video
Video is an electronic medium for the recording, copying, playback, broadcasting, and display of moving visual media. Video was first developed for mechanical television systems, which were quickly replaced by cathode-ray tube (CRT) syst ...
technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are
broadcast
Broadcasting is the distribution of audio or video content to a dispersed audience via any electronic mass communications medium, but typically one using the electromagnetic spectrum ( radio waves), in a one-to-many model. Broadcasting began ...
; installations viewed in galleries or museums; works streamed online, distributed as
video tape
Videotape is magnetic tape used for storing video and usually sound in addition. Information stored can be in the form of either an analog or digital signal. Videotape is used in both video tape recorders (VTRs) and, more commonly, videocassett ...
s, or
DVD
The DVD (common abbreviation for Digital Video Disc or Digital Versatile Disc) is a digital optical disc data storage format. It was invented and developed in 1995 and first released on November 1, 1996, in Japan. The medium can store any kind ...
s; and
performances
A performance is an act of staging or presenting a play, concert, or other form of entertainment. It is also defined as the action or process of carrying out or accomplishing an action, task, or function.
Management science
In the work place ...
which may incorporate one or more
television set
A television set or television receiver, more commonly called the television, TV, TV set, telly, tele, or tube, is a device that combines a tuner, display, and loudspeakers, for the purpose of viewing and hearing television broadcasts, or using ...
s,
video monitor
A display device is an output device for presentation of information in visual or tactile form (the latter used for example in tactile electronic displays for blind people). When the input information that is supplied has an electrical signal the ...
s, and projections, displaying live or recorded images and sounds.
Video art is named for the original analog
video tape
Videotape is magnetic tape used for storing video and usually sound in addition. Information stored can be in the form of either an analog or digital signal. Videotape is used in both video tape recorders (VTRs) and, more commonly, videocassett ...
, which was the most commonly used recording technology in much of the form history into the 1990s. With the advent of digital recording equipment, many artists began to explore digital technology as a new way of expression.
One of the key differences between video art and theatrical cinema is that video art does not necessarily rely on many of the conventions that define theatrical cinema. Video art may not employ the use of
actor
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), li ...
s, may contain no dialogue, may have no discernible
narrative
A narrative, story, or tale is any account of a series of related events or experiences, whether nonfictional (memoir, biography, news report, documentary, travel literature, travelogue, etc.) or fictional (fairy tale, fable, legend, thriller (ge ...
or
plot
Plot or Plotting may refer to:
Art, media and entertainment
* Plot (narrative), the story of a piece of fiction
Music
* ''The Plot'' (album), a 1976 album by jazz trumpeter Enrico Rava
* The Plot (band), a band formed in 2003
Other
* ''Plot' ...
, and may not adhere to any of the other conventions that generally define
motion picture
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere ...
s as entertainment. This distinction also distinguishes video art from cinema's subcategories such as avant garde cinema, short films, or
experimental film
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, parti ...
.
Early history
Nam June Paik
Nam June Paik (; July 20, 1932 – January 29, 2006) was a Korean American artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super h ...
, a Korean-American artist who studied in Germany, is widely regarded as a pioneer in video art. In March 1963
Nam June Paik
Nam June Paik (; July 20, 1932 – January 29, 2006) was a Korean American artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super h ...
showed at the Galerie Parnass in
Wuppertal
Wuppertal (; "''Wupper Dale''") is, with a population of approximately 355,000, the seventh-largest city in North Rhine-Westphalia as well as the 17th-largest city of Germany. It was founded in 1929 by the merger of the cities and tow ...
the ''Exposition of Music – Electronic Television''. In May 1963
Wolf Vostell
Wolf Vostell (14 October 1932 – 3 April 1998) was a German painter and sculptor, considered one of the early adopters of video art and installation art and pioneer of Happenings and Fluxus. Techniques such as blurring and Dé-coll/age are c ...
showed the
installation
Installation may refer to:
* Installation (computer programs)
* Installation, work of installation art
* Installation, military base
* Installation, into an office, especially a religious (Installation (Christianity) Installation is a Christian li ...
''6 TV Dé-coll/age'' at the
Smolin Gallery
The Smolin Gallery was an avant-garde art venue and gallery on 57th Street in New York City, at its peak in the 1960s. It was known for its involvement with installation art, performance art and experimental art, and was best known for the Allan K ...
in New York and created the video ''Sun in your head'' in Cologne. Originally ''Sun in your head'' was made on 16mm film and transferred 1967 to videotape.
Video art is often said to have begun when Paik used his new
Sony
, commonly stylized as SONY, is a Japanese multinational conglomerate corporation headquartered in Minato, Tokyo, Japan. As a major technology company, it operates as one of the world's largest manufacturers of consumer and professional ...
