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Silvia Azzoni
Silvia Azzoni (born 3 November 1973) is an Italian ballet dancer who performs at the Hamburg Ballet as a principal dancer. Early life Azzoni was born in Turin, Italy. She trained at Baletna Skola at her hometown, and later The School of The Hamburg Ballet in Germany. Career Azzoni joined the Hamburg Ballet in 1993, and became a soloist in 1996. She was named principal dancer in 2001. She had originated roles in John Neumeier's works, such as Olga Preobrajenska in ''Nijinsky'', Aschenbach's Concepts in ''Death in Venice'' and The Angel ''Christmas Oratorio I-VI''. Her repertoire also includes works by Frederick Ashton, George Balanchine, Mats Ek and Christopher Wheeldon. As a guest artist, she had danced in Germany, Russia, Poland, Italy, Japan, U.S., Taiwan, Australia and Austria. She had appeared in Alessandra Ferri's, Roberto Bolle's and Manuel Legris's galas, and performed with The Royal Ballet. Additionally, she held her own gala, ''Silvia Azzoni & Friends'', in Italy. Sel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turin
Turin ( , Piedmontese language, Piedmontese: ; it, Torino ) is a city and an important business and cultural centre in Northern Italy. It is the capital city of Piedmont and of the Metropolitan City of Turin, and was the first Italian capital from 1861 to 1865. The city is mainly on the western bank of the Po (river), Po River, below its Susa Valley, and is surrounded by the western Alps, Alpine arch and Superga Hill. The population of the city proper is 847,287 (31 January 2022) while the population of the urban area is estimated by Larger Urban Zones, Eurostat to be 1.7 million inhabitants. The Turin metropolitan area is estimated by the Organisation for Economic Co-operation and Development, OECD to have a population of 2.2 million. The city used to be a major European political centre. From 1563, it was the capital of the Duchy of Savoy, then of the Kingdom of Sardinia ruled by the House of Savoy, and the first capital of the Kingdom of Italy from 1861 to 1865. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prix Benois De La Danse
The Benois de la Danse is a ballet competition held annually in Moscow. Founded by the International Dance Association in 1991, it takes place each year on or around April 29 and it's judged by a jury. The members of this jury change every year and it consists of only top ballet personages. Statuettes are given to the winners in the categories of lifelong achievement, ballerina, danseur, choreographer, composer and designer. The Benois de la Danse earns a cash prize of $1,000,000, as well as exceptional events occurring during the previous year on stages around the world. These include dancing roles of all kinds as well as choreographic accomplishments. History The idea for the Benois de la Danse was initiated in Moscow and the founders succeeded in obtaining the patronage of UNESCO in the autumn of 1992. Its scheduling at the end of April is meant to coincide with the birthday of the great Alexandre Benois (1870–1960) for whom it is named. French sculptor Igor Ustinov desi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Napoli (ballet)
''Napoli, or The Fisherman and His Bride'' is a ballet created in 1842 for Denmark's Royal Ballet by Danish choreographer and ballet master August Bournonville. It tells the story of Teresina, a young Italian girl who falls in love with Gennaro, a fisherman, and culminates in the marriage of the lovers. Synopsis Act I (The Market). Teresina's mother, Veronica, who does not want her to marry poor Gennaro, introduces her to two other suitors. These are two older but rich men named Peppo and Giacomo. Teresina, much to her mother's distress, refuses them both and instead goes off to wait for Gennaro. When Gennaro arrives back at port, he and Teresina go to find Veronica and try to convince her that they should wed. Luckily for them, this task proves relatively easy once she sees how true the young couple's love is. Full of happiness Teresina and Gennaro sail off together. Meanwhile, a group of entertainers come and put on a show for the townsfolk. However, a violent storm begins a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afternoon Of A Faun (Robbins)
''Afternoon of a Faun'' is a ballet choreographed by Jerome Robbins to Claude Debussy's ''Prélude à l'après-midi d'un faune''. The ballet features two young dancers meeting at a rehearsal studio. Robbins was influenced by Stéphane Mallarmé's poem '' L'après-midi d'un faune'', the inspiration for Debussy's score, as well as Vaslav Nijinsky's 1912 ballet to the same score, and his own observation of dancers. The ballet was made for the New York City Ballet, and premiered on May 14, 1953, at the City Center of Music and Drama, with the two roles of the ballet originated by Tanaquil Le Clercq and Francisco Moncion. ''Afternoon of a Faun'' has since been performed by various other ballet companies. Background and development Claude Debussy's ''Prélude à l'après-midi d'un faune'' was inspired by Stéphane Mallarmé's poem '' L'après-midi d'un faune'', about a faun's encounter with nymphs. The first ballet set to the score was choreographed by Vaslav Nijinsky and premiered i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bella Figura
Bella is a feminine given name. It is a diminutive form of names ending in -bella. ''Bella'' is related to the Italian, Spanish, Greek, Portuguese and Latin words for beautiful, to the name Belle, meaning ''beautiful'' in French. It increased in usage following the publication of the ''Twilight'' books by Stephenie Meyer. It is also known for being a nickname to Isabella, Annabella or Arabella. Given name People * Bella A. Burnasheva (born 1944), Soviet/Russian astronomer * Bella Abzug (1920–1998), American politician and prominent figure in the women’s movement * Bella Agossou (born 1981), Beninese actress * Bella Akhmadulina (1937–2010), Soviet/Russian poet, writer, and translator * Bella Alarie (born 1998), American basketball player * Bella Alten (1877–1962), Polish operatic soprano * Bella Alubo (born 1993), Nigerian musician, singer, and songwriter * Bella Andre, American author * Bella Angara (born 1939), Filipina politician and former governor of Aurora province ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jewels (ballet)
