The keyboard concertos,
BWV
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV ...
1052–1065, are
concertos for
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a ...
(or
organ),
strings and
continuo by
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the ''Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard wo ...
. There are seven complete concertos for a single harpsichord (BWV 1052–1058), three concertos for two harpsichords (BWV 1060–1062), two concertos for three harpsichords (BWV 1063 and 1064), and one concerto for four harpsichords (BWV 1065). Two other concertos include solo harpsichord parts: the concerto BWV 1044, which has solo parts for harpsichord, violin and flute, and
''Brandenburg Concerto'' No. 5 in D major, with the same scoring. In addition, there is a nine-bar concerto fragment for harpsichord (BWV 1059) which adds an oboe to the strings and continuo.
Most of Bach's harpsichord concertos (with the exception of the 5th ''Brandenburg Concerto'') are thought to be arrangements made from earlier concertos for melodic instruments probably written in
Köthen. In many cases, only the harpsichord version has survived. They are among the first concertos for
keyboard instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos ...
ever written.
History
The concertos for one harpsichord, BWV 1052–1059, survive in an autograph score, now held in the
Berlin State Library
The Berlin State Library (german: Staatsbibliothek zu Berlin; officially abbreviated as ''SBB'', colloquially ''Stabi'') is a universal library in Berlin, Germany and a property of the Prussian Cultural Heritage Foundation. It is one of the la ...
. Based on the paper's watermarks and the handwriting, it has been attributed to 1738 or 1739.
[Peter Wollny]
"Harpsichord Concertos,"
booklet notes for Andreas Staier
Andreas Staier (born 13 September 1955 in Göttingen) is a German pianist and harpsichordist.
Life
Staier studied piano and harpsichord in the Hochschule für Musik in Hanover and Amsterdam. He studied piano with Kurt Bauer and Erika Haase, a ...
's 2015 recording of the concertos, Harmonia mundi HMC 902181.82 As
Peter Williams records, these concertos are almost all considered to be arrangements by Bach of previously existing works. Establishing the history or purpose of any of the harpsichord concertos, however, is not a straightforward task. At present attempts to reconstruct the compositional history can only be at the level of plausible suggestions or conjectures, mainly because very little of Bach's instrumental music has survived and, even when it has, sources are patchy. In particular this makes it hard not only to determine the place, time and purpose of the original compositions but even to determine the original key and intended instrument.
The harpsichord part in the autograph manuscript is not a "fair copy" but a composing score with numerous corrections. The orchestral parts on the other hand were executed as a fair copy.
Various possible explanations have been proposed as to why Bach assembled the collection of harpsichord concertos at this particular time. One centres on his role as director of the ''
Collegium Musicum
The Collegium Musicum was one of several types of musical societies that arose in German and German-Swiss cities and towns during the Reformation and thrived into the mid-18th century.
Generally, while societies such as the (chorale) cultivate ...
'' in
Leipzig
Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as ...
, a municipal musical society, which gave weekly concerts at the
Café Zimmermann
The Café Zimmermann, or was the coffeehouse of Gottfried Zimmermann in Leipzig which formed the backdrop to the first performances of many of Bach's secular cantatas, e.g. the ''Coffee Cantata'' ('' Schweigt stille, plaudert nicht''), and inst ...
, drawing many performers from students at the university. Bach served as director from spring 1729 to summer 1737; and again from October 1739 until 1740 or 1741.
John Butt suggests that the manuscript was prepared for performances on Bach's resumption as director in 1739, additional evidence coming from the fact that the manuscript subsequently remained in Leipzig.
Peter Wollny, however, considers it unlikely that The ''Collegium Musicum'' would have required orchestral parts that were so neatly draughted; he considers it more plausible that the manuscript was prepared for a visit that Bach made to
Dresden
Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label=Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth ...
in 1738 when he would almost certainly have given private concerts in court (or to the nobility) and the ripieno parts would have been played by the resident orchestra.
Peter Williams has also suggested that the collection would have been a useful addition to the repertoire of his two elder sons,
Wilhelm Friedemann and
Carl Philipp Emanuel, both employed as professional keyboard-players at the time of writing. Williams has also speculated that it might not be mere coincidence that the timing matched the publication of the first ever collection of keyboard concertos, the widely acclaimed and well-selling
Organ concertos, Op.4 of
George Frederic Handel published in London and Paris in 1738.
The concertos for two or more harpsichords date from a slightly earlier period. The parts from the Concerto for four harpsichords BWV 1065 (Bach's arrangement of the Concerto for Four Violins, RV 580, by
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread ...
), have been dated to around 1730.
Whereas the harpsichord concertos were composed partly to showcase Bach's own prowess at the keyboard, the others were written for different purposes, one of them being as ''
Hausmusik''—music for domestic performance within the Bach household at the
Thomasschule
St. Thomas School, Leipzig (german: Thomasschule zu Leipzig; la, Schola Thomana Lipsiensis) is a co-educational and public boarding school in Leipzig, Saxony, Germany. It was founded by the Augustinians in 1212 and is one of the oldest scho ...
in Leipzig.
Johann Nikolaus Forkel
Johann Nikolaus Forkel (22 February 1749 – 20 March 1818) was a German musicologist and music theorist, generally regarded as among the founders of modern musicology. His publications include '' Johann Sebastian Bach: His Life, Art, and Wor ...
, Bach's first biographer, recorded in 1802 that the concertos for two or more harpsichords were played with his two elder sons. Both of them corresponded with Forkel and both remained in the parental home until the early 1730s: Wilhelm Friedemann departed in 1733 to take up an appointment as organist at the Sophienkirche in
Dresden
Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label=Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth ...
; and in 1735 Carl Philipp Emanuel moved to the university in
Frankfurt
Frankfurt, officially Frankfurt am Main (; Hessian: , " Frank ford on the Main"), is the most populous city in the German state of Hesse. Its 791,000 inhabitants as of 2022 make it the fifth-most populous city in Germany. Located on its ...
to continue training for his (short-lived) legal career. There are also first-hand accounts of music-making by the entire Bach family, although these probably date from the 1740s during visits to Leipzig by the two elder sons: one of Bach's pupils, J.F.K. Sonnenkalb, recorded that house-concerts were frequent and involved Bach together with his two elder sons, two of his younger sons—
Johann Christoph Friedrich and
Johann Christian—as well as his son-in-law
Johann Christoph Altnickol
Johann Christoph Altnickol, or Altnikol, (baptised 1 January 1720, buried 25 July 1759) was a German organist, bass singer, and composer. He was a student, copyist and son-in-law of Johann Sebastian Bach.
Biography
Altnikol was born in Berna bei ...
. It is also known that Wilhelm Friedemann visited his father for one month in 1739 with two distinguished lutenists (one of them was
Sylvius Weiss
Sylvius Leopold Weiss (12 October 168716 October 1750) was a German composer and lutenist.
Born in Grottkau near Breslau, the son of Johann Jacob Weiss, also a lutenist, he served at courts in Breslau, Rome, and Dresden, where he died. Until re ...
), which would have provided further opportunities for domestic music-making. The arrangement of the
organ sonatas, BWV 525–530
The organ sonatas, BWV 525–530 by Johann Sebastian Bach are a collection of six sonatas in trio sonata form. Each of the sonatas has three movements, with three independent parts in the two manuals and obbligato pedal. The collection was put ...
, for two harpsichords with each player providing the pedal part in the left hand, is also presumed to have originated as ''Hausmusik'', a duet for the elder sons.
The harpsichord concertos were composed in a manner completely idiomatic to the keyboard (this was equally true for those written for two or more harpsichords). They were almost certainly originally conceived for a small chamber group, with one instrument per desk, even if performed on one of the newly developed
fortepiano
A fortepiano , sometimes referred to as a pianoforte, is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1698 up to the early 19th century. M ...
s, which only gradually acquired the potential for producing a louder dynamic. The keyboard writing also conforms to a practice that lasted until the early nineteenth century, namely the soloist played along with the orchestra in ''tutti'' sections, only coming into prominence in ''solo'' passages.
The question "Did J.S. Bach write organ concertos?" has led
Christoph Wolff
Christoph Wolff (born 24 May 1940) is a German musicologist. He is best known for his works on the music, life, and period of Johann Sebastian Bach. Christoph Wolff is an emeritus professor of Harvard University, and was part of the faculty s ...
and Gregory Butler to propose that Bach originally wrote the concertos BWV 1052 and BWV 1053 for solo organ and orchestra. Among other evidence, they note that both concertos consist of movements that Bach had previously used as instrumental sinfonias in 1726 cantatas with obbligato organ providing the melody instrument (
BWV 146
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2 ...
