Sea Tails
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Sea Tails
''Sea Tails'' (1983) is a video installation created as a collaboration between video artist Molly Davies, French artist Jackie Matisse, and composer David Tudor.Sea Tails: A Video Collaboration – July 13 – September 26, 2004 at the Getty Center
, ''Getty.edu''.
Matisse created four various kites, Davies filmed them being 'flown' underwater (drug behind a boat in the Bahamas near Nassau) for eight days, and Tudor simultaneously recorded sound below and above deck, later layered,
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Video Installation
Video installation is a contemporary art form that combines video technology with installation art, making use of all aspects of the surrounding environment to affect the audience. Tracing its origins to the birth of video art in the 1970s, it has increased in popularity as digital video production technology has become more readily accessible. Today, video installation is ubiquitous and visible in a range of environments—from galleries and museums to an expanded field that includes site-specific art, site-specific work in urban or industrial landscapes. Popular formats include monitor work, projection, and performance. The only requirements are electricity and darkness. One of the main strategies used by video-installation artists is the incorporation of the space as a key element in the narrative structure. This way, the well-known linear cinematic narrative is spread throughout the space creating an immersive ambient. In this situation, the viewer plays an active role as he/she ...
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Collaboration
Collaboration (from Latin ''com-'' "with" + ''laborare'' "to labor", "to work") is the process of two or more people, entities or organizations working together to complete a task or achieve a goal. Collaboration is similar to cooperation. Most collaboration requires leadership, although the form of leadership can be social within a decentralized and egalitarian group.Spence, Muneera U. ''"Graphic Design: Collaborative Processes = Understanding Self and Others."'' (lecture) Art 325: Collaborative Processes. Fairbanks Hall, Oregon State University, Corvallis, Oregon. 13 April 2006See also. Teams that work collaboratively often access greater resources, recognition and rewards when facing competition for finite resources. Caroline S. Wagner and Loet Leydesdorff. Globalisation in the network of science in 2005: The diffusion of international collaboration and the formation of a core group.'' Structured methods of collaboration encourage introspection of behavior and communication. ...
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Video Art
Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works streamed online, distributed as video tapes, or DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds. Video art is named for the original analog video tape, which was the most commonly used recording technology in much of the form history into the 1990s. With the advent of digital recording equipment, many artists began to explore digital technology as a new way of expression. One of the key differences between video art and theatrical cinema is that video art does not necessarily rely on many of the conventions that define t ...
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Molly Davies (videographer)
Molly Davies is a videographer or video artist. She has collaborated with John Cage, David Tudor, Takehisa Kosugi, Lou Harrison, Michael Nyman, Alvin Curran, Fred Frith, Suzushi Hanayagi, Sage Cowles, Polly Motley Polly is a given name, most often feminine, which originated as a variant of Molly (a diminutive of Mary). Polly may also be a short form of names such as Polina, Polona, Paula or Paulina. People named or nicknamed Polly Female *Caresse Crosby ..., Jackie Matisse, and Anne Carson. Examples of her work include her collaboration with David Tudor and Jackie Matisse, '' Sea Tails''. She is on the board of directors of the non-profit, multi-disciplinary art and performance space, The Kitchen. Her works in the field of film, multimedia and video installations have been presented at festivals and museums around the world. Sources External links *Kourlas, Gia (June 9, 2009).Dance Review: Molly Davies: Celebrating the Process More Than the Product, ''NYTimes.co ...
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Jackie Matisse
Jackie Matisse (1931 – 17 May 2021), also known as Jaqueline Matisse Monnier, was a French artist. She was born in Neuilly-sur-Seine, the eldest of the three children of Pierre Matisse and Alexina Duchamp. For a time she was married to the French banker, Bernard Monnier.Kuhn, Laura (ed.) (2016)''The Selected Letters of John Cage'' p. 355. Wesleyan University Press. The Getty Research Institute/ref> Matisse has been described as "ever the kiteflying reatingpioneer," "renowned for her kites." She also worked in supercomputing and virtual reality. She befriended at school the artist Niki de Saint Phalle and they were lifelong friends. One example of her work is her collaboration with David Tudor and Molly Davies Molly Davies is a British playwright originally from Norfolk but now living in London. A graduate of the University of Kent at Canterbury, she is currently writing and works part-time as a teacher. Davies is a product of the Royal Court Theat ..., '' Sea Tail ...
