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Italian Concerto, BWV 971
The ''Italian Concerto'', BWV 971, originally titled ''Concerto nach Italiænischen Gusto'' (''Concerto in the Italian taste''), is a three-movement concerto for two-manual harpsichord solo composed by Johann Sebastian Bach and published in 1735 as the first half of Clavier-Übung II (the second half being the ''French Overture''). The ''Italian Concerto'' has become popular among Bach's keyboard works, and has been widely recorded both on the harpsichord and the piano. Context An Italian concerto relies upon the contrasting roles of different groups of instruments in an ensemble; Bach imitates this effect by creating contrasts using the ''forte'' and ''piano'' manuals of a two-manual harpsichord throughout the piece. Related works Along with the ''French Overture'' and some of the ''Goldberg Variations'', this is one of the few works by Bach which specifically require a 2-manual harpsichord. However, it is not unusual in being a solo keyboard work based on Italian concertos. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord Concerto
A harpsichord concerto is a piece of music for an orchestra with the harpsichord in a solo role (though for another sense, see below). Sometimes these works are played on the modern piano (see ''piano concerto''). For a period in the late 18th century, Joseph Haydn and Thomas Arne wrote concertos that could be played interchangeably on harpsichord, fortepiano, and (in some cases) pipe organ. The Baroque harpsichord concerto The harpsichord was a common instrument in the 1730s, but never as popular as string instrument, string or wind instruments in the concerto role in the orchestra, probably due to its relative lack of volume in an orchestral setting. In this context, harpsichords were more usually employed as a Figured bass, continuo instrument, playing a harmonised bass part in nearly all orchestral music, the player often also directing the orchestra. Bach's Brandenburg Concerto No.5 in D major, BWV 1050, may be the first work in which the harpsichord appears as a concerto so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Presto (music)
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often indic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1735 Compositions
Events January–March * January 2 – Alexander Pope's poem ''Epistle to Dr Arbuthnot'' is published in London. * January 8 – George Frideric Handel's opera ''Ariodante'' is premièred at the Royal Opera House in Covent Garden, London. * February 3 – All 256 people on board the Dutch East India Company ships '''t Vliegend Hert, Vliegenthart'' and ''Anna Catherina'' die when the two ships sink in a gale off of the Netherlands coast. The wreckage of ''Vliegenthart'' remains undiscovered until 1981. * February 14 – The ''Order of St. Anna'' is established in Russia, in honor of the daughter of Peter the Great. * March 10 – The Russian Empire and Persia sign the Treaty of Ganja, with Russia ceding territories in the Caucasus mountains to Persia, and the two rivals forming a defensive alliance against the Ottoman Empire. * March 11 – Abraham Patras becomes the Governor-General of the Dutch East Indies (now Indonesia) upon the death of Dir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Netherlands Bach Society
The Netherlands Bach Society ( nl, Nederlandse Bachvereniging) is the oldest ensemble for Baroque music in the Netherlands, and possibly in the world. The ensemble was founded in 1921 in Naarden to perform Johann Sebastian Bach, Bach's ''St Matthew Passion'' on Good Friday and has performed the work annually since then in the Grote of Sint-Vituskerk (Great Church or St Vitus Church). From 1983 until 2018, Jos van Veldhoven was artistic director and conductor. Shunsuke Sato became artistic director on 1 June 2018. The ensemble is now 100 years old. Due to the 100 year landmark, the Society is publishing a new and freely accessible recording every two weeks, including HD video of all 1080 works of Johann Sebastian Bach, performed by members of the ensemble and guest musicians under the title ''All of Bach''. History Early years ''De Nederlandse Bachvereniging'' was officially founded on 13 September 1921. Johan Schoonderbeek was one of the founding members and the first conduct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
András Schiff
Sir András Schiff (; born 21 December 1953) is a Hungarian-born British classical pianist and conductor, who has received numerous major awards and honours, including the Grammy Award, Gramophone Award, Mozart Medal, and Royal Academy of Music Bach Prize, and was appointed Knight Bachelor in the 2014 Queen's Birthday Honours for services to music. He is also known for his public criticism of political movements in Hungary and Austria. Schiff is distinguished visiting professor of piano at the Barenboim–Said Akademie in Berlin, and the first artist-in-residence of the Israel Philharmonic Orchestra. Biography Schiff was born in Budapest to a Jewish family, the only child of two Holocaust survivors. He began piano lessons at age five, studying at the Franz Liszt Academy of Music in Budapest with Elisabeth Vadász, then with Pál Kadosa and Ferenc Rados. Of Rados, Schiff said, "There was never a positive word from him. Everything was bad, horrible. But it instilled a healthy a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classic FM (UK)