,
BWV 169 and
BWV 188).
Hamburg
Hamburg (, ; nds, label=Hamburg German, Low Saxon, Hamborg ), officially the Free and Hanseatic City of Hamburg (german: Freie und Hansestadt Hamburg; nds, label=Low Saxon, Friee un Hansestadt Hamborg),. is the List of cities in Germany by popul ...
newspaper reported on a recital by Bach in 1725 on the Silbermann organ in the Sophienkirche,
Dresden
Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label=Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth ...
, mentioning in particular that he had played concertos interspersed with sweet instrumental music ("diversen Concerten mit unterlauffender Doucen Instrumental-Music"). , , Gregory Butler and Matthew Dirst have suggested that this report might refer to versions of the cantata movements or similar works. describes the newspaper article as "tantalising" but considers it possible that in the hour-long recital Bach played pieces from his standard organ repertoire (preludes, chorale preludes) and that the reporter was using musical terms in a "garbled" way. In another direction Williams has listed reasons why, unlike Handel, Bach may not have composed concertos for organ and a larger orchestra: firstly, although occasionally used in his cantatas, the Italian concerto style of Vivaldi was quite distant from that of Lutheran church music; secondly, the tuning of the baroque pipe organ would jar with that of a full orchestra, particularly when playing chords; and lastly, the size of the organ loft limited that of the orchestra.
Wolff, however, notes that Bach's congregation did not object to his use of the organ obliggato in the sinfonia movements in the aforementioned cantatas.
The earliest extant sources regarding Bach's involvement with the
keyboard concerto genre are his
Weimar concerto transcriptions, BWV 592–596 and 972–987 (), and his
fifth ''Brandenburg Concerto'', BWV 1050, the early version of which, BWV 1050a, may have originated before Bach left Weimar in 1717.
Concertos for single harpsichord
The works BWV 1052–1057 were intended as a set of six, shown in the manuscript in Bach's traditional manner beginning with 'J.J.' (''Jesu juva'', "Jesus, help") and ending with 'Finis. S. D. Gl.' (''
Soli Deo Gloria''). Aside from the
Brandenburg concertos, it is the only such collection of concertos in Bach's oeuvre, and it is the only set of concertos from his Leipzig years. The concerto BWV 1058 and fragment BWV 1059 are at the end of the score, but they are an earlier attempt at a set of works (as shown by an additional J.J.), which was, however, abandoned.
Concerto No. 1 in D minor, BWV 1052
Scoring:
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a ...
solo,
violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
I/II,
viola
; german: Bratsche
, alt=Viola shown from the front and the side
, image=Bratsche.jpg
, caption=
, background=string
, hornbostel_sachs=321.322-71
, hornbostel_sachs_desc=Composite chordophone sounded by a bow
, range=
, related=
*Violin family ...
,
continuo (
cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...
,
violone
The term violone (; literally "large viol" in Italian, " -one" being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted i ...
)
The earliest surviving manuscript of the concerto can be dated to 1734; it was made by Bach's son
Carl Philipp Emanuel and contained only the orchestral parts, the cembalo part being added later by an unknown copyist. This version is known as BWV 1052a. The definitive version BWV 1052 was recorded by Bach himself in the autograph manuscript of all eight harpsichord concertos BWV 1052–1058, made around 1738.
In the second half of the 1720s, Bach had already written versions of all three movements of the concerto for two of his
cantatas with
obbligato
In Western classical music, ''obbligato'' (, also spelled ''obligato'') usually describes a musical line that is in some way indispensable in performance. Its opposite is the marking '' ad libitum''. It can also be used, more specifically, to indic ...
organ as solo instrument: the first two movements for the sinfonia and first choral movement of ''
Wir müssen durch viel Trübsal in das Reich Gottes eingehen, BWV 146'' (1726); and the last movement for the opening sinfonia of ''
Ich habe meine Zuversicht, BWV 188'' (1728). In these cantata versions the orchestra was expanded by the addition of
oboe
The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range.
...
s.
Like the other harpsichord concertos, BWV 1052 has been widely believed to be a transcription of a lost concerto for another instrument. Beginning with
Wilhelm Rust
Wilhelm Rust (August 15, 1822 – May 2, 1892) was a German musicologist and composer. He is most noted today for his substantial contributions to the Bach Gesellschaft edition of the works of Johann Sebastian Bach.
Born in Dessau, Rust studied ...
and
Philipp Spitta
Julius August Philipp Spitta (27 December 1841 – 13 April 1894) was a German music historian and musicologist best known for his 1873 biography of Johann Sebastian Bach.
Life
He was born in , near Hoya, and his father, also called Phili ...
, many scholars suggested that the original melody instrument was the violin, because of the many violinistic figurations in the solo part—string-crossing, open string techniques—all highly virtuosic. has speculated that the copies of the orchestral parts made in 1734 (BWV 1052a) might have been used for a performance of the concerto with Carl Philipp Emanuel as soloist. There have been several reconstructions of the putative violin concerto;
Ferdinand David
Ferdinand is a Germanic name composed of the elements "protection", "peace" (PIE "to love, to make peace") or alternatively "journey, travel", Proto-Germanic , abstract noun from root "to fare, travel" (PIE , "to lead, pass over"), and "co ...
made one in 1873;
Robert Reitz
Robert Karl Friedrich Reitz (17 June 1884 – April 1951) was a Swiss violinist and university lecturer. He was concert master of the Staatskapelle Weimar, first violinist of the Reitz Quartet and professor at the Hochschule für Musik Franz L ...
in 1917; and Wilfried Fischer prepared one for Volume VII/7 of the Neue Bach Ausgabe in 1970 based on BWV 1052. In 1976, in order to resolve playability problems in Fischer's reconstruction,
Werner Breig
Werner Breig (born 29 June 1932) is a German musicologist and music publisher.
Life
Born in Zwickau, Breig studied Protestant sacred music at the Spandauer Kirchenmusikschule from 1950 and musicology, art history and library science at th ...
suggested amendments based on the obbligato organ part in the cantatas and BWV 1052a.
In the twenty-first century, however, Bach scholarship has moved away from any consensus regarding a violin original. In 2016, for example, two leading Bach scholars,
Christoph Wolff
Christoph Wolff (born 24 May 1940) is a German musicologist. He is best known for his works on the music, life, and period of Johann Sebastian Bach. Christoph Wolff is an emeritus professor of Harvard University, and was part of the faculty s ...
and Gregory Butler, both published independently conducted research that led each to conclude that the original form of BWV 1052 was an organ concerto composed within the first few years of Bach's tenure in Leipzig. (Previous scholarship often held that Bach composed the original in Weimar or Cöthen.) Both relate the work to performances by Bach of concerted movements for organ and orchestra in Dresden and Leipzig. Wolff also details why the violinistic figuration in the harpsichord part does not demonstrate that it is a transcription from a previous violin part; for one thing, the "extended and extreme passagework" in the solo part "cannot be found in any of Bach's violin concertos"; for another, he points to other relevant Bach keyboard works that "display direct translations of characteristic violin figuration into idiomatic passagework for the keyboard." Also Peter Wollny disagrees with the hypothesis that the works was originally a violin concerto.
As
Werner Breig
Werner Breig (born 29 June 1932) is a German musicologist and music publisher.
Life
Born in Zwickau, Breig studied Protestant sacred music at the Spandauer Kirchenmusikschule from 1950 and musicology, art history and library science at th ...
has shown, the first harpsichord concerto Bach entered into the autograph manuscript was BWV 1058, a straightforward adaptation of the
A minor violin concerto. He abandoned the next entry BWV 1059 after only a few bars to begin setting down BWV 1052 with a far more comprehensive approach to recomposing the original than merely adapting the part of the melody instrument.
The concerto has similarities with Vivaldi's highly virtuosic ''Grosso Mogul'' violin concerto, RV 208, which Bach had previously transcribed for solo organ in BWV 594. It is one of Bach's greatest concertos: in the words of it "conveys a sense of huge elemental power." This mood is created in the opening sections of the two outer movements. Both start in the manner of Vivaldi with unison writing in the ritornello sections—the last movement begins as follows:
Bach then proceeds to juxtapose passages in the key of D minor with passages in A minor: in the first movement this concerns the first 27 bars; and in the last the first 41 bars. These somewhat abrupt changes in tonality convey the spirit of a more ancient modal type of music. In both movements the ''A'' sections are fairly closely tied to the ritornello material which is interspersed with brief episodes for the harpsichord. The central ''B'' sections of both movements are freely developed and highly virtuosic; they are filled with violinistic figurations including keyboard reworkings of
bariolage The bowed string instrument musical technique ''bariolage'' ( or, since the word is a noun rather than an adjective, "odd mixture of colours", from the verb ''barioler'', "to streak with several colors") involves "the alternation of notes on adjace ...
