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Sudhindra Tirtha
Sudhindra Tirtha (1596 - 1623) was a Dvaita philosopher of aesthetics, dramatist and the pontiff of the matha at Kumbakonam. Unlike his predecessors who mainly dealt with polemics and theology, most of his written works deal with Kavya (''poetry''), Alankara (''figure of speech'') and Nataka (''drama''), which is considered unique in history of Dvaita literature. He is also notable as a disciple of Vijayendra Tirtha, engaging in scholarly debates across the subcontinent and for mentoring Raghavendra Tirtha who succeeded him as the pontiff of the matha at Kumbakonam. Regarding his oeuvre in the context of Dvaita literature, Sharma notes "he was left us works of real merit, which stand out like oases in the dreary desert of theological writings". His works are characterised by alliterations, elegance and simplicity. Life Information about his life mainly comes from ''Raghavendra Vijaya'' by Narayanacharya. Nothing is known about his early life. He served as a disciple of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kashi Math
Kashi Math is a matha (monastery) and a spiritual organisation followed by the Madhva section of Gaud Saraswat Brahmins, who are also referred as Madhwa Saraswat Brahmins or Vaishnava Saraswat Brahmins. It dates back to the 16th century. With its headquarters in Brahma Ghat, Varanasi. Kashi Math has followers all over the Konkan belt, prominently in Mumbai, Goa, Udupi, Mangalore, Kochi and other parts of Karnataka and Kerala. Deities The principal deities of Kashi Math are ''charaprathishta'' (“moving installation") idols of Vyasa, Rama and Narasimha, who are also collectively known as the ''Vyasa Raghupathi Narasimha''. Gurus The Kashi Math follows the Guru-shishya tradition where the Guru of the Math initiates a ''shishya'' to succeed him upon his Samadhi. Samyamindra Thirtha is the 21st and current head (Mathadipathi) of the Math. The heads have been: #Yadavendra Thirtha -I #Keshavendra Thirtha #Upendra Thirtha -I #Yadavendra Thirtha -II #Raghavendra Thirtha #Deven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raghunatha Nayaka
Raghunatha Nayak was the most powerful king of the Thanjavur Nayak Dynasty. He was the third ruler of Thanjavur, southern India, from the Nayak dynasty. He ruled from 1600 to 1634 and is noted for the attainments of Thanjavur in literature, art, and Carnatic music. Early life Raghunatha Nayak was the eldest son of Achuthappa Nayak and was born after intense penance by his father. The '' Raghunathabhyudayam'' and ''Sahityanatyakara'' give a detailed account of his childhood. As a boy, Raghunatha learned the shastras, the art of warfare and administration. He had multiple queens, chiefly Kalavati referred to in the ''Raghunathabhyudayam'' as Pattampurani. Ramabhadramba, who wrote a history of the Thanjavur Nayak dynasty, was one of his concubines. In his early days, Raghunatha won acclaim fighting the Golconda Sultanate. He ascended the throne in 1600, ruled with his father from 1600 to 1614, and as sole monarch from 1614 to 1634. Campaigns and wars In 1614, Sriranga II, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhva Religious Leaders
Madhvacharya (; ; CE 1199-1278 or CE 1238–1317), sometimes anglicised as Madhva Acharya, and also known as Purna Prajna () and Ānanda Tīrtha, was an Indian philosopher, theologian and the chief proponent of the ''Dvaita'' (dualism) school of Vedanta. Madhva called his philosophy ''Tattvavāda'' meaning "arguments from a realist viewpoint". Madhvacharya was born on the west coast of Karnataka state in 13th-century India. As a teenager, he became a Sanyasi (monk) joining Brahma-sampradaya guru Achyutapreksha, of the Ekadandi order. Madhva studied the classics of Hindu philosophy, and wrote commentaries on the Principal Upanishads, the ''Bhagavad Gita'' and the Brahma Sutras ('' Prasthanatrayi''), and is credited with thirty seven works in Sanskrit. His writing style was of extreme brevity and condensed expression. His greatest work is considered to be the ''Anuvyakhyana'', a philosophical supplement to his bhasya on the Brahma Sutras composed with a poetic structure. In som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dvaita Vedanta
