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La Favorite
''La favorite'' (''The Favourite'', sometimes referred to by its Italian title: ''La favorita'') is a grand opera in four acts by Gaetano Donizetti to a French-language libretto by Alphonse Royer and Gustave Vaëz, based on the play ''Le comte de Comminges'' by Baculard d'Arnaud with additions by Eugène Scribe based on the story of Leonora de Guzman. The opera concerns the romantic struggles of the King of Castile, Alfonso XI, and his mistress, the "favourite" Leonora, against the backdrop of the political wiles of receding Moorish Spain and the life of the Catholic Church. It premiered on 2 December 1840 at the Académie Royale de Musique (Salle Le Peletier) in Paris. Background Originally, Donizetti had been composing an opera by the name of ''Le Duc d'Albe'' as his second work for the Opéra in Paris. However, the director, Léon Pillet, objected to an opera without a prominent role for his mistress, mezzo-soprano Rosine Stoltz. Donizetti therefore abandoned ''Le Duc d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events. The term is particularly applied (sometimes specifically used in its French language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1850; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy, and other countries. It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'. Origins Paris at the turn of the 19th century drew in many composers, both French and foreign, and especially those of opera. Several Italians working d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events. The term is particularly applied (sometimes specifically used in its French language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1850; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy, and other countries. It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'. Origins Paris at the turn of the 19th century drew in many composers, both French and foreign, and especially those of opera. Several Italians working d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Favourite
A favourite (British English) or favorite (American English) was the intimate companion of a ruler or other important person. In post-classical and early-modern Europe, among other times and places, the term was used of individuals delegated significant political power by a ruler. It was especially a phenomenon of the 16th and 17th centuries, when government had become too complex for many hereditary rulers with no great interest in or talent for it, and political institutions were still evolving. From 1600 to 1660 there were particular successions of all-powerful minister-favourites in much of Europe, particularly in Spain, England, France and Sweden. The term is also sometimes employed by writers who want to avoid terms such as "royal mistress", "friend", "companion", or "lover" (of any gender). Several favourites had sexual relations with the monarch (or the monarch's spouse), but the feelings of the monarch for the favourite ran the gamut from simple faith in the favourite's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Desplechin
Édouard Desplechin His name is often spelt "Despléchin" » with an acute accent. (12 April 1802 – 10 December 1871), was a 19th-century French scenic designer, one of the most famous of his time. Biography He created numerous settings for grands opéras and theatre plays of the romantic era, and closely collaborated with great composers such as Meyerbeer, Verdi, Gounod and Wagner. His workshop was taken over by Eugène Carpezat and Jean-Baptiste Lavastre. Students * Jean-Baptiste Lavastre Jean-Baptiste Lavastre (24 August 1839 – 24 April 1891) was a French landscape painter and scenic designer. Biography A student of Édouard Desplechin as soon as 1854 when he was only fifteen (and then his associate from 1864 to 1870), J ... (1839–1891). References Bibliography * Jean-Maxime Levêque, ''Édouard Desplechin, le décorateur du grand opéra à la française (1802-1871)'', L’Harmattan, collection « Univers musical », 2008, 198 p. {{DEFAULTSOR ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Diéterle
Jules Diéterle (8 February 1811 – 22 April 1889) was a 19th-century French architect, also a draftsman, painter, painter on porcelain, sculptor and theatre decorator. Biography Born in Paris, Diéterle, son of Jean Georges Diéterle,Frenchized first names. They are Johann Georg Dieterle (without accent) or Dieterlen. Johann Georg Dieterle was born on 31 March 1774 in Baiersbronn, Ortslage Heselbach, Landkreis Freudenstadt, Baden-Württemberg, Germany. He applied for French citizenship twice: on 2 February 1833 and 15 July 1841. Source: Archives nationales, documents references, BB/11/344, file n°985 X2 and BB/11/450, file n°4537 X3. piano maker, and Marie-Antoinette TerrassonJean Georges Diéterle and Marie-Antoinette Terrasson were married in Paris on 25 Prairial year 11 (14 June 1803) and the religious ceremony took place at the Sainte-Marguerite church. The marriage contract was signed in front of Me Louis Claude Laisné on 21 June 1803 (year XI). Source: Archives ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Séchan
