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Sinfonia Amsterdam
Sinfonia (; plural ''sinfonie'') is the Italian word for symphony, from the Latin ''symphonia'', in turn derived from Ancient Greek συμφωνία ''symphōnia'' (agreement or concord of sound), from the prefix σύν (together) and ϕωνή (sound). In English it most commonly refers to a 17th- or 18th-century orchestral piece used as an introduction, interlude, or postlude to an opera, oratorio, cantata, or suite (music), suite (, who gives the origin of the word as Italian) . The word is also found in other Romance languages such as Spanish or Portuguese. In the Middle Ages down to as late as 1588, it was also the Italian name for the hurdy-gurdy . Johann Sebastian Bach used the term for his keyboard compositions also known as ''Inventions and Sinfonias (Bach), Three-part Inventions'', and after about 1800, the term, when in reference to opera, meant "Overture" . In George Frideric Handel's oratorio Messiah (Handel), Messiah (HWV 56), "Overture to the Messiah" (French overtur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movement (music), movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), Brass instrument, brass, Woodwind instrument, woodwind, and Percussion instrument, percussion Musical instrument, instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a Full score, musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Ludwig van Beethoven, Beethoven's Symphony No. 9 (Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Northern Sinfonia
Royal Northern Sinfonia is a British chamber orchestra, founded in Newcastle upon Tyne and currently based in Gateshead. For the first 46 years of its history, the orchestra gave most of its concerts at the Newcastle City Hall. Since 2004, the orchestra has been resident at Sage Gateshead. In June 2013 Queen Elizabeth II bestowed the title 'Royal' on the orchestra, formally naming it the Royal Northern Sinfonia. Description Michael Hall (1932–2012) founded the ensemble in 1958 as the first permanent professional resident chamber orchestra in Britain outside London. The ensemble gave its first concert on 24 September 1958 as the 'Sinfonia Orchestra', at the City Hall, Newcastle upon Tyne, and gave six concerts in its first season, 1958–1959.Griffiths, Bill, ''Northern Sinfonia''. Northumbria University Press, p. 3 (). Hall acted as the organization's single leader, in effect as "general manager, secretary, artistic director, conductor and fund-raiser", though without a for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 1046a
The ''Brandenburg Concertos'' by Johann Sebastian Bach (BWV 1046–1051), are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, MacDonogh, Giles. ''Frederick the Great: A Life in Deed and Letters''. St. Martin's Griffin. New York. 2001. in 1721 (though probably composed earlier). The original French title is ''Six Concerts à plusieurs instruments,'' meaning "Six Concertos for several instruments". Some of them feature several solo instruments in combination. They are widely regarded as some of the best orchestral compositions of the Baroque era. History In 1721, Johann Sebastian Bach compiled a collection of six concertos and presented it to Christian Ludwig, Margrave of Brandenburg-Schwedt, titled ''Six Concerts à plusieurs instruments'' (Six Concertos for several instruments).Johann Sebastian Bach's Werke, vol. 19: Kammermusik, dritter band, Bach-Gesellschaft, Leipzig; ed. Wilhelm Rust, 1871 Bach wrote out th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falsche Welt, Dir Trau Ich Nicht, BWV 52
Johann Sebastian Bach composed the church cantata ' (False world, I trust you not), , in Leipzig for the 23rd Sunday after Trinity. He led the first performance of the solo cantata for soprano on 24 November 1726. History and words Bach composed the cantata in 1726, in Leipzig, for a solo soprano singer, for the 23rd Sunday after Trinity, which fell on 24 November. Closing the liturgical cycle (Easter having fallen relatively late that year), the cantata had been preceded the previous Sunday by ''Ich armer Mensch, ich Sündenknecht'' (BWV 55). The solo cantata is the last in a series of solo cantatas which Bach had begun nearly four months prior, with ''Vergnügte Ruh, beliebte Seelenlust'' (BWV 170, first performed 28 July 1726). The prescribed readings for the Sunday were from the Epistle to the Philippians, "our conversation is in heaven" (), and from the Gospel of Matthew, the question about paying taxes, answered by " Render unto Caesar..." (). The unknown poet takes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 1053
The keyboard concertos, BWV 1052–1065, are concertos for harpsichord (or organ), strings and continuo by Johann Sebastian Bach. There are seven complete concertos for a single harpsichord (BWV 1052–1058), three concertos for two harpsichords (BWV 1060–1062), two concertos for three harpsichords (BWV 1063 and 1064), and one concerto for four harpsichords (BWV 1065). Two other concertos include solo harpsichord parts: the concerto BWV 1044, which has solo parts for harpsichord, violin and flute, and ''Brandenburg Concerto'' No. 5 in D major, with the same scoring. In addition, there is a nine-bar concerto fragment for harpsichord (BWV 1059) which adds an oboe to the strings and continuo. Most of Bach's harpsichord concertos (with the exception of the 5th ''Brandenburg Concerto'') are thought to be arrangements made from earlier concertos for melodic instruments probably written in Köthen. In many cases, only the harpsichord version has survived. They are among the first co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ich Geh Und Suche Mit Verlangen, BWV 49
Johann Sebastian Bach composed the church cantata (I go forth and seek with longing), 49, in Leipzig for the twentieth Sunday after Trinity Sunday and first performed it on 3 November 1726. It is a solo cantata, a dialogue of soprano and bass. History and words Bach composed the cantata in his fourth year in Leipzig for the 20th Sunday after Trinity. It is counted as part of his third cantata cycle. The prescribed readings for the Sunday were from the Epistle to the Ephesians, "walk circumspectly ... filled with the Spirit" (), and from the Gospel of Matthew, the parable of the great banquet (). The German term used in Luther's Bible translation is (wedding meal). The cantata is termed a , being a dialogue between the Soul and Jesus, her bridegroom. The source for the dialogue is, here as in many works of the 17th century, the Song of Songs. Poet Christoph Birkmann derived from the wedding feast of the Gospel the Soul as the bride whom Jesus invited to their weddin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Am Abend Aber Desselbigen Sabbats, BWV 42
