script that gained prominence early on as a preferred script for Quran transcription and architectural decoration, and it has since become a reference and an archetype for a number of other Arabic scripts. It developed from the Arabic alphabet in the city of Kufa, from which its name is derived. Kufic script is characterized by angular, rectilinear letterforms and its horizontal orientation. There are many different versions of Kufic script, such as square Kufic, floriated Kufic, knotted Kufic, and others. History Origin of the Kufic script Calligraphers in the early Islamic period used a variety of methods to transcribe Qur’an manuscripts. Arabic calligraphy became one of the most important branches of Islamic Art. Calligraphers came out with the new style of writing called Kufic. Kufic is the oldest calligraphic form of the various Arabic scripts. The name of the script derives from Kufa, a city in southern Iraq which was considered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engaged Column
In architecture, an engaged column is a column embedded in a wall and partly projecting from the surface of the wall, sometimes defined as semi- or three-quarter detached. Engaged columns are rarely found in classical Greek architecture, and then only in exceptional cases, but in Roman architecture they exist in abundance, most commonly embedded in the cella walls of pseudoperipteral buildings. In the temples it is attached to the cella walls, repeating the columns of the peristyle, and in the theatres and amphitheatres, where they subdivided the arched openings: in all these cases engaged columns are utilized as a decorative feature, and as a rule the same proportions are maintained as if they had been isolated columns. In Romanesque work the classic proportions were no longer adhered to; the engaged column, attached to the piers, has always a special function to perform, either to support subsidiary arches, or, raised to the vault, to carry its transverse or diagonal ribs. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al-Ahqaf
Al-Ahqaf ( ar, الأحقاف, ; "the sand dunes" or "the winding sand tracts") is the 46th chapter (''surah'') of the Qur'an with 35 verses ('' ayat''). This is the seventh and last chapter starting with the Muqattaʿat letters '' Hāʼ Mīm''. Regarding the timing and contextual background of the believed revelation (''asbāb al-nuzūl''), it is one of the late Meccan chapters, except for verse 10 and possibly a few others which Muslims believe were revealed in Medina. The chapter covers various topics: It warns against those who reject the Quran, and reassures those who believe; it instructs Muslims to be virtuous towards their parents; it tells of the Prophet Hud and the punishment that befell his people, and it advises Muhammad to be patient in delivering his message of Islam. A passage in verse 15, which talks about a child's gestation and weaning, became the basis by which some Islamic jurists determined that the minimum threshold of fetal viability in Islamic law ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
An-Naml
An-Naml ( ar, النمل, ’an-naml, lit=The Ant) is the 27th chapter ('' sūrah'') of the Qur'an with 93 verses ('' āyāt''). Regarding the timing and contextual background of the supposed revelation ('' asbāb al-nuzūl''), it is an earlier "Meccan surah", which means it is believed to have been revealed in Mecca, rather than later in Medina. Summary *1-3 The Quran is a direction of good tidings to the faithful *4-5 Unbelievers are losers here and hereafter *6 The Quran certainly given by God to Muhammad *7-12 The story of Moses at the burning bush *13-14 Moses rejected by Pharaoh and the Egyptians as an impostor *15 David and Solomon praise God for their wisdom *16-17 Solomon’s dominion over Djinn, men, and birds *18-19 The wise ant pleases Solomon *20-44 The story of the Queen of Sheba and her conversion to Islam *45-48 Thamúd rejects Sálih their prophet *49-51 Nine men plot the destruction of Sálih and his family *52-54 The Thamúdites and their plotters de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thuluth
''Thuluth'' ( ar, ثُلُث, ' or ar, خَطُّ الثُّلُثِ, '; fa, ثلث, ''Sols''; Turkish: ''Sülüs'', from ' "one-third") is a script variety of Islamic calligraphy. The straight angular forms of Kufic were replaced in the new script by curved and oblique lines. In ''Thuluth'', one-third of each letter slopes, from which the name (meaning "a third" in Arabic) comes. An alternative theory to the meaning is that the smallest width of the letter is one third of the widest part. It is an elegant, cursive script, used in medieval times on mosque decorations. Various calligraphic styles evolved from ''Thuluth'' through slight changes of form. History The greatest contributions to the evolution of the ''Thuluth'' script occurred in the Ottoman Empire in three successive steps that Ottoman art historians call "calligraphical revolutions": *The first revolution occurred in the 15th century and was initiated by the master calligrapher Sheikh Hamdullah. *The second revolu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