Portapak
A Portapak is a battery-powered, self-contained video tape analog recording system. Introduced to the market in 1967, it could be carried and operated by one person.
Earlier television cameras were large and heavy, required a specialized vehicle ...
to shoot footage of
Pope Paul VI
Pope Paul VI ( la, Paulus VI; it, Paolo VI; born Giovanni Battista Enrico Antonio Maria Montini, ; 26 September 18976 August 1978) was head of the Catholic Church and sovereign of the Vatican City State from 21 June 1963 to his death in Augus ...
's procession through
New York City
New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the L ...
in the autumn of 1965 Later that same day, across town in a
Greenwich Village
Greenwich Village ( , , ) is a neighborhood on the west side of Lower Manhattan in New York City, bounded by 14th Street to the north, Broadway to the east, Houston Street to the south, and the Hudson River to the west. Greenwich Village ...
cafe, Paik played the tapes and video art was born.
Prior to the introduction of consumer video equipment, moving image production was only available non-commercially via
8mm film 8 mm or 8mm may refer to:
;Film technology
*8 mm film, a photographic cine film format principally intended for domestic use. The term may also refer to later variants:
** Super 8 mm film
** Single-8 film
** 8 mm video format, a type of video recor ...
and 16mm film. After the Portapak's introduction and its subsequent update every few years, many artists began exploring the new technology.
Many of the early prominent video artists were those involved with concurrent movements in conceptual art, performance, and experimental film. These include Americans
Vito Acconci
Vito Acconci (, ; January 24, 1940 – April 27, 2017) was an influential American performance, video and installation artist, whose diverse practice eventually included sculpture, architectural design, and landscape design. His foundational p ...
,
Valie Export
Valie Export (often stylized as 'VALIE EXPORT'; born 17 May 1940) is an avant-garde Austrian artist. She is best known for provocative public performances and expanded cinema work. Her artistic work also includes video installations, computer an ...
,
John Baldessari
John Anthony Baldessari (June 17, 1931 – January 2, 2020) was an American conceptual artist known for his work featuring found photography and appropriated images. He lived and worked in Santa Monica and Venice, California.
Initially a painter ...
,
Peter Campus
Peter Campus (born 1937 in New York, NY), often styled as peter campus, is an American artist and a pioneer of new media and video art, known for his interactive video installations, single-channel video works, and photography. His work is held ...
,
Doris Totten Chase
Doris Totten Chase (29 April 1923 – 13 December 2008) was an American painter, teacher, and sculptor. She was a member of the Northwest School. Chase had a substantial career as a painter and sculptor before she set off for New York, where sh ...
,
Maureen Connor
Maureen Connor (born 1947) is an American artist who creates installations and videos dealing with human resources and social justice. She is known internationally for her work from the 1980s to the present, which focuses on gender and its modes ...
,
Norman Cowie
Norman Cowie is a video artist and writer in Los Angeles.
Some of his productions include: ''Signal to Noise: Life with Television'' (Co-Director; 1996), ''The Third Wave'', ''Miss Menu's Interactive World'', ''Poison Ivy'' (1995), ''Mr. Rogers G ...
,
Dimitri Devyatkin
Dimitri Devyatkin (born July 31, 1949) is an American director, producer, screenwriter, video artist, and journalist. Devyatkin uses elements of humor, art and new technology in his work. He is known as one of the first video makers to combine a ...
,
Frank Gillette
Frank Gillette (born in 1941) is an American video and installation artist. Interested in the empirical observation of natural phenomena, his early work integrated the viewer's image with prerecorded information. He has been described as a "pion ...
,
Dan Graham
Daniel Graham (March 31, 1942 – February 19, 2022) was an American visual artist, writer, and curator in the writer-artist tradition. In addition to his visual works, he published a large array of critical and speculative writing that spanned ...
,
Gary Hill
Gary Hill (born April 4, 1951) is an American artist who lives and works in Seattle, Washington. Often viewed as one of the foundational artists in video art, based on the single-channel work and video- and sound-based installations of the 1970s ...
,
Joan Jonas
Joan Jonas (born July 13, 1936) is an American visual artist and a pioneer of video and performance art, and one of the most important artists to emerge in the late 1960s and early 1970s.Bruce Nauman
Bruce Nauman (born December 6, 1941) is an American artist. His practice spans a broad range of media including sculpture, photography, neon, video, drawing, printmaking, and performance. Nauman lives near Galisteo, New Mexico.
Life and work ...
,
Nam June Paik
Nam June Paik (; July 20, 1932 – January 29, 2006) was a Korean American artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super h ...
,
Bill Viola
Bill Viola ( , ; born 1951) is an American contemporary video artist whose artistic expression depends upon electronic, sound, and image technology in new media. His works focus on the ideas behind fundamental human experiences such as birth, d ...
