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Intolleranza 1960
''Intolleranza 1960'' (''Intolerance 1960'') is a one-act opera in two parts (''azione scenica in due tempi'') by Luigi Nono, and is dedicated to his father-in-law, Arnold Schoenberg. The Italian libretto was written by Nono from an idea by Angelo Maria Ripellino, using documentary texts and poetry by Julius Fučík, "Reportage unter dem Strang geschrieben" eportage written under the gallows Henri Alleg, "La question" ("The Torture"); Jean-Paul Sartre's introduction to Alleg's poem; Paul Éluard's poem "La liberté"; "Our march" by Vladimir Mayakovsky; and Bertolt Brecht's "To Posterity" (). The plot concerns a migrant, who travels from Southern Italy looking for work. Along the way, he encounters protests, arrests and torture. He ends up in a concentration camp, where he experiences the gamut of human emotions. He reaches a river, and realises that everywhere is his home. The opera premiered on 13 April 1961 at the Teatro La Fenice in Venice. It has a running time of approximately ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Nono
Luigi Nono (; 29 January 1924 – 8 May 1990) was an Italian avant-garde composer of classical music. Biography Early years Nono, born in Venice, was a member of a wealthy artistic family; his grandfather was a notable painter. Nono began music lessons with Gian Francesco Malipiero at the Venice Conservatory in 1941, where he acquired knowledge of the Renaissance madrigal tradition, amongst other styles. After graduating with a degree in law from the University of Padua, he was given encouragement in composition by Bruno Maderna. Through Maderna, he became acquainted with Hermann Scherchen—then Maderna's conducting teacher—who gave Nono further tutelage and was an early mentor and advocate of his music. Scherchen presented Nono's first acknowledged work, the ''Variazioni canoniche sulla serie dell'op. 41 di A. Schönberg'' in 1950, at the Internationale Ferienkurse für Neue Musik Darmstadt. The ''Variazioni canoniche'', based on the twelve-tone series of Arnold Sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emilio Vedova
Emilio Vedova (9 August 1919 – 25 October 2006) was a modern Italian painter. He is considered one of the most important artists to emerge from Italy's artistic scene, Arte Informale. Early life Vedova was born in Venice into a working-class family. His artisan roots came from his house-painting father. He was the third child out of seven. Emilio began working at a young age, primarily in a factory. Later he got a job in a photography and restoration studio. Career He was primarily a self-taught artist aside from a few night classes. After an initial formative experience within Expressionism, he joined the group "Corrente" (1942–1943), during the second world war, which included other artists such as Renato Guttuso and Renato Birolli. He recorded his experience in his drawings. During this time he also participated in the Italian resistance movement. Vedova returned to Venice towards the end of the war and played a key role in the post-war Italian art movement, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine Gayer
Catherine Gayer (born 11 February 1937) is an American coloratura soprano, violinist, musicologist, and academic voice teacher. She made a career in Germany. A member of the Deutsche Oper Berlin for more than four decades, she is known for her performance in premieres of contemporary operas, such as Luigi Nono's ''Intolleranza 1960'' at La Fenice in Venice, the title role in Aribert Reimann's ''Melusine'' at the Schwetzingen Festival, and Josef Tal's ''Die Versuchung'' at the Bavarian State Opera. Career Born in Los Angeles, Gayer is of Finno-Ugric and Indian ancestry. She studied voice, violin, and musicology in Los Angeles and moved to Germany on a Fulbright scholarship in the 1950s, studying at the Hochschule der Künste in Berlin with Irma Beilke. She is also a trained ballet dancer. On 13 April 1961, she performed the female lead role (''Die Gefährtin'') in the premiere of Luigi Nono's ''Intolleranza 1960'' at La Fenice in Venice, and was afterwards engaged by Rudolf S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Petre Munteanu
Petre Munteanu (26 November 1916 – 18 July 1988) was a Romanian operatic tenor particularly associated with Mozart and lighter Italian roles. Life and career Born in Câmpina, Romania, Munteanu studied at the Bucharest Conservatory. He made his operatic debut in 1940 at Bucharest Opera House. However, he continued his studies in Germany, notably in Berlin with Hermann Weißenborn, and after World War II, he began to appear in Italy in concert. In 1947, he made his debut at the Rome Opera House, as Don Ottavio in ''Don Giovanni'', and at La Scala in Milan, as Ferrando in ''Cosi fan tutte''. He took part in the premiere of works such as Igor Stravinsky's ''Persephone'', Alban Berg's ''Wozzeck'', Rimsky-Korsakov's ''The Snow Maiden'', as well as a revival of Domenico Cimarosa's ''Il credulo''. In August 1947 he vacationed with his bride Johanna Winter (born 1924) at her father Gustav Winter's Canary Island retreat on Jandía, Fuerteventura. While on this trip, he performed in Las ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schott Music
