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Saint Joseph's Dream (Guercino)
''Saint Joseph's Dream'' is an oil-on-canvas painting executed ca. 1615–1650 by the Italian Baroque artist Guercino, now in the Royal Palace of Naples. History It may be a pendant (art), pendant to Guercino's ''Saint Jerome (Guercino), Saint Jerome'', also now in the Palace. ''I Farnese. Arte e collezionismo'', Milano, Editrice Electa, 1995, ISBN 88-435-5132-9, pp. 314-315. It was moved from Parma to Naples with the rest of the Farnese collection in 1734 when the Kingdom of Naples was inherited by Charles III of Spain, Charles of Bourbon. It was recorded in an inventory of the Palace's collections in 1874 but later fell into obscurity. At the end of the twentieth century it was rediscovered and re-evaluated by critics, who identified it in the abbey of Montevergine in Avellino, where there was also the ''Saint Jerome'', as a work from the deposits of Museo di Capodimonte, Capodimonte under the attribution to Francesco Di Maria. References [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guercino
Giovanni Francesco Barbieri (February 8, 1591 – December 22, 1666),Miller, 1964 better known as Guercino, or il Guercino , was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style. Biography Giovanni Francesco Barbieri was born into a family of peasant farmers in Cento, a town in the Po Valley mid-way between Bologna and Ferrara.Mahon, 1937a Being cross-eyed, at an early age he acquired the nickname by which he is universally known, Guercino (a diminutive of the Italian noun '' guercio'', meaning 'squinter').Turner, 2003 Mainly self-taught, at the age of 16, he worked as apprentice in the shop of Benedetto Gennari, a painter of the Bolognese School. An early commission was for the decoration with frescos (1615–1616) of Casa Pannini in Cento, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Palace Of Naples
The Royal Palace of Naples ( it, Palazzo Reale di Napoli, italic=no, nap, Palazzo Riale ‘e Napule) is a palace, museum, and historical tourist destination located in central Naples, southern Italy. It was one of the four residences near Naples used by the House of Bourbon during their rule of the Kingdom of Naples (1735–1816) and later the Kingdom of the Two Sicilies (1816-1861). The others were the palaces of Caserta, Capodimonte overlooking Naples and Portici on the slopes of Vesuvius. History The palace is on the site of an earlier residence, which had housed the former viceroy Don Pedro de Toledo, Marquis of Villafranca. Construction on the present building was begun in the 17th century by the architect Domenico Fontana.The "signature" of Domenico Fontana is engraved on some bases of the columns of the facade of the Royal Palace of Naples. The text states: "DOMENICVS FONTANA PATRITIVS Romanvs / AVRATAE Militiae EQVES / ET COMES PALATINVS INVENTOR." Intended to house ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pendant (art)
In art, a pendant is one of two paintings, statues, reliefs or other type of works of art intended as a pair. Typically, pendants are related thematically to each other and are displayed in close proximity. For example, pairs of portraits of married couples are very common, as are symmetrically arranged statues flanking an altar. Pendants may be the work of a single artist or of two artists, who in some instances might be in competition with one another. An example of the latter case is the pairing of the marble groups ''The Triumph of Faith over Idolatry'' by Jean-Baptiste Théodon and ''Religion Overthrowing Heresy and Hatred'' by Pierre Le Gros the Younger on the ''Altar of Saint Ignatius of Loyola'' (1695–1697/98), in the Church of the Gesù, Rome. When J. M. W. Turner bequeathed two of his paintings to the National Gallery in London with the clause that they should in perpetuity hang next to two landscape painting Landscape painting, also known as landscape art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Jerome (Guercino)
''Saint Jerome'' or ''Penitent Saint Jerome'' is an oil-on-canvas painting executed c.1640–1650 by the Italian artist Guercino, now in the Royal Palace of Naples. ''I Farnese. Arte e collezionismo'', Milano, Editrice Electa, 1995, ISBN 88-435-5132-9, pages 314-315 History Its origins are unknown. Twentieth-century art critics argue it was commissioned by someone featured in the painter's accounts book. The work dates to 1640–1650, a period when patrons from Cento, Ferrara and Bologna were commissioning works from him for sums between around 50 and 67 scudi. The earliest definite reference to the work dates to 1680, when it was recorded at the Palazzo del Giardino in Parma as part of the Farnese collection, though it is unknown how it entered that collection. In 1734, before being moved to Naples, the ''Jerome'' was recorded as being at the Ducal Palace in Parma. When Elisabeth Farnese's son Charles of Bourbon came to the throne of the Two Sicilies, it and the rest of the Far ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farnese Collection
