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Steingarten
''Steingarten'' is a studio album by Pole. It was released by his own label, ~scape, in 2007. Critical reception At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 82% based on 10 reviews, indicating "universal acclaim". Tim O'Neil of ''PopMatters ''PopMatters'' is an international online magazine of cultural criticism that covers aspects of popular culture. ''PopMatters'' publishes reviews, interviews, and essays on cultural products and expressions in areas such as music, television, fi ...'' gave the album 8 stars out of 10, saying, "There's none of the indulgence that often bedevils minimalism, as the album clocks in at a modest 45 minutes." He added, "Every track is just about a complete microcosm unto itself, unfolding with precision and lingering for just long enough for the listener to begin to get a grasp of the many subtleties on display, but not long enough for it to wear out ...
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Pole (musician)
Pole is the artistic name of Stefan Betke (born 18 February 1967), a German electronic music artist commonly associated with the glitch genre as well as dubtronica.Cooper, SeanPole Biography, Allmusic. Retrieved 15 November 2013 History Born in Düsseldorf, Pole took his name from a Waldorf 4-Pole filter, which he accidentally dropped and broke in 1996. Though the filter was perhaps no longer appropriate for DJ work in its damaged state, Betke found the strange hissing and popping noises the filter now made interesting sounds. He then began using the broken filter to create music, launching his musical career. Betke's first four albums, titled ''1'', ''2'', ''3'', and ''R'' (an intentional trilogy of albums, followed by a collection of remixes of Pole's 1998 debut EP Raum), were all based around this filter, with songs usually taking the form of dub basslines and rhythms with percussion provided by the eponymous filter. In 2003 Betke departed from this style for the album ''Pol ...
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~scape
Pole is the artistic name of Stefan Betke (born 18 February 1967), a German electronic music artist commonly associated with the glitch genre as well as dubtronica.Cooper, SeanPole Biography, Allmusic. Retrieved 15 November 2013 History Born in Düsseldorf, Pole took his name from a Waldorf 4-Pole filter, which he accidentally dropped and broke in 1996. Though the filter was perhaps no longer appropriate for DJ work in its damaged state, Betke found the strange hissing and popping noises the filter now made interesting sounds. He then began using the broken filter to create music, launching his musical career. Betke's first four albums, titled ''1'', ''2'', ''3'', and ''R'' (an intentional trilogy of albums, followed by a collection of remixes of Pole's 1998 debut EP Raum), were all based around this filter, with songs usually taking the form of dub basslines and rhythms with percussion provided by the eponymous filter. In 2003 Betke departed from this style for the album '' P ...
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Stefan Betke
Pole is the artistic name of Stefan Betke (born 18 February 1967), a German electronic music artist commonly associated with the glitch genre as well as dubtronica.Cooper, SeanPole Biography, Allmusic. Retrieved 15 November 2013 History Born in Düsseldorf, Pole took his name from a Waldorf 4-Pole filter, which he accidentally dropped and broke in 1996. Though the filter was perhaps no longer appropriate for DJ work in its damaged state, Betke found the strange hissing and popping noises the filter now made interesting sounds. He then began using the broken filter to create music, launching his musical career. Betke's first four albums, titled ''1'', ''2'', ''3'', and ''R'' (an intentional trilogy of albums, followed by a collection of remixes of Pole's 1998 debut EP Raum), were all based around this filter, with songs usually taking the form of dub basslines and rhythms with percussion provided by the eponymous filter. In 2003 Betke departed from this style for the album ''Pol ...
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Pole (album)
''Pole'' is a studio album by Pole. It was released by Mute Records in 2003. It features contributions from rapper Fat Jon, saxophonist Thomas Haas, and bassist August Engkilde. Critical reception At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 66% based on 17 reviews, indicating "generally favorable reviews". Andy Kellman of AllMusic gave the album 2 stars out of 5, saying, "All glitches and sediments have been scrubbed off; the beats are straightened out and made prominent; the odd bit of instrumentation that was once implied or misshapen beyond recognition now actually exists." Andy Battaglia of ''The A.V. Club'' called it "a stylistic side-step that trips and falls without making much of the tumble." Track listing Personnel Credits adapted from liner notes. * Stefan Betke – composition, production, mastering * Fat Jon Jon Marshall (born September 8, 1975), better known by his ...
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Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ...