, a technique that relies on the use of the violin's open strings. The ''B'' section in the first movement starts with repeated note bariolage figures:
which, when they recur later, become increasingly virtuosic and eventually merge into brilliant filigree semidemiquaver figures—typical of the harpsichord—in the final extended cadenza-like episode before the concluding ritornello.
Throughout the first movement the harpsichord part also has several episodes with "perfidia"—the same half bar semiquaver patterns repeated over a prolonged period. Both outer movements are in an ''A''–''B''–''A′'' form: the ''A'' section of the first movement is in bars 1–62, the ''B'' section starts with the bariolage passage and lasts from bar 62 to bar 171, the ''A′'' section lasts from bar 172 until the end; the ''A'' section of the final movement is in bars 1–84, the ''B'' section in bars 84–224, and the ''A′'' section from bar 224 until the end. In the first movement the central section is in the keys of D minor and E minor; in the last movement the keys are D minor and A minor. As in the opening sections, the shifts between the two minor tonalities are sudden and pronounced. In the first movement Bach creates another equally dramatic effect by interrupting the relentless minor-key passages with statements of the ritornello theme in major keys. Jones describes these moments of relief as providing "a sudden, unexpected shaft of light."
The highly rhythmic thematic material of the solo harpsichord part in the third movement has similarities with the opening of the third Brandenburg Concerto.
In both ''B'' sections Bach adds unexpected features: in the first movement what should be the last ritornello is interrupted by a brief perfidia episode building up to the true concluding ritornello; similarly in the last movement, after five bars of orchestral ritornello marking the beginning of the ''A′'' section, the thematic material of the harpsichord introduces a freely developed 37-bar highly virtuosic episode culminating in a
fermata
A fermata (; "from ''fermare'', to stay, or stop"; also known as a hold, pause, colloquially a birdseye or cyclops eye, or as a grand pause when placed on a note or a rest) is a symbol of musical notation indicating that the note should be ...
(for an extemporised
cadenza
In music, a cadenza (from it, cadenza, link=no , meaning cadence; plural, ''cadenze'' ) is, generically, an improvised or written-out ornamental passage played or sung by a soloist or soloists, usually in a "free" rhythmic style, and ofte ...
) before the concluding 12 bar ritornello.
The slow movement, an Adagio in G minor and time, is built on a
ground bass
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include ...
which is played in unison by the whole orchestra and the harpsichord in the opening ritornello.
It continues throughout the piece providing the foundations over which the solo harpsichord spins a florid and ornamented melodic line in four long episodes.
The subdominant tonality of G minor also plays a role in the outer movements, in the bridging passages between the ''B'' and ''A′'' sections. More generally has pointed out that the predominant keys in the outer movements centre around the open strings of the violin.
Several hand copies of the concerto—the standard method of transmission—survive from the 18th century; for instance there are hand copies by
Johann Friedrich Agricola
Johann Friedrich Agricola (4 January 1720 – 2 December 1774) was a German composer, organist, singer, pedagogue, and writer on music. He sometimes wrote under the pseudonym Flavio Anicio Olibrio.
Biography
Agricola was born in Dobitschen, Th ...
around 1740, by
Christoph Nichelmann and an unknown scribe in the early 1750s. Its first publication in print was in
1838
Events
January–March
* January 10 – A fire destroys Lloyd's Coffee House and the Royal Exchange in London.
* January 11 – At Morristown, New Jersey, Samuel Morse, Alfred Vail and Leonard Gale give the first public demonstration o ...
by the Kistner Publishing House.
The performance history in the nineteenth century can be traced back to the circle of
Felix Mendelssohn. In the first decade of the 19th century the harpsichord virtuoso and great aunt of Mendelssohn,
Sara Levy
Sara Levy Sellarés (born 23 May 1994) is a Spanish competitor in synchronized swimming.
She won two silver medals at the 2013 World Aquatics Championships. She also won a silver and a bronze at the 2014 European Aquatics Championships.
Notes
...
, gave public performances of the concerto in
Berlin
Berlin is Capital of Germany, the capital and largest city of Germany, both by area and List of cities in Germany by population, by population. Its more than 3.85 million inhabitants make it the European Union's List of cities in the European U ...
at the
Sing-Akademie, established in 1791 by the harpsichordist
Carl Friedrich Christian Fasch
Carl Friedrich Christian Fasch (1736–1800) was a German composer and harpsichordist. Born in Zerbst, he was the son of the composer Johann Friedrich Fasch. He was initially taught by his father.
In 1756 he began service at the court of Frederic ...
and subsequently run by Mendelssohn's teacher
Carl Friedrich Zelter. In 1824 Mendelssohn's sister
Fanny
Fanny may refer to:
Given name
* Fanny (name), a feminine given name or a nickname, often for Frances
In slang
* A term for the vulva, in Britain and many other parts of the English-speaking world
* A term for the buttocks, in the United States
...
performed the concerto at the same venue. In 1835 Mendelssohn played the concerto in his first year as director of the
Gewandhaus
Gewandhaus is a concert hall in Leipzig, the home of the Leipzig Gewandhaus Orchestra. Today's hall is the third to bear this name; like the second, it is noted for its fine acoustics.
History
The first Gewandhaus (''Altes Gewandhaus'')
The f ...
in
Leipzig
Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as ...
. There were further performances at the Gewandhaus in 1837, 1843 and 1863.
Ignaz Moscheles
Isaac Ignaz Moscheles (; 23 May 179410 March 1870) was a Bohemian piano virtuoso and composer. He was based initially in London and later at Leipzig, where he joined his friend and sometime pupil Felix Mendelssohn as professor of piano at the ...
, a friend and teacher of Mendelssohn as well as a fellow devotee of Bach, gave the first performance of the concerto in London in 1836 at a benefit concert, adding one flute and two clarinets, bassoons and horns to the orchestra. In a letter to Mendelssohn, he disclosed that he intended the woodwind section to have the "same position in the Concerto as the organ in the performance of a Mass."
Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career a ...
subsequently described Moscheles' reorchestration as "very beautiful." The following year Moscheles performed the concerto at the ''
Academy of Ancient Music
The Academy of Ancient Music (AAM) is a British period-instrument orchestra based in Cambridge, England. Founded by harpsichordist Christopher Hogwood in 1973, it was named after an 18th-century organisation of the same name (originally the A ...
'' with Bach's original string orchestration. The ''Musical World'' reported that Moscheles "elicited such unequivocal testimonies of delight, as the quiet circle of the Ancient Concert subscribers rarely indulge in." In 1838 the concerto was published in Leipzig.
Johannes Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped wit ...
later composed a
cadenza
In music, a cadenza (from it, cadenza, link=no , meaning cadence; plural, ''cadenze'' ) is, generically, an improvised or written-out ornamental passage played or sung by a soloist or soloists, usually in a "free" rhythmic style, and ofte ...
for the last movement of the concerto, which was published posthumously.
Concerto No. 2 in E major, BWV 1053
Scoring:
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a ...
solo,
violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
I/II,
viola
; german: Bratsche
, alt=Viola shown from the front and the side
, image=Bratsche.jpg
, caption=
, background=string
, hornbostel_sachs=321.322-71
, hornbostel_sachs_desc=Composite chordophone sounded by a bow
, range=
, related=
*Violin family ...
,
continuo (
cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...
,
violone
The term violone (; literally "large viol" in Italian, " -one" being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted i ...
)
Several prominent scholars, Siegbert Rampe and Dominik Sackmann, Ulrich Siegele, and Wilfried Fischer have argued that Bach transcribed this concerto from a lost original for oboe or oboe d'amore (Rampe and Sackmann argued for a dating in 1718-19).
Alternatively, Christoph Wolff has suggested that it might have been a 1725 concerto for organ. An organ version exists, like BWV 1052, in a later transcription in his cantatas
''Gott soll allein mein Herze haben'', BWV 169 and
''Ich geh und suche mit Verlangen'', BWV 49.
Bach changed his method of arrangement with this work, significantly altering the ripieno parts from the original concerto for the first time, limited much more to the
tutti
''Tutti'' is an Italian word literally meaning ''all'' or ''together'' and is used as a musical term, for the whole orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from dif ...
sections. The lower string parts were much reduced in scope, allowing the harpsichord
bass
Bass or Basses may refer to:
Fish
* Bass (fish), various saltwater and freshwater species
Music
* Bass (sound), describing low-frequency sound or one of several instruments in the bass range:
** Bass (instrument), including:
** Acoustic bass gui ...
to be more prominent, and the upper strings were likewise modified to allow the harpsichord to be at the forefront of the texture.
