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Nicolas Levasseur
Nicolas Levasseur (9 March 1791 – 7 December 1871) was a French bass, particularly associated with Rossini roles. Born Nicolas-Prosper Levasseur at Bresles, Oise, he studied at the Paris Music Conservatory from 1807 to 1811, with Pierre-Jean Garat. He made his professional debut at the Paris Opéra in 1813, as Osman Pacha, in ''La caravane du Caire'' by André Grétry. He sang in London at the King's Theatre from 1815 to 1817, notably as the Count in Mozart's ''Le nozze di Figaro''. He also sang at La Scala in Milan, from 1820 to 1822, where he took part in the creation of Meyerbeer's ''Margherita d'Anjou''. But his greatest successes were at the Théâtre-Italien in Paris, where he sang from 1819 until 1828. There his name became closely associated with Rossini's operas. He sang in the Paris premieres of ''Mosè in Egitto'', ''Ricciardo e Zoraide'', ''La cenerentola'', ''La donna del lago'', and he participated in the creation of ''Il viaggio a Reims''. Levasseur retur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas-Prosper Levasseur
Nicolas Levasseur (9 March 1791 – 7 December 1871) was a French bass, particularly associated with Rossini roles. Born Nicolas-Prosper Levasseur at Bresles, Oise, he studied at the Paris Music Conservatory from 1807 to 1811, with Pierre-Jean Garat. He made his professional debut at the Paris Opéra in 1813, as Osman Pacha, in ''La caravane du Caire'' by André Grétry. He sang in London at the King's Theatre from 1815 to 1817, notably as the Count in Mozart's ''Le nozze di Figaro''. He also sang at La Scala in Milan, from 1820 to 1822, where he took part in the creation of Meyerbeer's ''Margherita d'Anjou''. But his greatest successes were at the Théâtre-Italien in Paris, where he sang from 1819 until 1828. There his name became closely associated with Rossini's operas. He sang in the Paris premieres of ''Mosè in Egitto'', ''Ricciardo e Zoraide'', ''La cenerentola'', ''La donna del lago'', and he participated in the creation of ''Il viaggio a Reims''. Levasseur return ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ricciardo E Zoraide
''Ricciardo e Zoraide'' (''Ricciardo and Zoraide'') is an opera in two acts by Gioachino Rossini to an Italian libretto by Francesco Berio di Salsa. The text is based on cantos XIV and XV of '' Il Ricciardetto'', an epic poem by Niccolò Forteguerri. Performance history ''Ricciardo e Zoraide'' was first performed at the Teatro San Carlo, Naples, on 3 December 1818. It continued to be performed until 1846 but fell out of favor afterwards and was not performed in public again until its revival at the Pesaro Rossini Opera Festival in 1990. The Rossini Opera Festival featured a new production of the opera in 2018. Among other performances, the opera received a production at the Rossini in Wildbad festival in 2013. Roles Synopsis :Place: the city of Dongola in ancient Nubia. :Time: The time of the Crusades The Nubian King Agorante, who is infatuated with Zoraide, has defeated her father, Ircano and captured her. Ricciardo, a Christian knight and Zoraide's lover, accompanies a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euphrasie Borghèse
Euphrasie Borghèse (born Juliette Euphrosine Bourgeois; 1818), was a French operatic soprano who is best known for creating the role of Marie in Donizetti's ''La fille du régiment. Born in Paris with the family name Bourgeois,"Notice biographique sur Mademoiselle Euphrasie Borghese, rédigée d'après des documens publics" 1847, p. 1. Borghèse was a private voice student of and also studied with . [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Prophète
''Le prophète'' (''The Prophet'') is a grand opera in five acts by Giacomo Meyerbeer, which was premiered in Paris on 16 April 1849. The French-language libretto was by Eugène Scribe and Émile Deschamps, after passages from the ''Essay on the Manners and Spirit of Nations'' by Voltaire. The plot is based on the life of John of Leiden, Anabaptist leader and self-proclaimed "King of Münster" in the 16th century. Performance history After the brilliant success of their grand opera ''Les Huguenots'' (1836), Meyerbeer and his librettist Scribe decided to collaborate again on a piece based on a historical religious conflict. Meyerbeer's great personal wealth and his duties as official court composer to King Frederick William IV of Prussia meant that there was no hurry to complete the opera, and it was more than a decade in the composition and planning. ''Le prophète'' was first performed by the Paris Opera at the Salle Le Peletier on 16 April 1849 in music#Opera, 1849. In the audie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dom Sebastien
Dom or DOM may refer to: People and fictional characters * Dom (given name), including fictional characters * Dom (surname) * Dom La Nena (born 1989), stage name of Brazilian-born cellist, singer and songwriter Dominique Pinto * Dom people, an ethnic group in the Middle East * Domba or Dom, an ethnic group in India * Doms, people of indigenous origin found in the Indian state of West Bengal Arts and entertainment * ''Dom'' (film), a 1958 Polish film * ''DOM'' (album), a 2012 album by German singer Joachim Witt * DOM (band), a band from Worcester, Massachusetts, US Linguistics * Differential object marking, a linguistic phenomenon * Dom language, spoken in Papua New Guinea Places * Dom (mountain), Switzerland, the third highest mountain in the Alps * Overseas department, (''Département d'outre-mer''), a department of France that is outside metropolitan France * Dóm Square, a large town square in Szeged, Hungary * Dominican Republic (ISO 3166-1 country code) * Douglas–Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Favorite