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Metacritic
Metacritic is a website that review aggregator, aggregates reviews of films, TV shows, music albums, video games and formerly, books. For each product, the scores from each review are averaged (a weighted arithmetic mean, weighted average). Metacritic was created by Jason Dietz, Marc Doyle, and Julie Doyle Roberts in 1999. The site provides an excerpt from each review and hyperlinks to its source. A color of green, yellow or red summarizes the critics' recommendations. It is regarded as the foremost online review aggregation site for the video game industry. Metacritic's scoring converts each review into a percentage, either mathematically from the mark given, or what the site decides subjectively from a qualitative review. Before being averaged, the scores are weighted according to a critic's popularity, stature, and volume of reviews. The website won two Webby Awards for excellence as an aggregation website. Criticism of the site has focused on the assessment system, the ass ...
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CBS Interactive
Paramount Streaming (formerly CBS Digital Media Group, CBS Interactive, ViacomCBS Streaming), a division of Paramount Global, oversees the company’s streaming technology and offers direct-to-consumer services, free, premium and pay. These include Pluto TV, which has more than 250 live and original channels, and Paramount+, a subscription service that combines breaking news, live sports, and premium entertainment. History As CBS Interactive On May 30, 2007, CBS Interactive acquired Last.fm for £140 million (US$280 million). On June 30, 2008, CNET, CNET Networks was acquired by CBS and the assets were merged into CBS Interactive, including Metacritic, GameSpot, TV.com, and Movietome. On March 15, 2012, it was announced that CBS Interactive acquired video game-based website Giant Bomb and comic book-based website Comic Vine from Whiskey Media, who sold off their other remaining websites to BermanBraun. This occasion marked the return of video game journalism, video game jou ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ...
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PopMatters
''PopMatters'' is an international online magazine of cultural criticism that covers aspects of popular culture. ''PopMatters'' publishes reviews, interviews, and essays on cultural products and expressions in areas such as music, television, films, books, video games, comics, sports, theater, visual arts, travel, and the Internet. History ''PopMatters'' was founded by Sarah Zupko, who had previously established the cultural studies academic resource site PopCultures. ''PopMatters'' launched in late 1999 as a sister site providing original essays, reviews and criticism of various media products. Over time, the site went from a weekly publication schedule to a five-day-a-week magazine format, expanding into regular reviews, features, and columns. In the fall of 2005, monthly readership exceeded one million. From 2006 onward, ''PopMatters'' produced several syndicated newspaper columns for McClatchy-Tribune News Service. By 2009 there were four different pop culture related col ...
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Stylus Magazine
''Stylus Magazine'' was an American online music and film magazine, launched in 2002 and co-founded by Todd L. Burns. It featured long-form music journalism, four daily music reviews, movie reviews, podcasts, an MP3 blog, and a text blog. Additionally, ''Stylus'' had daily features like "The Singles Jukebox", which looked at pop singles from around the globe, and "Soulseeking", a column focused on personal responses in listening. Even though they never reached the readership of other music magazines such as PopMatters or Pitchfork, they still had a very consistent and fired-up audience. In 2006, the site was chosen by the ''Observer Music Monthly'' as one of the Internet's 25 most essential music websites. ''Stylus'' closed as a business on 31 October 2007. The site remained online for several years, but did not publish any new content. On 4 January 2010, with the blessing of former editor Todd Burns, ''Stylus'' senior writer Nick Southall launched ''The Stylus Decade'', a web ...
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The Wire (magazine)
''The Wire'' (or simply ''Wire'') is a British music magazine publishing out of London, which has been issued monthly in print since 1982. Its website launched in 1997, and an online archive of its entire back catalog became available to subscribers in 2013. Since 1985, the magazine's annual year-in-review issue, Rewind, has named an album or release of the year based on critics' ballots. Originally, ''The Wire'' covered the British jazz scene with an emphasis on avant-garde and free jazz. It was marketed as a more adventurous alternative to its conservative competitor ''Jazz Journal'', and targeted younger readers at a time when ''Melody Maker'' had abandoned jazz coverage. In the late 1980s and 1990s, the magazine expanded its scope until it included a broad range of musical genres under the umbrella of non-mainstream or experimental music. Since then, ''The Wire''s coverage has included experimental rock, electronica, alternative hip hop, modern classical, free improvisat ...
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