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David Tudor
David Eugene Tudor (January 20, 1926 – August 13, 1996) was an American pianist and composer of experimental music. Life and career Tudor was born in Philadelphia, Pennsylvania. He studied piano with Irma Wolpe and composition with Stefan Wolpe and became known as one of the leading performers of avant garde piano music. He gave the first American performance of the '' Piano Sonata No. 2'' by Pierre Boulez in 1950, and a European tour in 1954 greatly enhanced his reputation. Karlheinz Stockhausen dedicated his ''Klavierstück VI'' (1955) to Tudor. Tudor also gave early performances of works by Morton Feldman, Earle Brown, Christian Wolff and La Monte Young. The composer with whom Tudor is particularly associated is John Cage; he gave the premiere of Cage's ''Music of Changes'', ''Concert For Piano and Orchestra'' and the notorious ''4' 33"''. Cage said that many of his pieces were written either specifically for Tudor to perform or with him in mind, once stating "what you ...
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Kite
A kite is a tethered heavier than air flight, heavier-than-air or lighter-than-air craft with wing surfaces that react against the air to create Lift (force), lift and Drag (physics), drag forces. A kite consists of wings, tethers and anchors. Kites often have a bridle and tail to guide the face of the kite so the wind can lift it. Some kite designs don’t need a bridle; box kites can have a single attachment point. A kite may have fixed or moving anchors that can balance the kite. The name is derived from kite (bird), kite, the hovering bird of prey. The Lift (force), lift that sustains the kite in flight is generated when air moves around the kite's surface, producing low pressure above and high pressure below the wings. The interaction with the wind also generates horizontal Drag (physics), drag along the direction of the wind. The resultant force vector from the lift and drag force components is opposed by the tension of one or more of the rope, lines or tethers to which t ...
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Sound Recording
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to a ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Magnetic Tape
Magnetic tape is a medium for magnetic storage made of a thin, magnetizable coating on a long, narrow strip of plastic film. It was developed in Germany in 1928, based on the earlier magnetic wire recording from Denmark. Devices that use magnetic tape could with relative ease record and playback audio, visual, and binary computer data. Magnetic tape revolutionized sound recording and reproduction and broadcasting. It allowed radio, which had always been broadcast live, to be recorded for later or repeated airing. Since the early 1950s, magnetic tape has been used with computers to store large quantities of data and is still used for backup purposes. Magnetic tape begins to degrade after 10–20 years and therefore is not an ideal medium for long-term archival storage. Durability While good for short-term use, magnetic tape is highly prone to disintegration. Depending on the environment, this process may begin after 10–20 years. Over time, magnetic tape made in the 197 ...
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Computer Monitor
A computer monitor is an output device that displays information in pictorial or textual form. A discrete monitor comprises a visual display, support electronics, power supply, housing, electrical connectors, and external user controls. The display in modern monitors is typically an LCD with LED backlight, having by the 2010s replaced CCFL backlit LCDs. Before the mid- 2000s, most monitors used a CRT. Monitors are connected to the computer via DisplayPort, HDMI, USB-C, DVI, VGA, or other proprietary connectors and signals. Originally, computer monitors were used for data processing while television sets were used for video. From the 1980s onward, computers (and their monitors) have been used for both data processing and video, while televisions have implemented some computer functionality. In the 2000s, the typical display aspect ratio of both televisions and computer monitors has changed from 4:3 to 16:9. Modern computer monitors are mostly interchangeable with television ...
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Studio Monitor
Studio monitors are loudspeakers in speaker enclosures specifically designed for professional audio production applications, such as recording studios, filmmaking, television studios, radio studios and project or home studios, where accurate audio reproduction is crucial. Among audio engineers, the term ''monitor'' implies that the speaker is designed to produce relatively flat (linear) phase and frequency responses. In other words, it exhibits minimal emphasis or de-emphasis of particular frequencies, the loudspeaker gives an accurate reproduction of the tonal qualities of the source audio ("uncolored" or "transparent" are synonyms), and there will be no relative phase shift of particular frequencies—meaning no distortion in sound-stage perspective for stereo recordings. Beyond stereo sound-stage requirements, a linear phase response helps impulse response remain true to source without encountering "smearing". An unqualified reference to a ''monitor'' often refers to a ''ne ...
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