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Slendro On C
Slendro ( jv, ꦱ꧀ꦭꦺꦤ꧀ꦢꦿꦺꦴ, ban, slendro, translit=Sléndro) ( su, salendro, translit=Saléndro) is one of the essential tuning systems used in gamelan instruments that have pentatonic scale. Based on Javanese mythology, the Slendro Gamelan tuning system is older than the ''pélog'' tuning system. Etymology Slendro is a Javanese term for one of the scales in gamelan. It is derived either from "Sailendra", the name of the ruling family in the eighth and ninth centuries when Borobudur was built, or from its earlier being given by the god Sang Hyang Hendra. History The origin of the ''slendro'' scale is unknown. However the name ''slendro'' is derived from Sailendra, the ancient dynasty of Mataram Kingdom in Central Java, and also Srivijaya. The ''slendro'' scale is thought to be brought to Srivijaya by Mahayana Buddhists from Gandhara of India, via Nalanda and Srivijaya from there to Java and Bali. It is similar to scales used in Indian and Chinese music a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slendro On C
Slendro ( jv, ꦱ꧀ꦭꦺꦤ꧀ꦢꦿꦺꦴ, ban, slendro, translit=Sléndro) ( su, salendro, translit=Saléndro) is one of the essential tuning systems used in gamelan instruments that have pentatonic scale. Based on Javanese mythology, the Slendro Gamelan tuning system is older than the ''pélog'' tuning system. Etymology Slendro is a Javanese term for one of the scales in gamelan. It is derived either from "Sailendra", the name of the ruling family in the eighth and ninth centuries when Borobudur was built, or from its earlier being given by the god Sang Hyang Hendra. History The origin of the ''slendro'' scale is unknown. However the name ''slendro'' is derived from Sailendra, the ancient dynasty of Mataram Kingdom in Central Java, and also Srivijaya. The ''slendro'' scale is thought to be brought to Srivijaya by Mahayana Buddhists from Gandhara of India, via Nalanda and Srivijaya from there to Java and Bali. It is similar to scales used in Indian and Chinese music a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Central Java
Central Java ( id, Jawa Tengah) is a province of Indonesia, located in the middle of the island of Java. Its administrative capital is Semarang. It is bordered by West Java in the west, the Indian Ocean and the Special Region of Yogyakarta in the south, East Java in the east, and the Java Sea in the north. It has a total area of 32,800.69 km2, with a population of 36,516,035 at the 2020 Census making it the third-most populous province in both Java and Indonesia after West Java and East Java. The official estimate as at mid 2021 was 36,742,501.Badan Pusat Statistik, Jakarta, 2022. The province also includes the island of Nusakambangan in the south (close to the border of West Java), and the Karimun Jawa Islands in the Java Sea. Central Java is also a cultural concept that includes the Yogyakarta Special Region, in turn including the city of Yogyakarta; however, administratively that city and its surrounding regencies have formed a separate special region (equivalent to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wayang
, also known as ( jv, ꦮꦪꦁ, translit=wayang), is a traditional form of puppet theatre play originating from the Indonesian island of Java. refers to the entire dramatic show. Sometimes the leather puppet itself is referred to as . Performances of wayang puppet theatre are accompanied by a ''gamelan'' orchestra in Java, and by '' gender wayang'' in Bali. The dramatic stories depict mythologies, such as episodes from the Hindu epics the ''Ramayana'' and the ''Mahabharata'', as well as local adaptations of cultural legends. Traditionally, a is played out in a ritualized midnight-to-dawn show by a ''dalang'', an artist and spiritual leader; people watch the show from both sides of the screen. performances are still very popular among Indonesians, especially in the islands of Java and Bali. performances are usually held at certain rituals, certain ceremonies, certain events, and even tourist attractions. In ritual contexts, puppet shows are used for prayer rituals (held in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pathet