Charles Polycarpe Séchan (29 June 1803 – 14 September 1874) was a French painter and theatre designer. Life Born in Paris, son of the tailor merchant Jean-Fris Séchan, he lost his parents, who had no fortune, very early on. He learned the first elements of drawing from a humble local school. He made his first steps in the career by entering the studio of Lefèvre, decorator of the Théâtre de la Porte-Saint-Martin. He created the sets of ''Périnet Leclerc'', by Lockroy and Auguste Anicet-Bourgeois Auguste Anicet, later Auguste Anicet-Bourgeois (25 December 1806 – 12 January 1871) was a French dramatist. He was born in Paris. The first play to bear his name is ''L'Ami et le mari, ou le Nouvel Amphitryon'', a vaudeville in one act. It ..., and particularly the one representing a ''Vue du vieux Paris'', was executed entirely on his drawings. After four or five years in the Lefèvre workshop, he moved to the Ciceri workshop, the first and most famous in his time.. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Antoine Cambon
Charles-Antoine Cambon (21 April 1802 – 22 October 1875) was a French scenographer, theatrical production designer, who acquired international renown in the Romantic Era. Career Little biographical information exists on Cambon's early years, other than that he would have been active as an aquarelle and sepia artist before studying with Pierre-Luc Charles Ciceri. At Ciceri's workshop Cambon made acquaintance with Humanité-René Philastre, who would become his first long-term associate. As a stage design for a "Salon" at the Bibliothèque-Musée de l'Opéra testifies, Philastre and Cambon started collaborating in 1824 at the latest. From that time until 1848, Philastre and Cambon accepted numerous joint commissions for theatrical interior decorations and stage designs. Thus, they decorated the interiors of venues in Angoulême, Antwerp, Beaune, Brest, Choiseul, Dijon, Douai, Ghent, Lille, Lyon, Paris and Rouen, often providing complete machineries as well. Philastre and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Blom
Eric Walter Blom (20 August 188811 April 1959) was a Swiss-born British-naturalised music lexicographer, music critic and writer. He is best known as the editor of the 5th edition of ''Grove's Dictionary of Music and Musicians'' (1954). Biography Blom was born in Bern, Switzerland. His father was of Danish and British descent, and his mother was Swiss. He was educated in German-speaking Switzerland,Frank Howes, "Blom, Eric (Walter)" in ''Grove's Dictionary of Music and Musicians'', 5th edition, Supplementary Volume, 1961 and later in England. He was largely self-taught in music. He started in music journalism by assisting Rosa Newmarch in writing program notes for Sir Henry J. Wood's Prom Concerts, which were notable for their abundance of accurate information. From 1923 to 1931 he was the London music correspondent for the ''Manchester Guardian''. He then went to the ''Birmingham Post'' (1931–46, succeeding A J Sheldon), and returned to London in 1949, as music critic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove's Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the History of music, history and Music theory, theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an Web resource, electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by John Alexander Fuller Maitland, J. A. Fuller Maitland in the fourth volume. An In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Ange De Nisida
''L'Ange de Nisida'' (''The Angel of Nisida'') is an ''opera semiseria'' in four acts by Italian composer Gaetano Donizetti, from a French-language libretto by Alphonse Royer and Gustave Vaëz. Parts of the libretto are considered analogous with the libretto for Giovanni Pacini's ''Adelaide e Comingio'', and the final scene is based on the François-Thomas-Marie de Baculard d'Arnaud play ''Les Amants malheureux, ou le comte de Comminges''. Donizetti worked on the opera in late 1839—its final page is dated 27 December 1839. Because the subject matter involved the mistress of a Neapolitan king, and may thus have caused difficulties with the Italian censors, Donizetti decided that the opera should be presented in France. The theater company Donizetti contracted went bankrupt; the opera was reworked as ''La favorite'' in September 1840. ''L'Ange'' finally received its premiere in its original form in 2018 in a concert performance at London's Royal Opera House. Composition history ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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