,
Shigeko Kubota
(2 August 1937 – 23 July 2015) was a Japanese video artist, sculptor and avant-garde performance artist, who mostly lived in New York City. She was one of the first artists to adopt the portable video camera Sony Portapak in 1970, likening it ...
,
Martha Rosler
Martha Rosler (born 1943) is an American artist. She is a conceptual artist who works in photography and photo text, video, installation, sculpture, and performance, as well as writing about art and culture. Rosler's work is centered on everyday ...
, William Wegman, and many others. There were also those such as Steina and Woody Vasulka who were interested in the formal qualities of video and employed video synthesizers to create abstract works. Kate Craig,
Vera Frenkel
Vera Frenkel D. Litt (born November 10, 1938) is a Canadian multidisciplinary artist based in Toronto. Her installations, videotapes, performances and new media projects address the forces at work in human migration, the learning and unlearning ...
and
Michael Snow
Michael Snow (born December 10, 1928) is a Canadian artist working in a range of media including film, installation, sculpture, photography, and music. His best-known films are '' Wavelength'' (1967) and '' La Région Centrale'' (1971), with the ...
were important to the development of video art in Canada.
In the 1970s
Much video art in the medium's heyday experimented formally with the limitations of the video format. For example, American artist
Peter Campus
Peter Campus (born 1937 in New York, NY), often styled as peter campus, is an American artist and a pioneer of new media and video art, known for his interactive video installations, single-channel video works, and photography. His work is held ...
' ''Double Vision'' combined the video signals from two Sony
Portapak
A Portapak is a battery-powered, self-contained video tape analog recording system. Introduced to the market in 1967, it could be carried and operated by one person.
Earlier television cameras were large and heavy, required a specialized vehicle ...
s through an electronic mixer, resulting in a distorted and radically dissonant image. Another representative piece,
Joan Jonas
Joan Jonas (born July 13, 1936) is an American visual artist and a pioneer of video and performance art, and one of the most important artists to emerge in the late 1960s and early 1970s.Vertical Roll'', involved recording previously-recorded material of Jonas dancing while playing the videos back on a television, resulting in a layered and complex representation of mediation.
Much video art in the United States was produced out of New York City, with
The Kitchen
The Kitchen is a non-profit, multi-disciplinary avant-garde performance and experimental art institution located at 512 West 19th Street, between Tenth and Eleventh Avenues in the Chelsea neighborhood of Manhattan, New York City. It was foun ...
Dimitri Devyatkin
Dimitri Devyatkin (born July 31, 1949) is an American director, producer, screenwriter, video artist, and journalist. Devyatkin uses elements of humor, art and new technology in his work. He is known as one of the first video makers to combine a ...
and
Shridhar Bapat
Shridhar Bapat (born 1948) was an Indian video artist and key figure in the New York City's downtown video art scene in the 1970s. Bapat's artworks were screened at the MoMA PS1, Whitney Museum of American Art, The Kitchen, and the Mudd Club. He a ...
), serving as a nexus for many young artists. An early multi-channel video art work (using several monitors or screens) was '' Wipe Cycle'' by
Ira Schneider
Ira Schneider (1939 – August 17, 2022)Happe, Uli (2004). Ira Schneider: If Something Interested Me I Filmed It'. YouTube. was an American video artist. He has been living and working in Berlin since 1993 until his return to the US in 2021.
__TOC ...
and
Frank Gillette
Frank Gillette (born in 1941) is an American video and installation artist. Interested in the empirical observation of natural phenomena, his early work integrated the viewer's image with prerecorded information. He has been described as a "pion ...
. ''Wipe Cycle'' was first exhibited at the Howard Wise Gallery in New York in 1969 as part of an exhibition titled "TV as a Creative Medium". An installation of nine television screens, ''Wipe Cycle'' combined live images of gallery visitors, found footage from commercial television, and shots from pre-recorded tapes. The material was alternated from one monitor to the next in an elaborate choreography.
On the West coast, the San Jose State television studios in 1970,
Willoughby Sharp
Willoughby Sharp (January 23, 1936 – December 17, 2008) was an American artist, independent curator, independent publisher (he was co-founder and co-editor of Avalanche Magazine with Liza Béar), gallerist, teacher, author, and telecom activist ...
began the "Videoviews" series of videotaped dialogues with artists. The "Videoviews" series consists of Sharps’ dialogues with
Bruce Nauman
Bruce Nauman (born December 6, 1941) is an American artist. His practice spans a broad range of media including sculpture, photography, neon, video, drawing, printmaking, and performance. Nauman lives near Galisteo, New Mexico.
Life and work ...
(1970),
Joseph Beuys
Joseph Heinrich Beuys ( , ; 12 May 1921 – 23 January 1986) was a German artist, teacher, performance artist, and art theorist whose work reflected concepts of humanism, sociology, and anthroposophy. He was a founder of a provocative art mov ...
