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San Pantaleo, Rome
San Pantaleo is an ancient church located on a piazza of the same name along Corso Vittorio Emanuele II in the Parione neighborhood of Rome, Italy. It shares the Piazza with the Museo di Roma in Palazzo Braschi. A church at the site dates from the 12th-century, but the present facade (1807) is in a Neoclassical style and the interiors were elaborated in a Baroque style. Names Different sources name the church by various titles, including: *San Pantaleo de Preta Caroli or San Pantaleonis de Pretecarolis *San Pantaleo a Pasquino *San Pantaleo de Muti *San Pantaleonis de Parione or in Navona *San Pantaleone alle Scuole Pie If this were not enough source of confusion, there existed a church in the Rione Monti on the Janiculum Hill, which has been referred to as ''San Pantaleone alli Pantani'' or ''San Pantaleone in Sebucca'' (perhaps intending ''in Suburra'') or San pantaleonis Trium Clibanorum or Trium Fornorum. History Records claim the church at the site was founded by the ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Calasanzio
Joseph Calasanz ( es, José de Calasanz; it, Giuseppe Calasanzio), (September 11, 1557 – August 25, 1648), also known as Joseph Calasanctius and Iosephus a Mater Dei, was a Spanish Catholic priest, educator and the founder of the Pious Schools, providing free education to the sons of the poor, and the religious order that ran them, commonly known as the Piarists. He was a close friend of the renowned astronomer Galileo Galilei. He is honored as a saint by the Catholic Church. Early life Calasanz was born at the Castle of Calasanz near Peralta De La Sal in the Kingdom of Aragon, on September 11, 1556, the youngest of the eight children, and second son, of Pedro de Calasanz y de Mur, an '' infanzón'' (minor nobleman) and town mayor, and María Gastón y de Sala. He had two sisters, Marta and Cristina. His parents gave him a good education at home and then at the elementary school of Peralta. In 1569, he was sent for classical studies to a college in Estadilla run by the friars ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture In Rome
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century Roman Catholic Church Buildings In Italy
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Pozzo
Andrea Pozzo (; Latinized version: ''Andreas Puteus''; 30 November 1642 – 31 August 1709) was an Italian Jesuit brother, Baroque painter, architect, decorator, stage designer, and art theoretician. Pozzo was best known for his grandiose frescoes using the technique of quadratura to create an illusion of three-dimensional space on flat surfaces. His masterpiece is the nave ceiling of the Church of Sant'Ignazio in Rome. Through his techniques, he became one of the most noteworthy figures of the Baroque period. He is also noted for the architectural plans of Ljubljana Cathedral (1700), inspired by the designs of the Jesuit churches Il Gesù and S. Ignazio in Rome. Biography Early years Born in Trento (then under Austrian rule), he studied Humanities at the local Jesuit High School. Showing artistic inclinations he was sent by his father to work with an artist; Pozzo was then 17 years old (in 1659). Judging by aspects of his early style this initial artistic training came probab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mattia Preti
Mattia Preti (24 February 1613 – 3 January 1699) was an Italian Baroque artist who worked in Italy and Malta. He was appointed a Member of the Order of Saint John. Life Born in the small town of Taverna in Calabria, Preti was called ''Il Cavalier Calabrese'' (the Calabrian Knight) after appointment as a Knight of the Order of St. John (Knights of Malta) in 1660. His early apprenticeship is said to have been with the " Caravaggist" Giovanni Battista Caracciolo, which may account for his lifelong interest in the style of Caravaggio. Probably before 1630, Preti joined his brother Gregorio (also a painter), in Rome, where he became familiar with the techniques of Caravaggio and his school as well as with the work of Guercino, Rubens, Guido Reni, and Giovanni Lanfranco. In Rome, he painted fresco cycles in the churches of Sant'Andrea della Valle and San Carlo ai Catinari. Between 1644 and 1646, he may have spent time in Venice, but remained based in Rome until 1653, returning later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Brancaleone
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * ''Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album ''Unseen World'' * ''Giovanni's Island'', a 2014 Japanese anime drama film * ''Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also * * *Geovani *Giovanni Battista *San Giovanni (other) *San Giovanni Battista (other) San Giovanni Battista is the Italian translation of Saint John the Baptist. It may also refer to: Italian churches * San Giovanni Battista, Highway A11, a church in Florence, Italy * San Giovanni Battista, Pra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cristoforo Roncalli