Concerto No. 3 in D major, BWV 1054
Scoring:
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a ...
solo,
violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
I/II,
viola
; german: Bratsche
, alt=Viola shown from the front and the side
, image=Bratsche.jpg
, caption=
, background=string
, hornbostel_sachs=321.322-71
, hornbostel_sachs_desc=Composite chordophone sounded by a bow
, range=
, related=
*Violin family ...
,
continuo (
cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...
,
violone
The term violone (; literally "large viol" in Italian, " -one" being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted i ...
)
Length: c. 17 minutes
The surviving
violin concerto in E major, BWV 1042 was the model for this work, which was transposed down a tone to allow the top note E
6 to be reached as D
6, the common top limit on harpsichords of the time. The opening movement is one of the rare Bach concerto first movements in da capo ''A–B–A'' form.
In 1845
Ignaz Moscheles
Isaac Ignaz Moscheles (; 23 May 179410 March 1870) was a Bohemian piano virtuoso and composer. He was based initially in London and later at Leipzig, where he joined his friend and sometime pupil Felix Mendelssohn as professor of piano at the ...
performed the concerto in
London
London is the capital and List of urban areas in the United Kingdom, largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary dow ...
.
Concerto No. 4 in A major, BWV 1055
Scoring:
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a ...
solo,
violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
I/II,
viola
; german: Bratsche
, alt=Viola shown from the front and the side
, image=Bratsche.jpg
, caption=
, background=string
, hornbostel_sachs=321.322-71
, hornbostel_sachs_desc=Composite chordophone sounded by a bow
, range=
, related=
*Violin family ...
,
continuo (
cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...
,
violone
The term violone (; literally "large viol" in Italian, " -one" being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted i ...
)
Length: c. 14 minutes
While scholars agree that the concerto BWV 1055 is based on a lost original, different theories have been proposed for the instrument Bach used in that original. That it was an oboe d'amore was proposed in 1936 by
Donald Tovey
Sir Donald Francis Tovey (17 July 187510 July 1940) was a British musical analyst, musicologist, writer on music, composer, conductor and pianist. He had been best known for his ''Essays in Musical Analysis'' and his editions of works by Bach a ...
, in 1957 by Ulrich Siegele, in 1975 by Wilfried Fischer, and in 2008 by Pieter Dirksen.
Alternatively, Wilhelm Mohr argued in 1972 that the original was a concerto for viola d'amore. Most recently, however, in 2015 musicologist Peter Wollny (the director of the
Bach Archive
The Bach-Archiv Leipzig or Bach-Archiv is an institution for the documentation and research of the life and work of Johann Sebastian Bach. The Bach-Archiv also researches the Bach family, especially their music.
Based in Leipzig, the city where ...
in Leipzig) argued that the "entire first movement" may instead "originate as a composition for unaccompanied keyboard instrument," since the movement "is conceived on the basis of the harpsichord as solo instrument, to such an extent that the strings are not even permitted to deploy a ritornello theme of their own, but from the first bar onwards assume their role as accompanists and thus step into the background to enable the solo part to develop unhindered; in the case of a melody instrument like the oboe such a design would be unthinkable."
[Peter Wollny, booklet notes to the ]Andreas Staier
Andreas Staier (born 13 September 1955 in Göttingen) is a German pianist and harpsichordist.
Life
Staier studied piano and harpsichord in the Hochschule für Musik in Hanover and Amsterdam. He studied piano with Kurt Bauer and Erika Haase, a ...
recording of the Bach harpsichord concertos, Harmonia mundi HMC 902181.82, 2015
Wollny notes that whatever the origins, the final work is the only Bach Harpsichord Concerto for which "a complete original set of parts has survived"; included is a "fully figured continuo part," which scholars agree was for a second harpsichord.
Wollny sees the second movement as a
siciliana and the finale as having the "gait of a rapid minuet."
Concerto No. 5 in F minor, BWV 1056
Scoring:
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a ...
solo,
violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
I/II,
viola
; german: Bratsche
, alt=Viola shown from the front and the side
, image=Bratsche.jpg
, caption=
, background=string
, hornbostel_sachs=321.322-71
, hornbostel_sachs_desc=Composite chordophone sounded by a bow
, range=
, related=
*Violin family ...
,
continuo (
cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...
,
violone
The term violone (; literally "large viol" in Italian, " -one" being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted i ...
)
Length: c. 10 minutes
The outer movements probably come from a violin concerto which was in G minor.
The middle movement is probably from an oboe concerto in F major; is also the sinfonia to the
cantata ''Ich steh mit einem Fuß im Grabe'', BWV 156; and closely resembles the opening Andante of a Flute Concerto in G major (TWV 51:G2) by
Georg Philipp Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hi ...
in that the soloists play essentially identical notes for the first two-and-a-half measures. Although the chronology cannot be known for certain, Steven Zohn has presented evidence that the Telemann concerto came first, and that Bach intended his movement as an elaboration of his friend Telemann's original.
Concerto No. 6 in F major, BWV 1057
Scoring:
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a ...
solo, flauto dolce (
recorder) I/II,
violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
I/II,
viola
; german: Bratsche
, alt=Viola shown from the front and the side
, image=Bratsche.jpg
, caption=
, background=string
, hornbostel_sachs=321.322-71
, hornbostel_sachs_desc=Composite chordophone sounded by a bow
, range=
, related=
*Violin family ...
,
continuo (
cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...
,
violone
The term violone (; literally "large viol" in Italian, " -one" being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted i ...
)
Length: c. 17 minutes
An
arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestr ...
of ''
Brandenburg Concerto
The ''Brandenburg Concertos'' by Johann Sebastian Bach (BWV 1046–1051), are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, MacDonogh, Giles. ''Frederick the Great: A Life in Dee ...
'' No. 4, BWV 1049, which has a
concertino of violin and two recorders. Besides transposing, recorder parts have few modifications, except in the second movement in which most of their melodic function is transferred to the soloist. Bach wrote the harpsichord part as a combination of the violin material from the original concerto and a written out
continuo.
Concerto No. 7 in G minor, BWV 1058
Scoring:
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a ...
solo,
violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
I/II,
viola
; german: Bratsche
, alt=Viola shown from the front and the side
, image=Bratsche.jpg
, caption=
, background=string
, hornbostel_sachs=321.322-71
, hornbostel_sachs_desc=Composite chordophone sounded by a bow
, range=
, related=
*Violin family ...
,
continuo (
cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...
,
violone
The term violone (; literally "large viol" in Italian, " -one" being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted i ...
)
Length: c. 14 minutes
Probably Bach's first attempt at writing out a full harpsichord concerto, this is a transcription of the
violin concerto in A minor, BWV 1041, one whole tone lower to fit the harpsichord's range. It seems Bach was dissatisfied with this work, the most likely reason being that he did not alter the ripieno parts very much, so the harpsichord was swamped by the orchestra too much to be an effective solo instrument.
Bach did not continue the intended set, which he had marked with 'J.J.' (for ''Jesu juva'', "Jesus, help") at the start of this work, as was his custom for a set of works. He wrote only the short fragment BWV 1059.
In 1845 Ignaz Moscheles performed the concerto in London.
Concerto in D minor, BWV 1059 (fragment)
Scored for harpsichord, oboe and strings in the autograph manuscript, Bach abandoned this concerto after entering only nine bars. As with the other harpsichord concertos that have corresponding cantata movements (BWV 1052, 1053 and 1056), this fragment corresponds to the opening sinfonia of the cantata
Geist und Seele wird verwirret, BWV 35, for alto,
obbligato
In Western classical music, ''obbligato'' (, also spelled ''obligato'') usually describes a musical line that is in some way indispensable in performance. Its opposite is the marking '' ad libitum''. It can also be used, more specifically, to indic ...
organ, oboes,
taille
The ''taille'' () was a direct land tax on the French peasantry and non-nobles in ''Ancien Régime'' France. The tax was imposed on each household and was based on how much land it held, and was directly paid to the state.
History
Originally ...
and strings. summarises the musicological literature discussing the possibility of a lost instrumental concerto on which the fragment and movements of the cantata might have been based. A reconstruction of an oboe concerto was made in 1983 by Arnold Mehl with the two sinfonias from BWV 35 as outer movements and the opening sinfonia of
BWV 156
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
as slow movement.
Concertos for two harpsichords
Concerto in C minor, BWV 1060
Scoring:
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a ...
