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Stefan Klingele
Stefan Klingele (born 30 August 1967) is a German conductor. He has been music director and chief conductor of the Musikalische Komödie in Leipzig since 2015. Life Born in Ingolstadt, Klingele began as a répétiteur with conducting duties at the Nationaltheater Mannheim (1993-1996), moved to the Staatstheater am Gärtnerplatz Munich (1996-1999) as conductor/correpétiteur and finally to the Bremer Theater (1999-2007) as First ''Kapellmeister''. There he conducted the German premiere of the original version of Bohuslav Martinů's ''The Greek Passion'' and the world premieres of ''The Autumn of the Patriarch'' (Giorgio Battistelli, 2004) and ''Inferno'' (Johannes Kalitzke, 2005) and devoted himself to other contemporary operas such as Solaris ( Michael Obst, 2003; premiere 1996). In his last season, Klingele was chief conductor of the Bremen Opera, which was voted in the critics' poll of the ''Opernwelt'' magazine for the 2006/07 season. Since the Bremen engagement, Klingele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stefan Klingele 2014
Stefan may refer to: * Stefan (given name) * Stefan (surname) * Ștefan, a Romanian given name and a surname * Štefan, a Slavic given name and surname * Stefan (footballer) (born 1988), Brazilian footballer * Stefan Heym, pseudonym of German writer Helmut Flieg (1913–2001) * Stefan (honorific), a Serbian title * ''Stefan'' (album), a 1987 album by Dennis González See also * Stefan number, a dimensionless number used in heat transfer * Sveti Stefan Sveti Stefan ( Montenegrin and Serbian: Свети Стефан, ; lit. "Saint Stephen") is a town in Budva Municipality, on the Adriatic coast of Montenegro, approximately southeast of Budva. The town is known for the Aman Sveti Stefan resort, ... or Saint Stefan, a small islet in Montenegro * Stefanus (other) {{Disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Teufel Von Loudun
''Die Teufel von Loudun'' (''The Devils of Loudun'') is an opera in three acts written in 1968 and 1969 by Polish composer Krzysztof Penderecki, and then revised in 1972 and 1975. It has a German libretto by the composer, based on John Whiting's dramatization of Aldous Huxley's book of the same name. The work was commissioned by the Hamburg State Opera, which consequently gave the premiere on 20 June 1969. Only 48 hours afterwards, the opera received its second performance in Stuttgart, followed two months later by its American debut mounted by the Santa Fe Opera. The work was revised in 1972 following suggestions by Polish theatre director Kazimierz Dejmek.Barbara Malecka-Contamin, ''Krzysztof Penderecki: style et matériaux'' (Paris: Kime, 1997), 85. This added two new scenes, excluded a scene from the opera's first act, regrouped other scenes, and modified the first act's instrumentation. In 1975, Penderecki added two more scenes in the second act. He revised the entire score a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intolleranza 1960
''Intolleranza 1960'' (''Intolerance 1960'') is a one-act opera in two parts (''azione scenica in due tempi'') by Luigi Nono, and is dedicated to his father-in-law, Arnold Schoenberg. The Italian libretto was written by Nono from an idea by Angelo Maria Ripellino, using documentary texts and poetry by Julius Fučík, "Reportage unter dem Strang geschrieben" eportage written under the gallows Henri Alleg, "La question" ("The Torture"); Jean-Paul Sartre's introduction to Alleg's poem; Paul Éluard's poem "La liberté"; "Our march" by Vladimir Mayakovsky; and Bertolt Brecht's "To Posterity" (). The plot concerns a migrant, who travels from Southern Italy looking for work. Along the way, he encounters protests, arrests and torture. He ends up in a concentration camp, where he experiences the gamut of human emotions. He reaches a river, and realises that everywhere is his home. The opera premiered on 13 April 1961 at the Teatro La Fenice in Venice. It has a running time of approximately ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bassarids
''The Bassarids'' (in German: ') is an opera in one act and an intermezzo, with music by Hans Werner Henze to an English libretto by W. H. Auden and Chester Kallman, after Euripides's ''The Bacchae''. The conflict in the opera is between human rationality and emotional control, represented by the King of Thebes, Pentheus, and unbridled human passion, represented by the god Dionysus. Background The opera is constructed like a classical symphony in four 'movements': * Movement I = sonata form * Movement II = scherzo and trio * Movement III = adagio and fugue * Movement IV = passacaglia Henze has noted that he quotes from Johann Sebastian Bach's ''St Matthew Passion'' and the '' English Suite'' No. 6 in D minor. Auden and Kallman wrote of changes that they made to the Euripides original for the purposes of this opera. Performance history It was first performed in a German translation by Maria Basse-Sporleder in Salzburg on 6 August 1966 conducted by Christoph von Dohnányi. The f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fidelio
