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Sybil Grey
Ellen Sophia Taylor (3 January 1860 – 20 August 1939), known professionally as Sybil Grey, was a British singer and actress during the Victorian era best known for creating a series of minor roles in productions by the D'Oyly Carte Opera Company, including roles in several of the famous Gilbert and Sullivan operas, from 1880 to 1888. Afterwards, she went on to a long West End theatre career, appearing in both musical theatre and plays. Early life and career Grey was born in London’s Conduit Street West, the second daughter of Henry Taylor, a linen draper, and his Exeter-born wife Susannah. Gänzl, Kurt"The third little maid" Kurt Gänzl's blog, 25 April 2018 Grey began her stage career with the D'Oyly Carte Opera Company in 1880 as a member of the chorus and understudy during the first London production of Gilbert and Sullivan's ''The Pirates of Penzance'' at the Opera Comique, appearing in the small role of Kate for a short period in July 1880. In the company's next opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trial By Jury
A jury trial, or trial by jury, is a legal proceeding in which a jury makes a decision or findings of fact. It is distinguished from a bench trial in which a judge or panel of judges makes all decisions. Jury trials are used in a significant share of serious criminal cases in many but not all common law judicial systems. The majority of common law jurisdictions in Asia (such as Singapore, India, Pakistan and Malaysia) have abolished jury trials on the grounds that juries are susceptible to bias. Juries or lay judges have also been incorporated into the legal systems of many civil law countries for criminal cases. Only the United States makes routine use of jury trials in a wide variety of non-criminal cases. Other common law legal jurisdictions use jury trials only in a very select class of cases that make up a tiny share of the overall civil docket (like malicious prosecution and false imprisonment suits in England and Wales), but true civil jury trials are almost entirely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blank Verse
Blank verse is poetry written with regular metrical but unrhymed lines, almost always in iambic pentameter. It has been described as "probably the most common and influential form that English poetry has taken since the 16th century", and Paul Fussell has estimated that "about three quarters of all English poetry is in blank verse". The first known use of blank verse in English was by Henry Howard, Earl of Surrey in his translation of the '' Æneid'' (composed c. 1540; published posthumously, 1554–1557). He may have been inspired by the Latin original since classical Latin verse did not use rhyme, or possibly he was inspired by Ancient Greek verse or the Italian verse form of '' versi sciolti'', both of which also did not use rhyme. The play ''Arden of Faversham'' (around 1590 by an unknown author) is a notable example of end-stopped blank verse. History of English blank verse The 1561 play '' Gorboduc'' by Thomas Norton and Thomas Sackville was the first English pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Era (newspaper)
''The Era'' was a British weekly paper, published from 1838 to 1939. Originally a general newspaper, it became noted for its sports coverage, and later for its theatrical content. History ''The Era'' was established in 1838 by a body of shareholders consisting of licensed victuallers and other people connected with their trade. The journal was intended to be a weekly organ of the public-house interest, just as the ''Morning Advertiser'' was then its daily organ. In the first two or three years of its existence, its political stance was broadly Liberal. Its first editor, Leitch Ritchie, proved too liberal for his board of directors, and in addition to editorial clashes, the paper was a commercial failure. Ritchie was succeeded by Frederick Ledger, who became sole proprietor as well as editor. He edited the paper for more than thirty years, gradually changing its politics from Liberalism to moderate Conservatism. Politics, however, ceased to be a major concern of ''The Era''. Its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nellie Farren
Ellen "Nellie" Farren (16 April 1848 – 29 April 1904) was an English actress and singer best known for her roles as the "principal boy" in musical burlesques at the Gaiety Theatre. Born into a theatrical family, Farren began acting as a child. She made her professional adult debut in 1864 and joined the company at London's Olympic Theatre, performing in Shakespeare, contemporary comedies, dramas and musical burlesques. From 1868 to 1892, she performed at the Gaiety Theatre, which specialised in musical burlesque, becoming famous in the male and principal boy roles, which permitted an actress in the Victorian era theatre to show her legs in tights. Farren gained a large following among the theatre's mostly male audience. Farren created the role of Mercury in Gilbert and Sullivan's first collaboration, ''Thespis'' and created or played roles in works by Dion Boucicault, Anthony Trollope, Charles Dickens, William Congreve and Henry James Byron, among many others. In the 1880 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Henry (pseudonym)
Richard Henry is a pseudonym credited on collaborative works of authors Richard Butler and Henry Chance Newton. Works attributed to Richard Henry include ''Monte Cristo Jr.'' (1886) and '' Frankenstein, or The Vampire's Victim'', a parody of the Mary Shelley novel ''Frankenstein'', presented at the Gaiety Theatre, London in 1887. Selected works *''Monte Cristo Jr. ''Monte Cristo Jr.'' was a Victorian burlesque with a libretto written by Richard Henry, a pseudonym for the writers Richard Butler and Henry Chance Newton. The score was composed by Meyer Lutz, Ivan Caryll, Hamilton Clarke, Tito Mattei, G. ...'' - (burlesque melodrama 1886) *''Jubilation'' - (musical mixture 1887) *'' Frankenstein, or The Vampire's Victim'' - (burlesque 1887) *''Opposition'' - (a debate in one sitting 1892) References Collective pseudonyms {{UK-writer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frankenstein, Or The Vampire's Victim