(1972),
Vito Acconci
Vito Acconci (, ; January 24, 1940 – April 27, 2017) was an influential American performance, video and installation artist, whose diverse practice eventually included sculpture, architectural design, and landscape design. His foundational p ...
(1973),
Chris Burden
Christopher Lee Burden (April 11, 1946 – May 10, 2015) was an American artist working in performance, sculpture and installation art. Burden became known in the 1970s for his performance art works, including ''Shoot'' (1971), where he arranged ...
(1973),
Lowell Darling
Lowell Darling is an American conceptual artist most notable for a series of performances in the 1970s that included nailing cities to the earth, conducting "urban acupuncture" by placing oversize needles in the ground, and stitching up the San A ...
(1974), and
Dennis Oppenheim
Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist, performance artist, earth artist, sculptor and photographer. Dennis Oppenheim's early artistic practice is an epistemological questioning about the natu ...
(1974). Also in 1970, Sharp curated "Body Works", an exhibition of video works by
Vito Acconci
Vito Acconci (, ; January 24, 1940 – April 27, 2017) was an influential American performance, video and installation artist, whose diverse practice eventually included sculpture, architectural design, and landscape design. His foundational p ...
,
Terry Fox
Terrance Stanley Fox (July 28, 1958 June 28, 1981) was a Canadian athlete, humanitarian, and cancer research activist. In 1980, with one leg having been amputated due to cancer, he embarked on an east-to-west cross-Canada run to raise money ...
,
Richard Serra
Richard Serra (born November 2, 1938) is an American artist known for his large-scale sculptures made for site-specific landscape, Urban area, urban, and Architecture, architectural settings. Serra's sculptures are notable for their material q ...
,
Keith Sonnier
Keith Sonnier (July 31, 1941 – July 18, 2020) was a postminimalist sculptor, performance artist, video and light artist. Sonnier was one of the first artists to use light in sculpture in the 1960s. With his use of neon in combination with epheme ...
,
Dennis Oppenheim
Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist, performance artist, earth artist, sculptor and photographer. Dennis Oppenheim's early artistic practice is an epistemological questioning about the natu ...
Valie Export
Valie Export (often stylized as 'VALIE EXPORT'; born 17 May 1940) is an avant-garde Austrian artist. She is best known for provocative public performances and expanded cinema work. Her artistic work also includes video installations, computer an ...
's groundbreaking video piece, "Facing a Family" (1971) was one of the first instances of television intervention and broadcasting video art. The video, originally broadcast on the Austrian television program "Kontakte" February 2, 1971, 1shows a bourgeois Austrian family watching TV while eating dinner, creating a mirroring effect for many members of the audience who were doing the same thing. Export believed the television could complicate the relationship between subject, spectator, and television. In the United Kingdom David Hall's "TV Interruptions" (1971) were transmitted intentionally unannounced and uncredited on Scottish TV, the first artist interventions on British television.
1980s-1990s
As the prices of editing software decreased, the access the general public had to utilize these technologies increased. Video editing software became so readily available that it changed the way digital media artists and video artists interacted with the mediums. Different themes emerged and were explored in the artists work, such as interactivity and nonlinearity. Criticisms of the editing software focused on the freedom that was created for the artists through the technology, but not for the audience. Some artists combined physical and digital techniques to allow their audience to physically explore the digital work. An example of this is Jeffrey Shaw's "Legible City" (1988–91). In this piece the "audience" rides a stationary bicycle through a virtual images of Manhattan, Amsterdam, and Karlsrule. The images change depending on the direction of the bike handles, and the speed of the pedaler. This created a unique virtual experience for every participant.
After 2000
As technology and editing techniques have evolved since the emergence of video as an art form, artists have been able to experiment more with video art without using any of their own content.
Marco Brambilla
Marco Brambilla (born 25 September 1960) is an Italian-born Canadian contemporary artist and film director, known for re-contextualizations of popular and found imagery, and use of 3D imaging technologies in public installations and video art.
Hi ...
's ''Civilization'' (2008) shows this technique. Brambilla attempts to make a video version of a collage, or a "video mural" by combining various clips from movies, and editing them to portray heaven and hell.
There are artists today who have changed the way video art is perceived and viewed. In 2003,
Kalup Linzy
Kalup Linzy (born July 23, 1977) is an American video and performance artist who currently lives and works in Tulsa, OK. His performance are characterized by their low-tech quality, themes of community, socializing, family, the church, sexuality a ...
created ''Conversations Wit De Churen II: All My Churen'', a soap opera satire that has been credited as creating the video and performance sub-genre Although Linzy's work is genre defying his work has been a major contribution to the medium.