I/II solo,
violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
I/II,
viola
; german: Bratsche
, alt=Viola shown from the front and the side
, image=Bratsche.jpg
, caption=
, background=string
, hornbostel_sachs=321.322-71
, hornbostel_sachs_desc=Composite chordophone sounded by a bow
, range=
, related=
*Violin family ...
,
continuo (
cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...
,
violone
The term violone (; literally "large viol" in Italian, " -one" being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted i ...
)
Length: c. 14 minutes
While the existing score is in the form of a concerto for harpsichords and strings, Bach scholars believe it to be a transcription of a lost double concerto in D minor; a reconstructed arrangement of this concerto for two violins or violin and oboe is classified as BWV 1060R. The subtle and masterful way in which the solo instruments blend with the orchestra marks this out as one of the most mature works of Bach's years at Köthen. The middle movement is a
cantabile
In music, ''cantabile'' , an Italian word, means literally "singable" or "songlike". In instrumental music, it is a particular style of playing designed to imitate the human voice.
For 18th-century composers, ''cantabile'' is often synonymous w ...
for the solo instruments with orchestral accompaniment.
Concerto in C major, BWV 1061
Scoring:
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a ...
I/II solo,
violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
I/II,
viola
; german: Bratsche
, alt=Viola shown from the front and the side
, image=Bratsche.jpg
, caption=
, background=string
, hornbostel_sachs=321.322-71
, hornbostel_sachs_desc=Composite chordophone sounded by a bow
, range=
, related=
*Violin family ...
,
continuo (
cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...
,
violone
The term violone (; literally "large viol" in Italian, " -one" being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted i ...
):
Length: c. 19 minutes (19m:14s)
Of all Bach's harpsichord concertos, this is probably the only one that originated as a harpsichord work without orchestra.
[, footnote 18] The work originated as a concerto for two harpsichords unaccompanied (BWV 1061a, a.k.a. BWV 1061.1, in the manner of the ''
Italian Concerto, BWV 971''), and the addition of the orchestral parts (BWV 1061, a.k.a. BWV 1061.2) may not have been by Bach himself.
The string orchestra does not fulfill an independent role, and only appears to augment cadences; it is silent in the middle movement.
The harpsichords have much dialogue between themselves and play in an
antiphonal
An antiphonary or antiphonal is one of the liturgical books intended for use (i.e. in the liturgical choir), and originally characterized, as its name implies, by the assignment to it principally of the antiphons used in various parts of the ...
manner throughout.
Concerto in C minor, BWV 1062
Scoring:
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a ...
I/II solo,
violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
I/II,
viola
; german: Bratsche
, alt=Viola shown from the front and the side
, image=Bratsche.jpg
, caption=
, background=string
, hornbostel_sachs=321.322-71
, hornbostel_sachs_desc=Composite chordophone sounded by a bow
, range=
, related=
*Violin family ...
,
continuo (
cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...
,
violone
The term violone (; literally "large viol" in Italian, " -one" being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted i ...
)
Length: c. 15 minutes
The well-known
Double Violin Concerto in D minor, BWV 1043 is the basis of this transcription. It was transposed down a tone for the same reason as BWV 1054, so that the top note would be D
6.
Concertos for three harpsichords
Concerto in D minor, BWV 1063
Scoring:
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a ...
I/II/III solo,
violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
I/II,
viola
; german: Bratsche
, alt=Viola shown from the front and the side
, image=Bratsche.jpg
, caption=
, background=string
, hornbostel_sachs=321.322-71
, hornbostel_sachs_desc=Composite chordophone sounded by a bow
, range=
, related=
*Violin family ...
,
continuo (
cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...
,
violone
The term violone (; literally "large viol" in Italian, " -one" being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted i ...
)
Length: c. 14 minutes
Scholars have yet to settle on the probable scoring and tonality of the concerto on which this was based, though they do think it is, like the others, a transcription.
Bach's sons may have been involved in the composition of this work. They may have also been involved in the performances of this particular concerto, as
Friedrich Konrad Griepenkerl wrote in the foreword to the first edition that was published in 1845 that the work owed its existence "presumably to the fact that the father wanted to give his two eldest sons, W. Friedemann and C.Ph. Emanuel Bach, an opportunity to exercise themselves in all kinds of playing." It is believed to have been composed by 1733 at the latest.
In the mid-nineteenth century the concerto, advertised as Bach's "triple concerto", became part of the concert repertoire of
Felix Mendelssohn and his circle. In May 1837, Ignaz Moscheles performed it for the first time in the UK, with Sigismond Thalberg and Julius Benedict in his own concert at the King's Theatre. Instead of performing the triple concerto on harpsichords, the performed it instead on three Erard grand pianofortes. In 1840, Mendelssohn performed it with
Franz Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simpl ...
and
Ferdinand Hiller
Ferdinand (von) Hiller (24 October 1811 – 11 May 1885) was a German composer, conductor, pianist, writer and music director.
Biography
Ferdinand Hiller was born to a wealthy Jewish family in Frankfurt am Main, where his father Justus (origina ...
at the
Gewandhaus
Gewandhaus is a concert hall in Leipzig, the home of the Leipzig Gewandhaus Orchestra. Today's hall is the third to bear this name; like the second, it is noted for its fine acoustics.
History
The first Gewandhaus (''Altes Gewandhaus'')
The f ...
in
Leipzig
Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as ...
, where he was director. The programme also included Schubert's "Great" C Major Symphony and some of his own orchestral and choral compositions;
Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career a ...
described the concert as "three joyous hours of music such as one does not experience otherwise for years at a time." The concerto was repeated later in the season with
Clara Schumann
Clara Josephine Schumann (; née Wieck; 13 September 1819 – 20 May 1896) was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over the course of a ...
and
Ignaz Moscheles
Isaac Ignaz Moscheles (; 23 May 179410 March 1870) was a Bohemian piano virtuoso and composer. He was based initially in London and later at Leipzig, where he joined his friend and sometime pupil Felix Mendelssohn as professor of piano at the ...
as the other soloists. Mendelssohn also played the concerto in 1844 in the
Hanover Square Rooms in London with Moscheles and
Sigismond Thalberg
Sigismond Thalberg (8 January 1812 – 27 April 1871) was an Austrian composer and one of the most distinguished virtuoso pianists of the 19th century.
Family
He was born in Pâquis near Geneva on 8 January 1812. According to his own account, he ...
. Charles Edward Horsely recalled Mendelssohn's "electrical" cadenza in a memoire of 1872 as "the most perfect inspiration, which neither before nor since that memorable Thursday afternoon has ever been approached." Moscheles had previously performed the concerto in 1842 at
Gresham College
Gresham College is an institution of higher learning located at Barnard's Inn Hall off Holborn in Central London, England. It does not enroll students or award degrees. It was founded in 1596 under the will of Sir Thomas Gresham, and hosts ...
in the East End of London with different soloists. After a performance in
Dresden
Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label=Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth ...
in 1845 with Clara Schumann and Hiller, Moscheles recorded in his diary, "My concert today was beyond all measure brilliant ... Bach's Triple Concerto made a great sensation; Madame Schumann played a Cadenza composed by me, Hiller and I extemporized ours."
Concerto in C major, BWV 1064
Scoring:
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a ...
I/II/III solo,
violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
I/II,
viola
; german: Bratsche
, alt=Viola shown from the front and the side
, image=Bratsche.jpg
, caption=
, background=string
, hornbostel_sachs=321.322-71
, hornbostel_sachs_desc=Composite chordophone sounded by a bow
, range=
, related=
*Violin family ...
,
continuo (
cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...
,
violone
The term violone (; literally "large viol" in Italian, " -one" being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted i ...
)
Length: c. 17 minutes
This concerto was probably based on an original in D major for three violins. A reconstructed arrangement of this concerto for three violins in D major is classified as BWV 1064R. In both forms this concerto shows some similarity to the concerto for two violins/harpsichords, BWV 1043/1062, in the interaction of the concertino group with the ripieno and in the cantabile slow movement.
Concerto in A minor for four harpsichords, BWV 1065
#Allegro
#Largo
#Allegro
Scoring:
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a ...
I/II/III/IV solo,
violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
I/II,
viola
; german: Bratsche
, alt=Viola shown from the front and the side
, image=Bratsche.jpg
, caption=
, background=string
, hornbostel_sachs=321.322-71
, hornbostel_sachs_desc=Composite chordophone sounded by a bow
, range=
, related=
*Violin family ...
,
continuo (
cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...
,
violone
The term violone (; literally "large viol" in Italian, " -one" being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted i ...