''Frankenstein, or The Vampire's Victim'' (sometimes called ''Frankenstein, or The Model Man'') is a musical burlesque written by Richard Henry (a pseudonym of Richard Butler and Henry Chance Newton). The music was composed by Meyer Lutz. The piece is a burlesque of the 1818 Mary Shelley novel '' Frankenstein; or, The Modern Prometheus '' and the Adelphi Theatre drama based on the novel. Opening at the Gaiety Theatre, London on 24 December 1887, the production was a flop, closing after a week. It starred Nellie Farren as Dr. Frankenstein and Fred Leslie as a monster who is in touch with his feminine side. The Victorian audiences found the piece too feminist in tone. In addition, the public was annoyed at George Edwardes, who had reduced the size of the inexpensive "pit" in favour of more "stalls". The piece also featured Marion Hood as the doctor's love interest Tartina; E. J. Lonnen as the vampire Visconti; Emily Cross as Mary Ann; Sylvia Grey as Tamburina, goddess of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Edwardes
George Joseph Edwardes (né Edwards; 8 October 1855 – 4 October 1915) was an English theatre manager and producer of Irish ancestry who brought a new era in musical theatre to the British stage and beyond. Edwardes started out in theatre management, soon working at a number of West End theatres. By the age of 20, he was managing theatres for Richard D'Oyly Carte. In 1885, Edwardes became a manager at the Gaiety Theatre with John Hollingshead, who soon retired. For the next three decades, Edwardes ruled a theatrical empire including the Gaiety, Daly's Theatre, the Adelphi Theatre and others, and sent touring companies around Britain and abroad. In the early 1890s, Edwardes recognised the changing tastes of musical theatre audiences and led the movement away from burlesque and comic opera to Edwardian musical comedy. Life and career Edwardes was born at Great Grimsby, Lincolnshire, England. He was the eldest of four sons and three daughters of James Edwards, comptroller of c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaiety Theatre, London
The Gaiety Theatre was a West End theatre in London, located on Aldwych at the eastern end of the Strand. The theatre was first established as the Strand Musick Hall in 1864 on the former site of the Lyceum Theatre. In 1868, it became known as the Gaiety Theatre and was, at first, known for music hall and then for musical burlesque, pantomime and operetta performances. From 1868 to the 1890s, it had a major influence on the development of modern musical comedy. Under the management of John Hollingshead until 1886, the theatre had early success with ''Robert the Devil'', by W. S. Gilbert, followed by many other burlesques of operas and literary works. Many of the productions starred Nellie Farren. Hollingshead's last production at the theatre was the burlesque ''Little Jack Sheppard'' (1885–86), produced together with his successor, George Edwardes. Edwardes's first show, ''Dorothy'', became a long-running hit. In the 1880s and 90s, the theatre had further success with a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meyer Lutz
Wilhelm Meyer Lutz (19 May 1829 – 31 January 1903) was a German-born British composer and conductor who is best known for light music, musical theatre and burlesques of well-known works. Emigrating to the UK at the age of 19, Lutz started as an organist and soon became a theatrical conductor in London. After serving from 1850 to 1855 as music director of the Surrey Theatre, Lutz conducted touring opera companies and composed some serious music and music for the Christy Minstrels. In 1869, he was engaged as the music director of the Gaiety Theatre, London, arranging and later composing a series of popular burlesques over the next 25 years. Lutz continued to compose songs into the 20th century. Life and career Lutz was born in Münnerstadt, Bavaria, Germany. His parents were Joseph Lutz (1801–1879), a music professor, and Magdalena (1809–1862). His older brother, Baron Johann Lutz, became the prime minister of Bavaria under King Ludwig II of Bavaria. Lutz studied music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Burlesque
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian era, Victorian England and in the New York theatre of the mid-19th century. It is a form of parody music, parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiche, pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque. Like ballad opera, burlesques featured musical scores drawing on a wide range of music, from popular contemporary songs to operatic arias, although later burlesques, from the 1880s, sometimes featured original scores. Dance played an important part, and great attention was paid to the staging, costumes and other spectacular elements of stagecraft, as many of the pieces we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
May Holt
May Holt born Elizabeth May Holt was an English actress, manager and playwright who had a successful career on the stage in England and Australia.”She was claimed with great affection by both the Australian and British press and identified as a peer by her contemporaries and colleagues in both Britain and Australia.” Early life and acting career She was born on 14 November 1849 in Bury St Edmunds, Suffolk the youngest daughter of the actor-manager, Clarance Holt and she acted in his company from a very early age. In 1857, at the age of 8, she appeared, with the rest of the family, in the melodrama, ''The Children of the Castle'' by Edward Fitzball. May toured with the family throughout Great Britain, Australia and New Zealand and was already receiving top billing in her late teens – playing Ophelia at the age of 18 and starring as Eponine in her father’s adaptation of Victor Hugo's ''Les Misérables'' entitled ''The Barricade'' a year later. She was noted for her sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
