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Stabat Mater In F Minor (Schubert)
in F minor, 383, is a musical setting of the Stabat Mater sequence, composed by Franz Schubert in 1816. It is scored for soprano, tenor and bass soloists, SATB choir, 2 flutes, 2 oboes, 2 bassoons, contrabassoon, 2 french horns, 3 trombones, violin I and II, viola, cello and double bass. Rather than setting the Latin sequence of the , Schubert used a German paraphrase by F. G. Klopstock, '. The work is sometimes referred to as the ''Deutsches Stabat Mater'', and was written for the composer's brother Ferdinand. Schubert had written a shorter setting of the Latin in 1815, Stabat Mater in G minor, 175, a single-movement piece of approximately six minutes' duration, using only four verses of the twenty stanzas of the sequence. Structure This setting is essentially a short oratorio with arias, duets, trios and chorus work. The work is divided into twelve movements. Performances require 30–40 minutes. #"" Largo, F minor, common time; choir #"" B-flat minor, 3/8; sopran ...
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Franz Schubert C1827
Franz may refer to: People * Franz (given name) * Franz (surname) Places * Franz (crater), a lunar crater * Franz, Ontario, a railway junction and unorganized town in Canada * Franz Lake, in the state of Washington, United States – see Franz Lake National Wildlife Refuge Businesses * Franz Deuticke, a scientific publishing company based in Vienna, Austria * Franz Family Bakeries, a food processing company in Portland, Oregon * Franz-porcelains, a Taiwanese brand of pottery based in San Francisco Other uses * ''Franz'' (film), a 1971 Belgian film * Franz Lisp, a dialect of the Lisp programming language See also * Frantz (other) * Franzen (other) * Frantzen (other) Frantzen or Frantzén is a surname. It may refer to: * Allen Frantzen (born 1947/48), American medievalist * Björn Frantzén (born 1977), Swedish chef and owner of the Frantzén restaurant * Jean-Pierre Frantzen (1890–1957), Luxembourgian gym ...
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Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ...
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Joseph Haydn
Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet, String Quartet". Haydn spent much of his career as a court musician for the wealthy Esterházy family at their Eszterháza Castle. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely, and for much of his career he was the most celebrated composer in Europe. He was Haydn and Mozart, a friend and mentor of Mozart, Beethoven and his contemporaries#Joseph Haydn, a tutor of Beethoven, and the elder brother of composer Michael Haydn. Biography Early life Joseph Haydn was born in Rohrau, Austria, Rohrau, Habsburg ...
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Gott Erhalte Franz Den Kaiser
"" (; ) was a personal anthem to Francis II, Holy Roman Emperor, Francis II, Emperor of the Holy Roman Empire and later of the Austrian Empire, with lyrics by Lorenz Leopold Haschka (1749–1827) and music by Joseph Haydn. It is sometimes called the "Kaiserhymne" (; Emperor's Hymn). Haydn's tune has since been widely employed in other contexts: in works of classical music, in Hymn, Christian hymns, in alma mater (song), alma maters, and as the tune of the "Deutschlandlied", the national anthem of Germany. Words and music \new Staff \layout \midi The lyrics are as follows: Gott erhalte Franz den Kaiser, unsern guten Kaiser Franz! Lange lebe Franz der Kaiser, in des Glückes hellstem Glanz! Ihm erblühen Lorbeerreiser, wo er geht, zum Ehrenkranz! Gott erhalte Franz den Kaiser, unsern guten Kaiser Franz! God save Francis the Emperor, our good Emperor Francis! Long live Francis the Emperor in the brightest splendor of bliss! May laurel branches bloom for him, wherever he goes, ...