)
Length:
Bach made a number of transcriptions of
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread ...
's concertos, especially from his
Op. 3 set, entitled ''
L'estro armonico
''L'estro armonico'' (''The Harmonic Inspiration''), Op. 3, is a set of 12 concertos for stringed instruments by Italian composer Antonio Vivaldi, first published in Amsterdam in 1711. Vivaldi's Twelve Trio Sonatas, Op. 1, and Twelve Violin ...
''. Bach adapted them for solo harpsichord and solo organ, but for the Concerto for 4 violins in B minor, Op. 3 No. 10,
RV 580, he decided upon the unique solution of using four harpsichords and orchestra. This is thus the only orchestral harpsichord concerto by Bach which was not an adaptation of his own material.
The concerto for four harpsichords, strings, and continuo, BWV 1065, was the last of six known transcriptions Bach realised after concertos in Vivaldi's Op. 3. That opus, published in 1711, contains twelve concertos for strings, four of which (Nos. 3, 6, 9 and 12) have a single violin soloist. The accompaniment in these four concertos consists of violins (three parts), violas (two parts), cellos and continuo (figured bass part for violone and harpsichord). Most likely in the period from July 1713 to July 1714, during his tenure as court organist in Weimar, Bach transcribed three of these violin concertos, Nos. 3, 9 and 12, for solo harpsichord (BWV 978, 972 and 976 respectively). Similarly, in the same period, he transcribed two (Nos. 8 and 11) of the four concertos for two violins (Nos. 2, 5, 8 and 11), for unaccompanied
organ (BWV 593 and 596). Vivaldi's Op. 3 also contained four concertos for four violins (Nos. 1, 4, 7 and 10). Some two decades after the over twenty Weimar concerto transcriptions for unaccompanied keyboard instruments, Bach returned to ''L'estro armonico'', and transcribed its No. 10, the concerto in B minor for four violins, cello, strings, and continuo, RV 580, to his concerto in A minor for four harpsichords, strings and continuo, BWV 1065.
[H. Joseph Butler. "Emulation and Inspiration: J. S. Bach’s Transcriptions from Vivaldi’s ''L’estro armonico''" in '']The Diapason
''The Diapason'' is a magazine serving those who build and play organs. Content includes concert and recital announcements, information on building and maintaining organs and profiles of notable organists.
As of July 2013, ''The Diapason'' reac ...
'', August 2011.
RV 580 was published with the same eight parts as the other concertos in ''L'estro armonico'': four violin parts, two viola parts, cello and continuo. The differences in instrumentation between the individual concertos in Vivaldi's Op. 3 only concern which of these eight parts get soloist roles (indicated as obligato in the original publication), and which are accompaniment (ripieno parts, and continuo). For RV 580 the obligato parts are all four violin parts, and the cello part.
In the middle movement, Bach has the four harpsichords playing differently-articulated
arpeggios in a very unusual tonal blend, while providing some additional virtuosity and tension in the other movements.
Concertos for harpsichord, flute, and violin
Concerto in A minor, BWV 1044
# Allegro
# Adagio ma non tanto e dolce
# Alla breve
Concertino:
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a ...
,
flute, violin
Ripieno: violin, viola, cello, violone, (harpsichord)
In this concerto for harpsichord, flute and violin, occasionally referred to as Bach's "triple concerto", the harpsichord has the most prominent role and greatest quantity of material. Except for an additional ripieno violin part, the instrumentation in all three movements is identical to that of
Brandenburg Concerto No.5 in D major, BWV 1050. Arranged from previous compositions, the concerto is generally considered to date from the period 1729–1741 when Bach was director of the
Collegium Musicum
The Collegium Musicum was one of several types of musical societies that arose in German and German-Swiss cities and towns during the Reformation and thrived into the mid-18th century.
Generally, while societies such as the (chorale) cultivate ...
in Leipzig and was responsible for mounting weekly concerts of chamber and orchestral music in the
Café Zimmermann
The Café Zimmermann, or was the coffeehouse of Gottfried Zimmermann in Leipzig which formed the backdrop to the first performances of many of Bach's secular cantatas, e.g. the ''Coffee Cantata'' ('' Schweigt stille, plaudert nicht''), and inst ...
. and contain a comprehensive discussion of the concerto, including its history and questions of authenticity. Because one of the earliest surviving manuscripts comes from the library of
Frederick the Great
Frederick II (german: Friedrich II.; 24 January 171217 August 1786) was King in Prussia from 1740 until 1772, and King of Prussia from 1772 until his death in 1786. His most significant accomplishments include his military successes in the S ...
and because of post-baroque
galant
The galant style was an 18th-century movement in music, visual arts and literature. In Germany a closely related style was called the ''empfindsamer Stil'' (sensitive style). Another close relative is rococo style. The galant style was drawn in o ...
aspects of the instrumental writing—fine gradations in the dynamical markings (''pp, p, mp, mf, f''), the wider range of the harpsichord part as well as frequent changes between
pizzicato
Pizzicato (, ; translated as "pinched", and sometimes roughly as "plucked") is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of instrument :
* On bowe ...
and ''arco'' in the strings—Wollny has suggested that the arrangement as a concerto might have been intended for Frederick, a keen flautist who employed Bach's son
Carl Philipp Emanuel as court harpsichordist; this could imply a later date of composition. Some commentators have questioned the authenticity of the work, although it is now generally accepted.
The concerto is an example of the "parody technique"—the reworking in new forms of earlier compositions—that Bach practised increasingly in his later years.
The first and third movements are adapted from the
prelude
Prelude may refer to:
Music
*Prelude (music), a musical form
*Prelude (band), an English-based folk band
*Prelude Records (record label), a former New York-based dance independent record label
*Chorale prelude, a short liturgical composition for ...
and
fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the co ...
in A minor for harpsichord, BWV 894, a large scale work from Bach's period in Weimar:
:
:
The prelude and fugue have the structure of the first and last movements of an Italian
concerto grosso The concerto grosso (; Italian for ''big concert(o)'', plural ''concerti grossi'' ) is a form of baroque music in which the musical material is passed between a small group of soloists (the '' concertino'') and full orchestra (the '' ripieno'', '' ...
, which has led to suggestions that they might be transcriptions of a lost instrumental work. In the concerto BWV 1044, Bach reworked both the prelude and fugue around the harpsichord part by adding ripieno
ritornello
A ritornello (Italian; "little return") is a recurring passage in Baroque music for orchestra or chorus.
Early history
The earliest use of the term "ritornello" in music referred to the final lines of a fourteenth-century madrigal, which were ...
sections. In the first movement there is an eight bar ritornello that begins with the opening semiquaver motif of the prelude, which is then heard in augmented form before breaking into distinctive triplet figures:
:
This newly composed material, which recurs throughout the movement, creates a contrast with that of the soloists, much of which is directly drawn from the original prelude, especially the harpsichord part. Like the first movement of Brandenburg Concerto No. 5, the virtuosic harpsichord part takes precedence, with some passages from the original extended, some played solo and some omitted. In the solo episodes the flute and violin provide a "small ripieno" accompaniment to the harpsichord, contrasting with the "large ripieno" of the orchestral strings in the ''tutti'' sections.
The last movement of the concerto begins with a fugue subject in crotchets and minims in the viola and the bass line of the harpsichord and a countersubject which provides the material for the orchestral ritornello and transforms the original fugue BWV 894/2 into a triple fugue:
:
At bar 25 the harpsichord enters with the main fugue subject from BWV 894/2—a ''
moto perpetuo'' in triplets—overlaid by the countersubject of the ritornello.
:
The fugue subject in the ritornello is "hidden" in the main fugue subject ("soggetto cavato dalle note del tema"): its constituent notes—A, F, E, D, C, B, A, G, A, B—can be picked out in each of the corresponding crotchet and minim groups of triplets in the main subject. Other departures from BWV 894/2 include a number of virtuosic passages in the harpsichord, with demisemiquaver runs, semiquavers in the triplets and finally semiquavers replacing the triplets, culminating in a cadenza for the harpsichord.
The middle movement is a reworking and transposition of material from the slow movement of the sonata for organ in D minor,
BWV 527
The organ sonatas, BWV 525–530 by Johann Sebastian Bach are a collection of six sonatas in trio sonata form. Each of the sonatas has three movements, with three independent parts in the two manuals and obbligato pedal. The collection was put ...
; both movements are thought to be based on a prior lost composition. Like the slow movement of the fifth Brandenburg Concerto, the slow movement of BWV 1044 is scored as a chamber work for the solo instruments. In
binary form
Binary form is a musical form in 2 related sections, both of which are usually repeated. Binary is also a structure used to choreograph dance. In music this is usually performed as A-A-B-B.
