Video installation is a
contemporary art
Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic co ...
form that combines
video
Video is an Electronics, electronic medium for the recording, copying, playback, broadcasting, and display of moving picture, moving image, visual Media (communication), media. Video was first developed for mechanical television systems, whi ...
technology with
installation art
Installation art is an artistic genre of three-dimensional works that are often site-specific and designed to transform the perception of a space. Generally, the term is applied to interior spaces, whereas exterior interventions are often calle ...
, making use of all aspects of the surrounding environment to affect the audience. Tracing its origins to the birth of
video art in the 1970s, it has increased in popularity as
digital video production technology has become more readily accessible. Today, video installation is ubiquitous and visible in a range of environments—from galleries and museums to an expanded field that includes
site-specific work in urban or industrial landscapes. Popular formats include monitor work, projection, and performance. The only requirements are
electricity
Electricity is the set of physical phenomena associated with the presence and motion of matter that has a property of electric charge. Electricity is related to magnetism, both being part of the phenomenon of electromagnetism, as describ ...
and
darkness
Darkness, the direct opposite of lightness, is defined as a lack of illumination, an absence of visible light, or a surface that absorbs light, such as black or brown.
Human vision is unable to distinguish colors in conditions of very low ...
.
One of the main strategies used by video-installation artists is the incorporation of the space as a key element in the narrative structure. This way, the well-known linear cinematic narrative is spread throughout the space creating an immersive ambient. In this situation, the viewer plays an active role as he/she creates the narrative sequence by evolving in the space. Sometimes, the idea of a participatory audience is stretched further in interactive video installation. Some other times, the video is displayed in such a way that the viewer becomes part of the plot as a character in a film.
A pioneer of video installation was Korean/American
Nam June Paik whose work from the mid-sixties used multiple television monitors in sculptural arrangements. Paik went on to work with
video walls and projectors to create large immersive environments.
Wolf Vostell is another pioneer of video installation. He showed his ''6 TV Dé-coll/age'' in 1963 at the
Smolin Gallery in New York.
Other Americans include
Bill Viola,
Gary Hill
Gary Hill (born April 4, 1951) is an American artist who lives and works in Seattle, Washington. Often viewed as one of the foundational artists in video art, based on the single-channel work and video- and sound-based installations of the 197 ...
and
Tony Oursler. Bill Viola is considered a master of the medium. His 1997 Survey at the
Whitney Museum
The Whitney Museum of American Art, known informally as "The Whitney", is an art museum in the Meatpacking District, Manhattan, Meatpacking District and West Village neighborhoods of Manhattan in New York City. It was founded in 1930 by Gertrude ...
in NY, along with the 1994-95 Gary Hill survey created by the
Henry Art Gallery, Seattle, and traveling to Philadelphia, New York, Los Angeles and Kansas City, amounted to a watershed mark in the history of video installation art marking both a period on the sentence of the first generation and a beginning of the next. Gary Hill, another master of the medium, has created quite complex and innovative video installations using combinations of stripped down monitors, projections and a range of technologies (from laser disk to DVD and new digital devices) so that the spectator can interact with the work. For instance in the 1992 piece ''Tall Ships'', commissioned by
Jan Hoet for
Documenta
''documenta'' is an exhibition of contemporary art which takes place every five years in Kassel, Germany.
The ''documenta'' was founded by artist, teacher and curator Arnold Bode in 1955 as part of the Bundesgartenschau (Federal Horticultura ...
9, the audience enters a dark hall-like space where ghostly images of seated figures are projected onto a wall.
[George Quasha and Charles Stein. ''Tall Ships: Gary Hill’s Projective Installations''—Number 2. Barrytown, NY: Station Hill Arts, 1997. Also: ''Gary Hill''. Amsterdam: Stedelijk Museum and Vienna: Kunsthalle, Wien, 1993.] The approach of a viewer causes a seated figure to stand up and move forward toward the viewer, creating an eerie effect of the dead in the underworld (rather suggestive of Odysseus' descent into the Underworld in ''The Odyssey''). Tony Oursler's work exploited the technology developed in the early 1990s of very small video projectors that could be built into sculptures and structures as well as improvements in image brightness so that images could be placed on surfaces other than a flat screen.
David Hall and Tony Sinden exhibited the first multi-screen installation in Britain, 60 TV Sets, at
Gallery House, London in 1972. Subsequently British video installation developed a distinctive pattern following the seminal international Video Show at the Serpentine Gallery, London in 1975, and later thanks in part to the existence of regular festivals in Liverpool and Hull and public galleries such as the
Museum of Modern Art, Oxford
Modern Art Oxford is an art gallery established in 1965 in Oxford, England. From 1965 to 2002, it was called The Museum of Modern Art, Oxford.
The gallery presents exhibitions of modern and contemporary art. It has a national and internationa ...
that routinely showcased the work.
Sam Taylor-Wood's early installation pieces are good examples where specially filmed elements are shown as a series of serial projections.
Iranian born
Shirin Neshat combines cinematic sensibility to her video installations.
Artists working with video installation
See also
*
Video Art
*
Perpetual art machine
References
{{DEFAULTSORT:Video Installation
Visual arts media