At-Tawbah
At-Tawbah ( ar, ٱلتوبة, ; The Repentance), also known as Bara'ah ( ar, براءة, ; Repudiation), is the ninth chapter (''sūrah'') of the Quran. It contains 129 verses ('' āyāt'') and is one of the last Medinan surahs. This Surah is reported to have been revealed at the time of the Battle of Tabuk in Madinah in the 9th year of the Hijrah. The Sanaa manuscript preserves some verses, on parchment radiocarbon dated to between 578/44 bh and 669/49ah. It is the only Surah of the Quran that does not begin with ''Bismillah'', the usual opening formula, ''In the name of Allah, the All-Merciful, the All-Compassionate''. It deals with almost the same topics as those dealt with in Surat al-Anfal. In contrast to all other surahs, Muhammad did not order that this formula should be put at the beginning of this surah. Summary *1-2 Four months’ immunity proclaimed to idolaters *3-5 After four months, all idolaters to be slain, with exception of those with whom treaties have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qur'anic
The Quran (, ; Standard Arabic: , Quranic Arabic: , , 'the recitation'), also romanized Qur'an or Koran, is the central religious text of Islam, believed by Muslims to be a revelation from God. It is organized in 114 chapters (pl.: , sing.: ), which consist of verses (pl.: , sing.: , cons.: ). In addition to its religious significance, it is widely regarded as the finest work in Arabic literature, and has significantly influenced the Arabic language. Muslims believe that the Quran was orally revealed by God to the final prophet, Muhammad, through the archangel Gabriel incrementally over a period of some 23 years, beginning in the month of Ramadan, when Muhammad was 40; and concluding in 632, the year of his death. Muslims regard the Quran as Muhammad's most important miracle; a proof of his prophethood; and the culmination of a series of divine messages starting with those revealed to Adam, including the Torah, the Psalms and the Gospel. The word ''Quran'' occurs some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palmette
The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art of most of Eurasia, often in forms that bear relatively little resemblance to the original. In ancient Greek and Roman uses it is also known as the anthemion (from the Greek ανθέμιον, a flower). It is found in most artistic media, but especially as an architectural ornament, whether carved or painted, and painted on ceramics. It is very often a component of the design of a frieze or border. The complex evolution of the palmette was first traced by Alois Riegl in his '' Stilfragen'' of 1893. The half-palmette, bisected vertically, is also a very common motif, found in many mutated and vestigial forms, and especially important in the development of plant-based scroll ornament. Description The essence of the palmette is a symmet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabesque
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be ' tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Interlace and scroll decoration are terms used for most other types of similar patterns. Arabesques are a fundamental element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamic Calligraphy
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy.Chapman, Caroline (2012). ''Encyclopedia of Islamic Art and Architecture'', It is known in Arabic as ''khatt Arabi'' (), which translates into Arabic line, design, or construction. The development of Islamic calligraphy is strongly tied to the Qur'an; chapters and excerpts from the Qur'an are a common and almost universal text upon which Islamic calligraphy is based. Although artistic depictions of people and animals are not explicitly forbidden by the Qur'an, pictures have traditionally been limited in Islamic books in order to avoid idolatry. Although some scholars dispute this, Kufic script was supposedly developed around the end of the 7th century in Kufa, Iraq, from which it takes its name. The style later developed into several varieties, including flora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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