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Sarah Caldwell
Sarah Caldwell (March 6, 1924March 23, 2006) was an American opera conducting, conductor, impresario, and stage director. Early life Caldwell was born in Maryville, Missouri, and grew up in Fayetteville, Arkansas. She was a child prodigy and gave public performances on the violin by the time she was ten years old. She graduated from Fayetteville High School (Arkansas), Fayetteville High School at the age of 14. Caldwell graduated from Hendrix College in 1944 and attended the University of Arkansas as well as the New England Conservatory of Music. She won a scholarship as a viola player at the Berkshire Music Center in 1946. In 1947, she staged Ralph Vaughan Williams, Vaughan Williams's ''Riders to the Sea''. For 11 years she served as the chief assistant to Boris Goldovsky. Career Caldwell moved to Boston, Massachusetts, in 1952 and became head of the Boston University opera workshop. In 1957 she started the Boston Opera Group with $5,000. This became the Opera Company of B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maryville, Missouri
Maryville is a city and county seat of Nodaway County, Missouri, United States. Located in the "Missouri Point" region, As of the 2020 census, the city population was 10,633. Maryville is home to Northwest Missouri State University and Northwest Technical School. Maryville is the second largest city (first is St. Joseph, Missouri) wholly within the boundaries of the 1836 Platte Purchase which expanded Missouri's borders into former Indian Territory in northwest Missouri. History Maryville was platted on September 1, 1845. Maryville's name originates from the town's first postmaster, Amos Graham. Graham was one of the original settlers of what would later become downtown Maryville, and the city was named after his wife, Mary. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boston University
Boston University (BU) is a private research university in Boston, Massachusetts. The university is nonsectarian, but has a historical affiliation with the United Methodist Church. It was founded in 1839 by Methodists with its original campus in Newbury, Vermont, before moving to Boston in 1867. The university now has more than 4,000 faculty members and nearly 34,000 students, and is one of Boston's largest employers. It offers bachelor's degrees, master's degrees, doctorates, and medical, dental, business, and law degrees through 17 schools and colleges on three urban campuses. The main campus is situated along the Charles River in Boston's Fenway-Kenmore and Allston, Massachusetts, Allston neighborhoods, while the Boston University Medical Campus is located in Boston's South End, Boston, South End neighborhood. The Fenway campus houses the Wheelock College of Education and Human Development, formerly Wheelock College, which merged with BU in 2018. BU is a member of the Bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Godunov (opera)
''Boris Godunov'' ( rus, Борис Годунов, links=no, Borís Godunóv ) is an opera by Modest Mussorgsky (1839–1881). The work was composed between 1868 and 1873 in Saint Petersburg, Russia. It is Mussorgsky's only completed opera and is considered his masterpiece. Its subjects are the Russian ruler Boris Godunov, who reigned as Tsar (1598 to 1605) during the Time of Troubles, and his nemesis, the False Dmitriy (reigned 1605 to 1606). The Russian-language libretto was written by the composer, and is based on the 1825 drama '' Boris Godunov'' by Aleksandr Pushkin, and, in the Revised Version of 1872, on Nikolay Karamzin's ''History of the Russian State''. Among major operas, ''Boris Godunov'' shares with Giuseppe Verdi's ''Don Carlos'' (1867) the distinction of having an extremely complex creative history, as well as a great wealth of alternative material. The composer created two versions—the Original Version of 1869, which was rejected for production by the Imper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intolleranza 1960
''Intolleranza 1960'' (''Intolerance 1960'') is a one-act opera in two parts (''azione scenica in due tempi'') by Luigi Nono, and is dedicated to his father-in-law, Arnold Schoenberg. The Italian libretto was written by Nono from an idea by Angelo Maria Ripellino, using documentary texts and poetry by Julius Fučík, "Reportage unter dem Strang geschrieben" eportage written under the gallows Henri Alleg, "La question" ("The Torture"); Jean-Paul Sartre's introduction to Alleg's poem; Paul Éluard's poem "La liberté"; "Our march" by Vladimir Mayakovsky; and Bertolt Brecht's "To Posterity" (). The plot concerns a migrant, who travels from Southern Italy looking for work. Along the way, he encounters protests, arrests and torture. He ends up in a concentration camp, where he experiences the gamut of human emotions. He reaches a river, and realises that everywhere is his home. The opera premiered on 13 April 1961 at the Teatro La Fenice in Venice. It has a running time of approximately ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joan Sutherland
Dame Joan Alston Sutherland, (7 November 1926 – 10 October 2010) was an Australian dramatic coloratura soprano known for her contribution to the renaissance of the bel canto repertoire from the late 1950s through to the 1980s. She possessed a voice combining agility, accurate intonation, pinpoint staccatos,"Icons of Opera – Dame Joan Sutherland" ''Opera Britannia'' (6 July 2009). Retrieved 27 September 2010. a trill (music), trill and a strong upper register, although music critics complained about her poor diction. Sutherland was the first Australian to win a Grammy Award, for the year 1961 Grammy Award for Best Classical Vocal Solo, Best Classical Performance – Vocal Soloist (with or without orchestra) presented in 4th Annual Grammy Awards, 1962. Early and ...
