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Ferdinand Prévôt
Ferdinand Prévôt (2 May 1800 – 11 June 1879)Pierre 1900p. 834 was a French operatic bass-baritone.Kutsch & Riemens 2003, p. 3763. His surname is also found spelled as Prevot or Prévost. He was born Pierre-Ferdinand Prévôt in Caussade (Tarn-et-Garonne). He studied at the Paris Conservatory, winning the first prize in ''vocalisation'' and second prize in ''chant'' in 1823. The son of a singer, he appeared in the Paris Opéra chorus in 1818. He made his debut as a soloist in Grétry's ''Anacréon chez Polycrate'' on 15 March 1824. He enjoyed a long career creating a number of minor roles in important operas. He sometimes sang in the same performances with his son Alexis Prévôt (a bass) and/or Alexandre Prévôt (also a bass). Since first names are sometimes not given in the sources, it is not always possible to determine which singer is meant. Prévôt retired in 1857 and died in Vulaines in 1879. Roles created *Adam in the revised version of ''La mort d'Abel'' b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Lormier - Costumes For Hector Berlioz's Benvenuto Cellini (1838) - No
Paul may refer to: * Paul (given name), a given name (includes a list of people with that name) * Paul (surname), a list of people People Christianity *Paul the Apostle (AD c.5–c.64/65), also known as Saul of Tarsus or Saint Paul, early Christian missionary and writer * Pope Paul (other), multiple Popes of the Roman Catholic Church * Saint Paul (other), multiple other people and locations named "Saint Paul" Roman and Byzantine empire * Lucius Aemilius Paullus Macedonicus (c. 229 BC – 160 BC), Roman general * Julius Paulus Prudentissimus (), Roman jurist * Paulus Catena (died 362), Roman notary * Paulus Alexandrinus (4th century), Hellenistic astrologer * Paul of Aegina or Paulus Aegineta (625–690), Greek surgeon Royals *Paul I of Russia (1754–1801), Tsar of Russia * Paul of Greece (1901–1964), King of Greece Other people *Paul the Deacon or Paulus Diaconus (c. 720 – c. 799), Italian Benedictine monk *Paul (father of Maurice), the father of Maur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosè In Egitto
''Mosè in Egitto'' (; "''Moses in Egypt''") is a three-act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, ''L'Osiride''. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised and greatly enlarged the work to a four-act French libretto: ''Moïse et Pharaon, ou Le passage de la Mer Rouge'' (; "''Moses and Pharaoh, or The Crossing of the Red Sea''"). This was written by Luigi Balocchi and Victor-Joseph Étienne de Jouy. The première took place in the Salle Le Peletier of the Paris Opera on 26 March that year. Riccardo Muti and many scholars consider ''Moïse et Pharaon'', along with ''Guillaume Tell'', to be among Rossini's greatest achievements: :I prefer it because Rossini himself preferred it. Don't get me wrong. ''Mosè in Egitto'' is a wonderful opera, but it remains very much a mere sketch for ''Moïse et Pharaon''. An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Reine De Chypre
''La reine de Chypre'' (''The Queen of Cyprus'') is an 1841 grand opera in five acts composed by Fromental Halévy to a libretto by Jules-Henri Vernoy de Saint-Georges. Performance history ''La reine de Chypre'', first performed at the Salle Le Peletier of the Paris Opéra on 22 December 1841 with Rosine Stoltz in the title role and Gilbert Duprez as Gérard, was regarded in its time as one of the composer's greatest achievements. Joseph Mazilier was the choreographer, and the ballet starred Adéle Dumilâtre, Natalie Fitzjames, and Pauline Leroux with Marius Petipa and Auguste Mabile.Pitou, pp. 1088–1090. The publisher Maurice Schlesinger was reputed to have paid the enormous sum of 30,000 francs for the rights to the opera. The opera prompted an extended eulogy from Richard Wagner, who was present at the first night, in the ''Dresden Abend-Zeitung'', for which he was a correspondent. However, since the 19th century it has been rarely revived. The libretto, or a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Lac Des Fées
''Le lac des fées'' (''The Fairy Lake'') is a grand opera in five acts composed by Daniel Auber to a French libretto by Eugène Scribe and Mélesville (the pen name of Anne-Honoré-Joseph Duveyrier). The story is set in the Harz Mountains and based on a German ballad. The opera was premiered by the Paris Opera at the Salle Le Peletier The Salle Le Peletier or Lepeletier (sometimes referred to as the Salle de la rue Le Peletier or the Opéra Le Peletier) was the home of the Paris Opera from 1821 until the building was destroyed by fire in 1873. The theatre was designed and con ... on 1 April 1839. Roles References Notes Sources *Charlton, David''The Cambridge Companion to Grand Opera'' Cambridge University Press, 2003, pp 184–186. *Chorley, Henry Fothergill''Modern German Music: Recollections and Criticisms'' Smith, Elder, 1854, pp. 246–247. *Clément, Félix and Larousse, Pierre"Lac des fées (Le), ''Dictionnaire lyrique ou Histoire des opéras'', Slatkine, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hector Berlioz
In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad. He was a Trojan prince and the greatest warrior for Troy during the Trojan War. Hector led the Trojans and their allies in the defense of Troy, killing countless Greek warriors. He was ultimately killed in single combat by Achilles, who later dragged his dead body around the city of Troy behind his chariot. Etymology In Greek, is a derivative of the verb ἔχειν ''ékhein'', archaic form * grc, ἕχειν, hékhein, label=none ('to have' or 'to hold'), from Proto-Indo-European *'' seɡ́ʰ-'' ('to hold'). , or as found in Aeolic poetry, is also an epithet of Zeus in his capacity as 'he who holds verything together. Hector's name could thus be taken to mean 'holding fast'. Description Hector was described by the chronicler Malalas in his account of the ''Chronography'' as "dark-skinned, tall, very stoutly built, strong, good nose, wooly-haired, good beard, sq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benvenuto Cellini (opera)
