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Johann Friedrich Agricola
Johann Friedrich Agricola (4 January 1720 – 2 December 1774) was a German composer, organist, singer, pedagogue, and writer on music. He sometimes wrote under the pseudonym Flavio Anicio Olibrio. Biography Agricola was born in Dobitschen, Thuringia. Leipzig While a student of law at Leipzig (1738–41) he studied music under Johann Sebastian Bach.Philipp Spitta. '' Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750''. Novello & Co. 1899III, p. 243/ref> Berlin In 1741 Agricola went to Berlin, where he studied musical composition under Johann Joachim Quantz. He was soon generally recognized as one of the most skillful organists of his time. The success of his comic opera, ''Il filosofo convinto in amore'', performed at Potsdam in 1750, led to an appointment as court composer to Frederick the Great. In 1759, on the death of Carl Heinrich Graun, he was appointed conductor of the royal orchestra. He married the noted court operatic soprano Benede ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organist
An organist is a musician who plays any type of organ (music), organ. An organist may play organ repertoire, solo organ works, play with an musical ensemble, ensemble or orchestra, or accompany one or more singers or instrumentalist, instrumental soloists. In addition, an organist may accompany congregational hymn-singing and play liturgy, liturgical music. Classical and church organists The majority of organists, amateur and professional, are principally involved in church music, playing in churches and cathedrals. The pipe organ still plays a large part in the leading of traditional western Christian worship, with roles including the accompaniment of hymns, choral anthems and other parts of the worship. The degree to which the organ is involved varies depending on the church and denomination. It also may depend on the standard of the organist. In more provincial settings, organists may be more accurately described as pianists obliged to play the organ for worship services; nev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Digital
Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of Bach family, his family. Early manuscripts of such compositions are a major focus of the website, which provides access to high-resolution digitized versions of many of these. Scholarship on manuscripts and versions of compositions is summarized on separate pages, with references to scholarly sources and editions. The database portal has been online since 2010. History In 2000, two years after Uwe Wolf (musicologist), Uwe Wolf had suggested the possibility of supporting the publication of the New Bach Edition (NBE) with digital media, a project named Bach Digital started as an initiative of the Internationale Bachakademie Stuttgart, but without direct involvement of the then editor of the NBE, the Johann Sebastian Bach Institute in Göttingen. After four years the project remained unconvincing: it lagge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Nell'Indie (Metastasio)
''Alessandro nell'Indie'' () is a libretto in three acts by Pietro Metastasio. It was set to music around ninety times firstly by Leonardo Vinci, whose version premiered in Rome on 2 January 1730. The libretto was the fourth of five that Metastasio wrote for the Teatro delle Dame in Rome between 1727 and 1730. The work was dedicated to the Stuart pretender to the British throne, James Francis Edward Stuart, then resident in Rome. ''Alessandro nell'Indie'' became Metastasio's second most popular work, after ''Artaserse''. Both were written for the Rome carnival season Synopsis The libretto tells the story of the Indian campaign of Alexander the Great and his defeat of king Porus in 326 BCE at the Battle of the Hydaspes. After the battle the two kings were reconciled and Alexander left Porus as ruler of his kingdom. The action takes place on the banks of the Hydaspes, where Alexander's camp stands on one side of the river and the residence of Cleofide on the other. Roles * ''A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Well-Tempered Clavier
''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of instruments, most typically the harpsichord or clavichord, but not excluding the organ. The modern German spelling for the collection is ' (WTK; ). Bach gave the title ' to a book of preludes and fugues in all 24 keys, major and minor, dated 1722, composed "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study". Some 20 years later, Bach compiled a second book of the same kind (24 pairs of preludes and fugues), which became known as ''The Well-Tempered Clavier'', Part Two (in German: ''Zweyter Theil'', modern spelling: ''Zweiter Teil''). Modern editions usually refer to both parts as ''The Well-Tempered Clavier, Book I'' (WTC I) and ''The Well-Tempered C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard D
Richard is a male given name. It originates, via Old French, from Old Frankish and is a compound of the words descending from Proto-Germanic ''*rīk-'' 'ruler, leader, king' and ''*hardu-'' 'strong, brave, hardy', and it therefore means 'strong in rule'. Nicknames include "Richie", "Dick", "Dickon", " Dickie", "Rich", "Rick", "Rico", "Ricky", and more. Richard is a common English, German and French male name. It's also used in many more languages, particularly Germanic, such as Norwegian, Danish, Swedish, Icelandic, and Dutch, as well as other languages including Irish, Scottish, Welsh and Finnish. Richard is cognate with variants of the name in other European languages, such as the Swedish "Rickard", the Catalan "Ricard" and the Italian "Riccardo", among others (see comprehensive variant list below). People named Richard Multiple people with the same name * Richard Andersen (other) * Richard Anderson (other) * Richard Cartwright (other) * Ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lute-harpsichord
