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Stradella (Niedermeyer)
''Stradella'' is a Grand Opera in five acts by Louis Niedermeyer to a libretto by Emile Deschamps and Émilien Pacini. Based on a highly romanticized version of the life of the composer Alessandro Stradella (1639–1682), it was premiered at the Paris Opera on 3 March 1837. Background The storyline of the opera is fashioned from the fanciful legend told by Pierre Bourdelot in his 1715 ''Histoire de la musique''. Interest in Stradella in Paris had been growing in 1830s Paris, after the musician François-Joseph Fétis had included an aria, (supposedly by Stradella but actually by Fétis himself), in an 1833 concert; the melody soon became extremely popular. In July 1836 the , run by Maurice Schlesinger, had serialised a work by Jules Janin, ''Stradella, or the Poet and the Musician'', as 'advance publicity' (Schlesinger was to publish Niedermeyer's score in 1837). Moreover, a vaudeville with music by Flotow on the same subject opened in Paris a month before Niedermeyer's opera. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stradella Act III
Stradella may refer to: Places in Italy ;Municipalities (''comuni'') * Stradella, Lombardy, in the Province of Pavia ;Civil parishes (''frazioni'') *Stradella (Bigarello), in the commune of Bigarello, Province of Mantua, Lombardy *Stradella (Collecchio), in the commune of Collecchio, Province of Parma, Emilia-Romagna *Stradella (Gambolò), in the commune of Gambolò, Province of Pavia, Lombardy *Stradella (Refrancore), in the commune of Refrancore, Province of Asti, Piedmont *Stradella (San Polo d'Enza), in the commune of San Polo d'Enza, Province of Reggio Emilia, Emilia-Romagna People * Alessandro Stradella (1639-1682), Italian composer Other uses * ''Stradella'' (Niedermeyer), an 1837 opera by Louis Niedermeyer * ''Stradella'' (Franck), an 1841 opera by César Franck * ''Alessandro Stradella'' (opera), an 1844 opera by Friedrich von Flotow *Stradella bass system The Stradella Bass System (sometimes called ''standard bass'') is a buttonboard layout equipped on the bass side o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Croup
Croup, also known as laryngotracheobronchitis, is a type of respiratory infection that is usually caused by a virus. The infection leads to swelling inside the trachea, which interferes with normal breathing and produces the classic symptoms of "barking/brassy" cough, inspiratory stridor and a hoarse voice. Fever and runny nose may also be present. These symptoms may be mild, moderate, or severe. Often it starts or is worse at night and normally lasts one to two days. Croup can be caused by a number of viruses including parainfluenza and influenza virus. Rarely is it due to a bacterial infection. Croup is typically diagnosed based on signs and symptoms after potentially more severe causes, such as epiglottitis or an airway foreign body, have been ruled out. Further investigations, such as blood tests, X-rays and cultures, are usually not needed. Many cases of croup are preventable by immunization for influenza and diphtheria. Most cases of croup are mild and the child can b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Wartel
Pierre-François Wartel (born Versailles, 3 April 1806; died Paris 3 August 1882) was a French tenor and music educator. His wife was Thérèse Wartel, a talented pianist, and their son Émile was a bass who sang and created several operatic roles between 1857 and 1870 at the Théâtre Lyrique and later founded his own singing school."Wartel, Pierre François" in Sadie, Stanley, editor (1992). ''The New Grove Dictionary of Opera'', vol. 4, p. 1109. London: Macmillan. .Walsh TJ. (1981). ''Second Empire Opera: The Théâtre-Lyrique, Paris 1851-1870''. London: John Calder. . Biography In 1825 François Wartel enrolled at the Paris Conservatoire as a pupil of Fromental Halévy, but soon thereafter began studies in Choron's Institut de la Musique Religieuse. After finishing his studies at Choron's Institute in 1828 he returned to the Conservatoire to pursue vocal studies with Banderali and Nourrit and obtained a first prize for singing in 1829. From 1831 to 1846 he played small t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Prévôt
Ferdinand Prévôt (2 May 1800 – 11 June 1879)Pierre 1900p. 834 was a French operatic bass-baritone.Kutsch & Riemens 2003, p. 3763. His surname is also found spelled as Prevot or Prévost. He was born Pierre-Ferdinand Prévôt in Caussade (Tarn-et-Garonne). He studied at the Paris Conservatory, winning the first prize in ''vocalisation'' and second prize in ''chant'' in 1823. The son of a singer, he appeared in the Paris Opéra chorus in 1818. He made his debut as a soloist in Grétry's ''Anacréon chez Polycrate'' on 15 March 1824. He enjoyed a long career creating a number of minor roles in important operas. He sometimes sang in the same performances with his son Alexis Prévôt (a bass) and/or Alexandre Prévôt (also a bass). Since first names are sometimes not given in the sources, it is not always possible to determine which singer is meant. Prévôt retired in 1857 and died in Vulaines in 1879. Roles created *Adam in the revised version of ''La mort d'Abel'' b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Levasseur