(On the evening, however, of the same Sabbath), 42, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the first Sunday after Easter and first performed it on 8 April 1725. History and words Bach composed the cantata in Leipzig for the First Sunday after Easter, called Quasimodogeniti. He composed it in his second annual cycle, which consisted of chorale cantatas since the first Sunday after Trinity of 1724. Bach ended the sequence on Palm Sunday of 1725, this cantata is not a chorale cantata and the only cantata in the second cycle to begin with an extended sinfonia. The prescribed readings for the Sunday were from the First Epistle of John, "our faith is the victory" (), and from the Gospel of John, the appearance of Jesus to the Disciples, first without then with Thomas, in Jerusalem (). The unknown poet included verse 19 from the Gospel to begin the cantata, later as movement 4 the first stanza of the chorale "" (1632) by , which had been attri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 1059
The keyboard concertos, BWV 1052–1065, are concertos for harpsichord (or organ), strings and continuo by Johann Sebastian Bach. There are seven complete concertos for a single harpsichord (BWV 1052–1058), three concertos for two harpsichords (BWV 1060–1062), two concertos for three harpsichords (BWV 1063 and 1064), and one concerto for four harpsichords (BWV 1065). Two other concertos include solo harpsichord parts: the concerto BWV 1044, which has solo parts for harpsichord, violin and flute, and ''Brandenburg Concerto'' No. 5 in D major, with the same scoring. In addition, there is a nine-bar concerto fragment for harpsichord (BWV 1059) which adds an oboe to the strings and continuo. Most of Bach's harpsichord concertos (with the exception of the 5th ''Brandenburg Concerto'') are thought to be arrangements made from earlier concertos for melodic instruments probably written in Köthen. In many cases, only the harpsichord version has survived. They are among the first con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geist Und Seele Wird Verwirret, BWV 35
(Spirit and soul become confused), 35, is a church cantata by Johann Sebastian Bach. He composed the solo cantata for alto voice in Leipzig for the twelfth Sunday after Trinity and first performed it on 8 September 1726. Bach composed the cantata in his fourth year as ''Thomaskantor'' (musical director) in Leipzig. The text is based on the day's prescribed reading from the Gospel of Mark, the healing of a deaf mute man. The librettist is Georg Christian Lehms, whose poetry Bach had used already in Weimar as the basis for solo cantatas. The text quotes ideas from the gospel and derives from these the analogy that as the tongue of the deaf mute man was opened, the believer should be open to admire God's miraculous deeds. The cantatas for this Sunday have a positive character, which Bach stressed in earlier works for the occasion by including trumpets in the score. In this work, he uses instead an obbligato solo organ in several movements. The cantata is structured in seven m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 1006
The Partita No. 3 in E major for solo violin, BWV 1006.1 (formerly 1006), is the last work in Johann Sebastian Bach's set of Sonatas and Partitas. It consists of the following movements: # Preludio # Loure # Gavotte en Rondeau # Menuets (I and II) # Bourrée # Gigue It takes about 15–18 minutes to perform. Bach transcribed the Partita as a suite, cataloged as BWV 1006.2 (formerly 1006a). The music critic Wilhelm Tappert claimed in 1900 that this arrangement was for lute solo, but present research indicates that it was for an unspecified instrument. The Preludio consists almost entirely of semiquavers (i.e. sixteenth notes). The Preludio was also transcribed by Bach for use in two cantatas: * the sinfonia which opens the second part of the 1729 cantata . * the opening sinfonia, scored for obbligato organ, oboes, trumpets and strings, of the 1731 cantata , in D major The "Gavotte en Rondeau" is included on the Voyager Golden Record and often heard in TV ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wir Danken Dir, Gott, Wir Danken Dir, BWV 29
(We thank you, God, we thank you), 29, is a sacred cantata by Johann Sebastian Bach. He composed it in Leipzig in 1731 for , the annual inauguration of a new town council, and first performed it on 27 August of that year. The cantata was part of a festive service in the . The cantata text by an unknown author includes in movement 2 the beginning of Psalm 75, and as the closing chorale the fifth stanza of Johann Gramann's "". Bach scored the work in eight movements for four vocal parts and a festive Baroque orchestra of three trumpets, timpani, two oboes, strings, an obbligato organ and basso continuo. The organ dominates the first movement ''Sinfonia'' which Bach derived from a ''Partita'' for violin. The full orchestra accompanies the first choral movement and plays with the voices in the closing chorale, while a sequence of three arias alternating with two recitatives is scored intimately. Bach used the music from the choral movement for both the and of his Mass in B minor. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ich Hatte Viel Bekümmernis, BWV 21
Johann Sebastian Bach composed the church cantata (I had much grief), 21 in Weimar, possibly in 1713, partly even earlier. He used it in 1714 and later for the third Sunday after Trinity of the liturgical year. The work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as (and for all times), indicating that due to its general theme, the cantata is suited for any occasion. The text is probably written by the court poet Salomon Franck, who includes four biblical quotations from three psalms and from the Book of Revelation, and juxtaposes in one movement biblical text with two stanzas from Georg Neumark's hymn " Wer nur den lieben Gott lässt walten". The cantata possibly began as a work of dialogue and four motets on biblical verses. When Bach performed the cantata again in Leipzig in 1723, it was structured in eleven movements, including an opening sinfonia and additional recitativ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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