The lautenwerck (also spelled lautenwerk), alternatively called lute-harpsichord (lute-clavier) or keyboard lute, is a European keyboard instrument of the Baroque period. It is similar to a harpsichord, but with gut (sometimes Nylon) rather than metal strings (except for the 4 ft Register on some instruments), producing a mellow tone. The instrument was favored by J. S. Bach, who owned two of the instruments at the time of his death, but no specimens from the eighteenth century have survived to the present day. It has been revived since the twentieth century by harpsichord makers Willard Martin, Keith Hill, and Steven Sorli. Two of its most prominent performers are the early music Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical m ... specialists Gergely Sárközy and Robert Hill. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottfried Silbermann
Gottfried Silbermann (January 14, 1683 – August 4, 1753) was a German builder of keyboard instruments. He built harpsichords, clavichords, organs, and fortepianos; his modern reputation rests mainly on the latter two. Life Very little is known about Silbermann's youth. He was born in Kleinbobritzsch (now a part of Frauenstein, Saxony) as the youngest son of the carpenter Michael Silbermann. They moved to the nearby town of Frauenstein in 1685, and it is possible that Gottfried also learnt carpentry there. He moved to Straßburg in 1702, where he learnt organ construction from his brother and came in touch with the French-Alsatian school of organ construction. He returned to Saxony as a master craftsman in 1710, and opened his own organ workshop in Freiberg one year later. His second project in Germany was the "Grand Organ" in the Freiberg Cathedral of St. Mary, finished in 1714. In 1723 he was bestowed the title ''Königlich Polnischen und Churfürstlich Sächsischen Hof- und ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortepiano
A fortepiano , sometimes referred to as a pianoforte, is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1698 up to the early 19th century. Most typically, however, it is used to refer to the mid-18th to early-19th century instruments for which composers of the Classical era, especially Haydn, Mozart, and the younger Beethoven wrote their piano music. Starting in Beethoven's time, the fortepiano began a period of steady evolution, culminating in the late 19th century with the modern grand. The earlier fortepiano became obsolete and was absent from the musical scene for many decades. In the 20th century the fortepiano was revived, following the rise of interest in historically informed performance. Fortepianos are built for this purpose in specialist workshops. Construction The fortepiano has leather-covered hammers and thin, harpsichord-like strings. It has a much lighter case ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musica Mechanica Organoedi
Friedrich Wilhelm Birnstiel was an 18th-century German music publisher known for publishing two volumes of four-part chorales by Johann Sebastian Bach in the 1760s., ''Johann Sebastian Bachs vierstimmige Choralgesänge, gesammlet von Carl Philipp Emanuel Bach''. Publications Friedrich Wilhelm Birnstiel was active as a publisher and editor of music between 1753 and 1782. ''Oden mit Melodien'' ''Oden mit Melodien'' (odes with melodies) was published in two volumes: * Vol. 1 (1753, reprinted 1761) * Vol. 2 (1755) The volumes contained works by Johann Friedrich Agricola, Carl Philipp Emanuel Bach, Johann Christian Bach, Franz Benda, Carl Friedrich Christian Fasch, Johann Gottlieb Graun, Carl Heinrich Graun, Johann Philipp Kirnberger, Christian Gottfried Krause, Friedrich Wilhelm Marpurg, Christoph Nichelmann and Johann Joachim Quantz. Libretto of Graun's ''Der Tod Jesu'' cantata In 1755 Birnstiel published Karl Wilhelm Ramler's libretto of Carl Heinrich Graun's cantata ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jakob Adlung
Jakob Adlung, or Adelung, (14 January 1699 – 5 July 1762) was a German organist, teacher, instrument maker, music historian, composer and music theorist. Biography He was born in Bindersleben, near Erfurt, to David Adlung, an organist and his first teacher, and the former Dorothea Elisabetha Meuerin, from Tondorf. He attended the St. Andreas lower school in Erfurt from 1711, moving on to the Erfurt Gymnasium in 1713, during which time he lived in the household of Christian Reichardt, who also taught him organ. He studied philosophy, philology, and theology at the University of Jena from 1723 to 1726, where he studied the organ further with Johann Nikolaus Bach. At this time, he became friends with Johann Gottfried Walther in Weimar, and borrowed his works on music theory; he later wrote some books on the subject, most of which were destroyed, along with his house, in a fire in 1736. He returned to Erfurt in 1737 where he succeeded Johann Heinrich Buttstedt as organist of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pier Francesco Tosi
Pier Francesco Tosi (c. 16531732) was a castrato singer, composer, and writer on music. His ''Opinoni de' cantori antichi e moderni...'' was the first full-length treatise on singing and provides a unique glimpse into the technical and social aspects of Baroque vocal music. Life and career Tosi was born in Cesena, Italy in 1653 or 1654. There is a disagreement among sources whether he was the son of composer Giuseppe Felice Tosi. He was castrated before puberty to preserve his high voice. While it is not known where he received his rudimentary music training, he sang at a church in Rome from 1676 to 1677 and at the Milan cathedral from 1681 until 1685, when he was dismissed for “misconduct.” Thereafter, he made his one recorded appearance in opera at Reggio nell’Emilia in 1687 (in Varischino’s ''Odoacre'') and was based for a time in Genoa. In 1693 Tosi relocated to London where he took on singing students and sang in weekly public concerts. In 1701 he entered into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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