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Stabat Mater (Pergolesi)
(P.77) is a musical setting of the sequence, composed by Giovanni Battista Pergolesi in 1736. Composed in the final weeks of Pergolesi's life, it is scored for soprano and alto soloists, violin I and II, viola and (cello and organ). Background Many pieces which were said to have been composed by Pergolesi have been misattributed; the is definitely by Pergolesi, as a manuscript in his handwriting has been preserved. The work was composed for a Neapolitan confraternity, the , which had also commissioned a Stabat Mater from Alessandro Scarlatti. Pergolesi composed it during his final illness from tuberculosis in a Franciscan monastery in Pozzuoli, along with a ' setting, and, as it is said, finished it right before he died. Reception The is one of Pergolesi's most celebrated sacred works, achieving great popularity after the composer's death. Jean-Jacques Rousseau showed appreciation for the work, praising the opening movement as "the most perfect and touching duet to come from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater
The Stabat Mater is a 13th-century Christian hymn to Mary, which portrays her suffering as Jesus Christ's mother during his crucifixion. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III.Sabatier, Paul ''Life of St. Francis Assisi'' Charles Scribner Press, NY, 1919, page 286''The seven great hymns of the Mediaeval Church'' by Charles Cooper Nott 1868 ASIN: B003KCW2LA page 96 The title comes from its first line, "Stabat Mater dolorosa", which means "the sorrowful mother was standing". The hymn is sung at the liturgy on the memorial of Our Lady of Sorrows. The Stabat Mater has been set to music by many Western composers. Date The Stabat Mater has often been ascribed to Jacopone da Todi, OFM (ca. 1230–1306), but this has been strongly challenged by the discovery of the earliest notated copy of the Stabat Mater in a 13th-century gradual belonging to the Dominican nuns in Bologna (Museo Civico Medievale MS 518, fo. 200v-04r). The Stabat Mater ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pozzuoli
Pozzuoli (; ; ) is a city and ''comune'' of the Metropolitan City of Naples, in the Italian region of Campania. It is the main city of the Phlegrean Peninsula. History Pozzuoli began as the Greek colony of ''Dicaearchia'' ( el, Δικαιαρχία) founded in about 531 BC with the consent of nearby Cumae when refugees from Samos escaped from the tyranny of Polycrates. The Samnites occupied Dicaearchia in 421 BC after having conquered Cumae and may have changed its name to Fistelia. It enjoyed considerable political and commercial autonomy favoured by the excellent position of its port with the Campanian hinterland. The Roman occupation of Campania after the end of the 1st Samnite War from 341 BC marked the start of the Romanisation of the Greek-Samnite city. During the Second Punic War (218-201 BC), Rome experienced the strategic importance of the port of Puteoli and reinforced the defences and introduced a garrison to protect the town from Hannibal, who failed to capt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Music Magazine
''BBC Music Magazine'' is a British monthly magazine that focuses primarily on classical music. History The first issue appeared in September 1992. BBC Worldwide, the commercial subsidiary of the BBC was the original owner and publisher together with the Warner Music Enterprises during its initial phase. Immediate Media Company has been the publisher since 2012. ''BBC Music Magazine'' has also an edition in North America which was first published in March 1993. The magazine reflects the broadcast output of BBC Radio 3 being devoted primarily to classical music, though with sections on jazz and world music. Each edition comes together with an audio CD, often including BBC #REDIRECT BBC #REDIRECT BBC Here i going to introduce about the best teacher of my life b BALAJI sir. He is the precious gift that I got befor 2yrs . How has helped and thought all the concept and made my success in the 10th board exam. ... ... recordings of full-length works. The magazine's circulation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Serva Padrona
''La serva padrona'', or ''The Maid Turned Mistress'', is a 1733 intermezzo by Giovanni Battista Pergolesi (1710–1736) to a libretto by Gennaro Federico, after the play by Jacopo Angello Nelli. It is some 40 minutes long, in two parts without overture, and was written as light-hearted staged entertainment between the acts of Pergolesi's serious opera ''Il prigionier superbo''. More specifically each of the two parts, set in the same dressing room, played during an intermission of the three-act opera to amuse people who remained in their seats. Federico's libretto was also set by Giovanni Paisiello, in 1781. Performance history ''La serva padrona'' and the opera seria it punctuates were premiered at the Teatro San Bartolomeo on 5 September 1733, the first performances there after an earthquake the previous year in Naples had closed all theatres. Both were written for the birthday of Holy Roman Empress Elisabeth Christine of Brunswick-Wolfenbüttel a few days earlier. ''Il prig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Buffa
''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramma bernesco'', ''dramma comico'', ''divertimento giocoso''. Especially associated with developments in Naples in the first half of the 18th century, whence its popularity spread to Rome and northern Italy, ''buffa'' was at first characterized by everyday settings, local dialects, and simple vocal writing (the basso buffo is the associated voice type), the main requirement being clear diction and facility with patter. ''The New Grove Dictionary of Opera'' considers ''La Cilla'' (music by Michelangelo Faggioli, text by , 1706) and Luigi and Federico Ricci's'' Crispino e la comare'' (1850) to be the first and last appearances of the genre, although the term is still occasionally applied to newer work (for example Ernst Krenek's ''Zeitoper'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Martini