''La favorite'' (''The Favourite'', sometimes referred to by its Italian title: ''La favorita'') is a grand opera in four acts by Gaetano Donizetti to a French-language libretto by Alphonse Royer and Gustave Vaëz, based on the play ''Le comte de Comminges'' by Baculard d'Arnaud with additions by Eugène Scribe based on the story of Leonora de Guzman. The opera concerns the romantic struggles of the King of Castile, Alfonso XI, and his mistress, the "favourite" Leonora, against the backdrop of the political wiles of receding Moorish Spain and the life of the Catholic Church. It premiered on 2 December 1840 at the Académie Royale de Musique (Salle Le Peletier) in Paris. Background Originally, Donizetti had been composing an opera by the name of ''Le Duc d'Albe'' as his second work for the Opéra in Paris. However, the director, Léon Pillet, objected to an opera without a prominent role for his mistress, mezzo-soprano Rosine Stoltz. Donizetti therefore abandoned ''Le Duc d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Huguenots
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ... by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ''Les Huguenots'' was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of ''Robert le diable'', recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera. Meyerbeer and his librettist for ''Robert le Diable'', Eugène Scribe, had agreed to collaborate on an epic work concerning the French War ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Juive
''La Juive'' () (''The Jewess'') is a grand opera in five acts by Fromental Halévy to an original French libretto by Eugène Scribe; it was first performed at the Opéra, Paris, on 23 February 1835. Composition history ''La Juive'' was one of the most popular and admired operas of the 19th century. Its libretto (text) was the work of Eugène Scribe, the prolific dramatic author. Scribe was writing to the tastes of the Opéra de Paris, where the work was first performed – a work in five acts presenting spectacular situations (here the Council of Constance of 1414), which would allow a flamboyant staging in a setting which brought out a dramatic situation which was also underlined by a powerful historical subject. In addition to this, there could be choral interludes, ballet and scenic effects which took advantage of the entire range of possibilities available at the Paris Opera. Because of the story of an impossible love between a Christian man and a Jewish woman, the work ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Le Diable
''Robert le diable'' (''Robert the Devil'') is an opera in five acts composed by Giacomo Meyerbeer between 1827 and 1831, to a libretto written by Eugène Scribe and Germain Delavigne. ''Robert le diable'' is regarded as one of the first grand operas at the Paris Opéra. It has only a superficial connection to the medieval legend of ''Robert the Devil''. The opera was immediately successful from its first night on 21 November 1831 at the Opéra; the dramatic music, harmony and orchestration, its melodramatic plot, its star singers and its sensational stage effects compelled Frédéric Chopin, who was in the audience, to say, "If ever magnificence was seen in the theatre, I doubt that it reached the level of splendour shown in ''Robert''...It is a masterpiece...Meyerbeer has made himself immortal".Brown, ''Robert le diable'', p. 572 ''Robert'' initiated the European fame of its composer, consolidated the fame of its librettist, Scribe, and launched the reputation of the new dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Tell
''William Tell'' (french: Guillaume Tell, link=no; it, Guglielmo Tell, link=no) is a French-language opera in four acts by Italian composer Gioachino Rossini to a libretto by Victor-Joseph Étienne de Jouy and L. F. Bis, based on Friedrich Schiller's play ''Wilhelm Tell,'' which, in turn, drew on the William Tell legend. The opera was Rossini's last, although he lived for nearly 40 more years. Fabio Luisi said that Rossini planned for ''Guillaume Tell'' to be his last opera even as he composed it. The often-performed overture in four sections features a depiction of a storm and a vivacious finale, the "March of the Swiss Soldiers". Paris Opéra archivist Charles Malherbe discovered the original orchestral score of the opera at a secondhand book seller's shop, resulting in its being acquired by the Paris Conservatoire. Performance history ''Guillaume Tell'' was first performed by the Paris Opéra at the Salle Le Peletier on 3 August 1829, but within three performances cuts we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Comte Ory
''Le comte Ory'' (''Count Ory'') is a comic opera written by Gioachino Rossini in 1828. Some of the music originates from his opera ''Il viaggio a Reims'' written three years earlier for the coronation of Charles X of France, Charles X. The French libretto was by Eugène Scribe and Charles-Gaspard Delestre-Poirson adapted from a comedy they had first written in 1817. The work is ostensibly a comic opera in that the story is humorous, even farcical. However, it was devised for the Académie Royale de Musique, Opéra rather than for the Opéra-Comique, Théâtre de l'Opéra-Comique and there are structural inconsistencies with the contemporary ''opéra comique'' genre: whereas the latter consists of relatively short lyrical numbers and spoken dialogue, ''Le comte Ory'' consists of "highly developed, even massive musical forms linked by accompanied recitative". Although the opera contains some of Rossini's most colorful orchestral writing, the quaint, brief overture is oddly restraine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Cantante
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