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I Puritani
' (''The Puritans'') is an 1835 opera by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto by Count Carlo Pepoli, an Italian émigré poet whom Bellini had met at a salon run by the exile Princess Belgiojoso, which became a meeting place for many Italian revolutionaries. The opera is based on ''Têtes Rondes et Cavaliers'' (''Roundheads and Cavaliers''), a historical play written by Jacques-François Ancelot and Joseph Xavier Saintine and set in the English Civil War, which some sources state was based on Walter Scott's 1816 novel ''Old Mortality,'' while others state that there is no connection. When Bellini arrived in Paris in mid-August 1833, he had intended to stay only about three weeks, the main aim being to continue the negotiations with the Paris Opéra which had begun on his way to London a few months earlier. Howe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lulu (opera)
''Lulu'' (composed from 1929 to 1935, premièred incomplete in 1937 and complete in 1979) is an opera in three acts by Alban Berg. Berg adapted the libretto from Frank Wedekind's two ''Lulu'' plays, ''Erdgeist'' ('' Earth Spirit'', 1895) and ''Die Büchse der Pandora'' (''Pandora's Box'', 1904). The opera tells the story of a mysterious young woman known as Lulu, who follows a downward spiral from a well-kept mistress in Vienna to a street prostitute in London, while being both a victim and a purveyor of destruction. It explores the idea of the '' femme fatale'' and the duality between her feminine and masculine qualities. Berg died before completing the third and final act, and in the following decades the opera was typically performed incomplete. Since the 1979 publication of the version including Friedrich Cerha's orchestration of the act 3 sketches, it has become standard. ''Lulu'' is especially notable for using serialism at a time that was particularly inhospitable to it. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Treigle
Norman Treigle (né Adanelle Wilfred Treigle (March 6, 1927February 16, 1975) was an American operatic bass-baritone, who was acclaimed for his great abilities as a singing-actor, and specialized in roles that evoked villainy and terror. Biography Treigle ( ) was born in New Orleans, the fifth and final child of a poor carpenter and his wife. Following his 1946 marriage to the former Loraine Siegel, the bass-baritone began vocal studies with the contralto Elisabeth Wood. In 1947, he made his operatic debut with the New Orleans Opera Association, as the Duke of Verona in '' Roméo et Juliette''. Between 1949 and 1951, he attended Loyola University of the South's College of Music, while performing various roles with the local opera company. ( Loyola's archives now preserve Treigle's personal papers.) In 1953, Treigle made his New York City Opera debut, as Colline in ''La bohème''. Three years later, the bass-baritone scored his first significant success, as the tormented Reve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beverly Sills
Beverly Sills (May 25, 1929July 2, 2007) was an American operatic soprano whose peak career was between the 1950s and 1970s. Although she sang a repertoire from Handel and Mozart to Puccini, Massenet and Verdi, she was especially renowned for her performances in coloratura soprano roles in live opera and recordings. Sills was largely associated with the operas of Donizetti, of which she performed and recorded many roles. Her signature roles include the title role in Donizetti's ''Lucia di Lammermoor'', the title role in Massenet's ''Manon'', Marie in Donizetti's ''La fille du régiment'', the three heroines in Offenbach's ''Les contes d'Hoffmann'', Rosina in Rossini's ''The Barber of Seville'', Violetta in Verdi's ''La traviata'', and most notably Elisabetta in Donizetti's ''Roberto Devereux''. ''The New York Times'' noted, In her prime her technique was exemplary. She could dispatch coloratura roulades and embellishments, capped by radiant high Ds and E-flats, with seemin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manon
''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (''Manon Lescaut'', ballet, 1830) and Auber (''Manon Lescaut'', opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to ''Manon'', ''Le portrait de Manon'' (1894), involving the Chevalier des Grieux as an older man. The composer worked at the score of ''Manon'' at his country home outside Paris and also at a house at The Hague once occupied by Prévost himself. ''Manon'' is Massenet's most popular and enduring opera and, having "quickly conquered th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tito Gobbi
Tito Gobbi (24 October 19135 March 1984) was an Italian operatic baritone with an international reputation. He made his operatic debut in Gubbio in 1935 as Count Rodolfo in Bellini's ''La sonnambula'' and quickly appeared in Italy's major opera houses. By the time he retired in 1979 he had acquired a repertoire of almost 100 operatic roles. They ranged from Mozart's mid-range baritone roles through Rossini's Barber through Donizetti and the standard Verdi and Puccini baritone roles to Alban Berg's ''Wozzeck''. He had a worldwide career as operatic baritone, appearing in (or recording the singing role) for over 25 films and, from the mid-1960s onward, was the stage director for about ten different operas which were given close to 35 productions throughout Europe and North America, including a significant number in Chicago for the Lyric Opera of Chicago. Gobbi and his wife, Tilde De Rensis, had a daughter, Cecilia, who now runs the "Associazione Musicale Tito Gobbi", an organizat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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