Pathet ( jv, ꦥꦛꦼꦠ꧀, translit=Pathet, also patet) is an organizing concept in central Javanese gamelan music in Indonesia. It is a system of tonal hierarchies in which some notes are emphasized more than others. The word means '"to damp, or to restrain from" in Javanese. ''Pathet'' is "a limitation on the player's choice of variation, so that while in one ''pathet'' a certain note may be prominent, in another it must be avoided, or used only for special effect. Awareness of such limitations, and exploration of variation within them reflects a basic philosophical aim of gamelan music, and indeed all art in central Java, namely, the restraint and refinement of one's own behaviour." Javanese often give poetic explanations of pathet, such as "Pathet is the couch or bed of a melody." In essence, a pathet indicates which notes are stressed in the melody, especially at the end of phrases (seleh), as well as determines which elaborations (cengkok and sekaran) are appropriate. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cremation
Cremation is a method of Disposal of human corpses, final disposition of a Cadaver, dead body through Combustion, burning. Cremation may serve as a funeral or post-funeral rite and as an alternative to burial. In some countries, including India and Nepal, cremation on an Pyre, open-air pyre is an ancient tradition. Starting in the 19th century, cremation was introduced or reintroduced into other parts of the world. In modern times, cremation is commonly carried out with a Crematorium, closed furnace (cremator), at a crematorium. Cremation leaves behind an average of 2.4 kg (5.3 lbs) of remains known as "ashes" or "cremains". This is not all ash but includes unburnt fragments of bone mineral, which are commonly ground into powder. They do not constitute a health risk and may be buried, interred in a memorial site, retained by relatives or scattered in various ways. History Ancient Cremation dates from at least 17,000 years ago in the archaeological record, with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan Angklung
The (Sundanese: ) is a musical instrument from the Sundanese people in Indonesia made of a varying number of bamboo tubes attached to a bamboo frame. The tubes are carved to have a resonant pitch when struck and are tuned to octaves, similar to Western handbells. The base of the frame is held in one hand, while the other hand shakes the instrument, causing a repeating note to sound. Each performer in an ensemble is typically responsible for just one pitch, sounding their individual at the appropriate times to produce complete melodies (see Kotekan). The is popular throughout the world, but it originated in what is now West Java and Banten provinces in Indonesia, and has been played by the Sundanese for many centuries. The and its music have become an important part of the cultural identity of Sundanese communities. Playing the as an orchestra requires cooperation and coordination, and is believed to promote the values of teamwork, mutual respect and social harmony. On Nov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Javanese Language
Javanese (, , ; , Aksara Jawa: , Pegon: , IPA: ) is a Malayo-Polynesian language spoken by the Javanese people from the central and eastern parts of the island of Java, Indonesia. There are also pockets of Javanese speakers on the northern coast of western Java. It is the native language of more than 98 million people. Javanese is the largest of the Austronesian languages in number of native speakers. It has several regional dialects and a number of clearly distinct status styles. Its closest relatives are the neighboring languages such as Sundanese, Madurese, and Balinese. Most speakers of Javanese also speak Indonesian for official and commercial purposes as well as a means to communicate with non-Javanese-speaking Indonesians. There are speakers of Javanese in Malaysia (concentrated in the West Coast part of the states of Selangor and Johor) and Singapore. Javanese is also spoken by traditional immigrant communities of Javanese descent in Suriname, Sri Lanka an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
śruti (music)
The ''shruti'' or ''śruti'' is the smallest interval of pitch that the human ear can detect and a singer or musical instrument can produce. The concept is found in ancient and medieval Sanskrit texts such as the ''Natya Shastra'', the '' Dattilam'', the '' Brihaddeshi'', and the ''Sangita Ratnakara''. ''Chandogya Upanishad'' speaks of the division of the octave in 22 parts. The ''swara'' differs from the ''shruti'': the ''shruti'' is the smallest gradation of pitch available, while a ''swara'' is the selected pitches from which the musician constructs the scales, melodies and ''ragas''. The ''Natya Shastra'' identifies and discusses twenty two ''shruti'' and seven ''swara'' per octave. It has been used in several contexts throughout the history of Indian music. Recent research has more precisely defined the term ''shruti'', its difference from ''nada'' and ''swara'', and identified positions on a string to play 22 shrutis. The most well-known example of shrutis is pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Microtonal