''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year, Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the Kärntnertortheater on 23 May 1814. By convention, both of the first two versions are referred to as ''Leonore''. The libretto, with some spoken dialogue, tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph. With its underlying struggle for liberty and justice mirroring con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Trovatore
''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio García Gutiérrez. It was García Gutiérrez's most successful play, one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident." The premiere took place at the Teatro Apollo in Rome on 19 January 1853, where it "began a victorious march throughout the operatic world," a success due to Verdi's work over the previous three years. It began with his January 1850 approach to Cammarano with the idea of ''Il trovatore''. There followed, slowly and with interruptions, the preparation of the libretto, first by Cammarano until his death in mid-1852 and then with the young librettist Leone Emanuele Bardare, which gave the composer the opportunity to propose signifi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the process r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, ''La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's Campaigns of 1800 in the French Revolutionary Wars#Italy, invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gianni Schicchi
() is a comic opera in one act by Giacomo Puccini to an Italian libretto by Giovacchino Forzano, composed in 1917–18. The libretto is based on an incident mentioned in Dante's ''Divine Comedy''. The work is the third and final part of Puccini's (The Triptych)three one-act operas with contrasting themes, originally written to be presented together. Although it continues to be performed with one or both of the other operas, is now more frequently staged either alone or with short operas by other composers. The aria is one of Puccini's best known, and one of the most popular arias in opera. Puccini had long considered writing a set of one-act operas which would be performed together in a single evening, but faced with a lack of suitable subjects and opposition from his publisher, he repeatedly put the project aside. However, by 1916 Puccini had completed the one-act tragedy and, after considering various ideas, he began work the following year on the solemn, religious, all- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Tabarro
''Il tabarro'' (''The Cloak'') is an opera in one act by Giacomo Puccini to an Italian libretto by Giuseppe Adami, based on 's play ''La houppelande''. It is the first of the trio of operas known as ''Il trittico''. The first performance was given on December 14, 1918 at the Metropolitan Opera in New York City. Roles Synopsis :Place: A barge on the Seine in Paris. :Time: 1910. It is close to sunset in Paris, and the stevedores work unloading Michele's barge. Giorgetta, Michele's wife, asks her husband if she can bring wine to the workers. He agrees but does not join them because she refuses his kiss. The stevedores start dancing to the music of a nearby organ grinder and one of them steps on Giorgetta's foot. Luigi, a stevedore, dances with her, and it is evident that there is something between them. Upon hearing of Michele's return the stevedores' gathering breaks up. Work is getting scarce and Giorgetta and Michele discuss which of the stevedores should be dismissed; she pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volksoper Wien
The Vienna Volksoper (''Volksoper'' or ''Vienna People's Opera'') is an opera house in Vienna, Austria. It produces three hundred performances of twenty-five German language productions of opera, operetta, musicals, and ballet, during an annual season which runs from September through June. History Foundation The Volksoper was built in 1898 as the ''Kaiserjubiläum-Stadttheater'' (Kaiser's Jubilee Civic Theatre), originally producing only plays. Because of the very brief construction period (10 months) the first director Adam Müller-Gutenbrunn had to start with debts of 160,000 florins. After this inauspicious startup the ''Kaiserjubiläum-Stadttheater'' had to declare bankruptcy five years later in 1903. Music theater from 1903 to 1950s On 1 September 1903, Rainer Simons took over the house and renamed it the ''Kaiserjubiläum-Stadttheater - Volksoper'' (public opera). His intention was to continue the production of plays but also establish series of opera and operetta. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
