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Sisley
Alfred Sisley (; ; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape ''en plein air'' (i.e., outdoors). He deviated into figure painting only rarely and, unlike Renoir and Pissarro, he found that Impressionism fulfilled his artistic needs. Among his important works are a series of paintings of the River Thames, mostly around Hampton Court, executed in 1874, and landscapes depicting places in or near Moret-sur-Loing. The notable paintings of the Seine and its bridges in the former suburbs of Paris are like many of his landscapes, characterised by tranquillity, in pale shades of green, pink, purple, dusty blue and cream. Over the years Sisley's power of expression and colour intensity increased.Richard Shone: ''Sisley.'' London: Phaidon Press 1999. Biography Sisley was born in Pari ...
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Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogo ...
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Moret-sur-Loing
Moret-sur-Loing (, literally ''Moret on Loing'') is a former commune in the Seine-et-Marne department in the Île-de-France region in north-central France. It is situated on the river Loing, close to its confluence with the Seine. Moret–Veneux-les-Sablons station has rail connections to Montargis, Melun, Montereau-Fault-Yonne, Laroche-Migennes and Paris. On 1 January 2015, Moret-sur-Loing and Écuelles merged becoming one commune called Orvanne, which merged into the new commune Moret-Loing-et-Orvanne on 1 January 2016.Arrêté préfectoral
29 October 2015 The town was a source of inspiration for ,

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Pierre-Auguste Renoir
Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau." He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–1969). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre. Life Youth Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841. His father, Léonard Renoir, was a tailor of modest means, so, in 1844, Renoir's family moved to Paris in search of more favorable prospects. The location of their home, in rue d’Argenteuil in central Paris, placed Renoir in proximity to the Louvre. Although the young Renoir had a natural proclivity for drawing, he exhibited a greater t ...
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Hampton Court Bridge
Hampton Court Bridge is a Grade II listed bridge that crosses the River Thames in England approximately north–south between Hampton, London and East Molesey, Surrey, carrying the A309. It is the upper of two road bridges on the reach above Teddington Lock and downstream of Molesey Lock. The bridge is the most upstream crossing of all of the Thames bridges of Greater London; uniquely one bank is within the county. The Thames Path crosses the river here. Historic crossings Ferry The location of the bridge had been a ferry crossing point since at least the Tudor period. First bridge In 1750, James Clarke obtained a private parliamentary bill to construct a privately owned bridge at Hampton Court. The first bridge was constructed by Samuel Stevens and Benjamin Ludgator from 1752 until 1753 and opened on 13 December that year. It had seven wooden arches and was built in the Chinoiserie design of the Willow pattern that was popular at the time, attested by two prints made in ...
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Claude Monet
Oscar-Claude Monet (, , ; 14 November 1840 â€“ 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions before nature, especially as applied to ''plein air'' (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting '' Impression, soleil levant'', exhibited in the 1874 ("exhibition of rejects") initiated by Monet and his associates as an alternative to the Salon. Monet was raised in Le Havre, Normandy, and became interested in the outdoors and drawing from an early age. Although his mother, Louise-Justine Aubrée Monet, supported his ambitions to be a painter, his father, Claude-Adolphe, disapproved and wanted him to pursue a career in business. He was very close to his mot ...
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École Des Beaux-Arts
École des Beaux-Arts (; ) refers to a number of influential art schools in France. The term is associated with the Beaux-Arts style in architecture and city planning that thrived in France and other countries during the late nineteenth century and the first quarter of the twentieth century. The most famous and oldest École des Beaux-Arts is the École nationale supérieure des Beaux-Arts in Paris, now located on the city's left bank across from the Louvre, at 14 rue Bonaparte (in the 6th arrondissement). The school has a history spanning more than 350 years, training many of the great artists in Europe. Beaux-Arts style was modeled on classical "antiquities", preserving these idealized forms and passing the style on to future generations. History The origins of the Paris school go back to 1648, when the Académie des Beaux-Arts was founded by Cardinal Mazarin to educate the most talented students in drawing, painting, sculpture, engraving, architecture and other media. Loui ...
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En Plein Air
''En plein air'' (; French for 'outdoors'), or ''plein air'' painting, is the act of painting outdoors. This method contrasts with studio painting or academic rules that might create a predetermined look. The theory of 'En plein air' painting is credited to Pierre-Henri de Valenciennes (1750–1819), first expounded in a treatise entitled ''Reflections and Advice to a Student on Painting, Particularly on Landscape'' (1800), where he developed the concept of landscape portraiture by which the artist paints directly onto canvas ''in situ'' within the landscape. It enabled the artist to better capture the changing details of weather and light. The invention of portable canvases and easels allowed the practice to develop, particularly in France, and in the early 1830s the Barbizon school of painting in natural light was highly influential. Amongst the most prominent features of this school were its tonal qualities, colour, loose brushwork, and softness of form. These were varian ...