Binary form was popular during the Baroque period, of ...
, the harpsichord alternates in repeats between upper and lower keyboard parts of BWV 527/2; the other melodic keyboard part is played alternately by flute or violin, while the other instrument adds a fragmentary accompaniment in semiquavers (scored as
pizzicato
Pizzicato (, ; translated as "pinched", and sometimes roughly as "plucked") is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of instrument :
* On bowe ...
for the violin).
:
As comments, Bach's son Carl Philipp Emanuel related to his biographer
Johann Nikolaus Forkel
Johann Nikolaus Forkel (22 February 1749 – 20 March 1818) was a German musicologist and music theorist, generally regarded as among the founders of modern musicology. His publications include '' Johann Sebastian Bach: His Life, Art, and Wor ...
how his father took pleasure in converting trios into quartets
ex tempore ("aus dem Stegereif"): BWV 1044/2 is a prime example. Bach created a complex texture in this movement by juxtaposing the detached melody in the harpsichord with a parallel sustained melody in thirds or sixths in the violin or flute; and in contrast a further layer is added by the delicate pizzicato accompaniment in the fourth voice, —first in the violin and then echoed by the flute—which comes close to imitating the timbre of the harpsichord.
Concerto in D major, BWV 1050 (Brandenburg Concerto No. 5)
#Allegro
#Affettuoso
#Allegro
Concertino:
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a ...
, violin,
flute
Ripieno: violin, viola, cello, violone, (harpsichord)
The harpsichord is both a concertino and a ripieno instrument: in the concertino passages the part is
obbligato
In Western classical music, ''obbligato'' (, also spelled ''obligato'') usually describes a musical line that is in some way indispensable in performance. Its opposite is the marking '' ad libitum''. It can also be used, more specifically, to indic ...
; in the ripieno passages it has a figured bass part and plays continuo.
This concerto makes use of a popular chamber music ensemble of the time (flute, violin, and harpsichord), which Bach used on their own for the middle movement. It is believed that it was written in 1719, to show off a new harpsichord by
Michael Mietke
Michael Mietke (c. 1656/1671 – 1719) was a German harpsichord and harp maker.
Biography
He lived his entire life in Berlin and is known to have been an instrument maker there from 1695. He succeeded Christoph Werner in 1707 as official maker t ...
which Bach had brought back from Berlin for the Cöthen court. It is also thought that Bach wrote it for a competition at Dresden with the French composer and organist
Louis Marchand; in the central movement, Bach uses one of Marchand's themes. Marchand fled before the competition could take place, apparently scared off in the face of Bach's great reputation for virtuosity and
improvisation
Improvisation is the activity of making or doing something not planned beforehand, using whatever can be found. Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of impr ...
.
The concerto is well suited throughout to showing off the qualities of a fine harpsichord and the virtuosity of its player, but especially in the lengthy solo '
cadenza
In music, a cadenza (from it, cadenza, link=no , meaning cadence; plural, ''cadenze'' ) is, generically, an improvised or written-out ornamental passage played or sung by a soloist or soloists, usually in a "free" rhythmic style, and ofte ...
' to the first movement. It seems almost certain that Bach, considered a great organ and harpsichord virtuoso, was the harpsichord soloist at the premiere. Scholars have seen in this work the origins of the solo keyboard concerto as it is the first example of a concerto with a solo keyboard part.
An earlier version, BWV 1050a, has innumerable small differences from its later cousin, but only two main ones: there is no part for cello, and there is a shorter and less elaborate (though harmonically remarkable) harpsichord cadenza in the first movement. (The cello part in BWV 1050, when it differs from the violone part, doubles the left hand of the harpsichord.)
Recordings
BWV 1052–1065 set
*
Ton Koopman
Antonius Gerhardus Michael Koopman (; born 2 October 1944), known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orche ...
,
The Amsterdam Baroque Orchestra; 1991;
Erato
In Greek mythology, Erato (; grc, Ἐρατώ) is one of the Greek Muses, which were inspirational goddesses of literature, science, and the arts. The name would mean "desired" or "lovely", if derived from the same root as Eros, as Apollonius ...
91929 & 91930 (these two 2CD-sets also include BWV 1044 with Wilbert Hazelzet (flute) and
Andrew Manze
Andrew Manze (born 14 January 1965) is a British conductor and violinist living in Germany.
Born in Beckenham, United Kingdom, Manze read Classics at Cambridge University. Manze studied violin and worked with Ton Koopman (his director in th ...
(violin); the 2nd, 3rd and 4th harpsichord parts are performed by Tini Mathot, Patrizia Marisaldi and Elina Mustonen respectively)
BWV 1052–1058 set
Solo part performed on harpsichord, unless otherwise indicated:
*
Igor Kipnis, The London Strings,
Neville Marriner
Sir Neville Marriner, (15 April 1924 – 2 October 2016) was an English violinist and "one of the world's greatest conductors". Gramophone lists Marriner as one of the 50 greatest conductors and another compilation ranks Marriner #14 of the ...
; 1971;
CBS Masterworks Records M2YK 45616
*
Trevor Pinnock
Trevor David Pinnock (born 16 December 1946 in Canterbury, England) is a British harpsichordist and conductor.
He is best known for his association with the period-performance orchestra The English Concert, which he helped found and directed ...
,
The English Concert
The English Concert is a baroque orchestra playing on period instruments based in London. Founded in 1972 and directed from the harpsichord by Trevor Pinnock for 30 years, it is now directed by harpsichordist Harry Bicket. Nadja Zwiener has ...
; 1981;
Archiv Produktion 471754-2 (2002 re-issue)
*
Andrei Gavrilov (piano),
Academy of St. Martin in the Fields
The Academy of St Martin in the Fields (ASMF) is an English chamber orchestra, based in London.
John Churchill, then Master of Music at the London church of St Martin-in-the-Fields, and Neville Marriner founded the orchestra as "The Academy of ...
,
Neville Marriner
Sir Neville Marriner, (15 April 1924 – 2 October 2016) was an English violinist and "one of the world's greatest conductors". Gramophone lists Marriner as one of the 50 greatest conductors and another compilation ranks Marriner #14 of the ...
; 1987;
EMI Classics
EMI Classics was a record label founded by Thorn EMI in 1990 to reduce the need to create country-specific packaging and catalogues for internationally distributed European classical music, classical music releases. After Thorn EMI demerged ...
573641-2 (1999 re-issue)
*
Christine Schornsheim,
Neues Bachisches Collegium Musicum
Neues Bachisches Collegium Musicum (NBCM, New Bach's Collegium Musicum) is a German chamber orchestra, founded in Leipzig, Saxony. It follows the tradition of collegia musica, developed by Johann Sebastian Bach, also in Leipzig. The orchestra is de ...
,
Burkhard Glaetzner; 1990-1992;
Brilliant Classics
Brilliant Classics is a classical music label based in the Dutch town of Leeuwarden. It is renowned for releasing super-budget-priced editions on CD of the complete works of J.S. Bach, Mozart, Beethoven and many other composers. The label also ...
99360/6 and /7
*
Murray Perahia (piano & conductor),
Academy of St. Martin in the Fields
The Academy of St Martin in the Fields (ASMF) is an English chamber orchestra, based in London.
John Churchill, then Master of Music at the London church of St Martin-in-the-Fields, and Neville Marriner founded the orchestra as "The Academy of ...
; 2000-2001;
Sony Classical
Sony Classical is an American record label founded in 1924 as Columbia Masterworks Records, a subsidiary of Columbia Records. In 1980, the Columbia Masterworks label was renamed as CBS Masterworks Records. The CBS Records Group was acquired by ...
SK89245 / SK89690
*
Angela Hewitt
Angela Hewitt, (born July 26, 1958) is a Canadian classical pianist. She is best known for her Bach interpretations.
Career
Hewitt was born in Ottawa, Ontario, daughter of the Yorkshire-born Godfrey Hewitt (thus she also has British nationality ...
(piano),
Australian Chamber Orchestra
The Australian Chamber Orchestra (ACO) was founded by cellist John Painter in 1975.Verghis, Sharon"Bach with more bite pays off" ''Sydney Morning Herald'', 2 September 2005. Richard Tognetti was appointed Lead Violin in 1989 and subsequently ap ...
,
Richard Tognetti (violin); 2005;
Hyperion
Hyperion may refer to:
Greek mythology
* Hyperion (Titan), one of the twelve Titans
* ''Hyperion'', a byname of the Sun, Helios
* Hyperion of Troy or Yperion, son of King Priam
Science
* Hyperion (moon), a moon of the planet Saturn
* ''Hyp ...