Dvaita Vedanta (); (originally known as Tattvavada; IAST:Tattvavāda), is a sub-school in the Vedanta tradition of Hindu philosophy. The term Tattvavada literally means "arguments from a realist viewpoint". The Tattvavada (Dvaita) Vedanta sub-school was founded by the 13th-century philosopher-saint Madhvacharya. Madhvacharya believed in three entities - God, ''jiva'' (soul), and ''jada'' (''maya'', matter). The Dvaita Vedanta school believes that God and the individual souls ( jīvātman) exist as independent realities, and these are distinct, being said that Vishnu (Narayana) is independent (''svatantra''), and souls are dependent (''paratantra'') on him. The Dvaita school contrasts with the other two major sub-schools of Vedanta, the Advaita Vedanta of Adi Shankara which posits nondualism – that ultimate reality (Brahman) and human soul ( Ātman) are identical and all reality is interconnected oneness, and Vishishtadvaita of Ramanuja which posits qualified nondualism – th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smartha
The ''Smarta'' tradition ( sa, स्मार्त), also called Smartism, is a movement in Hinduism that developed and expanded with the Puranas genre of literature. It reflects a synthesis of four philosophical strands, namely Mimamsa, Advaita, Yoga, and theism. The Smarta tradition rejects theistic sectarianism, and is notable for the domestic worship of five shrines with five deities, all treated as equal – Ganesha, Shiva, Shakti, Vishnu and Surya. The Smarta tradition contrasted with the older Shrauta tradition, which was based on elaborate rituals and rites. There has been a considerable overlap in the ideas and practices of the Smarta tradition with other significant historic movements within Hinduism, namely Shaivism, Brahmanism, Vaishnavism, and Shaktism.Sanderson, Alexis. "The Saiva Age: The Rise And Dominance Of Saivism During The Early Medieval Period". In ''Genesis And Development of Tantrism'', Edited By Shingo Einoo. Tokyo: Institute Of Oriental Culture, Un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rasa (aesthetics)
In Indian aesthetics, a rasa ( sa, रस) literally means "nectar, essence or taste".Monier Monier-Williams (1899)Rasa Sanskrit English Dictionary with Etymology, Motilal Banarsidass (Originally Published: Oxford) It connotes a concept in Indian arts about the aesthetic flavour of any visual, literary or musical work that evokes an emotion or feeling in the reader or audience but cannot be described.Rasa: Indian Aesthetic Theory Encyclopedia Britannica (2013) It refers to the emotional flavors/essence crafted into the work by the writer and relished by a 'sensitive spectator' or ''sahṛdaya,'' literally one who "has heart", and can connect to the work with emotion, without dryness. Rasas are created by ''bhavas'': the state of mind. The ''rasa'' theory has a dedicated section (Chapter 6) in the |
Indian Aesthetics
Indian art evolved with an emphasis on inducing special spiritual or philosophical states in the audience, or with representing them symbolically. Rasas in the performing arts The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing ''Rasa'' in classical Indian dance form is referred to as ''Rasa-abhinaya''. The ''Nātyasāstra'' carefully delineates the ''bhavas'' used to create each ''rasa''. The expressions used in Kudiyattam or Kathakali are extremely exaggerated theatrical expressions. The opposite of this interpretation is Balasaraswathi's school of subtle and understated abhinaya of the devadasis. There were serious public debates when Balasaraswathi condemned Rukmini Devi's puritanistic interpretations and applications of Sringara rasa. The abhinaya of the Melattur style of abhinaya remains extremely rich in varia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhagavata Purana
