Symphony No. 7 (Penderecki)
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Symphony No. 7 (Penderecki)
Krzysztof Penderecki wrote his Seventh Symphony, subtitled "Seven Gates of Jerusalem", in 1996 to commemorate the third millennium of the city of Jerusalem. Originally conceived as an oratorio, this choral symphony was premièred in Jerusalem in January 1997; it was only after the first Polish performance two months later that Penderecki decided to call it a symphony. It is written for two sopranos, alto, tenor, bass, narrator, chorus and orchestra. Movements The symphony is written in seven movements and lasts approximately 60 minutes: # Magnus Dominus et laudabilis nimis in civitate (Great is the Lord, and to be praised, from Psalm 48) # Si oblitus fuero tui, Ierusalem (If I forget you, Jerusalem, from Psalm 137) # De profundis (Out of the depths, Psalm 130) # Si oblitus fuero tui, Ierusalem (If I forget you, Jerusalem) # Lauda, Jerusalem, Dominum (Praise the Lord, Jerusalem, Psalm 147) # Hajetà alai jad adonài (The hand of the Lord was upon me, Ezechiel 37, 1–10) # Haec dic ...
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Choral Symphony
A choral symphony is a musical composition for orchestra, choir, and sometimes solo (music), solo vocalists that, in its internal workings and overall musical architecture, adheres broadly to symphony, symphonic musical form. The term "choral symphony" in this context was coined by Hector Berlioz when he described his ''Roméo et Juliette (Berlioz), Roméo et Juliette'' as such in his five-paragraph introduction to that work."Avant-Propos de l'auteur", Reiter-Biedermann's vocal score (Winterthur, 1858), p. 1. As quoted in The direct antecedent for the choral symphony is Ludwig van Beethoven's Symphony No. 9 (Beethoven), Ninth Symphony. Beethoven's Ninth incorporates part of the ''Ode an die Freude'' ("Ode to Joy"), a poem by Friedrich Schiller, with text sung by soloists and chorus in the last movement. It is the first example of a major composer's use of the human voice on the same level as instruments in a symphony. A few 19th-century composers, notably Felix Mendelssohn and ...
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Bavarian Radio Symphony Orchestra
The Bavarian Radio Symphony Orchestra (german: Symphonieorchester des Bayerischen Rundfunks, BRSO) is a German radio orchestra. Based in Munich, Germany, it is one of the city's four orchestras. The BRSO is one of two full-size symphony orchestras operated under the auspices of Bayerischer Rundfunk, or Bavarian Broadcasting (BR). Its primary concert venues are the ''Philharmonie'' of the Gasteig, Gasteig Cultural Centre and the ''Herkulessaal'' in the Munich Residenz. History The orchestra was founded in 1949, with members of an earlier radio orchestra in Munich as the core personnel. Eugen Jochum was the orchestra's first chief conductor, from 1949 until 1960. Subsequent chief conductors have included Rafael Kubelík, Sir Colin Davis and Lorin Maazel. The orchestra's most recent chief conductor was Mariss Jansons, from 2003 until his death in 2019. Jansons regularly campaigned for a new concert hall during his tenure. In 2010, Sir Simon Rattle first guest-conducted the BRSO. In ...
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Choral Symphonies
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'chorus' ...
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Symphonies By Krzysztof Penderecki
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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Antoni Wit
Antoni Wit (born February 7, 1944) is a Polish conductor, composer, lawyer and professor at the Fryderyk Chopin University of Music. Between 2002 and 2013, he served as the artistic director of the National Philharmonic in Warsaw. Life and career Wit was born in Kraków. He graduated from the Kraków conservatory (then called ''Państwowa Wyższa Szkola Muzyczna'') in 1967. He studied conducting under Henryk Czyż and composition under Krzysztof Penderecki. He went on to study in Paris under Nadia Boulanger (1967–68). In 1969, he also graduated in law from the Jagiellonian University in Kraków. From 2002 to 2013 he was music director of the Warsaw Philharmonic Orchestra. He also collaborated with the Orquesta Sinfónica de Navarra in Pamplona from the 2010–2011 to the 2016–2017 season, serving as their first guest conductor. In May 2013 he was nominated Artistic Director of the ensemble. He has conducted the Berlin Philharmonic, Staatskapelle Dresden, the Orchestra dell ...