Ryan Trecartin
Ryan Trecartin (born 1981) is an American artist and filmmaker currently based in Athens, Ohio. He studied at the Rhode Island School of Design, graduating with a BFA in 2004. Trecartin has since lived and worked in New Orleans, Los Angeles, Ph ...
, and experimental young video-artist, uses color, editing techniques and bizarre acting to portray what
The New Yorker
''The New Yorker'' is an American weekly magazine featuring journalism, commentary, criticism, essays, fiction, satire, cartoons, and poetry. Founded as a weekly in 1925, the magazine is published 47 times annually, with five of these issues ...
calls "a cultural watershed". Trecartin played with the portrayal of identity and ended up producing characters who "can be many people at the same time". When asked about his characters, Trecartin explained that he visualized that each person's identity was made up of "areas" and that they could all be very different from each other and be expressed at different times. Ryan Trecartin is an innovative artist who has been said to have "changed the way we engage with the world and with one another" through video art. A series of videos made by Trecartin titled I-BE-AREA displayed this, one example i I-BE-AREA (Pasta and Wendy M-PEGgy) which was made public in 2008, which portrays a character named Wendy who behaves erratically. When asked about his characters, Trecartin explained that he visualized that each person's identity was made up of "areas" and that they could all be very different from each other and be expressed at different times. Ryan Trecartin is an innovative artist who has been said to have "changed the way we engage with the world and with one another" through video art. In 2008, New York Times Holland Cotter writes, 'A big difference between his work and Mr. Trecartin's is in the degree of digital engagement. Mr. Trecartin goes wild with editing bells and whistles; Mr. Linzy does not. The plainness and occasional clunkiness of his video technique is one reason the Braswell serial ends up touching in a way that Mr. Trecartin's buzzed-up narratives rarely are. For all their raunchy hilarity Mr. Linzy's characters are more than cartoons; “All My Churen” is a family-values story that has a lot to do with life.
Performance art and video art
Video art as a medium can also be combined with other forms of artistic expression such as
Performance art
Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a pu ...
. This combination can also be referred to as "media and performance art" when artists "break the mold of video and film and broaden the boundaries of art". With increased ability for artists to obtain video cameras, performance art started being documented and shared across large amounts of audiences. Artists such as Marina Abramovic and
Ulay
Frank Uwe Laysiepen (; 30 November 1943 – 2 March 2020), known professionally as Ulay, was a German artist based in Amsterdam and Ljubljana, who received international recognition for his Polaroid art and collaborative performance art with long ...
experimented with video taping their performances in the 1970s and the 1980s. In a piece titled “Rest energy” (1980) both Ulay and Marina suspended their weight so that they pulled back a bow and arrow aimed at her heart, Ulay held the arrow, and Marina the bow. The piece was 4:10 which Marina described as being “a performance about complete and total trust”.
Other artists who combined Video art with Performance art used the camera as the audience. Kate Gilmore experimented with the positioning of the camera. In her vide “Anything” (2006) she films her performance piece as she is constantly trying the reach the camera which is staring down at her. As the 13-minute video goes on, she continues to tie together pieces of furniture while constantly attempting to reach the camera. Gilmore added an element of struggle to her art which is sometimes self-imposed, in her vide “My love is an anchor” (2004) she lets her foot dry in cement before attempting to break free on camera. Gilmore has said to have mimicked expression styles from the 1960s and 1970s with inspirations like Marina Abramovic as she adds extremism and struggle to her work.
Some artists experimented with space when combining Video art and Performance art. Ragnar Kjartannson, an Icelandic artist, filmed an entire music video with 9 different artists, including himself, being filmed in different rooms. All the artists could hear each other through a pair of headphones so that they could play the song together, the piece was titled "The visitors" (2012).
Some artists, such as Jaki Irvine and Victoria Fu have experimented with combining 16 mm film, 8 mm film and video to make use of the potential discontinuity between moving image, musical score and narrator to undermine any sense of linear narrative.
As an academic discipline
Since 2000, video arts programs have begun to emerge among colleges and universities as a standalone discipline typically situated in relation to film and older broadcast curricula. Current models found in universities like
Northeastern
The points of the compass are a set of horizontal, radially arrayed compass directions (or azimuths) used in navigation and cartography. A compass rose is primarily composed of four cardinal directions—north, east, south, and west—each se ...
and Syracuse show video arts offering baseline competencies in lighting, editing and camera operation. While these fundamentals can feed into and support existing film or TV production areas, recent growth of entertainment media through CGI and other special effects situate skills like animation, motion graphics and computer aided design as upper level courses in this emerging area.
Notable video art organizations
*
Ars Electronica Center
Ars Electronica Linz GmbH is an Austrian cultural, educational and scientific institute active in the field of new media art, founded in Linz in 1979. It is based at the Ars Electronica Center (AEC), which houses the Museum of the Future, in the ...