''Benvenuto Cellini '' is an opera semiseria in four ''tableaux'' (spread across two or three acts) by Hector Berlioz, his first full-length work for the stage. Premiered at the Académie Royale de Musique (Salle Le Peletier) on 10 September 1838, it is a setting of a libretto by Léon de Wailly and Henri Auguste Barbier who were inspired by the memoirs of the titular Florentine sculptor but who invented most of the plot. The opera is technically challenging and was until the 21st century rarely performed. But its overture sometimes features in orchestral concerts, as does the concert overture '' Le carnaval romain'' which Berlioz composed from material in the opera. Composition history Berlioz wrote this in his ''Mémoires'' about the background to the opera: I had been greatly struck by certain episodes in the life of ''Benvenuto Cellini''. I had the misfortune to believe they would make an interesting and dramatic subject for an opera, and I asked Léon de Wailly and Augus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Et Ginevra
''Guido et Ginevra, ou La Peste de Florence'' (French: ''Guido and Ginevra, or the Plague at Florence'') is a grand opera in five acts by Fromental Halévy to a libretto by Eugène Scribe. It was premiered on 5 March 1838 by the Paris Opera at the Salle Le Peletier. Performance history ''Guido et Ginevra'' was only a moderate success for Halévy, not nearly as applauded as his previous grand opera ''La Juive'' (1835) or as ''La reine de Chypre'' which followed it (1841). However, after its premiere it was soon played in all the major European centres. When the opera was revived in Paris in 1840 it was cut to four acts. It was translated into Italian and performed in three acts by the Théâtre-Italien at the Salle Ventadour beginning on 17 February 1870. It was performed in German in Mannheim beginning on 3 April 1879, and Hamburg, on 20 March 1882.Loewenberg 1978, column795. No recent productions are known. The opera contains touches of the composer's innovative orchestration, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Born to a rich Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera '' Il crociato in Egitto'' was the first to bring him Europe-wide reputation, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Huguenots
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ... by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ''Les Huguenots'' was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of ''Robert le diable'', recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera. Meyerbeer and his librettist for ''Robert le Diable'', Eugène Scribe, had agreed to collaborate on an epic work concerning the French War ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fromental Halévy
Jacques-François-Fromental-Élie Halévy, usually known as Fromental Halévy (; 27 May 179917 March 1862), was a French composer. He is known today largely for his opera '' La Juive''. Early career Halévy was born in Paris, son of the cantor Élie Halfon Halévy, who was the secretary of the Jewish community of Paris and a writer and teacher of Hebrew, and a French Jewish mother. The name Fromental (meaning 'oat grass'), by which he was generally known, reflects his birth on the day dedicated to that plant: 7 Prairial in the French Revolutionary calendar, which was still operative at that time. He entered the Conservatoire de Paris at the age of nine or ten (accounts differ), in 1809, becoming a pupil and later protégé of Cherubini. After two second-place attempts, he won the Prix de Rome in 1819: his cantata subject was ''Herminie''. As he had to delay his departure to Rome because of the death of his mother, he was able to accept the first commission that brought him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Juive
''La Juive'' () (''The Jewess'') is a grand opera in five acts by Fromental Halévy to an original French libretto by Eugène Scribe; it was first performed at the Opéra, Paris, on 23 February 1835. Composition history ''La Juive'' was one of the most popular and admired operas of the 19th century. Its libretto (text) was the work of Eugène Scribe, the prolific dramatic author. Scribe was writing to the tastes of the Opéra de Paris, where the work was first performed – a work in five acts presenting spectacular situations (here the Council of Constance of 1414), which would allow a flamboyant staging in a setting which brought out a dramatic situation which was also underlined by a powerful historical subject. In addition to this, there could be choral interludes, ballet and scenic effects which took advantage of the entire range of possibilities available at the Paris Opera. Because of the story of an impossible love between a Christian man and a Jewish woman, the work ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave III (opera)
''Gustave III, ou Le bal masqué'' (''Gustavus III, or The Masked Ball'') is an ''opéra historique'' or grand opera in five acts by Daniel Auber, with a libretto by Eugène Scribe. Performance history It received its first performance at the Salle Le Peletier of the Paris Opéra on 27 February 1833, with costumes designed by Eugène Lami and Paul Lormier, and sets by Léon Feuchère (act 1 and act 5, scene 2), Jules Diéterle (act 2), Alfred (act 3), Pierre-Luc-Charles Ciceri (act 4), René-Humanité Philastre and Charles-Antoine Cambon (act 5, scene 1). The opera was a major success for the composer, with 168 performances until 1853. Ellen Creathorne Clayton has translated French critic Jules Janin's description of the last act, which was often presented separately from the opera, as follows: "I believe ... that never, even at the Opéra, was seen a spectacle more grand, more rich, more curious, more magnificent, that the fifth act of ''Gustave''. It is a fairlyland of beauti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