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Warsaw National Philharmonic Orchestra
The Warsaw National Philharmonic Orchestra ( pl, Orkiestra Filharmonii Narodowej w Warszawie) is a Polish orchestra based in Warsaw. Founded in 1901, it is one of Poland's oldest musical institutions. History The orchestra was conceived on initiative of an assembly of Polish aristocrats and financiers, as well as musicians. Between 1901 and the outbreak of World War II in 1939, several virtuoso- and conductor-composers regularly performed their works with the orchestra, including Edvard Grieg, Arthur Honegger, Ruggiero Leoncavallo, Sergei Prokofiev, Sergei Rachmaninoff, Maurice Ravel, Camille Saint-Saëns, Richard Strauss, and Igor Stravinsky. Among the other musicians who played with the Philharmonic were pianists Ignacy Jan Paderewski, Arthur Rubinstein, Vladimir Horowitz and Claudio Arrau, violinists Jascha Heifetz and Pablo de Sarasate, and cellist Pablo Casals. The Philharmonic has played host to the Chopin International Piano Competition since the contest began in 192 ...
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Boris Carmeli
Boris Carmeli (23 April 1928 – 31 July 2009) was a Polish operatic basso profondo known for his "fervent rich hued tones" and extensive repertory of more than 70 operas and 60 oratorios. During his long career, he appeared regularly at La Scala in Milan and other major opera houses internationally. In addition to the classical bass repertoire, he performed contemporary music including major works by Krzysztof Penderecki and Karlheinz Stockhausen. He appeared at international music festivals, on Italian television, and in many opera films. Early life Carmeli was born Norbert Wolfinger to Hermann and Rachel Wolfinger in Obertyn, Poland, in 1928. His older brother Pinkas (later Peter Carmeli) was born in 1921. Believing that Germany had an economic future, the family emigrated to Magdeburg in 1932. Hermann moved first and found work in the textile business. His wife and sons joined him later. From January 1933, under the Nazi regime, the Jewish Wolfinger family faced difficultie ...
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Aga Mikolaj
Agnieszka Beata Mikołajczyk (7 March 1971 – 11 November 2021), better known by her stage name Aga Mikolaj, was a Polish operatic soprano who made an international career. She was a member of the Bavarian State Opera in Munich from 2002 to 2007, focusing on Mozart roles, especially Donna Elvira in ''Don Giovanni'', and performed from San Francisco to Tokyo. She performed and recorded '' Four Last Songs'' by Richard Strauss, Penderecki's '' The Seven Gates of Jerusalem'', and Detlev Glanert's ''Requiem for Hieronymus Bosch'', live in Rotterdam in 2016 in its first recording. Life and career Born in Kutno on 7 March 1971, Mikolaj studied at the Academy of Music in Poznań with Antonina Kawecka from 1990 to 1996. During her studies, she received a scholarship from the University of Music and Performing Arts Vienna. In 1997, Mikolaj took master classes with Renata Scotto and in 2001 with Elisabeth Schwarzkopf, who coached her until her death in 2006. Mikolaj won prizes at intern ...
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Olga Pasichnyk
Olga Pasichnyk (Ukrainian: Ольга Ігорівна Плиска-Пасічник lga Ihorivna Plyska-Pasichnyk Polish: Olga Pasiecznik; born 3 March 1968) is a Polish-Ukrainian classical soprano singer. She lives in Poland. Biography Born in Rivne, Ukraine, Pasichnyk is the daughter of Ihor and Polish-born Jadwiga (née Antonowicz) Pasichnyk. Her father became the first rector of National University of "Academy Ostrogska" when it was revived in 1994. Her sister is the pianist Natalya Pasichnyk. She is married to Yuri Pliska, assistant professor at Warsaw University of Life Sciences. She initially trained to be a pianist at Rivne, but moved to the Kyiv Conservatory to study singing as a soprano with Evgeniya Miroshnichenko. She then completed her postgraduate studies with Alina Bolechowska at the Fryderyk Chopin University of Music in Warsaw. In 1992, Pasichnyk became a soloist of the Warsaw Chamber Opera, while still a student. Since then she has taken leading roles wit ...
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Psalm 96
Psalm 96 is the 96th psalm of the Book of Psalms, a hymn. The first verse of the psalm calls to praise in singing, in English in the King James Version: "O sing a new song unto the Lord". Similar to Psalm 98 ("Cantate Domino") and Psalm 149, the psalm calls to praise God in music and dance, because he has chosen his people and helped them to victory. It is one of the royal psalms praising God as the King of His people. In the slightly different numbering system used by the Greek Septuagint and the Latin Vulgate, this psalm is Psalm 95. The psalm forms a regular part of Jewish, Catholic, Lutheran, and Anglican liturgies. The Latin conclusion, "Laetentur caeli", is used during the Christmas night liturgy. The psalm or verses of it have been paraphrased to hymns, and it has often been set to music, notably by Handel in his '' Chandos Anthems'', by Mendelssohn who quoted from it in a movement of his choral symphony ''Lobgesang'', and Zoltán Gárdonyi as part of three motets. Inc ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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