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Sticherarion
A sticheron (Greek: "set in verses"; plural: stichera; Greek: ) is a hymn of a particular genre sung during the daily evening (Hesperinos/Vespers) and morning (Orthros) offices, and some other services, of the Eastern Orthodox and Byzantine Catholic churches. ''Stichera'' are usually sung in alternation with or immediately after psalm or other scriptural verses. These verses are known as ''stichoi'' (sing: ''stichos''), but ''sticheraric'' poetry usually follows the hexameter and is collected in a book called sticherarion (Greek: ). A sticherarion is a book containing the stichera for the morning and evening services throughout the year, but chant compositions in the ''sticheraric melos'' can also be found in other liturgical books like the Octoechos or the ''Anastasimatarion'', or in the Anthology for the Divine Liturgy. The sticheraric melos and the troparion In the current traditions of Orthodox Chant, the ''sticherarion'' as a hymn book was also used to call a chant genre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sticheron
A sticheron (Greek: "set in verses"; plural: stichera; Greek: ) is a hymn of a particular genre sung during the daily evening (Hesperinos/Vespers) and morning (Orthros) offices, and some other services, of the Eastern Orthodox and Byzantine Catholic churches. ''Stichera'' are usually sung in alternation with or immediately after psalm or other scriptural verses. These verses are known as ''stichoi'' (sing: ''stichos''), but ''sticheraric'' poetry usually follows the hexameter and is collected in a book called sticherarion (Greek: ). A sticherarion is a book containing the stichera for the morning and evening services throughout the year, but chant compositions in the ''sticheraric melos'' can also be found in other liturgical books like the Octoechos or the ''Anastasimatarion'', or in the Anthology for the Divine Liturgy. The sticheraric melos and the troparion In the current traditions of Orthodox Chant, the ''sticherarion'' as a hymn book was also used to call a chant genre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octoechos (liturgy)
The Octoechos (from the Greek: ; from ὀκτώ 'eight' and ἦχος 'sound, mode' called echos; cu, Осмѡгласникъ, from о́смь 'eight' and гласъ 'voice, sound') is a liturgical book containing a repertoire of hymns ordered in eight parts according to eight echoi ( tones or modes). Originally created in the Monastery of Stoudios during the 9th century as a hymnal complete with musical notation, it is still used in many rites of Eastern Christianity. The book with similar function in the Western Church is the tonary, and both contain the melodic models of an octoechos system; however, while the tonary serves simply for a modal classification, the octoechos is organized as a cycle of eight weeks of services. The word itself can also refer to the repertoire of hymns sung during the celebrations of the Sunday Office. Role of meter in the Octoechos Many hymns in the Octoechos, such as Kathismata, Odes, and Kontakia are set in a strict meter—a f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neobyzantine Octoechos
Oktōēchos (here transcribed "Octoechos"; Greek: ; from ὀκτώ "eight" and ἦχος "sound, mode" called echos; Slavonic: Осмогласие, ''Osmoglasie'' from о́смь "eight" and гласъ "voice, sound") is the name of the eight mode system used for the composition of religious chant in Byzantine, Syriac, Armenian, Georgian, Latin and Slavic churches since the Middle Ages. In a modified form the octoechos is still regarded as the foundation of the tradition of monodic Orthodox chant today. From a Phanariot point of view, the re-formulation of the Octoechos and its melodic models according to the New Method was neither a simplification of the Byzantine tradition nor an adaption to Western tonality and its method of an heptaphonic solfeggio, just based on one tone system (σύστημα κατὰ ἑπταφωνίαν). Quite the opposite, as a universal approach to music traditions of the Mediterranean it was rather based on the integrative power of the psalti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idiomelon
(Medieval Greek: from , 'unique' and , 'melody'; Church Slavonic: , )—pl. ''idiomela''—is a type of sticheron found in the liturgical books used in the Eastern Orthodox Church, the Eastern Catholic Churches which follow the Byzantine Rite, and many other Orthodox communities like Old Believers. are unique compositions, while or —sing. , or (Medieval Greek: , Church Slavonic: , )—were used to create other hymns by a composition over the 's melody and following the poetic meter provided by the musical rhythm. The genre composed over these was characterised as or (Medieval Greek: 'similar to', Church Slavonic: , ). Definition of ''idiomelon'', ''avtomelon'' and ''prosomoion'' The hymn category can only be understood in comparison with and . Already in the older book Tropologion each melody of a certain hymn was classified by a modal signature of the Byzantine octoechos—the eight-mode system as it had developed in Constantinople, Damascus, Jerusalem, and in man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hagiopolitan Octoechos
Oktōēchos (here transcribed ""; Greek: pronounced in koine: ; from ὀκτώ "eight" and ἦχος "sound, mode" called echos; Slavonic: Осмогласие, ''Osmoglasie'' from о́смь "eight" and гласъ "voice, sound") is the name of the eight mode system used for the composition of religious chant in most Christian churches during the Middle Ages. In a modified form the octoechos is still regarded as the foundation of the tradition of monodic Orthodox chant today (Neobyzantine Octoechos). The Octoechos as a liturgical concept which established an organization of the calendar into eight-week cycles, was the invention of monastic hymnographers at Mar Saba in Palestine and in Constantinople. It was formally accepted in the Quinisext Council of 692, which also aimed to replace the exegetic poetry of the kontakion and other homiletic poetry, as it was sung during the morning service (Orthros) of the cathedrals. A similar eight-mode system was established in Western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troparia