(AEC), Linz, Austria
* Edith-Russ-Haus for Media Art, Oldenburg, Germany
*
Electronic Arts Intermix
Electronic Arts Intermix (EAI) is a nonprofit arts organization that is a resource for video
Video is an electronic medium for the recording, copying, playback, broadcasting, and display of moving visual media. Video was first develope ...
Goetz Collection
The Goetz Collection (Sammlung Goetz) is a private collection of contemporary art in Munich, Germany. It opened in 1992. The collection is owned and continually being enlarged by the former gallery dealer Ingvild Goetz, who presents the collectio ...
, Munich, Germany
*
Imai – inter media art institute
The imai Foundation was founded in 2006 as ''imai - inter media art institute''. It is an institution dedicated to the preservation, research and distribution of video art and media art and associated activities. The foundation organizes works ...
, Düsseldorf
*
Impakt Festival
The Impakt Festival is a yearly manifestation on media art, founded in 1988 in the city of Utrecht, Netherlands.
It showcases films, video art, performances, music, conferences and other special events with works from international artists. Deal ...
, Utrecht
*
Julia Stoschek
Julia Stoschek (born 1975) is a German socialite and art collector.
Career
Julia Stoschek was born in 1975, the daughter of Michael Stoschek, the German billionaire businessman and chairman of Brose Fahrzeugteile.
Stoschek first began buyi ...
Collection, Düsseldorf, Germany
*
Kunstmuseum Bonn
The Kunstmuseum Bonn or Bonn Museum of Modern Art is an art museum in Bonn, Germany, founded in 1947. The Kunstmuseum exhibits both temporary exhibitions and its collection. Its collection is focused on Rhenish Expressionism and post-war German ...
, large video art collection
*
LA Freewaves
LA Freewaves, also known as Freewaves, is a Los Angeles-based nonprofit organization that advocates for, and exhibits, new, uncensored, independent media. It hosts an online media archive as a resource to facilitate the exchange of media art inte ...
is an experimental media art festival with video art, shorts and animation; exhibitions are in Los Angeles and online.
*
Lumen Eclipse
Lumen Eclipse is a public media arts gallery located in Harvard Square, Cambridge, Massachusetts, founded to expand public awareness of local, national, and international artists. The gallery is situated on two mounted displays on the Tourism Info ...
London Video Arts London Video Arts (LVA) was founded for the promotion, distribution and exhibition of video art.
Art form
By 1976 video art had emerged as a viable time-based art form, which was beginning to establish its own aesthetic identity and theoretical dis ...
, London, UK
*
Neuer Berliner Kunstverein
The Neue Berliner Kunstverein (English: "New Berlin Art Association"), abbreviated nbk, n.b.k. or NBK, is an art association founded in Berlin in 1969 that is dedicated to promoting contemporary art. The association has permanent exhibition rooms ...
with its "Video-Forum" established in 1971 – Berlin, Germany
* Perpetual art machine, New York
*
Raindance Foundation
Raindance Foundation (RainDance Corporation) was founded in October 1969 by Frank Gillette, Paul Ryan, Michael Shamberg, Louis Jaffe, and Marco Vassi. Raindance was a self-described "alternate culture think-tank" that embraced video as an alternat ...
, New York
* Souvenirs from Earth, Art TV Station on European Cable Networks (Paris, Cologne)
*
Vtape Vtape is a Canadian artist-run centre located in Toronto, Ontario. It is Canada's largest distributor of video art, and the world's largest distributor of Indigenous and First People's film and video. The organization is run as a not for profit a ...
, Toronto, Canada
*
Videoart at Midnight
Videoart at Midnight is an international forum fostering contemporary art, in particular film, new media art and video art. In a monthly program international artists are invited to show their work in the big cinema hall of the Kino Babylon in th ...
, an artists' cinema project, Berlin, Germany
*
Video Data Bank
Video Data Bank (VDB) is an international video art distribution organization and resource in the United States for videos by and about contemporary artists. Located in Chicago, Illinois, VDB was founded at the School of the Art Institute of Chic ...
, Chicago, IL.
*
VIVO Media Arts Centre
VIVO Media Arts Centre, run under the Satellite Video Exchange Society, (SVES) is an artist-run centre and video distribution library located in Vancouver, Canada. It was founded in 1973 to promote the non-commercial use of video technology by pro ...
, Vancouver, Canada
*
ZKM Center for Art and Media Karlsruhe
The ZKM , Center for Art and Media Karlsruhe (until March 2016: ZKM Center for Art and Media Technology), a cultural institution, was founded in 1989. and since 1997 is located in a listed industrial building in Karlsruhe, Germany, a former muni ...
, Germany
*
Videobrasil
Associação Cultural Videobrasil (or simply Videobrasil) is an organization that hosts the International Electronic Art Festival in Brazil. The festival is hosted in São Paulo
São Paulo (, ; Portuguese for ' Saint Paul') is the most popul ...