CDA67607/8 (this 2CD-set also includes BWV 1044 and BWV 1050 with Richard Tognetti (violin) and Alison Mitchell (flute))
*
Andreas Staier
Andreas Staier (born 13 September 1955 in Göttingen) is a German pianist and harpsichordist.
Life
Staier studied piano and harpsichord in the Hochschule für Musik in Hanover and Amsterdam. He studied piano with Kurt Bauer and Erika Haase, a ...
,
Freiburger Barockorchester
Freiburger Barockorchester (Freiburg Baroque Orchestra) is a German Baroque orchestra founded in 1987, with the mission statement: "to enliven the world of Baroque music with new sounds".
History
The orchestra is based in Freiburg im Breisgau. ...
; 2013;
Harmonia Mundi
Harmonia Mundi is an independent record label which specializes in classical music, jazz, and world music (on the World Village label). It was founded in France in 1958 and is now a subsidiary of PIAS Entertainment Group.
Its Latin name ''h ...
HMC 902181.82
BWV 1059
Salvatore Carchiolo reconstruction (BWV 35, solo parts for harpsichord and oboe):
* Salvatore Carchiolo, Andrea Mion, Insieme Strumentale di Roma, Giorgio Sasso; 2011;
Brilliant Classics
Brilliant Classics is a classical music label based in the Dutch town of Leeuwarden. It is renowned for releasing super-budget-priced editions on CD of the complete works of J.S. Bach, Mozart, Beethoven and many other composers. The label also ...
94340
Masato Suzuki reconstruction:
* Masato Suzuki and the
Bach Collegium Japan
Bach Collegium Japan (BCJ) is composed of an orchestra and a chorus specializing in Baroque music, playing on period instruments. It was founded in 1990 by Masaaki Suzuki with the purpose of introducing Japanese audiences to European Baroque mus ...
,
BIS-2401 SACD (June 2020)
J. S. Bach - Concertos for Harpsichord, Vol. 1
at BIS website.
Winifried Radeke reconstruction (BWV 35, solo part for flute):
* Jean-Pierre Rampal
Jean-Pierre Louis Rampal (7 January 1922 – 20 May 2000) was a French flautist. He has been personally "credited with returning to the flute the popularity as a solo classical instrument it had not held since the 18th century."
Biography
Ea ...
, Orchestre de chambre Jean-François Paillard, Jean-François Paillard; 1974; Erato
In Greek mythology, Erato (; grc, Ἐρατώ) is one of the Greek Muses, which were inspirational goddesses of literature, science, and the arts. The name would mean "desired" or "lovely", if derived from the same root as Eros, as Apollonius ...
STU 70693
* James Galway
Sir James Galway (born 8 December 1939) is an Irish virtuoso flute player from Belfast, nicknamed "The Man with the Golden Flute". He established an international career as a solo flute player. In 2005, he received the Brit Award for Outstan ...
, Zagreb Soloists; 1987; RCA
The RCA Corporation was a major American electronics company, which was founded as the Radio Corporation of America in 1919. It was initially a patent pool, patent trust owned by General Electric (GE), Westinghouse Electric Corporation, Westin ...
GD 86517
BWV 1060–1065 set
* Gustav Leonhardt, Alan Curtis, , Anneke Uittenbosch, Eduard Müller, Leonhardt-Consort Leonhardt-Consort, also known as the Leonhardt Baroque Ensemble, was a group of instrumentalists which its director, the keyboard player Gustav Leonhardt founded in 1955 to play baroque music. The Consort was active until around 1990, although some ...
; 1968; Teldec
Teldec (Telefunken-Decca Schallplatten GmbH) is a German record label in Hamburg, Germany. Today the label is a property of Warner Music Group.
History
Teldec was a producer of (first) shellac and (later) vinyl records. The Teldec manufacturing ...
4509-97452-2
* Trevor Pinnock
Trevor David Pinnock (born 16 December 1946 in Canterbury, England) is a British harpsichordist and conductor.
He is best known for his association with the period-performance orchestra The English Concert, which he helped found and directed ...
, Kenneth Gilbert, Lars Ulrik Mortensen
Lars Ulrik Mortensen (born 1955) is a Danish harpsichordist and conductor, mainly of Baroque solo music, chamber music and early music repertory. He was a professor in Munich in 1996–99 and has since then been artistic director of Concerto Copen ...
, Nicholas Kraemer, The English Concert
The English Concert is a baroque orchestra playing on period instruments based in London. Founded in 1972 and directed from the harpsichord by Trevor Pinnock for 30 years, it is now directed by harpsichordist Harry Bicket. Nadja Zwiener has ...
, Trevor Pinnock; 1981; Archiv Produktion 471754-2 (2002 re-issue)
* Andras Schiff, Peter Serkin
Peter Adolf Serkin (July 24, 1947 – February 1, 2020) was an American classical pianist. He won the Grammy Award for Most Promising New Classical Recording Artist in 1966, and he performed globally, known for not only "technically pristine" pl ...
, Bruno Canino
Bruno Canino (born 30 December 1935) is an Italian classical pianist, harpsichordist and composer.
Early life
Bruno Canino was born in Naples, Italy in 1935, where he studied piano with Vincenzo Vitale. He continued his musical education in ...
(pianos), Camerata Bern; 1997; Decca Records
Decca Records is a British record label established in 1929 by Edward Lewis. Its U.S. label was established in late 1934 by Lewis, Jack Kapp, American Decca's first president, and Milton Rackmil, who later became American Decca's president. ...
455761-2 (this 2CD-set also includes BWV 1044 with Aurélie Nicolet (flute) and Yuuko Shiokawa (violin); does not include BWV 1065)
* Pieter-Jan Belder, , , Vincent van Laar, Musica Amphion; 2006; Brilliant Classics
Brilliant Classics is a classical music label based in the Dutch town of Leeuwarden. It is renowned for releasing super-budget-priced editions on CD of the complete works of J.S. Bach, Mozart, Beethoven and many other composers. The label also ...
93187
* Evgeni Koroliov, Anna Vinnitskaya
Anna Vinnitskaya (russian: Анна Валерьевна Винницкая; born 4 August 1983, in Novorossiysk) is a Russian pianist who won the 2007 Queen Elisabeth Music Competition.
Biography
Anna Vinnitskaya was born in Novorossiysk. She ...
, Ljupka Hadzi Georgieva (pianos), ; 2019; Alpha Classics 446 (2CD-set, also contains four concertos from the BWV 1052–1058 set)
Notes
References
Sources
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Further reading
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*Werner Breig, notes to recordings of the complete harpsichord concertos by Trevor Pinnock
Trevor David Pinnock (born 16 December 1946 in Canterbury, England) is a British harpsichordist and conductor.
He is best known for his association with the period-performance orchestra The English Concert, which he helped found and directed ...
and The English Concert
The English Concert is a baroque orchestra playing on period instruments based in London. Founded in 1972 and directed from the harpsichord by Trevor Pinnock for 30 years, it is now directed by harpsichordist Harry Bicket. Nadja Zwiener has ...
(1981, Archiv Produktion); lengths also taken from these recordings
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External links
Autograph manuscript of BWV 1052–1059
Bach Archive
The Bach-Archiv Leipzig or Bach-Archiv is an institution for the documentation and research of the life and work of Johann Sebastian Bach. The Bach-Archiv also researches the Bach family, especially their music.
Based in Leipzig, the city where ...
, Leipzig
Manuscript of BWV 1052a
Bach Archive
The Bach-Archiv Leipzig or Bach-Archiv is an institution for the documentation and research of the life and work of Johann Sebastian Bach. The Bach-Archiv also researches the Bach family, especially their music.
Based in Leipzig, the city where ...
, Leipzig
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Program notes
from the Los Angeles Chamber Orchestra
The Los Angeles Chamber Orchestra (LACO) is an American chamber orchestra based in Los Angeles, California. LACO presents its Orchestral Series concerts at two venues, the Alex Theatre in Glendale and UCLA's Royce Hall.
History
James Arkatov, ...
Concerto in G minor BWV 1058
by Jozef Kapustka
Józef Kapustka (Tarnów, 1969) is a Polish classical pianist. He currently lives in Paris, France.
Biography and schooling
Jozef Kapustka was born in 1969. He began receiving early musical tuition from local instructor Danuta Cieślik at the a ...
and the Orquestra de Cordas da Grota (Rio de Janeiro)
{{DEFAULTSORT:Harpsichord Concertos (J. S. Bach)
Keyboard concertos
Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the ''Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard wo ...
Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the ''Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard wo ...