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New Media Art
New media art includes artworks designed and produced by means of new media, electronic media technology, technologies, comprising virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video games, robotics, 3D printing, and cyborg art. The term defines itself by the thereby created artwork, which differentiates itself from that deriving from conventional visual arts (i.e. architecture, painting, sculpture, etc.). New Media art has origins in the worlds of science, art, and performance. Some common themes found in new media art include databases, political and social activism, Afrofuturism, feminism, and identity, a ubiquitous theme found throughout is the incorporation of new technology into the work. The emphasis on medium is a defining feature of much contemporary art and many art schools and major universities now offer majors in "New Genres" or "New Media" and a growing number of graduate programs have emerged international ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Performance Art
Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a public in a fine art context in an interdisciplinary mode. Also known as ''artistic action'', it has been developed through the years as a genre of its own in which art is presented live. It had an important and fundamental role in 20th century avant-garde art. It involves four basic elements: time, space, body, and presence of the artist, and the relation between the creator and the public. The actions, generally developed in art galleries and museums, can take place in the street, any kind of setting or space and during any time period. Its goal is to generate a reaction, sometimes with the support of improvisation and a sense of aesthetics. The themes are commonly linked to life experiences of the artist themselves, or the need of denunci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gertie The Dinosaur
''Gertie the Dinosaur'' is a 1914 animated short film by American cartoonist and animator Winsor McCay. It is the earliest animated film to feature a dinosaur. McCay first used the film before live audiences as an interactive part of his vaudeville act; the frisky, childlike Gertie did tricks at the command of her master. McCay's employer William Randolph Hearst curtailed McCay's vaudeville activities, so McCay added a live-action introductory sequence to the film for its theatrical release renamed ''Winsor McCay, the Famous Cartoonist, and Gertie''. McCay abandoned a sequel, ''Gertie on Tour'' (), after producing about a minute of footage. Although ''Gertie'' is popularly thought to be the earliest animated film, McCay had earlier made '' Little Nemo'' (1911) and ''How a Mosquito Operates'' (1912). The American J. Stuart Blackton and the French Émile Cohl had experimented with animation even earlier; Gertie being a character with an appealing personality distingu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winsor McCay
Zenas Winsor McCay ( – July 26, 1934) was an American cartoonist and animator. He is best known for the comic strip ''Little Nemo'' (1905–14; 1924–26) and the animated film ''Gertie the Dinosaur'' (1914). For contractual reasons, he worked under the pen name Silas on the comic strip ''Dream of the Rarebit Fiend''. From a young age, McCay was a quick, prolific, and technically dextrous artist. He started his professional career making posters and performing for dime museums, and in 1898 began illustrating newspapers and magazines. In 1903 he joined the ''New York Herald'', where he created popular comic strips such as ''Little Sammy Sneeze'' and ''Dream of the Rarebit Fiend''. In 1905 his signature strip ''Little Nemo in Slumberland'' debuted—a fantasy strip in an Art Nouveau style about a young boy and his adventurous dreams. The strip demonstrated McCay's strong graphic sense and mastery of color and Perspective (graphical), linear perspective. McCay experimented with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valentine De Saint-Point
Valentine de Saint-Point (''née'' Anna Jeanne Valentine Marianne Glans de Cessiat-Vercell; 16 February 1875, Lyon – 28 March 1953, Cairo) was a French writer, poet, painter, playwright, art critic, choreographer, lecturer and journalist. She is primarily known for being the first woman to have written a futurist manifesto, but was also active in Parisian salons, and the associated literary and artistic movements of the Belle Epoque. Her writings and performances of ''La Métachorie'', which demonstrated her theory of "a total fusion of the arts." Performed veiled, it is an exploration of the body’s relationship to nature and geometric archetypes that govern physical form and movement. Finding a similar universality in Islamic art, she converted to Islam and moved to Alexandria where she also became involved in Middle Eastern politics, writing prolifically as an advocate for Egyptian and Syrian independence from French rule. She died at the age of 78. Her Muslim name was Ruh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loie Fuller