, Associação Cultural Videobrasil, São Paulo, Brazil
See also
*
Artmedia
Artmedia was one of the first scientific projects concerning the relationship between art, technology, philosophy and aesthetics. It was founded in 1985 at the University of Salerno. For over two decades, until 2009, dozens of projects, studies, e ...
*
Experimental film
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, parti ...
Interactive film
An interactive film is a video game or other interactive media that has characteristics of a cinematic film. In the video game industry, the term refers to a movie game, a video game that presents its gameplay in a cinematic, scripted manner, ...
*
List of video artists
This is a list of notable artists who create video art. Artists in this list have gained recognition or proven their importance because their work has been shown in film and video festivals and contemporary art exhibitions of worldwide importance, ...
*
Music video
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a m ...
*
Music visualization
Music visualization or music visualisation, a feature found in electronic music visualizers and media player software, generates animated imagery based on a piece of music. The imagery is usually generated and rendered in real time and in a way ...
*
New media art
New media art includes artworks designed and produced by means of electronic media technologies, comprising virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video games, robotics, 3D pri ...
*
Optical feedback
Video feedback is the process that starts and continues when a video camera is pointed at its own playback video monitor. The loop delay from camera to display back to camera is at least one video frame time, due to the input and output scannin ...
*
Real-time computer graphics
Real-time computer graphics or real-time rendering is the sub-field of computer graphics focused on producing and analyzing images in real time. The term can refer to anything from rendering an application's graphical user interface (GUI) to ...
*
Scratch video
Scratch video was a British video art movement that emerged in the early to mid-1980s. It was characterised by the use of Found footage (appropriation), found footage, fast cutting and multi-layered rhythms. It is significant in that, as a form o ...
*
Single-channel video Single-channel video is a video art work using a single electronic source, presented and exhibited from one playback device. Electronic sources can be any format of video tape, DVDs or computer-generated moving images utilizing the applicable playba ...
*
Sound art
Sound art is an artistic activity in which sound is utilized as a primary medium or material. Like many genres of contemporary art, sound art may be interdisciplinary in nature, or be used in hybrid forms. According to Brandon LaBelle, sound art ...
*
Video jockey
A video jockey (abbreviated VJ or sometimes veejay) is an announcer or host who introduces music videos and live performances on commercial music television channels such as MTV, VH1, MuchMusic and Channel V.
Origins
The term "video jockey" come ...
*
Video poetry
Video poetry is poetry in video form. It is also known as videopoetry, video-visual poetry, poetronica, poetry video, media poetry, or Cin(E)-Poetry depending on the length and content of the video work and the techniques employed (e.g. digital te ...
Video installation
Video installation is a contemporary art form that combines video technology with installation art, making use of all aspects of the surrounding environment to affect the audience. Tracing its origins to the birth of video art in the 1970s, it has ...
*
Video synthesizer
A video synthesizer is a device that electronically creates a video signal. A video synthesizer is able to generate a variety of visual material without camera input through the use of internal video pattern generators. It can also accept and " ...
VJ (video performance artist)
VJing (pronounced: ''VEE-JAY-ing'') is a broad designation for realtime visual performance. Characteristics of VJing are the creation or manipulation of imagery in realtime through technological mediation and for an audience, in synchronization ...
References
Further reading
* ''Making Video 'In' - The Contested Ground of Alternative Video On The West Coast'' Edited by
Jennifer Abbott
Jennifer Abbott (born January 8, 1965) is a Sundance and Genie award-winning film director, writer, editor, producer and sound designer who specializes in social justice and environmental documentaries.
Born in Montreal, Quebec, Abbott studie ...
(Satellite Video Exchange Society, 2000).
* ''Videography: Video Media as Art and Culture'' by
Sean Cubitt
Sean, also spelled Seán or Séan in Irish English, is a male given name of Irish origin. It comes from the Irish versions of the Biblical Hebrew name ''Yohanan'' (), Seán (anglicized as ''Shaun/ Shawn/ Shon'') and Séan (Ulster variant; angli ...
(MacMillan, 1993).
* ''A History of Experimental Film and Video'' by A. L. Rees (British Film Institute, 1999).
* ''New Media in Late 20th-Century Art'' by Michael Rush (Thames & Hudson, 1999).
* ''Mirror Machine: Video and Identity,'' edited by Janine Marchessault (Toronto: YYZ Books, 1995).
* ''Sounding the Gallery: Video and the Rise of Art Music'' by Holly Rogers (New York: Oxford University Press, 2013).
* ''Video Culture: A Critical Investigation,'' edited by John G. Hanhardt (
Visual Studies Workshop
Visual Studies Workshop (VSW) is a non-profit group dedicated to art education based in Rochester, New York, in the Neighborhood of the Arts. VSW supports makers and interpreters of images through education, publications, exhibitions, and collect ...