A troparion (Greek , plural: , ; Georgian: , ; Church Slavonic: , ) in Byzantine music and in the religious music of Eastern Orthodox Christianity is a short hymn of one stanza, or organised in more complex forms as series of stanzas. The wider meaning of troparion The word probably derived from a diminutive of the Greek ('something repeated', 'manner', 'fashion'), since the earliest function of the troparion was a refrain during the recitation of the cantica (biblical odes) and the psalms, as such the term was used as a synonym of . The early meaning of ''troparion'' was related to the monastic hymn book ''Tropologion'' or Troparologion. Hence its forms were manifold, they could be simple stanzas like apolytikia, theotokia, but also more elaborated homiletic poems like ''stichera'' composed in psalmodic hexameters (probably from ''stichos'', “verse”), or in a more complex meter like the odes composed in cycles called canon. Since these Tropologia in their earliest for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Rite
The Byzantine Rite, also known as the Greek Rite or the Rite of Constantinople, identifies the wide range of cultural, liturgical, and canonical practices that developed in the Eastern Christianity, Eastern Christian Church of Constantinople. The canonical hours are very long and complicated, lasting about eight hours (longer during Great Lent) but are abridged outside of large Monastery, monasteries. An iconostasis, a partition covered with icons, separates Sanctuary#Sanctuary as area around the altar, the area around the altar from the nave. The Sign of the cross#Eastern Orthodoxy, sign of the cross, accompanied by bowing, is made very frequently, e.g., more than a hundred times during the Divine Liturgy#Byzantine Rite, divine liturgy, and there is prominent veneration of icons, a general acceptance of the congregants freely moving within the church and interacting with each other, and distinctive traditions of liturgical chanting. Some traditional practices are falling out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troparion
A troparion (Greek , plural: , ; Georgian: , ; Church Slavonic: , ) in Byzantine music and in the religious music of Eastern Orthodox Christianity is a short hymn of one stanza, or organised in more complex forms as series of stanzas. The wider meaning of troparion The word probably derived from a diminutive of the Greek ('something repeated', 'manner', 'fashion'), since the earliest function of the troparion was a refrain during the recitation of the cantica (biblical odes) and the psalms, as such the term was used as a synonym of . The early meaning of ''troparion'' was related to the monastic hymn book ''Tropologion'' or Troparologion. Hence its forms were manifold, they could be simple stanzas like apolytikia, theotokia, but also more elaborated homiletic poems like ''stichera'' composed in psalmodic hexameters (probably from ''stichos'', “verse”), or in a more complex meter like the odes composed in cycles called canon. Since these Tropologia in their earliest for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liturgical Book
A liturgical book, or service book, is a book published by the authority of a church body that contains the text and directions for the liturgy of its official religious services. Christianity Roman Rite In the Roman Rite of the Catholic Church, the primary liturgical books are the Roman Missal, which contains the texts of the Mass, and the Roman Breviary, which contains the text of the Liturgy of the Hours. With the 1969 reform of the Roman Missal by Pope Paul VI, now called the "Ordinary Use of the Roman Rite", the Scriptural readings were expanded considerably, requiring a separate book, known as the Lectionary. The Roman Ritual contains the texts of the sacraments other than the Mass, such as baptism, the sacrament of penance, the anointing of the sick, and the sacrament of marriage. The texts for the sacraments and ceremonies only performed by bishops, such as confirmation and Holy Orders, are contained within the Roman Pontifical. The ''Caeremoniale Episcoporu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theodore The Studite
Theodore the Studite ( grc-x-medieval, Θεόδωρος ό Στουδίτης; 759–826), also known as Theodorus Studita and Saint Theodore of Stoudios/Studium, was a Byzantine Greek monk and abbot of the Stoudios Monastery in Constantinople. He played a major role in the revivals both of Byzantine monasticism and of classical literary genres in Byzantium. He is known as a zealous opponent of iconoclasm, one of several conflicts that set him at odds with both emperor and patriarch. Throughout his life he maintained letter correspondences with many important political and cultural figures of the Byzantine empire; this included many women, such as the composer and nun Kassia, who was much influenced by his teachings. Biography Family and childhood Theodore was born in Constantinople in 759. He was the oldest son of Photeinos, an important financial official in the palace bureaucracy, and Theoktiste, herself the offspring of a distinguished Constantinopolitan family. The brother ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sticharion
The sticharion (also ''stikharion'' or ''stichar''; Greek: στιχάριον; Slavonic: стихарь) is a liturgical vestment of the Eastern Orthodox and Eastern Catholic Churches, roughly analogous in function to the alb of the Western Church. The sticharion is worn by all classes of ordained ministers in the Constantinopolitan Rite and comes in two forms: one worn by priests and one worn by deacons and other altar servers. The sticharion is derived from the '' chiton'', a long, sleeved garment which reached to the ground and was worn in ancient times by both men and women. Deacons and Servers In the form worn by deacons, subdeacons, altar servers, and sometimes by readers, the sticharion is a long robe with wide, loose sleeves, fastened at the neck, and often open down the sides but held shut with buttons or ties. Thus in form, it is close to the dalmatic and tunicle of Western Christianity. There is usually a cross embroidered or appliquéd to the center of the back, be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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