Giovanni Battista or Giambattista Martini, O.F.M. Conv. (24 April 1706 – 3 August 1784), also known as Padre Martini, was an Italian Conventual Franciscan friar, who was a leading musician, composer, and music historian of the period and a mentor to Mozart. Biography Giovanni Battista Martini was born in Bologna, in that era part of the Papal States. His father, Antonio Maria Martini, a violinist, taught him the elements of music and the violin and he later learned singing and harpsichord playing from Padre Pradieri, and counterpoint from Antonio Riccieri and Giacomo Antonio Perti. Having received his education in classics from the priests of the Oratory of Saint Philip Neri, he afterwards entered the novitiate of the Conventual Franciscans at their friary in Lago, at the close of which he professed religious vows and received the religious habit of the Order on 11 September 1722. In 1725, though only nineteen years old, he received the appointment of chapel-maste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Cantata
The cantatas composed by Johann Sebastian Bach, known as Bach cantatas (German: ), are a body of work consisting of over 200 surviving independent works, and at least several dozen that are considered lost. As far as known, Bach's earliest cantatas date from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. Most of Bach's church cantatas date from his first years as and director of church music in Leipzig, a position which he took up in 1723. Working for Leipzig's and , it was part of Bach's job to perform a church cantata every Sunday and holiday, conducting soloists, the Thomanerchor and orchestra as part of the church service. In his first years in Leipzig, starting after Trinity of 1723, Bach regularly composed a new cantata every week, although some of these cantatas were adapted (at least in part) from work he had composed before his Leipzig era. Works from three annual cycles of cantatas for the lit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tilge, Höchster, Meine Sünden, BWV 1083
(Cancel, Highest, my sins, or: Lord, annull all my transgressions), 1083, is a sacred vocal composition by Johann Sebastian Bach. It is an arrangement that Bach made in the 1740s of Pergolesi's Stabat Mater from 1736, slightly expanding the orchestral material. He used a German paraphrase of Psalm 51 as text for his composition. While Bach named the work a '' Motetto'' in the autograph, it is rather a psalm cantata, scored for soprano and alto voices, strings and basso continuo. Some of the 14 movements have become traditionally sung by a two-part choir. The work was first published by Hänssler in 1962, and in a critical edition, based on Bach's performance material found only later, by Carus-Verlag in 1989. The work is interesting to scholars as an example how Bach edited music from a different tradition. History and text ''Tilge, Höchster, meine Sünden'' is a musical parody of the Stabat Mater which Pergolesi had composed in 1736. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Eybler
Joseph Leopold Eybler (8 February 1765 – 24 July 1846) was an Austrian composer and contemporary of Wolfgang Amadeus Mozart. Life Eybler was born into a musical family in Schwechat near Vienna.Badura-Skoda and Herrmann-Schneider (n.d.) His father was a teacher, choir director and friend of the Haydn family. Joseph Eybler studied music with his father before attending Stephansdom (the cathedral school of St. Stephen's Boys College) in Vienna. He studied composition under Johann Georg Albrechtsberger, who declared him to be the greatest musical genius in Vienna apart from Mozart. He also received praise from Haydn who was his friend, distant cousin and patron. In 1792 he became choir director at the Karmeliterkirche ( Carmelite Church) in Vienna. Two years later he moved to the Schottenkloster, where he remained for the next thirty years (1794–1824). Eybler also held court posts, including that of court Kapellmeister (chapel master) (1824–33). The Empress Marie Therese com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Paisiello
Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini. Life Paisiello was born in Taranto in the Apulia region and educated by the Jesuits there. He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at Naples, where he studied under Francesco Durante, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas, ''La Pupilla'' and ''Il Mondo al Rovescio'', for Bologna, and a third, ''Il Marchese di Tidipano'', for Rome. His reputation now firmly established, he settled for some years at Naples, where, despite the popularity of Niccolò Piccinni, Domenico Cimarosa and Pietro Guglielmi, of whose triumphs he was bitterly jealous, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Jacques Rousseau
Jean-Jacques Rousseau (, ; 28 June 1712 – 2 July 1778) was a Genevan philosopher, writer, and composer. His political philosophy influenced the progress of the Age of Enlightenment throughout Europe, as well as aspects of the French Revolution and the development of modern political, economic, and educational thought. His ''Discourse on Inequality'' and ''The Social Contract'' are cornerstones in modern political and social thought. Rousseau's sentimental novel ''Julie, or the New Heloise'' (1761) was important to the development of preromanticism and romanticism in fiction. His ''Emile, or On Education'' (1762) is an educational treatise on the place of the individual in society. Rousseau's autobiographical writings—the posthumously published '' Confessions'' (composed in 1769), which initiated the modern autobiography, and the unfinished '' Reveries of the Solitary Walker'' (composed 1776–1778)—exemplified the late 18th-century " Age of Sensibility", and featured an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