Press, 1986).
* ''Moving Layers: Contextual Video in Art & Architecture'', edited by Alexandro Ladaga, Silvia Manteiga (Rome, Edilstampa Press, 2014). ISBN 9781291852295
* ''The Electronic Civilization''", in Screencity Lab Accademic Journal, edited by Alexandro Ladaga, Silvia Manteiga n.1, 2012, pp. 4, 11, 37-42. ISBN 978-88-9637-010-0
* ''Video Art: A Guided Tour'' by Catherine Elwes (I.B. Tauris, 2004).
* ''A History of Video Art'' by Chris Meigh-Andrews (Berg, 2006)
* ''127kBdiarte, pensare l'arte in rete'' by Elastic Group of Artistic Research, (San Donato, Psiche e Aurora Ed., 2015). ISBN 9788889875421
* ''Diverse Practices: A Critical Reader on British Video Art'' edited by Julia Knight (University of Luton/Arts Council England, 1996)
* ''
ARTFORUM
''Artforum'' is an international monthly magazine specializing in contemporary art. The magazine is distinguished from other magazines by its unique 10½ x 10½ inch square format, with each cover often devoted to the work of an artist. Notabl ...
FEB 1993 "Travels In The New Flesh" by
Howard Hampton
Howard George Hampton (born May 17, 1952) is a politician who was a member of Provincial Parliament for the province of Ontario. He served in the Legislative Assembly of Ontario, Canada, from 1987 to 1999 in the electoral district of Rainy Ri ...
(Printed by ARTFORUM INTERNATIONAL 1993)
* '' Resolutions: Contemporary Video Practices, (eds. Renov, Michael & Erika Suderburg) (London, Minneapolis: University of Minnesota Press,1996).
* ''
Expanded Cinema {{italic title
''Expanded Cinema'' by Gene Youngblood (1970), the first book to consider video as an art form, was influential in establishing the field of media arts.Manovich, Lev. 2002. "Ten Key Texts on Digital Art: 1970–2000". Leonardo. 35 (5) ...
'' by
Gene Youngblood
Gene Youngblood (May 30, 1942 – April 6, 2021) was an American theorist of media arts and politics, and a respected scholar in the history and theory of alternative cinemas. His best-known book, ''Expanded Cinema'', was the first to consider vi ...
(New York: E.P. Dutton & Company, 1970).
* ''The Problematic of Video Art in the Museum 1968-1990'' by Cyrus Manasseh (Cambria Press, 2009).
* "First Electronic Art Show" by (Niranjan Rajah & Hasnul J Saidon) (National Art Gallery, Kuala Lumpur, 1997)
* "Expanded Cinema", (David Curtis, A. L. Rees, Duncan White, and Steven Ball, eds), Tate Publishing, 2011
* "Retrospektiv-Film-org videokunst, Norge 1960-90". Edited by Farhad Kalantary & Linn Lervik. Atopia Stiftelse, Oslo, (April 2011).
* ''Experimental Film and Video'',
Jackie Hatfield
Jackie Hatfield (5 July 1962 – 2 November 2007) was an artist, writer, and academic. According to the influential artist-led no.w.here website: ''"Jackie Hatfield is an artist and writer who makes expanded and participatory cinematic artworks ...
, Editor. (John Libbey Publishing, 2006; distributed in North America by Indiana University Press)
* "REWIND: British Artists' Video in the 1970s & 1980s", (Sean Cubitt, and
Stephen Partridge
Stephen Partridge (born 1953) is an English video artist
, eds), John Libbey Publishing, 2012.
* ''Reaching Audiences: Distribution and Promotion of Alternative Moving Image'' by Julia Knight and Peter Thomas (Intellect, 2011)
* Wulf Herzogenrath: ''Videokunst der 60er Jahre in Deutschland'', Kunsthalle Bremen, 2006, (No ISBN).
* Rudolf Frieling & Wulf Herzogenrath: ''40jahrevideokunst.de: Digitales Erbe: Videokunst in Deutschland von 1963 bis heute'', Hatje Cantz Verlag, 2006, .
* ''NBK Band 4. Time Pieces. Videokunst seit 1963''. Verlag der Buchhandlung Walther König, Köln, 2013, .
* ''Demolden Video Project: 2009-2014''. Video Art Gallery, Santander, Spain, 2016, .
* Valentino Catricalà, Laura Leuzzi, ''Cronologia della videoarte italiana'', in Marco Maria Gazzano, ''KINEMA. Il cinema sulle tracce del cinema. Dal film alle arti elettroniche andata e ritorno'', Exorma, Roma 2013.
{{DEFAULTSORT:Video Art
Contemporary artVisual arts mediaInstallation art