Loie Fuller (born Marie Louise Fuller; January 15, 1862 – January 1, 1928), also known as Louie Fuller and Loïe Fuller, was an American actress and dancer who was a pioneer of both modern dance and theatrical lighting techniques. Career Born Marie Louise Fuller in the Chicago suburb of Fullersburg, Illinois, now Hinsdale, Illinois, Fuller began her theatrical career as a professional child actress and later choreographed and performed dances in burlesque (as a skirt dancer), vaudeville, and circus shows. Her debut took place when she was four years. An early free dance practitioner, Fuller developed her own natural movement and improvisation techniques. In multiple shows she experimented with a long skirt, choreographing its movements and playing with the ways it could reflect light. By 1891, Fuller combined her choreography with silk costumes illuminated by multi-coloured lighting of her own design, and created the ''Serpentine Dance''. After much difficulty finding someone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Futurism
Futurism ( it, Futurismo, link=no) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 ''Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting '' Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurists would later go on to found groups of their o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the norm or the '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Dixon (actor)
Stephen Robert Dixon (born 1956 in Manchester, England) is a British actor and academic. Early life He studied performing arts at the Victoria University of Manchester, graduating in the same class as Rik Mayall. He worked as an actor for many years, taking minor roles in films like ''Privates on Parade'' and on television shows including ''The Young Ones (TV series), The Young Ones'' and ''The Krypton Factor''. For three years in the early 1980s he began working as a stand-up comic at The Comedy Store, London, The Comedy Store in London. He also worked in theatre, most notably with directors such as Nicholas Hytner, Steven Berkoff and Richard Eyre as well as working with experimental theatre companies Incubus and Lumiere & Son. He has directed productions himself in Mexico, Latvia and the UK, and produced an opera for the theatre company Opera North. Dixon has also directed five independent films which include large-scale movies produced through community texts. He also won an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Tinguely
Jean Tinguely (22 May 1925 – 30 August 1991) was a Swiss sculptor best known for his kinetic art sculptural machines (known officially as Métamatics) that extended the Dada tradition into the later part of the 20th century. Tinguely's art satirized automation and the technological overproduction of material goods. Life Born in Fribourg, Tinguely grew up in Basel, and in 1941-1945 studied at the Kunstgewerbeschule. He moved to France in 1952 with his first wife, Swiss artist Eva Aeppli, to pursue a career in art. He belonged to the Parisian avantgarde in the mid-twentieth century and was one of the artists who signed the New Realist's manifesto (''Nouveau réalisme'') in 1960. His best-known work, a self-destroying sculpture titled ''Homage to New York'' (1960), only partially self-destructed at the Museum of Modern Art, New York City, although his later work, ''Study for an End of the World No. 2'' (1962), detonated successfully in front of an audience gathered in the de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Wilfred
Thomas Wilfred (June 18, 1889 in Naestved, Denmark - August 15, 1968 in Nyack, New York), born Richard Edgar Løvstrøm, was a musician and inventor. He is best known for his light art, which he named '' lumia'', and his designs for color organs called Clavilux. Wilfred was not fond of the term "color organ", and coined the word "Clavilux" from Latin meaning "light played by key". His innovative, kinetic works prefigured the advent of light art in America, and influenced subsequent generations of visual artists. Biography Wilfred's father ran a photography studio, and young Wilfred was exposed to the arts at a young age. He studied painting and poetry in Paris, and found early success as "Wilfred the Lute Player" traveling Europe and America performing minstrel songs on the archaic lute. Around 1905, Wilfred began to experiment with bits of colored glass and light sources. After moving to New York he, along with Claude Fayette Bragdon and 'Kirk' Kirkpatrick Brice cofounded a gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoopraxiscope
The zoopraxiscope (initially named ''zoographiscope'' and ''zoogyroscope'') is an early device for displaying moving images and is considered an important predecessor of the movie projector. It was conceived by photographic pioneer Eadweard Muybridge in 1879 (and built for him by January 1880 to project his famous chronophotographic pictures in motion and thus prove that these were authentic). Muybridge used the projector in his public lectures from 1880 to 1895. The projector used 16" glass disks onto which Muybridge had an unidentified artist paint the sequences as silhouettes. This technique eliminated the backgrounds and enabled the creation of fanciful combinations and additional imaginary elements. Only one disk used photographic images, of a horse skeleton posed in different positions. A later series of 12″ discs, made in 1892–1894, used outlines drawn by Erwin F. Faber that were printed onto the discs photographically, then colored by hand. These colored discs were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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