''Jewels'' is a three-act ballet created for the New York City Ballet by co-founder and founding choreographer George Balanchine. It premièred on Thursday, 13 April 1967 at the New York State Theater, with sets designed by Peter Harvey and lighting by Ronald Bates. ''Jewels'' has been called the first full-length abstract ballet. It has three related movements: ''Emeralds'', ''Rubies'', and ''Diamonds'' (usually separated by intermissions). It can also be seen as three separate ballets, linked by their jewel-colored costumes. Balanchine commented: "The ballet had nothing to do with jewels. The dancers are just dressed like jewels." Each of the three acts features the music of a different composer: ''Emeralds'' is set to the music of Gabriel Fauré, ''Rubies'' to the music of Igor Stravinsky and ''Diamonds'' to music by Pyotr Ilyich Tchaikovsky. Costumes The costumes were created by Balanchine's long-time collaborator Barbara Karinska, who created a distinct look for each differen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onegin (Cranko)
''Onegin'' is a ballet created by John Cranko for the Stuttgart Ballet, premiered on 13 April 1965 at Staatstheater Stuttgart. The ballet was based on Alexander Pushkin's 1825-1832 novel ''Eugene Onegin'', to music by Pyotr Ilyich Tchaikovsky and arrangements by Kurt-Heinz Stolze. The ballet had since been in the repertoires of The Australian Ballet, National Ballet of Canada, American Ballet Theatre and The Royal Ballet. Background and production Cranko first discovered Alexander Pushkin's verse-novel ''Eugene Onegin'' when he choreographed the dances for Tchaikovsky's opera of the same name in 1952. He first proposed a ballet based on Pushkin's story to the Royal Opera House board in the 1960s, but it was turned down, and he pursued the idea when he moved to Stuttgart. The Stuttgart Ballet premiered the work in 1965. The Royal Ballet did not present the work until 2001. The choreography for his ballet includes a wide range of styles, including folk, modern, ballroom and acrob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Concert (ballet)
''The Concert (or The Perils of Everybody)'' is a ballet made by Jerome Robbins, subsequently New York City Ballet's ballet master, to Chopin's: : Polonaise in A major "Military", Op. 40, No. 1 : Berceuse in D flat major, Op. 57 : Prelude in F minor, Op. 28, No. 18 :Prelude in B flat minor, Op. 28, No. 16 : Waltz in E minor, Op. posth. :Prelude in A major, Op. 28, No. 7 :Prelude in E minor, Op. 28, No. 4 : Mazurka in G major, KK IIa/2 : Ballade No. 3 in A flat major, Op. 47 The décor was by Saul Steinberg, the costumes by Irene Sharaff and the lighting by Ronald Bates. The premiere took place at City Center of Music and Drama, New York, on Tuesday, 6 March 1956. Robbins made three subsequent ballets to Chopin's music: ''Dances at a Gathering'' (1969), '' In the Night'' (1970), and ''Other Dances'' (1976), made for Mikhail Baryshnikov and Natalia Makarova. Original cast *Tanaquil LeClercq *Todd Bolender *Yvonne Mounsey * Robert Barnett *Wilma Curley *John Mandia *Shaun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dances At A Gathering
''Dances at a Gathering'' is a ballet choreographed by Jerome Robbins to music by Frédéric Chopin, with costumes designed by Joe Eula. The ballet premiered on May 22, 1969, at the New York State Theater, performed by the New York City Ballet. Production ''Dances at a Gathering'' is the first ballet Robbins created for the New York City Ballet (NYCB) in years, after he worked on Broadway theatre. He first planned to make a pas de deux for Patricia McBride and Edward Villella, but it was eventually expanded to five couples. According to NYCB, after George Balanchine saw 25 minutes of the ballet, he said: " ke more, make it like popcorn", so Robbins enlarged the ballet to an hour long. With costumes by Joe Eula and lighting by Thomas Skelton, the ballet had a gala preview on May 8, 1969, before premiering on May 22. Robbins dedicated the ballet to lighting designer Jean Rosenthal, who had died on May 1. Following the premiere, there were many speculations regarding the narrative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Sacre Du Printemps
''The Rite of Spring''. Full name: ''The Rite of Spring: Pictures from Pagan Russia in Two Parts'' (french: Le Sacre du printemps: tableaux de la Russie païenne en deux parties) (french: Le Sacre du printemps, link=no) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich. When first performed at the Théâtre des Champs-Élysées on 29 May 1913, the avant-garde nature of the music and choreography List of classical music concerts with an unruly audience response, caused a sensation. Many have called the first-night reaction a "riot" or "near-riot", though this wording did not come about until reviews of later performances in 1924, over a decade later. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sylphide
''La Sylphide'' ( en, The Sylph; da, Sylfiden) is a romantic ballet in two acts. There were two versions of the ballet; the original choreographed by Filippo Taglioni in 1832, and a second version choreographed by August Bournonville in 1836. Bournonville's is the only version known to have survived and is one of the world's oldest surviving ballets. Taglioni version On 12 March 1832 the first version of ''La Sylphide'' premiered at the Salle Le Peletier of the Paris Opéra with choreography by the groundbreaking Italian choreographer Filippo Taglioni and music by Jean Schneitzhoeffer, Jean-Madeleine Schneitzhoeffer. Taglioni designed the work as a showcase for his daughter Marie Taglioni, Marie. ''La Sylphide'' was the first ballet where dancing ''en pointe'' had an aesthetic rationale and was not merely an acrobatic stunt, often involving ungraceful arm movements and exertions, as had been the approach of dancers in the late 1820s. Marie was known for shortening her skirts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