The ''Bhagavata Purana'' ( sa, भागवतपुराण; ), also known as the ''Srimad Bhagavatam'', ''Srimad Bhagavata Mahapurana'' or simply ''Bhagavata'', is one of Hinduism's eighteen great Puranas (''Mahapuranas''). Composed in Sanskrit by Veda Vyasa, it promotes ''bhakti'' (devotion) towards Krishna, integrating themes from the Advaita (monism) philosophy of Adi Shankara, the Vishishtadvaita (qualified monism) of Ramanujacharya and the Dvaita (dualism) of Madhvacharya. It is widely available in almost all Indian languages. The ''Bhagavata Purana'', like other puranas, discusses a wide range of topics including cosmology, astronomy, genealogy, geography, legend, music, dance, yoga and culture. As it begins, the forces of evil have won a war between the benevolent ''Deva (Hinduism), devas'' (deities) and evil ''asuras'' (demons) and now rule the universe. Truth re-emerges as Krishna, (called "Hari#Usage in Indian religion and mythology, Hari" and "Vāsudeva" in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vyasatirtha
Vyāsatīrtha (. 1460 – 1539), also called ''Vyasaraja'' or ''Chandrikacharya'', was a Hindu philosopher, scholar, polemicist, commentator and poet belonging to the Madhwacharya's Dvaita order of Vedanta. As the patron saint of the Vijayanagara Empire, Vyasatirtha was at the forefront of a golden age in Dvaita which saw new developments in dialectical thought, growth of the Haridasa literature under bards like Purandara Dasa and Kanaka Dasa and an amplified spread of Dvaita across the subcontinent. Three of his polemically themed doxographical works ''Nyayamruta'', ''Tatparya Chandrika'' and ''Tarka Tandava'' (collectively called ''Vyasa Traya'') documented and critiqued an encyclopaedic range of sub-philosophies in Advaita, Visistadvaita, Mahayana Buddhism, Mimamsa and Nyaya, revealing internal contradictions and fallacies. His ''Nyayamruta'' caused a significant stir in the Advaita community across the country requiring a rebuttal by Madhusudhana Saraswati through hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hampi
Hampi or Hampe, also referred to as the Group of Monuments at Hampi, is a UNESCO World Heritage Site located in Hampi (town), Hampi town, Vijayanagara district, east-central Karnataka, India. Hampi was the capital of the Vijayanagara Empire in the 14th century. It was a fortified city. Chronicles left by Persian and European travellers, particularly the Portuguese, say that Hampi was a prosperous, wealthy and grand city near the Tungabhadra River, with numerous temples, farms and trading markets. By 1500 CE, Hampi-Vijayanagara was the world's second-largest medieval-era city after Beijing, and probably India's richest at that time, attracting traders from Persia and Portugal. The Vijayanagara Empire was defeated by a coalition of Muslim sultanates; its capital was conquered, pillaged and destroyed by sultanate armies in 1565, after which Hampi remained in ruins. Located in Karnataka near the modern-era city of Hosapete, Hampi's ruins are spread over and it has been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sannyasa
''Sannyasa'' (Sanskrit: संन्यास; IAST: ), sometimes spelled Sanyasa (सन्न्यास) or Sanyasi (for the person), is life of renunciation and the fourth stage within the Hindu system of four life stages known as '' Ashramas'', with the first three being Brahmacharya (bachelor student), Grihastha (householder) and Vanaprastha (forest dweller, retired). Sannyasa is traditionally conceptualized for men or women in late years of their life, but young brahmacharis have had the choice to skip the householder and retirement stages, renounce worldly and materialistic pursuits and dedicate their lives to spiritual pursuits. Sannyasa is a form of asceticism, is marked by renunciation of material desires and prejudices, represented by a state of disinterest and detachment from material life, and has the purpose of spending one's life in peaceful, spiritual pursuits. An individual in Sanyasa is known as a ''Sannyasi'' (male) or ''Sannyasini'' (female) in Hinduis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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