Nicolas Levasseur (9 March 1791 – 7 December 1871) was a French bass, particularly associated with Rossini roles. Born Nicolas-Prosper Levasseur at Bresles, Oise, he studied at the Paris Music Conservatory from 1807 to 1811, with Pierre-Jean Garat. He made his professional debut at the Paris Opéra in 1813, as Osman Pacha, in ''La caravane du Caire'' by André Grétry. He sang in London at the King's Theatre from 1815 to 1817, notably as the Count in Mozart's ''Le nozze di Figaro''. He also sang at La Scala in Milan, from 1820 to 1822, where he took part in the creation of Meyerbeer's ''Margherita d'Anjou''. But his greatest successes were at the Théâtre-Italien in Paris, where he sang from 1819 until 1828. There his name became closely associated with Rossini's operas. He sang in the Paris premieres of ''Mosè in Egitto'', ''Ricciardo e Zoraide'', ''La cenerentola'', ''La donna del lago'', and he participated in the creation of ''Il viaggio a Reims''. Levasseur retur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Alizard
Adolphe-Joseph-Louis Alizard (29 December 1814 – 23 January 1850) was a French bass-baritone. He was born in Paris. He began his musical career as a pupil of Chrétien Urhan on the violin; but his master accidentally discovered that he had a remarkably fine voice and persuaded him to abandon his instrument and enter the Paris Conservatoire as a pupil of David Banderali. His voice was naturally a deep bass, but finding that after singing at the opera in Paris for five years he was still employed in secondary parts, he entered upon a diligent course of practice, by which he gained several notes in the upper register, and was able to take baritone parts. The strain upon his chest however was too great to be maintained without injury, and after several attacks, he died of tuberculosis at Marseilles at the age of 35. Repertoire (incomplete) * Giacomo Meyerbeer, ''Les Huguenots'' (le Comte de Saint-Bris) * Giuseppe Verdi, ''Jérusalem ''Jérusalem'' is a grand opera in fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosper Dérivis
Nicolas-Prosper Dérivis (28 October 1808 - 11 February 1880) was a French operatic bass. He possessed a rich deep voice that had a great carrying power. While he could easily assail heavy dramatic roles, he was also capable of executing difficult coloratura passages and performing more lyrical parts. Along with Nicolas Levasseur, he was one of the greatest French basses of his generation. Life and career Born in Paris, Dérivis was the son of operatic bass Henri-Étienne Dérivis. He studied singing at the Conservatoire de Paris with Auguste Nourrit and Felice Pellegrini. He made his professional debut at the Paris Opera in 1831 as Pharaon in Gioachino Rossini's ''Moïse et Pharaon''. He remained committed to that opera house for the next ten years, notably performing in the world premieres of Fromental Halévy's ''La tentation'' (1832), Daniel Auber's ''Le serment'' (1832), Luigi Cherubini's ''Ali Baba'' (1833), Halevy's '' La Juive'' (1835, the Herald), Giacomo Meyerbeer's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pesaro
Pesaro () is a city and ''comune'' in the Italian region of Marche, capital of the Province of Pesaro e Urbino, on the Adriatic Sea. According to the 2011 census, its population was 95,011, making it the second most populous city in the Marche, after Ancona. Pesaro was dubbed the "Cycling City" (''Città della Bicicletta'') by the Italian environmentalist association Legambiente in recognition of its extensive network of bicycle paths and promotion of cycling. It is also known as "''City of Music''", for it is the birthplace of the composer Gioacchino Rossini. In 2015 the Italian Government applied for Pesaro to be declared a "Creative City" in UNESCO's World Heritage Sites. In 2017 Pesaro received the European City of Sport award together with Aosta, Cagliari and Vicenza. Local industries include fishing, furniture making and tourism. In 2020 it absorbed the former ''comune'' of Monteciccardo, now a ''frazione'' of Pesaro. History The city was established as ''Pisaurum'' by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosine Stoltz
Rosine Stoltz (born Victoire or Victorine Noël) (13 January 1815 – 30 July 1903) was a French mezzo-soprano. A prominent member of the Paris Opéra, she created many leading roles there including Ascanio in Berlioz's '' Benvenuto Cellini'', Marguerite in Auber's '' Le lac des fées'', the title role in '' Marie Stuart'', and two Donizetti heroines, Léonor in ''La favorite'' and Zayda in ''Dom Sébastien''. Early life and training Stoltz was born Victoire Noël on the boulevard du Montparnasse in Paris, the daughter of the concierges Florentin Noël and Clara Stoll. She received her first vocal training as a pensionnaire at the École Royale de Chant et Déclamation directed by Alexandre-Étienne Choron. Early career Just short of her sixteenth birthday she left Choron's school to travel in the Low Countries under the name of Mlle Ternaux. Her principal biographer Gustave Bord speculates that she had run away from the school with the son of the famous merchant of shawls on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