Classic FM (styled as CLASSIC M) is one of the United Kingdom's three Independent National Radio stations and is owned and operated by Global. The station broadcasts classical music and was launched in 1992. Classic FM was the first national classical music station to launch since the opening of BBC Radio 3, 25 years earlier, in September 1967, and 46 years since the opening of Radio 3's predecessor, The Third Programme, in September 1946. Until March 2019, when Scala Radio was launched, it was the only privately-owned classical music radio service broadcasting terrestrially in the UK; it is still, however, the only such service broadcasting on analogue FM radio. , the station has a weekly audience of 4.6million listeners. Overview Classic FM broadcasts nationally on FM, DAB digital radio, Freeview, satellite and cable television and is available internationally by streaming audio over the internet. It is the only Independent National Radio station to broadcast on FM alongs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Brendel
Alfred Brendel KBE (born 5 January 1931) is an Austrian classical pianist, poet, author, composer, and lecturer who is known particularly for his performances of Mozart, Schubert, Schoenberg, and Beethoven.Stephen Plaistow"Brendel, Alfred" ''Grove Music Online'', 2007. Retrieved 3 June 2007. Biography Brendel was born in Wizemberk, Czechoslovakia (now Loučná nad Desnou, Czech Republic) to a non-musical family. They moved to Zagreb, Yugoslavia (now Croatia), when Brendel was three years old and he began piano lessons there at the age of six with Sofija Deželić. He later moved to Graz, Austria, where he studied piano with Ludovica von Kaan at the Graz Conservatory and composition with Artur Michel. Towards the end of World War II, the 14-year-old Brendel was sent back to Yugoslavia to dig trenches. After the war, Brendel composed music as well as continued to play the piano, to write and to paint. However, he never had more formal piano lessons and, although he attended ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Malcolm (musician)
George John Malcolm CBE KSG (28 February 191710 October 1997) was an English pianist, organist, composer, harpsichordist, and conductor. Malcolm's first instrument was the piano, and his first teacher was a nun who recognised his talent and recommended him to the Royal College of Music at the age of seven, where he studied under Kathleen McQuitty FRCM until he was 19. He attended Wimbledon College, and went on to study at Balliol College, Oxford in the 1930s.Obituary . Retrieved 22 September 2014. During the |
Wanda Landowska
Wanda Aleksandra Landowska (5 July 1879 – 16 August 1959) was a Polish harpsichordist and pianist whose performances, teaching, writings and especially her many recordings played a large role in reviving the popularity of the harpsichord in the early 20th century. She was the first person to record Johann Sebastian Bach's ''Goldberg Variations'' on the harpsichord in 1933. She became a naturalized French citizen in 1938. Life and career Life in Europe left, alt=Polnische Frauen, Polnische Frau, femmes polonaises, Polish women,mujeres polacas, Leonid Pasternak. ''Concert of Wanda Landowska in Moscow'' (1907), a pastel from the Tretyakov Gallery. Landowska was born in Warsaw to Jewish parents. Her father was a lawyer, and her mother a linguist who translated Mark Twain into Polish. She began playing piano at the age of four, and studied at the Warsaw Conservatory with the senior Jan Kleczyński and Aleksander Michałowski. She was considered a child prodigy.Kottick, Edward L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relative Minor
In music, relative keys are the major and minor scales that have the same key signatures (enharmonically equivalent), meaning that they share all the same notes but are arranged in a different order of whole steps and half steps. A pair of major and minor scales sharing the same key signature are said to be in a relative relationship. The relative minor of a particular major key, or the relative major of a minor key, is the key which has the same key signature but a different tonic. (This is as opposed to ''parallel'' minor or major, which shares the same tonic.) For example, F major and D minor both have one flat in their key signature at B♭; therefore, D minor is the relative minor of F major, and conversely F major is the relative major of D minor. The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor scale. The minor key starts three semitones below its relative major; for example ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Minor
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major. The D natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D harmonic minor and melodic minor scales are: Music in D minor Of Domenico Scarlatti's 555 keyboard sonatas, 151 are in minor keys, and with 32 sonatas, D minor is the most often chosen minor key. ''The Art of Fugue'' by Johann Sebastian Bach is in D minor. Michael Haydn's only minor-key symphony, No. 29, is in D minor. According to Alfred Einstein, the history of tuning has led D minor to be associated with counterpoint and chromaticism (for example, the chromatic fourth), and cites Bach's ''Chromatic Fantasia and Fugue'' in D minor. Mozart's Requiem is written primarily in D minor, as are the famous Queen of the Night Aria, "Der ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arioso
In classical music, arioso (also aria parlante ) is a category of solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means ''airy''. The term arose in the 16th century along with the aforementioned styles and monody. It is commonly confused with recitativo accompagnato. Arioso is similar to recitative due to its unrestrained structure and inflexions, close to those of speech. It differs, however, in its rhythm. Arioso is similar to aria in its melodic form, both being closer to singing than recitative; however, they differ in form, arioso generally not resorting to the process of repetition. Well-known examples At the start of the finale in the first act of Mozart's ''The Magic Flute'', the andante of the priest (''Sprecher'') "''Sobald dich führt der Freundschaft Hand ins Heiligtum zum ew'gen Band''" is an example of arioso. "''Amor ti vieta''", sung by Loris at Giordano's ''Fedora'' could be a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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