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Seine
) , mouth_location = Le Havre/Honfleur , mouth_coordinates = , mouth_elevation = , progression = , river_system = Seine basin , basin_size = , tributaries_left = Yonne, Loing, Eure, Risle , tributaries_right = Ource, Aube, Marne, Oise, Epte The Seine ( , ) is a river in northern France. Its drainage basin is in the Paris Basin (a geological relative lowland) covering most of northern France. It rises at Source-Seine, northwest of Dijon in northeastern France in the Langres plateau, flowing through Paris and into the English Channel at Le Havre (and Honfleur on the left bank). It is navigable by ocean-going vessels as far as Rouen, from the sea. Over 60 percent of its length, as far as Burgundy, is negotiable by large barges and most tour boats, and nearly its whole length is available for recreational boating; excursion boats offer sightseeing tours of the river banks in the capital city, Paris. There are 37 bridges in P ...
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Marc-Charles-Gabriel Gleyre
Marc Gabriel Charles Gleyre (2 May 1806 – 5 May 1874), was a Swiss artist who was a resident in France from an early age. He took over the studio of Paul Delaroche in 1843 and taught a number of younger artists who became prominent, including Henry-Lionel Brioux, George du Maurier, Claude Monet, Pierre-Auguste Renoir, Louis-Frederic Schützenberger, Alfred Sisley, Auguste Toulmouche, and James Abbott McNeill Whistler. Life Gleyre was born in Chevilly, near Lausanne. His parents died when he was eight or nine years old, and he was brought up by an uncle in Lyon, France, who sent him to the city's industrial school. He began his formal artistic education in Lyon under Jean-Claude Bonnefond, Bonnefond, before moving to Paris, where he enrolled at the École des Beaux-Arts under Louis Hersent, Hersent. He also attended the Academie Suisse and studied watercolour technique in the studio of Richard Parkes Bonington. He then went to Italy, where he became acquainted with Horace Vernet a ...
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Frédéric Bazille
Jean Frédéric Bazille (December 6, 1841 – November 28, 1870) was a French Impressionist painter. Many of Bazille's major works are examples of figure painting in which he placed the subject figure within a landscape painted ''en plein air''. Life and work Frédéric Bazille was born in Montpellier, Hérault, Languedoc-Roussillon, France, into a wealthy wine merchant Protestant family. Bazille grew up in the Le Domaine de Méric, a wine-producing estate in Castelnau-le-Lez, near Montpellier, owned by his family. He became interested in painting after seeing some works of Eugène Delacroix. His family agreed to let him study painting, but only if he also studied medicine. Bazille began studying medicine in 1859, and moved to Paris in 1862 to continue his studies. There he met Pierre-Auguste Renoir and Alfred Sisley, was drawn to Impressionist painting, and began taking classes in Charles Gleyre's studio. After failing his medical exam in 1864, he began painting full-time. His ...
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Café Guerbois
Café Guerbois, on Avenue de Clichy in Paris, was the site of late 19th-century discussions and planning amongst artists, writers and art lovers – the '' bohèmes'' (bohemians), in contrast to the ''bourgeois''. Centered on Édouard Manet, the group gathered at the café usually on Sundays and Thursdays. Émile Zola, Frédéric Bazille, Louis Edmond Duranty, Henri Fantin-Latour, Emmanuel Chabrier, Edgar Degas, Claude Monet, Pierre-Auguste Renoir and Alfred Sisley regularly joined in the discussions. Tinterow, Gary. Henri Loyrette (1994). Origins of Impressionism'. Metropolitan Museum of Art. p. 314. . . Sometimes Paul Cézanne and Camille Pissarro also joined them. The group is sometimes called the Batignolles Group and many of the members are associated with Impressionism. Conversations there were often heated. On one evening in February 1870, things became so heated that Manet, insulted by a review that Duranty wrote, wounded Duranty in a duel A duel is an arran ...
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Richard Shone
Richard Shone (born 1949) is a British art historian and art critic specializing in British modern art, and from 2003–15 was the editor of ''The Burlington Magazine''. Career At age 16, Shone was already well enough connected in the British art world that Duncan Grant introduced him to his neighbor Lydia Lopokova, the widow of John Maynard Keynes, at her and Keynes's house, where Shone saw work by Seurat, Cézanne, Delacroix, Picasso, Braque and Grant himself. Having obtained a BA in English from the University of Cambridge in 1971, Shone was through the 1970s and 1980s a prolific reviewer in the art press - ''The Burlington Magazine'', ''Art Review'', ''Artforum'' - as well as a contributor on literature and biography to ''The Spectator'' and ''The Guardian''. Shone curated several exhibitions dedicated to British art, such as Walter Sickert’s portraits at the Victoria Art Gallery in Bath (1990); a full Sickert retrospective at the Royal Academy of Arts in London and V ...
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