Satapatha Brahmana
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Satapatha Brahmana
The Shatapatha Brahmana ( sa, शतपथब्राह्मणम् , Śatapatha Brāhmaṇam, meaning 'Brāhmaṇa of one hundred paths', abbreviated to 'SB') is a commentary on the Śukla (white) Yajurveda. It is attributed to the Vedic sage Yajnavalkya. Described as the most complete, systematic, and important of the Brahmanas (commentaries on the Vedas), it contains detailed explanations of Vedic sacrificial rituals, symbolism, and mythology. Particularly in its description of sacrificial rituals (including construction of complex fire-altars), the Shatapatha Brahmana (SB) provides scientific knowledge of geometry (e.g. calculations of pi and the root of the Pythagorean theorem) and observational astronomy (e.g. planetary distances and the assertion that the Earth is circular) from the Vedic period. The Shatapatha Brahmana is also considered to be significant in the development of Vaishnavism as the origin of several Puranic legends and avatars of the RigVedic god Vi ...
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Latin Language
Latin (, or , ) is a classical language belonging to the Italic languages, Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italy (geographical region), Italian region and subsequently throughout the Roman Empire. Even after the Fall of the Western Roman Empire, fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a fusional language, highly inflected language, with three distinct grammatical gender, genders (masculine, feminine, and neuter), six or seven ...
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Puranas
Purana (; sa, , '; literally meaning "ancient, old"Merriam-Webster's Encyclopedia of Literature (1995 Edition), Article on Puranas, , page 915) is a vast genre of Indian literature about a wide range of topics, particularly about legends and other traditional lore. The Puranas are known for the intricate layers of symbolism depicted within their stories. Composed originally in Sanskrit and in Languages of India, other Indian languages,John Cort (1993), Purana Perennis: Reciprocity and Transformation in Hindu and Jaina Texts (Editor: Wendy Doniger), State University of New York Press, , pages 185-204 several of these texts are named after major Hindu gods such as Vishnu, Shiva, Brahma, and Adi Shakti. The Puranic genre of literature is found in both Hinduism and Jainism. The Puranic literature is encyclopedic, and it includes diverse topics such as cosmogony, cosmology, genealogies of gods, goddesses, kings, heroes, sages, and demigods, folk tales, pilgrimages, temples, medic ...
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Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a colle ...
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Kanva Shakha
{{Hindu scriptures Kānva Shākha (Sanskrit:काण्व शाखा) is the oldest shakha ("branch" or "recension") of Shukla Yajurveda. The ''Kānva'' tradition is followed mostly in Tamil Nadu, Orissa, Karnataka, parts of Maharashtra, Madhya Pradesh, Gujarat and Andhra Pradesh. The ''Kānva Shākha'' was quite prevalent around the period of Shankaracharya's birth. The ''parampara'' ''āchārya'' (main founding guru) for ''Shukla Yajurveda'' was sage ''Yajnavalkya''. The main ''Samhita'' for ''Kānva Shākha'' is the ''Kanva Samhita'' and the corresponding ''brahmana'' is '' Kanva Shatapatha Brahmana''. The main upanishads of the ''Kānva Shākha'' are ''Ishavasya Upanishad'' and ''Brihadaranyaka Upanishad''. The ''Shrauta Sutra'' for ''Kānva Shākha'' is ''Katyayana Shrauta Sutra'' and the ''Grhya Sutra'' is ''Paraskara Grhya Sutram''. The major ''āchārya''s who belonged to the ''Kānva Shākha'' included: * Sureshvaracharya (aka. Mandana Mishra), who was the disciple ...
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Madhyandina Shakha
{{Hindu scriptures Madhyandina Shakha is a shakha (branch) of Shukla Yajurveda. This branch includes Madhyandina Samhita, Madhyandina Shatapatha Brahmana, Ishavasya Upanishad and Brihadaranyaka Upanishad. Recitation of this Shakha is prevalent over most of North India, Maharashtra and among Veda pandits of Gujarat. Traditions Many north Indian Veda Pandits recite it in a different way compared to those from Maharashtra. Many of the former pronounce the syllable ''ष'' (ṣa) as ''ख'' (kha). A large number of Shukla Yajur Vedic Mandyandina Shakha Brahmins are residing in Nashik, Maharashtra and many in Bihar (Maithil Brahmins except those belonging to Shandilya Gotra), Bengal and Uttar pradesh too. An association has also been formed with 3000 members on its roll. And a large number reside in Nepal. Estimates over two hundred thousand. Many have immigrated to USA. See also *Kanva Shakha {{Hindu scriptures Kānva Shākha (Sanskrit:काण्व शाखा) is the oldest shakh ...
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Recension
Recension is the practice of editing or revising a text based on critical analysis. When referring to manuscripts, this may be a revision by another author. The term is derived from Latin ''recensio'' ("review, analysis"). In textual criticism (as is the case with Biblical scholarship) the count noun ''recension'' is a family of manuscripts sharing similar traits; for example, the Alexandrian text-type may be referred to as the "Alexandrian recension". The term ''recension'' may also refer to the process of collecting and analyzing source texts in order to establish a tree structure leading backward to a hypothetical original text. See also *Biblical manuscript *Categories of New Testament manuscripts *Critical apparatus A critical apparatus ( la, apparatus criticus) in textual criticism of primary source material, is an organized system of notations to represent, in a single text, the complex history of that text in a concise form useful to diligent readers and ... References ...