Cristoforo Roncalli (c. 1552–1626) was an Italian mannerist painter. He was one of the three painters known as ''Pomarancio'' or ''Il Pomarancio''. Life Roncalli was born in Pomarance, a town near Volterra. His training occurred in Tuscany, and around 1578, he relocated to Rome, Italy where he worked for Niccolò Circignani (also known as ''il Pomarancio''). Most of his fresco work was in Rome, though he worked for a decade in Loreto (1605–1615), where he decorated the New Sacristy. In Rome he decorated the cupola of the church of Santa Maria di Loreto and of San Silvestro in Capite. He helped decorate ''Santa Maria in Vallicella'' for the Oratory of San Filippo Neri. He also painted for the Oratory of Santissimo Crocifisso, the ''Baptism of Constantine'' and ''St. Simon'' in the transept of San Giovanni in Laterano, and designed the mosaics in the ''Cappella Clementina'' in the St. Peter's Basilica. One of his pupils from Siena was Alessandro Casolano, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Ricci
Sebastiano Ricci (1 August 165915 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was the uncle of Marco Ricci (1676 – 1730), who trained with him, and became an innovator in landscape painting. Early years He was born in Belluno, the son of Andreana and Livio Ricci. In 1671, he was apprenticed to Federico Cervelli of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young woman in question to avoid marriage. He was imprisoned, and released only after the intervention of a nobleman, probably a Pisani family member. He eventually married the mother of his child in 1691, although this was a stormy union ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Gherardi
Filippo Gherardi (1643–1704) was an Italian painter of the Baroque period. Born in Lucca, he was mostly active in Venice and Rome, where he became a member of the large studio of Pietro da Cortona, often working closely with Giovanni Coli. With Coli, Gherardi was initially a trainee of Pietro Paolini in Lucca. One of his masterpieces are the ceiling frescoes in the Palazzo Colonna in Rome, celebrating the participation of a family member in the ''Battle of Lepanto''. In Venice, Coli and Gherardi also completed frescoes (1670–72) of the dome of the church of ''San Nicolò da Tolentino'' with a fresco of the ''Glory of San Nicola'' and in the church of San Pantalon. In Venice, Coli and Gherardi also frescoed the Library in the monastery of San Giorgio Maggiore San Giorgio Maggiore ( vec, San Zorzi Mazor) is one of the islands of Venice, northern Italy, lying east of the Giudecca and south of the main island group. The island, or more specifically its Palladian church, is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Valadier
Giuseppe Valadier (April 14, 1762 – February 1, 1839) was an Italian architect and designer, urban planner and archaeologist and a chief exponent of Neoclassicism in Italy. Biography The son of a goldsmith, Luigi (1726–1785), Valadier was born in Rome in 1762. He also occasionally provided designs for silver, such as the "York Chalice" for Henry Cardinal York (1800–01), the grand silver table service for Monsignor Antonio Odescalchi (1795–97) and the similar Rospigliosi-Pallavicini service, begun in 180which he partly produced in the silver workshop he directly oversaw and partly sub-contracted to other Roman silversmiths. Valadier also designed some furniture and other decorative arts, such as the rock crystal and silver reliquary for relics of the Holy Crib in Santa Maria Maggiore, for Pope Pius IX. Valadier worked in Rome and elsewhere in the Papal States, but many of his projects remained on paper. He was named official ''architetto camerale'' of the Papal States by Po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Torlonia, 1st Prince Di Civitella-Cesi
Giovanni Raimondo Torlonia (May 1755 – February 25, 1829) was a famous Franco-Italian banker to the Vatican and noble of the Torlonia family. In 1785 he inherited the fortune of his father Marino Torlonia (1725–1785; in early life Marin Torlonias, of Augerolles, France), who had become a successful businessman and banker in Rome. As a reward for the administration of the Vatican finances, in 1794 Pope Pius VI created Giovanni Torlonia Duke of Bracciano and Count of Pisciarelli; in 1803 Pope Pius VII further created him Marquis of Romavecchia and Turrita and 1st Prince (Princeps Romanus) of Civitella Cesi; in 1809 he was elevated to Patrician (with confirmation of that honor by Pius VII on January 19, 1813) and in 1820 became Duke of Poli and Guadagnolo, with other titles. He was the builder of the Villa Torlonia in Rome (started 1806), as well as other Torlonia villas. In 1793 he married Anna Maria Schultheiss (1760–1840), and they had five children: *Maria Teresa (born 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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