Schott Music () is one of the oldest German music publishers. It is also one of the largest music publishing houses in Europe, and is the second oldest music publisher after Breitkopf & Härtel. The company headquarters of Schott Music were founded by Bernhard Schott in Mainz in 1770. Schott Music is one of the world's leading music publishers. It represents many important composers of the 20th and 21st centuries, and its publishing catalogue contains some 31,000 titles on sale and over 10,000 titles on hire. The repertoire ranges from complete editions, stage and concert works to general educational literature, fine sheet music editions and multimedia products. In addition to the publishing houses of Panton, Ars-Viva, Ernst Eulenburg, Fürstner, Cranz, Atlantis Musikbuch and Hohner-Verlag, the Schott group also includes two recording labels, Wergo (for new music) and Intuition (for Jazz), as well as eight specialist magazines. The Schott Music group also includes the printing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Times
''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Joseph Alfred Novello (who also founded ''The Musical World'' in 1836), and it was published monthly by the Novello and Co. (also owned by Alfred Novello at the time).. It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue - initially just eight pages - contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beverly Sills
Beverly Sills (May 25, 1929July 2, 2007) was an American operatic soprano whose peak career was between the 1950s and 1970s. Although she sang a repertoire from Handel and Mozart to Puccini, Massenet and Verdi, she was especially renowned for her performances in coloratura soprano roles in live opera and recordings. Sills was largely associated with the operas of Donizetti, of which she performed and recorded many roles. Her signature roles include the title role in Donizetti's ''Lucia di Lammermoor'', the title role in Massenet's ''Manon'', Marie in Donizetti's ''La fille du régiment'', the three heroines in Offenbach's ''Les contes d'Hoffmann'', Rosina in Rossini's ''The Barber of Seville'', Violetta in Verdi's ''La traviata'', and most notably Elisabetta in Donizetti's ''Roberto Devereux''. ''The New York Times'' noted, In her prime her technique was exemplary. She could dispatch coloratura roulades and embellishments, capped by radiant high Ds and E-flats, with seemin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Caldwell
Sarah Caldwell (March 6, 1924March 23, 2006) was an American opera conducting, conductor, impresario, and stage director. Early life Caldwell was born in Maryville, Missouri, and grew up in Fayetteville, Arkansas. She was a child prodigy and gave public performances on the violin by the time she was ten years old. She graduated from Fayetteville High School (Arkansas), Fayetteville High School at the age of 14. Caldwell graduated from Hendrix College in 1944 and attended the University of Arkansas as well as the New England Conservatory of Music. She won a scholarship as a viola player at the Berkshire Music Center in 1946. In 1947, she staged Ralph Vaughan Williams, Vaughan Williams's ''Riders to the Sea''. For 11 years she served as the chief assistant to Boris Goldovsky. Career Caldwell moved to Boston, Massachusetts, in 1952 and became head of the Boston University opera workshop. In 1957 she started the Boston Opera Group with $5,000. This became the Opera Company of B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Birch Society
The John Birch Society (JBS) is an American right-wing political advocacy group. Founded in 1958, it is anti-communist, supports social conservatism, and is associated with ultraconservative, radical right, far-right, or libertarian ideas. The society's founder, businessman Robert W. Welch Jr. (1899–1985), developed an organizational infrastructure of nationwide chapters in December 1958. The society rose quickly in membership and influence, and was controversial for its promotion of conspiracy theories. In the 1960s the conservative William F. Buckley Jr. and ''National Review'' pushed for the JBS to be exiled to the fringes of the American right. More recently, Jeet Heer has argued in ''The New Republic'' that while the organization's influence peaked in the 1970s, "Bircherism" and its legacy of conspiracy theories have become the dominant strain in the conservative movement. Politico has asserted that the JBS began making a resurgence in the mid-2010s, while observers hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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