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Dashavatara
The Dashavatara ( sa, दशावतार, ) are the ten primary avatars of Vishnu, a principal Hindus, Hindu god. Vishnu is said to descend in the form of an avatar to restore cosmic order. The word ''Dashavatara'' derives from , meaning "ten", and , roughly equivalent to "incarnation". The list of included avatars varies across sects and regions, particularly in respect to the inclusion of Balarama (brother of Krishna) or Gautama Buddha. Though no list can be uncontroversially presented as standard, the "most accepted list found in Puranas and other texts is [...] Krishna, Buddha." Most draw from the following set of figures, in this order: Matsya; Kurma; Varaha; Narasimha; Vamana; Parashurama; Rama; Krishna or Balarama; Gautama Buddha in Hinduism, Buddha or Krishna; and Kalki. In traditions that omit Krishna, he often replaces Vishnu as the source of all avatars. Some traditions include a regional deity such as Vithoba or Jagannath in penultimate position, replacing Krish ...
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Vamana
Vamana (), also known as Trivikrama (), Urukrama (), Upendra (), Dadhivamana (), and Balibandhana () is an avatar of the Hindu deity Vishnu. He is the fifth avatar of Vishnu, and the first Dashavatara in the Treta Yuga, after Narasimha. Originating in the Vedas, Vamana is most commonly associated in the Hindu epics and Puranas with the legend of taking back the three worlds (collectively referred to as the ''Trailokya'') from the daitya-king Bali by taking three steps to restore the cosmic order. He is the youngest among the adityas, the sons of Aditi and the sage Kashyapa. Nomenclature and etymology 'Vāmana' (Sanskrit वामन) means 'dwarf', 'small' or 'small or short in stature'. It also means 'dwarfish bull', which is notable as Vishnu is directly associated with dwarfish animals (including bulls) in the Vedas (see below). Stated in Puranic literature to be born of the great sage Kashyapa and his wife Aditi, other names or epithets referring to Vamana include: ...
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Narasimha
Narasimha ( sa, नरसिंह, lit=man-lion, ), sometimes rendered Narasingha, is the fourth avatar of the Hindu god Vishnu. He is regarded to have incarnated in the form of a part-lion, part-man being to slay Hiranyakashipu, to end religious persecution and calamity on earth, thereby restoring dharma. Narasimha is often depicted with three eyes, and is described in Vaishnavism to be the God of Destruction; he who destroys the entire universe at the time of the great dissolution (Mahapralaya). Hence, he is known as Kala (time) or Mahakala (great-time), or Parakala (beyond time) in his epithets. There exists a matha (monastery) dedicated to him by the name of Parakala Matha in the Sri Vaishnava tradition. Narasimha is also described as the God of Yoga, in the form of Yoga-Narasimha. Narasimha iconography shows him with a human torso and lower body, with a leonine face and claws, typically with the asura Hiranyakashipu in his lap, whom he is in the process of defeating. T ...
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Varaha
Varaha ( sa, वराह, , "boar") is an avatar of the Hindu god Vishnu, in the form of a boar. Varaha is generally listed as third in the Dashavatara, the ten principal avatars of Vishnu. Varaha is most commonly associated with the legend of lifting the Earth (personified as the goddess Bhudevi) out of the cosmic ocean. When the asura Hiranyaksha stole the earth and hid her in the primordial waters, Vishnu appeared as Varaha to rescue her. Varaha slew the asura, and retrieved the Earth from the ocean, lifting it on his tusks, and restored Bhudevi to her place in the universe. Varaha may be depicted as completely a boar or in an anthropomorphic form, with a boar's head and the human body. His consort, Bhudevi, the personified Earth, is often depicted as a young woman, lifted by Varaha. Etymology and other names The deity Varaha derives its name from the Sanskrit word ''varāha'' (Devanagari: वराह, ) meaning "boar" or "wild boar". The word ''varāha'' is from P ...
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Kurma
Kurma ( sa, कूर्म; , 'Turtle', 'Tortoise'), is the second avatar of the Hindu preserver deity, Vishnu. Originating in Vedic literature such as the Yajurveda as being synonymous with the Saptarishi called Kashyapa, Kurma is most commonly associated in post-Vedic literature such as the Puranas. He prominently appears in the legend of the churning of the Ocean of Milk, referred to as the Samudra Manthana. Along with being synonymous with Akupara, the World-Turtle supporting the Earth, Kurma is listed as the second of the Dashavatara, which are the ten principal incarnations of Vishnu. Nomenclature and etymology The Sanskrit word 'Kurma' (Devanagari: कूर्म) means 'Tortoise' and 'Turtle'. The tortoise incarnation of Vishnu is also referred to in post-Vedic literature such as the Bhagavata Purana as 'Kacchapam' (कच्छप), 'Kamaṭha' (कमठ), 'Akupara' (अकूपार), and 'Ambucara-Atmana' (अम्बुचर-आत्मना), all of w ...
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Matsya
Matsya ( sa, मत्स्य, lit. ''fish'') is the fish avatar of the Hindu god Vishnu. Often described as the first of Vishnu's ten primary avatars, Matsya is described to have rescued the first man, Manu, from a great deluge. Matsya may be depicted as a giant fish, often golden in color, or anthropomorphically with the torso of Vishnu connected to the rear half of a fish. The earliest account of Matsya is found in the ''Shatapatha Brahmana,'' where Matsya is not associated with any particular deity. The fish-saviour later merges with the identity of Brahma in post-Vedic era, and still later, becomes regarded with Vishnu. The legends associated with Matsya expand, evolve, and vary in Hindu texts. These legends have embedded symbolism, where a small fish with Manu's protection grows to become a big fish, and the fish saves the man who would be the progenitor of the next race of mankind. In later versions, Matsya slays a demon named Hayagriva (son of sage Kashyapa and Dit ...
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