Hagiopolitan Octoechos
Oktōēchos (here transcribed ""; Greek: pronounced in koine: ; from ὀκτώ "eight" and ἦχος "sound, mode" called echos; Slavonic: Осмогласие, ''Osmoglasie'' from о́смь "eight" and гласъ "voice, sound") is the name of the eight mode system used for the composition of religious chant in most Christian churches during the Middle Ages. In a modified form the octoechos is still regarded as the foundation of the tradition of monodic Orthodox chant today (Neobyzantine Octoechos). The Octoechos as a liturgical concept which established an organization of the calendar into eight-week cycles, was the invention of monastic hymnographers at Mar Saba in Palestine and in Constantinople. It was formally accepted in the Quinisext Council of 692, which also aimed to replace the exegetic poetry of the kontakion and other homiletic poetry, as it was sung during the morning service (Orthros) of the cathedrals. A similar eight-mode system was established in Western ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Greek Language
Greek ( el, label=Modern Greek, Ελληνικά, Elliniká, ; grc, Ἑλληνική, Hellēnikḗ) is an independent branch of the Indo-European family of languages, native to Greece, Cyprus, southern Italy (Calabria and Salento), southern Albania, and other regions of the Balkans, the Black Sea coast, Asia Minor, and the Eastern Mediterranean. It has the longest documented history of any Indo-European language, spanning at least 3,400 years of written records. Its writing system is the Greek alphabet, which has been used for approximately 2,800 years; previously, Greek was recorded in writing systems such as Linear B and the Cypriot syllabary. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic, and many other writing systems. The Greek language holds a very important place in the history of the Western world. Beginning with the epics of Homer, ancient Greek literature includes many works of lasting impo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tonary
A tonary is a liturgical book in the Western Christian Church which lists by incipit various items of Gregorian chant according to the Gregorian mode (''tonus'') of their melodies within the eight-mode system. Tonaries often include Office antiphons, the mode of which determines the recitation formula for the accompanying text (the psalm tone if the antiphon is sung with a psalm, or canticle tone if the antiphon is sung with a canticle), but a tonary may also or instead list responsories or Mass chants not associated with formulaic recitation. Although some tonaries are stand-alone works, they were frequently used as an appendix to other liturgical books such as antiphonaries, graduals, tropers, and prosers, and are often included in collections of musical treatises. Function and form Tonaries were particularly important as part of the written transmission of plainchant, although they already changed the oral chant transmission of Frankish cantors entirely before musical no ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bibliothèque Nationale De France
The Bibliothèque nationale de France (, 'National Library of France'; BnF) is the national library of France, located in Paris on two main sites known respectively as ''Richelieu'' and ''François-Mitterrand''. It is the national repository of all that is published in France. Some of its extensive collections, including books and manuscripts but also precious objects and artworks, are on display at the BnF Museum (formerly known as the ) on the Richelieu site. The National Library of France is a public establishment under the supervision of the Ministry of Culture. Its mission is to constitute collections, especially the copies of works published in France that must, by law, be deposited there, conserve them, and make them available to the public. It produces a reference catalogue, cooperates with other national and international establishments, and participates in research programs. History The National Library of France traces its origin to the royal library founded at t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Romanos The Melodist
Romanos the Melodist (; late 5th-century — after 555) was a Byzantine hymnographer and composer, who is a central early figure in the history of Byzantine music. Called "the Pindar of rhythmic poetry", he flourished during the sixth century, though the earliest manuscripts of his works are dated centuries after this. He was the foremost Kontakion composer of his time. Life The main source of information about the life of Romanos comes from the Menaion for October. Beyond this, his name is mentioned by only two other ancient sources. once in the eighth-century poet St. Germanos and once in the Souda (s. v. ''anaklomenon'') where he is called "Romanos the melodist". From this scanty evidence we learn that he was born to a Jewish family in either Emesa (modern-day Homs) or Damascus in Syria. He was baptized as a young boy (though whether or not his parents also converted is uncertain). Having moved to Berytus (Beirut), he was ordained a deacon in the Church of the Resurrectio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cosmas Of Maiuma