Microtonal music or microtonality is the use in music of microtones—intervals smaller than a semitone, also called "microintervals". It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave. In other words, a microtone may be thought of as a note that falls between the keys of a piano tuned in equal temperament. In ''Revising the musical equal temperament,'' Haye Hinrichsen defines equal temperament as “the frequency ratios of all intervals are invariant under transposition (translational shifts along the keyboard), i.e., to be constant. The standard twelve-tone ''equal temperament'' (ET), which was originally invented in ancient China and rediscovered in Europe in the 16th century, is determined by two additional conditions. Firstly the octave is divided into twelve semitones. Secondly the octave, the most fundamental of all intervals, is postulated to be pure (beatless), as described by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mantle Hood
Mantle Hood (June 24, 1918 – July 31, 2005) was an American ethnomusicologist. Among other areas, he specialized in studying gamelan music from Indonesia. Hood pioneered, in the 1950s and 1960s, a new approach to the study of music, and the creation of the first American university program devoted to ethnomusicology, at the University of California, Los Angeles (UCLA). He was known for a suggestion, somewhat novel at the time, that his students learn to play the music they were studying. Biography Born and raised in Springfield, Illinois, Hood studied piano as a child and played clarinet and tenor saxophone in regional jazz clubs in his teens. Despite his talent as a musician, he had no plans to make it his profession. He moved to Los Angeles in the 1930s and wrote pulp fiction while employed as a draftsman in the aeronautical industry. After Army service in Europe during World War II, he returned to Los Angeles. He enrolled in the School of Agriculture at the University o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raden Machjar Angga Koesoemadinata
Raden Machjar Angga Koesoemadinata (often written as ''Kusumadinata, Kusumahdinata, Kusumah Dinata'' or ''Anggakusumadinata''), known as Pak Machjar or Pak Mahyar, was a Sundanese music composer and an Indonesian musicologist, specializing in pelog and salendro. He invented the Sundanese solfège system (''da mi na ti la'') and the Sundanese 17-tone model. He was born in Sumedang on 7 December 1902, and died in Bandung on 9 April 1979. Biography Koesoemadinata is widely known among the Sundanese people as a composer. He wrote Sundanese traditional songs such as "Lemah Cai" (Our Native Land), "Dewi Sartika" and "Sinom Puspasari". He was also a playwright and director of Sundanese music-dramas called ''Rinenggasari''; among those he wrote are ''Sarkam-Sarkim'' and ''Satan Mindo Wahyu Revelation'' (Satan Personification as Divine Revelation). He formulated the Sundanese solfège system (''da mi na ti la'') and wrote many theoretical publications on Sundanese music, including ''Ilmu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebab
The ''rebab'' ( ar, ربابة, ''rabāba'', variously spelled ''rebap'', ''rubob'', ''rebeb'', ''rababa'', ''rabeba'', ''robab'', ''rubab'', ''rebob'', etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Southeast Asia, the Middle East, and parts of Europe. The instrument is typically bowed, but is sometimes plucked. It is one of the earliest known bowed instruments, named no later than the 8th century, and is the parent of many bowed and stringed instruments. Variants There are chiefly 3 main types: A long-necked bowed variety that often has a spike at the bottom to rest on the ground (see first image to the right); thus this is called a spike fiddle in certain areas. Some of the instruments developing from this have vestigial spikes. A short-necked double-chested or "boat-shaped" variant; here plucked versions like the ''Maghreb rebab'' and the ''kabuli rebab'' (sometimes referred to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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