The classical sculptures in the Farnese Collection, one aspect of this large art collection, are one of the first collections of artistic items from Greco-Roman Antiquity. It includes some of the most influential classical works, including the sculptures that were part of the Farnese Marbles, their collection of statuary, which includes world-famous works like the Farnese Hercules, Farnese Cup, Farnese Bull and the Farnese Atlas. These statues are now displayed in the Naples National Archaeological Museum in Italy with some in the British Museum in London. History The items in the collection were acquired or requisitioned by Cardinal Alessandro Farnese, who became Pope Paul III (1534 - 1549). Classical artworks were routinely uncovered in Roman lands, and during the Italian Renaissance had become much desired. Many were family heirlooms of prominent families in Rome. Alessandro purchased the Sassi and Bernardino Fabio collections, confiscated the Colonna collection, and received ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles III Of Spain
it, Carlo Sebastiano di Borbone e Farnese , house = Bourbon-Anjou , father = Philip V of Spain , mother = Elisabeth Farnese , birth_date = 20 January 1716 , birth_place = Royal Alcazar of Madrid, Spain , death_date = , death_place = Royal Palace of Madrid, Spain , place of burial= El Escorial , religion = Roman Catholicism , signature = Autograph Charles III of Spain.svg Charles III (born Charles Sebastian; es, Carlos Sebastián; 20 January 1716 – 14 December 1788) was King of Spain (1759–1788). He also was Duke of Parma and Piacenza, as Charles I (1731–1735); King of Naples, as Charles VII, and King of Sicily, as Charles V (1734–1759). He was the fifth son of Philip V of Spain, and the eldest son of Philip's second wife, Elisabeth Farnese. A proponent of enlightened absolutism and regalism, he succeeded to the Spanish throne on 10 August 1759, upon the death of his childless half-brother Ferdinand VI. In 1731, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avellino
Avellino () is a town and ''comune'', capital of the province of Avellino in the Campania region of southern Italy. It is situated in a plain surrounded by mountains east of Naples and is an important hub on the road from Salerno to Benevento. History Before the Roman conquest, the ancient ''Abellinum'' was a centre of the Samnite Hirpini, located on the Civita hill some outside the current town, in what is now Atripalda. The city could correspond to the ancient ''Velecha'', documented by coins found in the area. ''Abellinum'' was conquered by the Romans in 293 BC, changing name several times in the following centuries (''Veneria'', ''Livia'', ''Augusta'', ''Alexandriana'', and ''Abellinatium''). However, the construction of a true Roman town occurred only after the conquest by Lucius Cornelius Sulla in the civil wars in 89 BC. He razed the old site and in 82 BC founded the colony Veneria Abellinatium on the left bank of the river Sabato. The new city was surrounded by mass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Di Capodimonte
Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the largest museums in Italy. The museum was inaugurated in 1957. History The vast collection at the museum traces its origins back to 1738. During that year King Charles VII of Naples and Sicily (later Charles III, king of Spain) decided to build a hunting lodge on the Capodimonte hill, but then decided that he would instead build a grand palace, partly because his existing residence, the Palace of Portici, was too small to accommodate his court, and partly because he needed somewhere to house the fabulous Farnese art collection which he had inherited from his mother, Elisabetta Farnese, last descendant of the sovereign ducal family of Parma. Over the yea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Di Maria
Francesco di Maria (1623–1690) was an Italian painter of the Baroque period, active mainly in Naples. He was a pupil of the painter Domenichino. Maria was an early mentor of Francesco Solimena, Giacomo del Pò, and Paolo de Matteis Paolo de Matteis (also known as ''Paolo de' Matteis''; 9 February 1662 – 26 January 1728) was an Italian painter. Biography He was born in Piano Vetrale, a hamlet of Orria, in the current Province of Salerno, and died in Naples. He trained wit .... References * External links 1623 births 1690 deaths 17th-century Neapolitan people 17th-century Italian painters Italian male painters Painters from Naples Italian Baroque painters {{Italy-painter-17thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farnese Collection
The classical sculptures in the Farnese Collection, one aspect of this large art collection, are one of the first collections of artistic items from Greco-Roman Antiquity. It includes some of the most influential classical works, including the sculptures that were part of the Farnese Marbles, their collection of statuary, which includes world-famous works like the Farnese Hercules, Farnese Cup, Farnese Bull and the Farnese Atlas. These statues are now displayed in the Naples National Archaeological Museum in Italy with some in the British Museum in London. History The items in the collection were acquired or requisitioned by Cardinal Alessandro Farnese, who became Pope Paul III (1534 - 1549). Classical artworks were routinely uncovered in Roman lands, and during the Italian Renaissance had become much desired. Many were family heirlooms of prominent families in Rome. Alessandro purchased the Sassi and Bernardino Fabio collections, confiscated the Colonna collection, and received ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