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Duet
A duet is a musical composition for two performers in which the performers have equal importance to the piece, often a composition involving two singers or two pianists. It differs from a harmony, as the performers take turns performing a solo section rather than performing simultaneously. A piece performed by two pianists performing together on the same piano is a "piano duet" or " piano four hands". A piece for two pianists performing together on separate pianos is a " piano duo". The term ''duet'' is also used as a verb for the act of performing a musical duet, or colloquially as a noun to refer to the performers of a duet. A musical ensemble with more than two solo instruments or voices is called trio, quartet, quintet, sextet, septet, octet, etc. History When Mozart was young, he and his sister Marianne played a duet of his composition at a London concert in 1765. The four-hand, described as a duet, was in many of his compositions which included five sonatas; a set o ...
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Aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ...
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Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ...
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Stabat Mater In G Minor (Schubert)
in G minor, 175, is a musical setting of the Latin sequence, composed by Franz Schubert in April 1815. It is scored for SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 3 trombones, violin I and II, viola, and basso continuo (cello, double bass and organ). This setting contains four stanzas of the twenty stanzas of the sequence. After a short orchestral interlude, these four stanzas are repeated with "far-reaching variation". Its structure as a single continuous movement is unusual; most of Schubert's sacred works (not including masses) were composed as one movement divided into three sections. While settings of the developed into a staple of concert music by the late 19th century, it is thought that this piece would have been performed for liturgical use in the Lichtental Church. Schubert's original manuscript indicates that he wished to score the piece with horns, rather than trombones. However, the early horn was valveless, limiting it from producing certain notes; the ...
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Ferdinand Schubert
Ferdinand Schubert (born 18 October 1794 in Vienna; died 26 February 1859) was an Austrian composer and brother of Franz Schubert. He also designed the grave stone for the grave of Ludwig van Beethoven, which is now at Vienna's Central Cemetery. Early life Ferdinand Lukas Schubert was an Austrian teacher, organist and composer. He is notable for his compositions and for his role in publishing the complete works of his younger brother Franz Schubert. He received training in piano and violin from his father, Franz Theodor Schubert, and his older brother Ignaz, later from Michael Wood, and finally from the public teacher of the choir of St. Anna, Joseph Drechsler. As a boy, Ferdinand played violin in the Schubert family string quartet, with his brothers Franz and Ignaz on viola and violin and his father on cello. Franz Schubert composed many of his early string quartets for this ensemble. Career In 1810, Schubert became organist at the Lichtentaler Parish and was also assistant ...
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Friedrich Gottlieb Klopstock
Friedrich Gottlieb Klopstock (; 2 July 1724 – 14 March 1803) was a German poet. His best known work is the epic poem ''Der Messias'' ("The Messiah"). One of his major contributions to German literature was to open it up to exploration outside of French models. Biography Early life Klopstock was born at Quedlinburg, the eldest son of a lawyer. Both in his birthplace and on the estate of Friedeburg on the Saale, which his father later rented, he spent a happy childhood. Having been given more attention to his physical than to his mental development, he grew up strong and healthy and was considered an excellent horseman. In his thirteenth year, he returned to Quedlinburg and attended the gymnasium there, and in 1739 went on to the famous classical school named Schulpforta. Here he soon became adept in Greek and Latin versification, and wrote some meritorious idylls and odes in German. His original intention of making Henry the Fowler the hero of an epic was abandoned in favor ...
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Paraphrase
A paraphrase () is a restatement of the meaning of a text or passage using other words. The term itself is derived via Latin ', . The act of paraphrasing is also called ''paraphrasis''. History Although paraphrases likely abounded in oral traditions, paraphrasing as a specific educational exercise dates back to at least Roman times, when the author Quintilian recommended it for students to develop dexterity in language. In the Middle Ages, this tradition continued, with authors such as Geoffrey of Vinsauf developing schoolroom exercises that included both rhetorical manipulations and paraphrasing as a way of generating poems and speeches. Paraphrasing seems to have dropped off as a specific exercise that students learn, a drop off that largely coincides with the removal of Classical texts from the core of Western education. There is, however, renewed interest in the study of paraphrases, given concerns around plagiarism and original authorship. Analysis A paraphrase typicall ...
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Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ...
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