Saint Cosmas of Maiuma, also called Cosmas Hagiopolites ("of the Holy City"), Cosmas of Jerusalem, Cosmas the Melodist, or Cosmas the Poet (d. 773 or 794), was a bishop and an important hymnographer in the East. He is venerated as a saint by the Eastern Orthodox Church and the Catholic Church. Life Saint Cosmas ( el, Κοσμάς) was born in Jerusalem, but he was orphaned at a young age. He was adopted by Sergius, the father of St. John of Damascus (ca.676 - 749), and became John's foster-brother. The teacher of the two boys was an elderly Calabrian monk, also named Cosmas (known as "Cosmas the Monk" to distinguish him), who had been freed from slavery to the Saracens by St. John's father. John and Cosmas went from Damascus to Jerusalem, where both became monks in the Lavra (monastery) of St. Sabbas the Sanctified near that city.''Byzantine Music and Liturgy'', E. Wellesz, ''The Cambridge Medieval History: The Byzantine Empire, Part II'', Vol. IV, ed. J.M. Hussey, D.M. Nicol ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Byzantine Chant
Byzantine music (Greek: Βυζαντινή μουσική) is the music of the Byzantine Empire. Originally it consisted of songs and hymns composed to Greek texts used for courtly ceremonials, during festivals, or as paraliturgical and liturgical music. The ecclesiastical forms of Byzantine music are the best known forms today, because different Orthodox traditions still identify with the heritage of Byzantine music, when their cantors sing monodic chant out of the traditional chant books such as the Sticherarion, which in fact consisted of five books, and the Irmologion. Byzantine music did not disappear after the fall of Constantinople. Its traditions continued under the Patriarch of Constantinople, who after the Ottoman conquest in 1453 was granted administrative responsibilities over all Eastern Orthodox Christians in the Ottoman Empire. During the decline of the Ottoman Empire in the 19th century, burgeoning splinter nations in the Balkans declared autonomy or autocephaly f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chrysanthos Of Madytos
Chrysanthos of Madytos ( el, Χρύσανθος ὁ ἐκ Μαδύτων; c. 1770 – 1846) was a Greek poet, chanter, Archimandrite, and Archbishop, born in Madytos. In preparation of the first printed books of Orthodox chant, he was responsible for a reform of the Byzantine notation within the New Music School of the Patriarchate, along with Gregorios the Protopsaltes and Chourmouzios the Archivist who transcribed the traditional repertory into the Chrysanthine notation. Life Chrysanthos and the reform of Orthodox chant Works * * *. Publications made in his name * * Translations * * See also *Neobyzantine Octoechos—Byzantine music *Ottoman classical music Notes and references Sources * * * External links *Chrysanthos of Madytos Chrysanthos of Madytos ( el, Χρύσανθος ὁ ἐκ Μαδύτων; c. 1770 – 1846) was a Greek poet, chanter, Archimandrite, and Archbishop, born in Madytos. In preparation of the first printed books of Orthodox chant, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Papadic Octoechos
Oktōēchos (here transcribed "Octoechos"; Greek: , pronounced in Constantinopolitan: ; from ὀκτώ "eight" and ἦχος "sound, mode" called echos; Slavonic: Осмогласие, ''Osmoglasie'' from о́смь "eight" and гласъ "voice, sound") is the name of the eight mode system used for the composition of religious chant in Byzantine, Syriac, Armenian, Georgian, Latin and Slavic churches since the Middle Ages. In a modified form the octoechos is still regarded as the foundation of the tradition of monodic Orthodox chant today. Until 1204 neither the Hagia Sophia nor any other cathedral of the Byzantine Empire did abandon its habits, and the Hagiopolitan eight mode system came into use not earlier than in the mixed rite of Constantinople, after the patriarchate and the court had returned from their exile in Nikaia in 1261. Middle Byzantine Round notation In the history of the Byzantine rite the Hagiopolitan reform was described as a synthesis of the cathedra ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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John Koukouzeles
John Koukouzelis ( gr, Ιωάννης Κουκουζέλης, ''Ioannis Koukouzelis''; ) was a Byzantine composer, singer and reformer of Byzantine chant. He was recognized as a saint by the Eastern Orthodox Church after his death. Among the most illustrious musicians of the Palaiologos dynasty, his music remains held in high esteem by Albanians, Bulgarians, Greeks, Macedonians, Romanians and Serbs. Life and career Koukouzelis was born in Dyrrhachium (modern-day Durrës) in the late 13th century to a father of unknown origins and a Bulgarian mother. He was orphaned in childhood. Koukouzelis' last name is allegedly derived from the Greek word for broad beans (κουκιά, ''koukia'') and a Slavic word for cabbage (зеле, ''zele''). At a young age, he was noted and accepted into the school at the imperial court at Constantinople, where he received his education and established himself as one of the leading authorities in his field during the time. A favourite of the Byzanti ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |